Archive for the ‘Canon General’ Category
Canon Hong Kong is announcing something on April 24, 2014. I think it’s safe to say it won’t be a white EOS camera this time.
The text in this teaser says: “Beauty lies not in objects, but in the interaction between the shadow and light created by objects.”
I wouldn’t expect anything too earth shattering, as these regional announcements are generally minor.
Source: [NL] via [CHKFB] & [CW]
I am currently on a landscape photography workshop lead by Andy Biggs and Joshua Holko and alongside a lot of very cool people from around the globe. The landscape is absolutely stunning to say the least.
When I came to Namibia, I decided I wouldn’t carry a ton of gear, so I went for a pair of Canon EOS 6D camera bodies, the EF 70-300 f/4-5.6L IS, EF 24-70 f/4L IS and the Zeiss 15 f/2.8 Distagon. So far I’m extremely happy with my selection of gear.
Internet access hasn’t been the quickest, that’s why I haven’t been updating the site as much as usual. I still have a 5 more days on this safari and then I’ll begin the long trek home.
There are a few images from the trip after the break.
Quiver Tree Forest, Keetmanshoop, Namibia | Canon EOS 6D & EF 24-70 f/4L IS
Kolmanskop, Luderitz, Namibia | Canon EOS 6D & Zeiss 15 f/2.8 Distagon
Kolmanskop, Luderitz, Namibia | Canon EOS 6D & Zeiss 15 f/2.8 Distagon
Namib Desert, Sossusvlei, Namibia | Canon EOS 6D & Zeiss 15 f/2.8 Distagon
Sossusvlei, Namibia | Canon EOS 6D & EF 70-300 f/4-5.6L IS
Namib Desert, Sossusvlei, Namibia | Canon EOS 6D & EF 70-300 f/4-5.6L IS
NAB 2014 in Las Vegas is upon us and we’ll be running a live blog for the duration of the show. Canon has made their announcements and a lot of other companies will also announce and show great new products. More than 20 bloggers are in attendance at NAB 2014 and will be updating the Live Blog on a regular basis.
The live blog is after the break….
If you have a noisy focus ring on your Canon EF 24-70 f/2.8L II, below is the reason why. The report is dated February 2014, so all lenses manufactured prior to August 2013 are are potentially affected. I’ve had first hand experience with this issue from our rental inventory. I have no idea if Canon will charge you for this repair if the lens is out of warranty. We haven’t bothered to fix our inventory, as a few lenses have exhibited the issue, but functionality doesn’t seem to be affected.
It has been confirmed at the factory that when turning the focus ring, in rare cases, an abnormal noise can be heard. If units are brought in due to complaints of this nature, please replace the part with the new part.
Old and new types are compatible.
Reason & remedy for a noisy focus ring on a Canon EF 24-70 f/2.8L II
Time of Change
The new type has been incorporated into products from the August 2013 production.
When mounting the new SPRING, COIL (CB3-3809-010), there is no need to mount PLATE, SPRING HOLD. (There will not be problems even if the PLATE, SPRING HOLD is mounted.)
Yesterday we posted an internal service advisory for the Canon EOS-1D X and EOS-1D C. These are advisories that are only known to a select few within Canon and not told to the consumers.
We have a lot of more of these documents that cover various Canon lenses and camera bodies, there’s even more on the EOS-1D X mirrorbox.
The person that sent them to us didn’t have an issue with Canon keeping this stuff internal. However, they were upset that a lot of the issues are known to Canon and they’re still charging customers for the repairs out of warranty. There are a couple of lenses with design flaws and Canon is charging $250-$450 for these repairs out of warranty and not fully disclosing the design flaw to the customer.
We’re not sure whether or not we’ll post the rest of the internal documents we have in our possession. If you think there’s value in us doing so, please sound off in our forum.
Canon Europe has expanded its Ambassadors Programme with the addition of a new, third tier – the ‘Masters’. Launching with four world-renowned experts, including photographer and conservationist Yann Arthus-Bertrand and the Imperial War Museum’s Curator of Photography, Hilary Roberts, the Masters come from not just the world of photography, but a far wider visual perspective, bringing vision and experience to the already well-proven Ambassadors Programme.
Joining the new Masters are photographers Gary Knight and Michael ‘Nick’ Nichols who move up from their previous roles as Canon Ambassadors. With their new appointments come the arrival of one new ‘Ambassador’ and eight new ‘Explorers’ from the worlds of photography and filmmaking. These new additional members now bring Canon Europe’s tally of experts to an impressive 61 imaging professionals.
Joining as a new Canon Ambassador is award-winning photojournalist Pascal Maitre (France). He joins the programme along with new Canon Explorers, comprising cameraman, director and filmmaker Phil Coates (UK), film director and producer Sébastien Devaud (France), freelance sports photographer Kuba Atys (Poland), award-winning photojournalist Niklas Meltio (Finland), top sports photographer Giancarlo Colombo (Italy), renowned wildlife photographer Andy Rouse (UK), top sports photographer Alessandro Trovati (Italy) and award-winning photojournalist Zalmaï (Switzerland).
Discover the Canon Ambassadors Programme
To learn more about the Ambassadors programme and to find out more on the addition of the new Canon Masters please click here. To catch up on all the latest Ambassadors blogs, featuring all the latest projects from Canon Ambassadors and Explorers around the world, please click here.
MELVILLE, N.Y., April 1, 2014 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the expansion of its service facilities with the opening of a new service and support center in Itasca, Ill. This facility, located just outside of Chicago, will provide comprehensive product repair and maintenance of Canon’s professional products to Cinema, Platinum, and Gold level members of Canon’s Professional Services (CPS) program, and owners of Canon professional broadcast lenses.
The Itasca facility features repair and maintenance operations for Canon’s extensive lineup of professional cameras, including Cinema EOS and EOS Digital SLR cameras, high-definition camcorders, and all of Canon’s lenses, including EF series photography lenses, Cinema lenses and broadcast lenses. Repair operations at the facility include four state-of-the-art camera body and lens adjustment rooms, Canon’s most advanced adjustment and calibration equipment, spare parts inventory, and experienced repair staff.
“The new Itasca Professional Service and Support Center is a testament to the growth and demand of Canon’s professional imaging products and the local support needed for imaging professionals working in or around Chicago,” said Yuichi Ishizuka, president and COO, Canon U.S.A. “We believe in providing industry-leading support where our professional photography, cinema, broadcast and television production customers work so that we can return their products to the original factory condition and operation as quickly as possible.”
The Itasca facility is Canon’s third service facility exclusively available to professional clients, joining the Canon Hollywood Professional Technology & Support Center, located in Hollywood, Calif., and the New York/New Jersey service and support center, located in Ridgefield Park, N.J. These facilities provide local support to key markets and deliver an average in-house repair process time of less than three days.
An advance reservation is required for all service and support requests handled by the Itasca, Hollywood, and Ridgefield Park facilities. Canon Professional Services (CPS) Cinema, Platinum and Gold level members can make a reservation via the CPS hotline by calling 1 (888) CPS-4540. Non-CPS owners of Cinema EOS, professional video cameras and broadcast lenses can also request an appointment by calling 1 (855) CINE EOS.
Additional camera and lens service facilities for both professional and consumer clients are located in Jamesburg, N.J., Irvine, Calif., and Newport News, Va.
TOKYO, Japan, March 27, 2014—Canon Inc. today announced that the Company’s interchangeable-lens digital cameras (digital SLR and compact-system cameras) have maintained the No. 1 share worldwide in terms of volume within the interchangeable-lens digital camera market for the 11-year period from 2003 to 2013.
In addition to the interchangeable lenses, Canon also develops the key components—the CMOS image sensors and image processors—employed in its interchangeable-lens cameras. The most advanced of these technologies are incorporated in the Company’s flagship EOS-1D series. By applying these technologies to other models as well, Canon has successfully created a powerful product lineup that effectively responds to the needs of a wide range of users, from professionals to entry-level users, which has enabled Canon to maintain the top global share.
In 2003, the dawn of digital SLR cameras, Canon introduced its breakthrough EOS Kiss Digital (EOS Digital Rebel or EOS 300D Digital in other regions). This compact and lightweight user-friendly camera set the stage for growth in the digital SLR market and captured the top share of the global market. Since that time, Canon, in its ongoing pursuit of high image quality, has launched a number of models for advanced-amateur users that offer among the highest levels of performance for their class, including the EOS 5D series, which paved the way for digital SLR video recording.
In 2013, targeting entry-level users, Canon launched the EOS Kiss X7 (EOS Rebel SL1 or EOS 100D), which combines the world’s smallest and lightest digital SLR camera body with exceptional basic performance, and the EOS M2 compact-system camera, featuring significantly enhanced autofocusing performance. Also, within the advanced-amateur user segment, the Company introduced the EOS 70D, equipped with innovative Dual Pixel CMOS AF autofocus technology, which has earned high praise from the market. These robust products provided the driving force enabling Canon to achieve its 11th straight year as the world’s market leader.
Additionally, in February 2014, Canon realized another industry milestone as cumulative production of EOS-series film and digital cameras surpassed the 70-million unit mark. Furthermore, during the first half of 2014, cumulative production of Canon EF-series interchangeable lenses for EOS cameras is on track to reach 100 million units. Underpinning these achievements is the high market share that Canon has maintained, made possible through the long-standing support dating back to the film camera era that the Company has received from its wide user base.
With a history of producing cameras that dates back to the Company’s founding in 1937, Canon will continue refining its diverse imaging technologies based on its core optical technologies, striving to produce exceptional and reliable lenses and cameras that cater to the varying needs of photographers—from first-time users to advanced amateurs and professionals—while contributing to expanding the photographic and video imaging culture.
Another achievement by the world’s first camera manufacturer. The joint production of DSLRs and compact cameras surpassed 250 million units. Canon press release:
Canon celebrates production of 250 million digital cameras
TOKYO, Japan, March 27, 2014—Canon Inc. today celebrated a camera-manufacturing milestone as combined production of the Company’s compact digital and interchangeable-lens digital cameras surpassed 250 million units on January 31, 2014.
Canon, a company that has continuously produced cameras since its founding in 1937, began producing and marketing digital cameras in the mid 1990s. In 1995, when film cameras were still the norm, Canon launched its first digital camera, the professional-model EOS DCS 3* digital SLR camera.
At the time, compact cameras were leading the digital shift within the camera industry. In 1996, Canon announced its market entry with the introduction of the PowerShot 600, the Company’s first compact digital camera. In 2000, amid the market’s rapid growth, Canon launched the IXY DIGITAL (PowerShot S100 or DIGITAL IXUS in markets outside of Japan), featuring a ground-breaking compact, stylish body design that set the trend for compact digital cameras.
Subsequent models released by the Company reflected the diverse evolution of compact digital cameras with models becoming increasingly compact and lightweight, achieving higher sensitivity, incorporating more enhanced automatic functions, and realizing greater network connectivity. This evolution fueled robust growth as Canon’s cumulative production of compact digital cameras surpassed the 100-million-unit mark in 2008, and broke through the 200-million-unit threshold in December 2013. Aiming to further extend its production volume, in 2014 Canon launched a new lineup of compact digital cameras that let users enjoy high value-added photography, including the PowerShot G1 X Mark II, designed to deliver the highest levels of imaging performance, and the new-concept-model PowerShot N100.
As for interchangeable-lens digital cameras, while the market in the mid 1990s had consisted primarily of professional models, with the start of the 2000s, the segment rapidly took off. In 2000, Canon launched the EOS D30, developed as a “next-generation standard digital SLR camera” to satisfy the needs of a wide user base, from advanced photo enthusiasts to professional users. In 2003, Canon again led the market with the introduction of the entry-level-model EOS Kiss Digital (EOS Digital Rebel or EOS 300D), which set the stage for dramatic expansion of the market.
Since that time, Canon has successively launched innovative products that capitalize on the Company’s strengths in CMOS sensors, image processors and EF lenses, such as the professional-model EOS-1 series and EOS 5D series targeting advanced-amateur users, as well as the compact-camera-system EOS M series. As a result, in 2005, production of Canon interchangeable-lens digital cameras reached 25 million units and, in February 2014, surpassed 50 million units. Among the new products worthy of note that contributed to the realization of this milestone were the EOS 70D, featuring innovative Dual Pixel CMOS AF autofocus technology, and the entry-level EOS Kiss X7 (EOS Rebel SL1 or EOS 100D), which combines a ground-breaking compact, lightweight body design with advanced basic performance.
Canon will continue to refine its diverse imaging technologies based on its core optical technologies, striving to produce exceptional and reliable cameras and lenses that cater to the varying needs of photographers—from first-time users to advanced amateurs and professionals—while contributing to expanding the culture of photographic and video imaging.
From Canon USA:
Highlights Include Shooting Galleries, Live Speaker Sessions, Extensive Lens Exhibits, Full On-Site DI Suite, Live 4K Broadcast Demonstrations, and the Canon Theater
MELVILLE, N.Y., March 26, 2014 – At the 2014 NAB Show in Las Vegas, Canon U.S.A., Inc., a leader in digital imaging solutions, will showcase its full line of professional, high definition imaging equipment for motion picture, television production, video content creation, and still photography at booth C4325. Within this year’s booth, Canon will feature a live 4K Workflow Demonstration where visitors will have the opportunity to interact with industry-leading colorists and editors in a 4K DI (Digital Intermediate) suite. Visitors will also have the opportunity to touch and try a range of Canon Cinema, HD Video and DSLR cameras and Broadcast HDTV lenses through various simulated shooting situations in three different shooting galleries centrally located in the Canon booth. Canon will also feature a 4K frame-grab demonstration where a professional photographer will utilize the Canon Cinema EOS-1D C camera to deliver still images from 4K video.
Canon will be showing a 4K Live Broadcast demonstration, highlighting how spectacular HD broadcast footage can be captured, digitally rendered and cropped for live-action broadcast coverage using Canon’s Cinema EOS equipment. Visitors to this demonstration will see, in real-time, the results and stunning coverage which have already been successfully used in the market in multiple high-speed productions, including live-action sports.
Throughout the 2014 NAB Show, Canon will host a series of unique stage presentations with renowned cinematographers, broadcast specialists, and filmmakers on the Live Learning Stage. These industry professionals will provide insight into the ever-changing field of optical and imaging technology and showcase their projects and works that were shot using Canon equipment, as well as share best practices and real-world applications for utilizing Canon technology.
Highlighting the Company’s strength and achievements in the realm of optical technologies, Canon will exhibit all 125 of its current EF, Cinema and BCTV lenses. This dedicated optics section of the booth will include technology displays to help educate visitors on the intricate systems that help make Canon lenses such powerful tools. Unique Canon lens applications and projects will also be highlighted, including such achievements as the Subaru telescope located in Hawaii. Visitors looking for a firsthand experience will be able to test and try various lenses on the Canon Lens Tower, a tiered platform allowing attendees to experience the power of Canon’s extensive lens lineup.
Exhibiting some of the recent artistry and award-winning footage shot on Canon Cinema EOS equipment, show attendees are welcome to enter a 90-seat Canon Theater to view spectacular footage and testimonials which illustrate HD, 2K and 4K projects including behind-the-scenes footage on how each project was captured.
Now available for purchase, the Canon DP-V3010 4K Reference Display will be featured throughout the booth, including the DI suite, where Canon will demonstrate how DP-V3010 4K Reference Displays match up to high-quality 4K projectors.
Professional cinematographers in need of a fast, easy way to print images for scene continuity or to preserve highlights of a recently completed project will appreciate the convenience and versatility of Canon’s photo-quality printers. Demonstrated in the Canon booth will be the 24-inch imagePROGRAF iPF6450 and the 44-inch imagePROGRAF iPF8400, large-format printers. The PIXMA PRO series of desktop inkjet printers will be on display, including the PIXMA PRO-1 Professional Inkjet Printer, PIXMA PRO-10, and PIXMA PRO-100 Wireless Professional Inkjet Printers. Also being shown is the SELPHY CP910 Wireless Compact Photo Printer.
Canon’s Pro Education Team will be hosting in-booth guest speaker seminars and off-floor workshops at the 2014 NAB Show. In-booth speakers will include cinematographer Suny Behar, Canon’s Larry Thorpe, director and photographer Vincent Laforet, Saturday Night Live DP Alex Buono, and filmmaker Amina Moreau. The aforementioned guest speakers have collaborated with Canon in the past to develop educational content, and will be conducting user-focused product and workflow demonstrations, as well as question and answer sessions with attendees.
On Tuesday, April 8th, Canon Live Learning (CLL) will be hosting two off-floor workshops in room N239. From 10:30am-12:30pm there will be the “Canon Small Chip Sensor Workshop.” Attendees will be invited to discover how to create and deliver near instant video production in the field and in the studio with the XA20, XA25 and VIXIA mini X video cameras. Then, from 2:00pm-5:00pm, CLL will be hosting the “Canon Cinema EOS Operational Training Workshop.” Technical advisors will be on-hand to demonstrate Canon’s Dual Pixel CMOS Autofocus technology, now available as an optional upgrade in both the Canon Cinema EOS C100 and Canon Cinema EOS C300 Digital Cinema Cameras.
After the success at the 2013 NAB Show, Canon’s Professional Services (CPS) will again be hosting the Canon Hospitality Suite. The Canon Hospitality Suite (Room C201) is open to all NAB tradeshow attendees with priority support for CPS Gold, Platinum, Cinema, and Enterprise members. After checking in at the CPS kiosk in the Canon Booth, visitors to the suite located just off of the tradeshow floor, can experience Canon’s commitment to service and support for the professional imaging community first hand.
For NAB 2014, CPS is announcing the addition of the Cinema Membership level to its program. This new Cinema level caters specifically to the cinema professional and in addition to the existing CPS Silver, Gold, Platinum and Enterprise levels, demonstrates Canon’s continued commitment to supporting the professional imaging industry.
Suite visitors will also be able to chat with Canon experts about Canon’s exciting developments in cinema, video and DSLR technology and Canon technical representatives will be on-hand to provide product consultations. Gold, Platinum, Cinema, and Enterprise CPS members can take advantage of the complimentary onsite Clean & Check Service (limited to two current* Canon DSLR bodies or lenses or one current* Cinema product or XF professional video camcorder registered to a member’s CPS account). Show attendees will also have the opportunity to sign up for Canon CPS membership. Product serial numbers for qualifying CPS equipment will be needed in order to process on-site membership applications. For information, please visit www.cps.usa.canon.com.
The Canon Hospitality Suite hosted by CPS will be open April 7th through April 9th from 9:00am to 6:00pm and April 10th from 9:00am to 2:00pm.