Is ARRI Canon’s Biggest Obstacle in Professional Cinema?

Was there any doubt? :)

Setlife Magazine has posted a couple of graphics showing the technical specifications of cameras and lenses used in the making of the cinematography & best picture nominees.

EOSHD points out a very interesting observation. There isn’t a single RED camera on the list. It’s almost a clean sweep by ARRI.

Although, Canon should be happy with the C300’s and C500’s that have shown up in a few films. I think it’s good news for Canon since Cinema EOS is still pretty infant, and as EOSHD points out, they’re under-specced compared to their competition.

Something to build on for Canon.

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