Archive for the ‘Canon Cinema EOS’ Category
EOSHD has posted about the possibility of an EOS C200 and EOS C400 for NAB 2014 in April.
According to EOSHD’s source, Canon will introduce the Cinema EOS C200 as a new entry level 4K camera, and the semi-pro Cinema EOS C400 sitting under the EOS C500.
We have it from pretty good sources that Canon is announcing a few things, but not any cameras. However, there’s always a possibility that Canon has kept the existence of a C200 & C400 to a very small and select group of people and the other goodies are for a broader audience.
We’ve heard absolutely nothing about a C200 and C400, however that doesn’t remove the possibility of their existence, as this site isn’t the first place cinema people go.
The other possibility is these cameras could receive “development announcement” status and wouldn’t be part of the regular product announcement process.
Recent reports about Canon releasing two camera bodies for NAB 2014 in Las Vegas next month look like they were recycled rumors from a long while back.
We’re told by various folks that Canon will make some announcements of non camera items that won’t be a big deal to most people. It looks like a quiet NAB from Canon for the second year in a row.
Again, that means no Cinema EOS camera and no DSLR style video camera. The firmware update for the EOS-1D C is still on the table, and I expect to see a cinema lens or two.
More to come..
We’re told from a new source what Canon plans to do for NAB 2014 next month. We’re told that two new cameras are planned for the announcement, at least one being in the Cinema EOS line. It’ll have CFast 2.0 and be PL mount. There were no other specs mentioned. The second being unknown at this time.
Another announcement will be a major firmware update for the EOS-1D C camera. New features can be expected, as well as matching all the features currently in the EOS-1D X.
More to come…
A few comments in passing about new cameras for NAB next month in Las Vegas. One person described the coming announcement as “two cool cameras, most likely for the Cinema EOS line”.
Canon was very quiet at NAB last year, and I except they’ll make a bigger of a splash this year.
More to come…
CPN has posted an article explaining the dual pixel technology upgrade for the Cinema EOS C100 camera.
How does dual pixel CMOS AF work?
Dual Pixel CMOS AF is a sensor-based, phase-detection autofocus (AF) technology that’s designed to provide smooth, high-performance continuous focus in movies. It is a unique, Canon-developed technology, ideal for fast and accurate autofocus, helping filmmakers to create stunning footage which maximises the creative options offered by fast lenses and shallow depth-of-field.
The EOS C100 camera with Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF Mode, phase-difference autofocus helps to ensure non-blurred images and smooth focus transitions even when the subjects and/or camera are moving. The new feature places a high priority on maintaining sharp focus while, providing a natural, smooth autofocus movement with selected Canon EF lenses that offer even smoother and quieter operation.
After this modification, the EOS C100 camera’s Continuous AF function active area represents 20% of the image vertically and 25% horizontally, yielding a very large, centrally located autofocus zone. The AF Lock mode allows you to set focus and hold it, allowing you to change framing while maintaining the original point of focus.
Read the full article | Canon Cinema EOS C100 $4999 at B&H Photo
We heard rumour that some folk in the video world are selling off gear in anticipation of a global shutter capable of 2.5k video being made available on an, as of yet, unnamed DSLR. While the wording is hearsay, A global shutter DSLR would definitely be an advancement in film-making tech.
Canon’s been pushing the threshold of video DSLR’s since the launch of the 5DMKII, so there’s no surprise that they would be working to incorporate even more “pro” level video tech in their cameras. It has been their push but, as this is from an unconfirmed source, be sure to sprinkle salt liberally with what you read.
The Canon Digital Learning Centre has published a new batch of white papers on their EOS Cinema system including:
NEW: Personality of the Canon Cinema EOS Lens: Design Strategies
The newer generation of Cinema EOS lenses came from multiple optical design resources within Canon, such as ourEF Lens and Broadcast Lens designs.
NEW: Personality of the Canon Cinema EOS Lens: Image Sharpness
A design goal with the Cinema zoom lenses was to achieve an overall optical performance that would equate with the best of contemporary prime lenses over their respective focal lengths.
NEW: Personality of the Canon Cinema EOS Lens: Color Reproduction
The new generation of Canon Cinema lenses paid high attention to optimizing color reproduction of the lens-camera system, such as how it reproduces skin tones of various ethnicities.
NEW: Personality of the Canon Cinema EOS Lens: Contrast
Achieving a high contrast ratio is universally sought by cinematographers and is always a central design goal for the optical designers.
Was there any doubt? :)
Setlife Magazine has posted a couple of graphics showing the technical specifications of cameras and lenses used in the making of the cinematography & best picture nominees.
EOSHD points out a very interesting observation. There isn’t a single RED camera on the list. It’s almost a clean sweep by ARRI.
Although, Canon should be happy with the C300’s and C500’s that have shown up in a few films. I think it’s good news for Canon since Cinema EOS is still pretty infant, and as EOSHD points out, they’re under-specced compared to their competition.
Something to build on for Canon.
SetLife Magazine on Facebook | Read Full EOSHD Article
Hybrid EVF Coming to EOS?
There is a new rumor floating around about the next high end, and high megapixel camera from Canon. Apparently this camera will have a hybrid EVF, optical for stills and electronic for video purposes. Megapixel count is said to be 35mp or higher, though the exact number isn’t known.
The moniker for the camera? The EOS-A1, though it’s unknown if that’s just the prototype name.
I’m sure there will be a time when Canon starts to experiment with different solutions for the viewfinder in cameras. If the above technology is an actual thing Canon is testing, I’d expect to see it in a Cinema EOS DSLR first. Perhaps such a feature that could differentiate it from its standard EOS cousin? Speaking of which, we have been told to expect a new Cinema EOS DSLR in 2014, and most likely at NAB in “development” form.
A grain of salt on this one, this is a rumor from another web site.
Dual Pixel technology more than just AF?
NL reports that they’ve been told to expect even more new features from Canon’s Dual Pixel technology other than autofocus. Currently the tech appears in the EOS 70D and will also appear in an upgraded EOS C100. Will the C300 get a similar upgrade?
Apparently dual pixel design will need the latest generation of processing (DIGIC 6/7?) technology to realize its full potential. The benefits of this alongside new CODECS will be seen in the next Cinema EOS cameras and possibly in new high end DSLRs.
The video and stills segments of the professional lineup will get upgrades in 2014. Cinema EOS will get it first, and possibly be shown in April at NAB 2014 in Las Vegas. DSLRs will get it in the second half of the year and will most likely be shown at Photokina 2014 in Cologne, Germany.