Autofocus Recall
This notice is to proactively inform our customers of the details of the phenomena described below along with Canon’s support actions. Because we value the trust our customers have placed in us, we are dedicated to continuously improving product quality and delivering industry-leading service and support. We offer our sincerest apologies to any customer who may be inconvenienced.
Affected Products
EOS-1D X Digital SLR Camera
EOS-1D C Cinema EOS Camera
Phenomena
In some units of the models listed below, there is a possibility that the following phenomena may occur due to wear caused by insufficient lubrication within the camera’s driving mechanism.
1. AF searches but does not lock in on the subject.
(Caused by minute particles produced by wear mentioned above.)
2. The image shown in the viewfinder is “blurry” or “not steady”.
(Occurs if wear progresses.)
Potentially Affected Products
1. EOS-1D X: If the sixth digit of the serial number is “1”, “2”, “3”, “4”, “5”, “6” or “7”, the phenomena described above may occur.
2. EOS-1D C: If the sixth digit of the serial number is “1”, the phenomena described above may occur.
NOTE: If the camera’s battery compartment contains one of the markings illustrated below, the camera is NOT affected by the
phenomena described above even if the sixth digit of the serial number is one of the numbers mentioned above.
Markings of UNAFFECTED cameras
|
|
|
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An “A” mark |
A black mark on the silver bracket |
Support
Potentially affected cameras will be inspected and repaired free of charge. If you own one of the potentially affected cameras please contact our Customer Support Center.
This information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.
Please register the EOS-1D X and the EOS-1D C. By registering, we will be able to notify you via email when service updates are available.
Thank you,
Customer Support Operations
Canon U.S.A., Inc
An image worth investigating
Below are some screencaps that I received today from a Chinese forum called “Weibo”. In it, you will see a blurred out Canon camera, which isn’t all that significant.
However, on the strap we see what appears to be “EOS 3D”, I do not see a fold in the strap that would possibly be hiding a “0″ for the 30D, nor is it a 7.
What do you think?
Also appeared on [PR]
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From BuyDig.com
Canon Rumors partner BuyDig.com has started a limited time promotion on the following Canon Gear.
5% instant rewards on select Canon Gear – 5% rewards are applied instantly with a price reduction at final checkout! USA shipping is FREE
All camera deals below have 5% instant rewards and also include:
Cameras
Prime Lenses
Zoom Lenses
Flashes
From B&H Photo
B&H Photo is now accepting preorders for the Sigma 18-35 f/1.8 DC lens. Keep in mind a “DC” lens is for a crop body.
Preorder the Sigma 18-35mm f/1.8 DC $799
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Various reports say it is
We’ve heard from a few people that the EF 70-200 f/2.8L is in the process of being discontinued.
A few people have said they have attempted to get broken lenses fixed and have been told by Canon USA that parts for the repair are no longer available and will not be in the future either.
Another report says an EF 70-200 f/2.8L that was in disrepair was replaced with a refurbished EF 70-200 f/2.8L IS II at no extra cost. However, don’t go breaking your lenses, as this may have been a one off.
I would imagine the current stock of the lens at retailers will probably be the last of them. I’ve heard nothing about a replacement for the lens, even though I do think there is a place for Non-IS lenses such as this one.
Canon EF 70-200 f/2.8L at B&H Photo $1299
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Another patent
This is probably the third separate patent I have seen for an EF 100-400 f/4.5-5.6L IS over the last 24 months. A zoom ring version does exist in the wild. We’re told the push/pull is finished and we’ll get a properly sealed 100-400. The cost will be north of $2500 USD and we could finally see it announced before the end of the year. Also appearing in the patent is a 70-300.
The breakdown below is Google translated
Source: [EG]
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Development announcement before years end?
There has been a bit of discussion lately about the upcoming “big megapixel” camera body from Canon. The camera is slated for release some time in 2014. We’re told that there is a possibility that the camera will get a development announcement before the years end.
We’re told there is still discussion in regards to form factor of such a camera. There’s probably an even 50/50 split in preferences between an EOS-1Dx style body or a EOS 5D Mark III style body. I fall into the latter category, the smaller, the better for me. However, there are lots of people that love the ergonomics of the EOS-1D X. I guess it’s possible there could be a mix of both styles of body.
A different source says there are 3 different sensors currently in development, all of which are above the 35mp pixel count. Canon is apparently quite motivated to make industry leading sensors again, as we should see some of that in the EOS 7D Mark II and perhaps even the 70D in the summer.
The EOS-1D X is apparently slated for replacement in late 2014 or early 2015, and Canon would like to have a large megapixel camera on the market before that happens.
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New Review
Our review of the Canon EF 16-35mm f/2.8L II has been posted. Justin was eager to know whether or not it was worth the money over the very good EF 17-40 f/4L.
For the type of event work Justin does, it looks like he does think it’s better. Although I’d be less inclined to recommend it over its cheaper cousin if you’re primarily shooting landscape. The corner softness on the EF 16-35mm f/2.8L II isn’t any better than the EF 17-40 f/4L, the filter size difference could also be an issue for some people. However, if you need that stop of light, the EF 16-35 f/2.8L II is really your only choice in the Canon lineup.
Says Justin
“The 16-35mm f/2.8 L II beats my 17-40 f/4L in all aspects hands-down, except for cost. While I won’t find myself making the upgrade anytime soon, I did find the superior optics and faster aperture a boon in many situations I was in while working with the 16-35. The weight difference became less significant, and I actually mistook one lens for the other while packing my kit one day.”
Buy the Canon EF 16-35 f/2.8L II Lens
B&H Photo $1499.00 | Amazon $1498.89 | Adorama $1499.00
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New fast primes
The often talked about 50 f/1.4 and 135 f/2 have appeared in a new patent this week. We’ve heard that a replacement to the 50 f/1.4 would come first. A new 135 f/2L is a desired lens if they put IS into the upgrade. We’ve also heard a new 85 f/1.2L with reduced weight and approved AF performance was also on the horizon.
| Focal length | Fno. | The overall length of the lens | BF | Lens constitution | |
|---|---|---|---|---|---|
| One | 85.00 | 1.24 | 122.56 | 38.35 | 10 pieces of six groups |
| Two | 83.30 | 1.80 | 116.11 | 39.11 | 10 sheets in 7 groups |
| Three | 132.30 | 2.06 | 162.67 | 43.23 | 10 sheets in 7 groups |
| Four | 51.70 | 1.41 | 87.84 | 38.94 | 7 group nine |
Source: [EG]
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SAN JOSE, Calif. — June 10, 2013 — Adobe today announced the availability of Adobe® Photoshop® Lightroom® 5 for Mac OS® and Windows®. The product is available as an individual license or as part of Adobe Creative Cloud™. Designed for both photography enthusiasts and professionals alike, Lightroom 5 adds critical photo editing capabilities and creates groundbreaking workflows. Lightroom 5 was initially released as a free, public beta in April 2013.
“Lightroom was originally conceived through the requests of Adobe customers, and this feedback continues to drive each new iteration,” said Winston Hendrickson, vice president of products, Creative Media Solutions, Adobe. “As the digital photography landscape advances and evolves, Lightroom is the best solution for photographers and passionate hobbyists who want to get the most out of their digital images.”
Lightroom 5 adds powerful new editing tools to help photographers create better images faster. The Advanced Healing Brush enables customers to fix irregularly shaped imperfections such as dust spots, splotches, and other distractions with the precision and flexibility of a fine brush. The Upright tool analyzes each image to automatically straighten objects such as buildings and level horizons. Radial Gradients offer customers the control to make photo subjects stand out by applying off-center and multiple vignettes in a single image.
Lightroom 5 also brings extended sharing and publishing capabilities. New video slideshows enable customers to combine still images, video clips and music in a creative HD slideshow that can be viewed on almost any device. Updates to the Book module bring the ability to create, personalize and print elegant photo books from a variety of tailored, easy-to-use templates, as well as create customer-specific templates.
Smart Previews, new in Lightroom 5, enable photographers to make edits to their images offline, without bringing their entire library of original files with them. Edits and metadata changes to Smart Preview files are automatically applied to the original images when they are reconnected.
Adobe Photoshop Lightroom 5 is available now for immediate download for Adobe Creative Cloud members. Standalone software is available at Adobe.com and participating retailers for US$149 or US$79 for upgrades. For more detailed information about product features, upgrade policies, pricing and language versions, please visit www.adobe.com/go/lightroom.
Customers can also connect with the Lightroom team directly on Facebook, via Twitter or on the Adobe Lightroom blog. For Lightroom how-to videos, visit http://www.youtube.com/lightroom.
