Educational Roadshow Helps Photographers and Filmmaking Enthusiasts Build Their Skills and Unleash Their Creativity
MELVILLE, N.Y., May 29, 2014 – Canon U.S.A. Inc., a leader in digital imaging solutions, has kicked off its Canon In Action Tour, an educational roadshow ideal for advanced amateur DSLR users and filmmaking enthusiasts. The tour includes live-learning seminars and workshops in several major U.S. cities now through November 23, 2014.
Tour attendees will have the opportunity to take part in an in-depth Imaging Essentials Saturday seminar, and/or intensive Sunday training workshops for a nominal fee. The classes are taught by renowned professional image makers Jack Reznicki, Jim DiVitale and Amina Moreau. Reznicki and DiVitale are full-time professional photographers and members of Canon’s acclaimed Explorers of Light program, and Moreau is the co-founder of the Emmy® award-winning Stillmotion production company.
Each Saturday seminar covers still-imaging topics ranging from lens selection and composition, to understanding histograms and flash photography with Canon’s versatile Speedlite system. Throughout the seminar, video recording topics and techniques will be incorporated, simultaneously introducing DSLR video to traditional still-image shooters, and providing insights for EOS photographers who have already begun to include video in their imaging.
The Canon In Action Tour Sunday workshop offers participants a choice of two all-day, hands-on workshops: Speedlite Intensive or Exploring DSLR Video. Speedlite Intensive participants will be instructed on wireless flash operation and using cost-effective light modifiers to create professional-quality images with depth, dimension and detail. In the Exploring DSLR workshop, attendees will learn DSLR video shooting techniques, discuss the application of various in-camera video settings and learn how to apply the concept of visual story-telling to transform their finished video. With attendance limited to 20 people per workshop to maximize hands-on opportunities, both Sunday workshops present participants with a wealth of opportunities to learn in-depth techniques and develop their craft.
Canon technical representatives will be on-hand at all seminars and workshops to demo equipment and answer questions on Canon products. A full schedule of cities and dates for the Canon In Action tour is available at: inactiontour.usa.canon.com.
New Campaign Includes TV, Theater and Digital Advertising as Well as New Consumer-centric “Bring It” Microsite
MELVILLE, N.Y., May 27, 2014 – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce a new marketing campaign, “Bring It,” designed to enlighten consumers to a new perspective of telling better stories with higher quality images and video. The campaign, scheduled to roll out this month, features Canon’s line of EOS digital SLR cameras and lenses with a rallying cry for everyone to bring their best images and videos to be shared on the Canon “Bring It” microsite.
With a history dating as far back as the 1930s, Canon brought high-quality photography to market. Then, the heritage brand was the first to bring Hollywood caliber HD video to its digital SLR cameras. Today, Canon builds on its legacy by bringing a movement designed to show the public the value a Canon camera can bring to capture outstanding images and videos. Consumers should not settle for good enough, when they can have great. The new ‘Bring It’ campaign asks the masses to bring their talent, bring everything they have to the art of creating inspiring still and video images.
Through a series of TV, in-cinema and digital spots, “Bring It” pays homage to Canon’s past and future as a leader in digital imaging technology, including scenes from the recent film Need for Speed, as well as personal home videos conveying the impact Canon has had from Hollywood to the general public. Consumers are also encouraged to be part of this social movement using the hashtag #BringIt every time they upload their creative HD videos and still images on social media sharing sites like Facebook, Twitter, and YouTube. Consumer submitted content shared online with #BringIt may be featured and celebrated on the campaign microsite, bringit.usa.canon.com, beginning in July.
“We want this new ad campaign to inspire everyone who is passionate about photography to show us the talents they possess,” said Yuichi Ishizuka, president and COO, Canon U.S.A. “The idea behind ‘Bring It’ is to encourage people to strive to not only take better pictures and videos, but to take their cameras wherever they go, allowing them to tell their unique visual stories -stories that will stand out from the crowd and last a lifetime.”
Bring It Microsite
In addition, the “Bring It” microsite will serve as a gallery for consumer-submitted images and video, visitors to the bringit.usa.canon.com microsite will get a behind-the-scenes view of the inspiration behind each contribution and information on the products and methods used to produce what is being showcased. The microsite will also feature interactive content about Canon products, as well as educational tools to help inspire and guide consumers as they embark on their own journeys of producing still images and Hollywood caliber HD videos.
For the latest news and announcements related to Canon’s “Bring It” campaign, follow @CanonUSAImaging on Twitter and join the conversation with #BringIt.
From Photo Counter Australia
Canon Australia will sack almost 10 percent of its Australian staff following a dramatic downturn in profit (before income tax) in its 2013 financial year from $38.6 million (2012) to just $4.1 million.
Canon will outsource some of the roles covered by approximately 100 staff in ‘administration and back-office support jobs’ to business process management firms Genpact and Convergys, and is reported as saying the restructure will ‘streamline its office operations to increase efficiencies and better serve its customers’.
Canon achieves a world’s first as production of EF interchangeable lenses surpasses 100 million mark
TOKYO, Japan, April 30, 2014—Canon Inc. today celebrated an impressive lens-manufacturing milestone with the production on April 22, 2014, of the Company’s 100-millionth EF-series interchangeable lens for EOS cameras—an EF200-400mm f/4L IS USM Extender 1.4x.
Production of interchangeable EF lenses for Canon EOS-series AF (autofocus) single-lens reflex cameras began in 1987 at the Company’s Utsunomiya Plant, which continues to play a central role in Canon’s lens manufacturing operations. In May 2013, EF lens production surpassed the 90-million-unit mark and now, approximately eleven months later, the Company is commemorating its first-in-the-world1 achievement of having manufactured 100 million lenses.
Canon’s proprietary EF lenses, launched in March 1987 along with the EOS SLR camera system, have continued to evolve since their introduction, leading the industry through the incorporation of a wide range of innovative technologies, including such world’s firsts2 as the Ultrasonic Motor (USM), Image Stabilizer (IS) technology, and a multi-layered diffractive optical (DO) element. In May 2013, aiming to further expand the realm of photographic expression, the Company introduced the EF200-400mm f/4L IS USM Extender 1.4x, the world’s first3 super-telephoto zoom lens with a built-in 1.4x extender that makes possible a 200-560 mm focal length range.
In recent years, in addition to renewing such models as super-telephoto lenses ideal for sports and nature photography along with zoom lenses that offer a bright f/2.8 maximum aperture throughout the entire zoom range, Canon has launched multiple entry-class interchangeable lenses equipped with a stepping motor (STM) that delivers smooth and quiet autofocus performance during video recording. As a result, the Company’s extensive EF lens-series lineup currently comprises a total of 89 models.4 In addition to enhancing its lens offerings, Canon has expanded the optical technologies incorporated in its EF lenses into new fields, launching EF Cinema Lenses for digital cinematography in January 2012, and EF-M lenses for compact-system cameras in September 2012.
Furthermore, during the 11-year period from 2003 to 2013, Canon maintained the No. 1 share worldwide within the interchangeable-lens digital camera market and, in February 2014, marked another manufacturing milestone as combined production of its film and digital EOS-series interchangeable-lens cameras surpassed the 70-million-unit mark.
Canon will continue refining its diverse imaging technologies based on its core optical technologies, striving to produce exceptional and reliable lenses and cameras that cater to the varying needs of photographers—from first-time users to advanced amateurs and professionals—while contributing to expanding the photographic and video imaging culture.
Among interchangeable lenses as of April 22, based on a Canon survey.
Among interchangeable lenses for SLR cameras, based on a Canon survey.
Among interchangeable lenses for interchangeable lens cameras (SLR cameras, compact-system cameras), based on a Canon survey.
Including two EF lens extenders and three models available outside of Japan. As of April 30, 2014.
TOKYO, April 24 (Reuters) - Canon Inc inched up its 2014 operating profit target on Thursday due to strong sales of office copiers and printers in the first quarter, and said a reshuffle of its camera line-up had also helped boost margins.
Canon said office equipment sales rose by 9.7 percent in the first quarter, helping lift operating profits by 51 percent to a higher-than-expected 82.6 billion yen ($806.76 million).
Camera sales, however, fell by 22 percent year-on-year in the quarter, as the world’s biggest camera maker struggled with the prevalence of high-quality smartphone cameras and a saturation in the high-end, single-lens-reflex camera market.
Chief Financial Officer Toshizo Tanaka told an earnings briefing that sales of pricier compact cameras had actually increased after Canon adjusted its camera production and line-up in the first quarter to meet customers’ demand for more sophisticated products.
But he said a recovery would take time.
“Determining whether we can achieve the growth we are hoping for will take some time,” Tanaka said. “Things are getting better in China and Europe, but it will take a while to see whether that will continue.”
About the TIPA Awards
The TIPA Awards are renowned as the most influential photo and imaging product awards in markets around the world. All products and their advertising media bearing the TIPA Awards logo indicate that these have passed evaluations by TIPA’s technical committee and magazine editors. A TIPA Awards endorsement is the highest accolade for any photo and imaging product.
I am currently on a landscape photography workshop lead by Andy Biggs and Joshua Holko and alongside a lot of very cool people from around the globe. The landscape is absolutely stunning to say the least.
NAB 2014 in Las Vegas is upon us and we’ll be running a live blog for the duration of the show. Canon has made their announcements and a lot of other companies will also announce and show great new products. More than 20 bloggers are in attendance at NAB 2014 and will be updating the Live Blog on a regular basis.
If you have a noisy focus ring on your Canon EF 24-70 f/2.8L II, below is the reason why. The report is dated February 2014, so all lenses manufactured prior to August 2013 are are potentially affected. I’ve had first hand experience with this issue from our rental inventory. I have no idea if Canon will charge you for this repair if the lens is out of warranty. We haven’t bothered to fix our inventory, as a few lenses have exhibited the issue, but functionality doesn’t seem to be affected.
It has been confirmed at the factory that when turning the focus ring, in rare cases, an abnormal noise can be heard. If units are brought in due to complaints of this nature, please replace the part with the new part.
Compatibility Old and new types are compatible.
Reason & remedy for a noisy focus ring on a Canon EF 24-70 f/2.8L II
Time of Change The new type has been incorporated into products from the August 2013 production.
When mounting the new SPRING, COIL (CB3-3809-010), there is no need to mount PLATE, SPRING HOLD. (There will not be problems even if the PLATE, SPRING HOLD is mounted.)