Archive for the ‘Canon Cine Lenses’ Category

Canon Inc. Announces Development Of 35mm Cinema Prime Lens, Sixth In A Series Of Compact, Lightweight, Precision-Matched Lenses

MELVILLE, N.Y., April 3, 2013 – Canon Inc., the parent company of Canon U.S.A., Inc., a leader in digital imaging solutions, has announced the development of a 35mm cinema prime lens for large-format single-sensor cameras employing Super 35mm, full-frame 35mm, and APS-C size imagers. The 35mm cinema prime lens will look to join Canon’s line of 14mm, 24mm, 50mm, 85mm, and 135mm EF-mount Cinema prime lenses. The 35mm cinema lens in development will look to become the sixth in the line, filling a strategic optical need between Canon’s 24mm and 50mm lens offerings. As with Canon’s precision-matched, competitively priced CN-E prime lenses, the 35mm lens under development will look to deliver 4K optical performance and inherit the professional operability of the existing CN-E prime lens line.

Canon Cinema prime lenses are part of the Canon Cinema EOS System of professional digital cinematography products, which also include the EOS C500 4K/2K Digital Cinema Camera, EOS C300 Digital Cinema Camera, EOS C100 Digital Video Camera, EOS-1D C 4K DSLR Cinema Camera, and four Canon Cinema zoom lenses. A development sample of the 35mm cinema lens will be on display in the Canon booth #C4325 during the 2013 NAB Show in Las Vegas, NV, April 8-11, 2013, and the lens itself is currently expected to officially launch sometime this year.

“Canon is committed to supporting cinematic culture and the continued advancement of tools for visual storytelling at all levels,” affirmed Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “During the past 18 months, Canon has brought our Cinema EOS product line to market, and in that time we have introduced HD, 2K, and 4K cameras, lenses and workflow solutions, as well as structured a comprehensive service and support network for professionals in the theatrical motion picture and television markets to enable customers to create and deliver exceptional imaging content and cinematic brilliance.”

Current Canon Cinema Lens Lineup

Each current Canon Cinema lens is equipped with an 11-blade aperture diaphragm, which is ideally suited to help achieve creative depth-of-field manipulation and pleasing “bokeh” effects. The Canon line of Cinema prime lenses is precision-matched for consistent and solid optical performance throughout the line, and the inner focus mechanism helps minimize focus-induced changes in the angle of view. All feature a full-frame image circle in a lightweight, compact design, and they incorporate proven Canon lens elements designed to fulfill contemporary 4K production standards. All Canon Cinema primes also deliver color tone and balance that matches Canon’s top-end Cinema zooms and compact Cinema zooms. Canon Cinema prime lenses deliver the operation and reliability required in professional film-style shooting environments.

All Canon Cinema prime lenses are fully compatible with the Canon EOS C500, EOS C300, EOS C100, and EOS-1D C digital cinema cameras. The EF-mount design of all Canon Cinema prime lenses provides communication with these cameras for such handy features as display of the ƒ number in the electronic viewfinder, recording of focus/zoom position and f number, and, later this year, Peripheral Light Compensationi.

Strategically integrated motion-picture style mechanical attributes (as opposed to those for still photography lenses) are also an important design feature of Canon’s series of Cinema prime lenses. These film-style characteristics include 300-degree rotation on the focus ring for precision focus control as well as large, highly visible engraved focus scales for convenient operation. These markings appear on the angled surfaces on both sides of the barrel, making them easy to read and to adjust the “stepless” focus and/or aperture settings of the lenses from behind or from either side of the camera for camera operators or focus pullers. Focus markings can be switched from standard labeling to metric, and control rings are engineered to maintain the proper amount of resistance with consistent operating torque and familiar tactile “feedback” for satisfying manual control. All of Canon’s current Cinema prime lenses also share the same uniform gear positions, diameters, and rotation angles, as well as front-lens diameters, making them compatible with a wide variety of matte boxes, follow focus gear, marking disks, and other third-party film-industry-standard accessories. Film crews can quickly change lenses without the need for accessory gear-position adjustments or other changes to the rig setup.

The versatility of image-capture options using Canon EOS digital cinema cameras can be further extended with Canon’s Cinema Zoom lenses (the CN-E14.5-60mm T2.6 wide-angle and the CN-E30-300mm T2.95-3.7 telephoto) and Compact Cinema Zoom lenses (the CN-E15.5-47mm T2.8 wide-angle and CN-E30-105mm T2.8 telephoto). All four lenses are available in both EF- and PL-mount versions, and the mount can be switched at a Canon service facility in the United States for added flexibility. Almost all of Canon’s EF Series photographic lenses can also be used with these Cinema EOS cameras, including Image Stabilized zoom, tilt-shift, and macro lenses.

CANON U.S.A. ANNOUNCES DEVELOPMENT OF FOUR EF CINEMA ZOOM LENSES

CANON U.S.A. ANNOUNCES DEVELOPMENT OF FOUR EF CINEMA ZOOM LENSES

A Wide-Angle Cinema Zoom and a Telephoto Cinema Zoom, Available in EF- and PL-Mount Versions, Will Further Expand Canon’s Cinema EOS System of Professional Digital Cinematography Products

LAKE SUCCESS, N.Y., April 12, 2012 – Building upon the historic November 2011 introduction of the Cinema EOS System of professional digital cinematography products, Canon U.S.A., Inc., a leading in digital imaging solutions, today announced the development of four EF Cinema zoom lenses. Designed to deliver exceptional optical performance on 4K resolution Super 35mm-equivalent cameras, each of the four lenses features a compact, lightweight design to facilitate handheld and SteadicamTM shooting while also covering a wide range of focal lengths. Included are two wide-angle cinema zooms – the CN-E15.5-47mm T2.8 L S* (for EF mounts) and the CN-E15.5-47mm T2.8 L SP* (for PL mounts) – and two telephoto cinema zooms – the CN-E30-105mm T2.8 L S* (for EF mounts) and CN-E30-105mm T2.8 L SP* (for PL mounts).

“Canon’s introduction of EF- and PL-mount versions of the EOS C300 digital cinema camera was well received by the film and television production communities,” noted Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “The development of these EF- and PL-mount cinema zooms will help add to the rich diversity of creative imaging choices available to the many film and television professionals who have embraced the new Cinema EOS System.”

A leading maker of precision lenses for professional digital photography, broadcast HDTV sports and news coverage, and many other markets, Canon has leveraged its years of expertise as a world leader in optics and imaging to develop its latest EF Cinema lenses. These wide-angle and telephoto cinema zooms will be compatible with industry-standard Super 35 mm-equivalent cameras and are engineered to deliver exceptional optical performance to support 4K resolution digital filmmaking. The four lenses will perfectly complement the compact body design of Canon EOS digital cinematography cameras with their own compact, lightweight design featuring a form factor well-suited for hand-held use, or for mounting on Steadicam or other lightweight, highly mobile camera-support devices used for cinema verité, “run-and-gun” shooting, or other rapid-action filmmaking.

The developments of these EF Cinema lenses are essential to Canon’s Cinema EOS System of professional digital cinematography products, which include digital cinema cameras, a digital SLR camera, and a wide variety of advanced lenses. Canon will continue to enhance its Cinema EOS System product lineup to support diverse image creation in motion picture, television, and other high-resolution digital production industries. All of these products are designed to contribute to the continued advancement of tools for visual expression and express Canon’s commitment to cinematic culture.

Canon will be displaying prototypes of the cinema zoom lenses at NAB Show 2012, one of the world’s largest events for the video, broadcasting equipment and digital media industries, from April 16 to 19 in Las Vegas.

Canon EOS C300 Preorders at B&H

Canon EOS C300 Preorders at B&H

C300 Preorders
B&H has the Canon EOS C300 in both the EF and PL mount versions available for preorder.

 

 

Camera Bodies

Cine Lenses

All products will ship after January 30, 2012.

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Two More EF Cine Primes in the Works

Two More EF Cine Primes in the Works

More EF Cine Lenses Coming
According to Erik Allen at Canon there are two more EF Cine prime lenses in the pipeline. An ultra wide solution, as well as a telephoto prime.

From Erik:

There’s also two more of the Cinema Primes, one would be an ultra-wide and one would be a telephoto over and above what we have already announced so we have two more in the pipeline and from there we will see where the market tells us we need to go.

10 Things You May Not Know About the EOS C300 & Future of Cinema EOS
Photographer Dan Carr posted a great article on his site about the C300 and Cinema EOS announcements.

Read it here

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