Archive for the ‘Canon Cinema EOS’ Category
From Untitled Film Works
Check out some of the work being done using the Canon EOS 1D C, the motion image results are pretty astonishing.
The art of motion image
“The art and skill of a photographer is still required when using a camera like the 1DC. Understanding and harnessing of light, composition and interaction with your subjects are all vital skills of a photographer and are not replaced by the idea of motion image capture. Photographers also use a variety of techniques to obtain unique looking images (like long exposure times and the use of remote flashes) these times of images would not be reproduced in video. I see the biggest step forward using motion image capture the ability to record many individual moments in time, all the while silently as there is no shutter being released. This could have great benefits in situations where you may want to remain more candid. Subjects could also feel more relaxed not knowing “photographs” are being taken.”
Read the entire article
Preorder Canon EOS-1D C at B&H Photo $11,999
What’s in the pipeline
As always, things quiet down after an announcement. The two recently announced lenses seem to have generated quite a bit of talk, and that’s always good, even if a lot of it was negative towards the pricing. I hope to have both the EF 24-70 f/4L IS and EF 35 f/2 IS in the hands of our new reviewer sometime in December.
Two new DSLRs will be coming in the first quarter of 2013. Most likely APS-C cameras. Definitely a Rebel and most likely one of the 70D or 7D Mark II.
New lenses in Q1 of 2013 will be announced. Expect a fast prime and a telephoto lens. No mentions of a new EOS-M camera. We’re all hoping for a firmware update to improve the AF of the EOS-M.
Going with some previous reports, we’re told that new Cinema EOS lenses will be announced by the end of January. No cameras are in the immediate pipeline. We’re still waiting for the EOS 1D C to make it to market as well as the EOS C100.
The Big Megapixel Camera
They’re out there, announcement is unknown. It is definitely 40+ mp and will be geared to studio and landscape photographers. Apparently there’s lots of new technology in this upcoming body.
Same info received at [CW]
The EOS-1D C isn’t just firmware
There have been reports around the web that the upcoming Canon EOS-1D C is the exact same camera internally as the EOS-1D X (other than the PC sync port) and Canon is just charging people $7000 for different firmware.
I have spent considerable time trying to find someone at Canon to clarify the reports as well as someone to open their EOS-1D C (no one would do that for me!). The information I have received backs up what Canon said at the development announcement of the EOS-1D C, it does in fact have a different hardware configuration inside. While the DIGIC V processors, image sensor and AF module are all identical to the EOS-1D C, there is in fact “reworked circuitry and design to dissipate heat for the 4K recording”.
So is the reworking of the internals worth the additional $7K? If it’s required for the 4K resolution, and the 4K performance is top notch, then I don’t see why it’s not. This camera is targeted to professionals and priced accordingly. Volume sales of this camera will be far lower than the EOS-1D X, which probably makes the cost of production higher.
There are a few people I know that will open the EOS-1D C when they get their hands on it, I know I will be. That’s going to be the only way to 100% prove the internals are indeed different. I do wish Canon would clarify this point and put it to rest, which they may do when the camera is officially announced.
Mitch from Planet5D has informed us of the first short from the upcoming Canon EOS C100.
The Canon EOS C100 is almost “affordable”, and we should see lots of content from it. I’ll be buying one for my rental business, and hopefully I’ll learn something about shooting video. :)
Film Information (By Sebastien DEVAUD)
“Earlier this year, i was contacted by Canon Inc to create a new exclusive film for the worldwide launch of the new EOS Cinema camera : The EOS C100
Given the difficult task awaiting me, I decided to call upon and challenge the C’brothers to highlight and validate the strenghts of this new technology…
Join the new C generation !
Just C it ! was shot with three C100 bodies and 12 EF lenses. AVCHD compress recorded on SD Card”
Canon EOS C100 at B&H Photo (Available November 2012)
New Precision-Matched Wide-Angle and Telephoto Zoom Lenses in Both EF and PL Mounts Enhance Canon’s Cinema EOS System
LAKE SUCCESS, N.Y., August 29, 2012 – As the production of motion pictures, episodic television shows, commercials, documentaries, and other program content increasingly transitions to digital, Canon U.S.A., Inc., a leader in digital imaging solutions, continues to provide innovative Cinema EOS products designed to enable the most discerning filmmakers and producers to capture their unique creative visions. The latest of these Canon products, two new compact and lightweight cinema zoom lenses available in both EF- and PL-mount versions, were first announced at NAB 2012 and have now been officially added to the Canon Cinema EOS product line. Designated as the CN-E15.5-47mm T2.8 L S/SP wide-angle cinema zoom lens and the CN-E30-105mm T2.8 L S/SP telephoto cinema zoom lens, both are engineered to deliver exceptional optical performance for the latest large-format single-sensor 4K and 2K digital cinematography cameras. Both lenses feature a compact, lightweight design to facilitate handheld and SteadicamTM shooting while also covering a wide range of focal lengths.
“These two new compact lightweight cinema zoom lenses provide exceptional optical and operational performance for creative film and television professionals. The Canon Cinema EOS line of high-resolution cameras and lenses is engineered to affordably serve the highest-performance needs of the production community and enable it to truly ‘Leave No Story Untold,’” noted Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.
A leading maker of precision lenses for professional digital photography, broadcast HDTV sports and news coverage, and many other markets, Canon has leveraged its years of expertise as a world leader in optics and imaging to develop the compact and lightweight CN-E15.5-47mm T2.8 L S/SP wide-angle cinema zoom lens and the CN-E30-105mm T2.8 L S/SP telephoto cinema zoom lens. Each lens will be available in both EF- and PL-mount configurations. (The EF-mount version is designated by the letter “S” at the end of the model name; the PL-mount version by the letters “SP”.)
Main Features: CN-E15.5–47mm T2.8 L S/SP and CN-E30–105mm T2.8 L S/SP
1. High optical performance for use with 4K-resolution cameras
Supports 4K (4096 x 2160 pixels) production standards, with a level of resolution exceeding four times the resolution of Full HD.
Offers compatibility with industry-standard Super 35 mm-equivalent image format as well as APS-C-size sensors.i
The optimal placement of low-refraction, low-dispersion UD (ultra-low dispersion) glass corrects for axial and lateral chromatic aberrations to realize exceptional imaging performance without color blurring.
With a T-number of 2.8, the new lens lineup offers bright performance and, with no changes in brightness during zooming, enables the use of attractive blur effects when employing a shallow depth of field.
Each lens is equipped with an 11-blade aperture diaphragm for soft, attractive blur characteristics.
The lenses minimize focus-induced changes in the angle of view and, through the latest advances in anti-reflective coating and related technologies, reduce the occurrence of ghosting and flare.
2. Broad focal-length coverage despite compact, lightweight design
Designed with hand-held shooting in mind, each lens weighs just approximately 2.2 kg, less than half the weight of the top-end zoom lens models that went on sale earlier this year.
Combining the wide-angle and telephoto zoom lenses as a set enables users to cover a wide focal length range, from 15.5 mm (wide-angle end) to 105 mm (telephoto end).
Because the lenses provide a long focal length at the telephoto end, they enable the magnification of scenes shot from a distance and the use of attractive blur effects when employing a shallow depth of field.
3. Designed to deliver high operability
With a focus rotation angle of approximately 300 degrees, the lenses facilitate precise focusing performance.
Zoom, focus and iris markings all appear on angled surfaces for improved readability from behind the camera.
Features a unified front lens diameter and uniform gear positions, doing away with the need to adjust or reposition accessory gear when switching between the two lenses.
By removing the cover ring, users can easily perform flange-back adjustment.
4. Functionality to realize increased shooting convenience
The new lenses can be used with matte boxes and other standard manual and electronic movie industry accessories widely used in the motion picture production.
Each lens offers a reduced minimum object distance (0.5 m for the CN-E15.5-47mm T2.8 L S/SP and 0.6 m for the CN-E30-105mm T2.8 L S/SP) that makes possible tighter close-ups and facilitates shooting in limited-space environments.
The EF-mount version lenses, when combined with Cinema EOS System cameras, support lens-camera communication enabling the recording of zoom and other settings along with video data, making possible the effective management of shooting conditions. Additionally, a future camera firmware update (release date to be decided) will enable automatic image correction along with other benefits.
The Canon Cinema EOS System of professional digital cinematography products includes the EOS C300 and EOS C500 digital cinema cameras (available in EF- or PL-mount versions), the EOS C100 digital video camera, the EOS-1D C DSLR camera, the CN-E14.5-60mm T2.6L S/SP wide-angle zoom and CN-E30-300mm T2.95-3.7L S/SP telephoto zoom lenses (EF and PL versions available), and the CN-E24mm T1.5 L F, CN-E50mm T1.3 L F, and CN-E85mm T1.3 L F prime lenses for EF-mount cameras. Cinema EOS cameras are also compatible with the more than 60 lenses in Canon’s EF lens line (which includes macro, fisheye, telephoto, and tilt-shift models) for maximum creative versatility. Canon continues to enhance its Cinema EOS System product line to support diverse image creation in motion picture, television, and other high-resolution digital production industries.
Pricing and Availability
The Canon CN-E15.5-47mm T2.8 L S/SP wide-angle cinema zoom lens is expected to be available in November 2012 and the CN-E30-105mm T2.8 L S/SP telephoto cinema zoom lens is expected to be available in January 2013, both for an estimated list price of $24,500 each.
Canon U.S.A. Aims To Expand The Cinema EOS System With The Development Of New EF Cinema Prime Lenses
LAKE SUCCESS, N.Y., August 29, 2012 – Further contributing to the evolution of the motion picture industry, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the development of two new cinema prime lenses, the 14mm T3.1 cinema prime lens and 135mm T2.2 cinema prime lens, adding to the Cinema EOS lineup consisted of 11 EF Cinema Lenses.
Both the 14mm T3.1 and 135mm T2.2 cinema prime lenses will be engineered for exceptional optical performance for Canon’s latest large-format single-sensor 4K and 2K digital cinematography cameras. As part of the Cinema EOS System, the lenses will be compatible with standard sensor sizes including Super 35mm, the standard format in the motion picture industry, as well as HD-compatible EOS Digital SLR cameras using 35mm full frame, APS-H and APS-C image sensors.
“In November of 2011, Canon pledged to offer high-end professional solutions to filmmakers, cinematographers, and television production professionals. Our pledge included a commitment to this industry and a promise of future product development and solutions to meet industry needs. Today’s announcements prove that we intend to deliver on that pledge,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.
The 14mm T3.1 and 135mm T2.2 EF cinema prime lenses are expected to be available in the first half of 2013, and will be showcased from September 6 – 11, 2012 at IBC2012 in Amsterdam.
What’s the world saying?
There is lots of opinion out there already about the new Canon EOS C100 entry level professional video camera. It looks like the camera will be in the $8000 range, though pricing hasn’t been officially announced yet.
The biggest difference I see on the surface, is the camera cannot take PL mount lenses. It looks like they’re only releasing an EF mount camera. Most initial opinions on the camera are quite positive, visit the sites below for some opinions. I’ll post more during the day as they start rolling in.
Planet5D – C100 Impressions
“I think most of us will take that with a grain of salt. The “beginning filmmakers” part – many of us cannot afford an $8000 camera. Which is why the HDSLR line has made such an impact on filmmakers in the first place – it’s low-cost! While I agree this is the lowest price of the EOS line, many will quibble with the idea that this is priced for the beginning filmmaker.” Visit Planet5D
EOSHD – C100 Impressions
“Canon today launched the much speculated Canon C100, the budget version of the C300. Initially set for a price under the Sony FS700 (around $8000), the camera is double the price of a used FS100 but features built-in ND filters and the same sensor as the C300. The design and handling looks fantastic, it is even smaller than the C300 (by some 15%) but the major compromise is the codec which is now AVCHD at 24Mbit 4-2-0.” Visit EOSHD
Vincent Laforet – C100 Impressions
“Many may be taken aback with the idea of spending $7,999 on this camera at first. But if you stop to think about what you won’t NEED to buy – it can actually start to look like the C100 might just be a wiser investment long term. This camera comes ready to shoot. The ergonomics are great so you don’t HAVE to have a cage. You don’t need to buy an external audio recorder and synching software – this has XLR inputs (and stereo headphone jack as well as levels) with the handle.” Visit VincentLaforet
No Film School – C100 Impressions
“While it would have upset quite a few people, this camera should really have been the C300. Canon has a more costly camera at every price point than Sony, and for the same money you can get a camera that does 240fps at 1080 — instead of 60i at 1080. I think Canon is gambling on users buying or using this camera strictly for the white name etched into the front. There won’t be any PL mount lenses on this camera, as Canon is only introducing an EF mount version.” Visit NoFilmSchool
London, UK, 29 August 2012 – Canon today adds to the Cinema EOS System with the launch of the new EOS C100 – a compact, versatile interchangeable-lens professional video camera designed for independent videographers. Based on the core performance of the acclaimed EOS C300, the new model combines impressive hardware specifications with a range of new automatic features – making it ideal for professionals who shoot without a crew, or EOS videographers entering the Cinema EOS System for the first time.
With Canon’s Super 35mm 8.3MP Bayer-filtered CMOS sensor at its core, the EOS C100 combines exceptional image quality with a design approximately 15% smaller than the advanced EOS C300. The camera’s powerful imaging system enables the same processing as three-chip RGB systems, delivering exceptional colour, wide dynamic
range and proven low light performance, while extensive NLE support makes it suitable for a wide range of users and production purposes. With Canon’s EF mount users have immediate access to over 60 class-leading EF lenses, as well as the freedom to experiment with the company’s expanding EF Cinema Lens line-up.
First-class camera system
Designed to offer leading quality and portability, the EOS C100 features a specification designed around the needs of single operators. Its advanced imaging system utilises the widely-used AVCHD codec, with the CMOS sensor recording 1920×1080 (Full HD) resolution video to SD cards1 at 24Mbps with 4:2:0 colour sampling – delivering sharp, vivid, professional-quality video. Uncompressed video can also be output directly to external recorders via an integrated HDMI terminal, complete with embedded timecode data.
Equipped to provide exceptional performance, the EOS C100 allows users to capture high quality images for a range of creative outputs. Support for 24/25/30p and 50/60i frame rates offers flexibility, and an ISO range of 320-20,000 provides extensive exposure control and low noise in all lighting conditions. A new Wide Dynamic Range gamma setting makes it possible to shoot in demanding, high contrast situations – achieving a dynamic range of up to 800% without the need for extensive colour grading in post-production. Additionally, Canon Log Gamma enables the capture of high quality video rich in exposure latitude and dynamic range, and ensures footage has a consistent look and feel when used alongside other Cinema EOS cameras in multicamera shoots.
Easy operation for single users
As well as full manual control, the EOS C100 integrates a range of new automatic features to support independent operators such as documentary makers or news shooters. A new One Shot AF button enables users to instantly check focus, with the central image area automatically checked prior to recording. Push Auto Iris evaluates exposure and makes any required adjustments before shooting, while new Auto White Balance uses the power of Canon’s DIGIC DV III image processor to detect and balance colour information – allowing operators to focus on the story in front of them.
A new graphical user interface enables videographers to conveniently adjust standard camera settings using the LCD screen. Operators can fine-tune Gamma settings, with the camera displaying both ‘before’ and ‘after’ curves on-screen, while White Balance settings can be altered using the camera’s joystick lever, with a colour/plane graphic displaying the amount of compensation being applied in real time. Additionally, support for continuous, automatic focus and iris adjustment will be added by a firmware update in 2013, providing fast, smooth performance when used with specified models in Canon’s range of EF Stepper Motor (STM) lenses.
The EOS C100 also offers highly flexible storage, recording to two SD card slots. Users can record to both cards simultaneously with Double Slot Recording or use Relay Recording to automatically switch across memory cards when the one in use becomes full. In-camera down-conversion also allows operators to convert HD footage stored on one card to SD resolution on the other – ideal for operators who want to reduce the size or resolution of footage before transferring or web hosting.
Professional design, professional audio
The EOS C100 features the same modular concept made popular by the EOS C300. Engineered to provide mobility and durability, it features a robust build and lightweight construction ideal for use in a number of situations. Its magnesium alloy frame provides strength and rigidity while keeping weight to a minimum, allowing users to enjoy both versatility and comfort – even during all-day use.
A large, high quality 8.8cm (3.5”) Vari-angle LCD is situated on the rear of the camera body, which can be manoeuvred to offer easy access to a range of function buttons situated behind the display. An adjustable handgrip also offers DSLR-like ergonomics during handheld shooting, and can be removed altogether for shooting in tight spaces or as part of a multi-camera rig. The camera’s button layout also has been designed taking user feedback into account, with all recording buttons now featuring red markings for added convenience during shooting. Up to 15 assignable buttons also provide high levels of customisation, allowing each user to optimise camera operation to suit their own requirements.
The EOS C100 also offers professionally-optimised audio and connectivity, supporting the capture of Dolby Digital AC3 or 16-bit Linear PCM audio at 48 kHz – the high quality signal required for professional broadcast content. A stereo microphone is built into the camera’s detachable handle, alongside audio control dials and two XLR terminals which enable users to connect to external microphones and other sources. The camera also features a new lockable HDMI terminal that ensures cables remain securely attached to the input during shooting2.
EF lenses and EF Cinema Lenses – power to create
As part of the EOS system, the EOS C100 is compatible with over 60 EF lenses and Canon’s EF Cinema Lens line-up, and complements a new duo of compact lightweight cine zoom lenses, the CN-E15.5-47mm T2.8 L S and CN-E30-105mm T2.8 L S. Both new lenses offer outstanding mobility and quality, providing performance and value that makes them excellent options for independent professionals and production houses alike.
In addition, Canon’s hugely-popular EF lens series for DSLRs offers virtually unlimited creative freedom, with options to meet any budgetary requirement. The EF-S range comprises a selection of compact, lightweight zoom lenses that merge high image quality with affordable pricing, while the full-frame EF lens line-up offers outstanding quality and flexibility – utilising luxury, class-leading optics in a range of focal length options ranging from 8mm to 800mm. Since the launch of the EOS System in 1987 over 70 million EF lenses have been manufactured, a measure of the system’s unparalleled quality, popularity, and ability to meet the needs of all kinds of photography and video users.
Canon EOS C100 – key features:
- 8.3MP Super 35mm CMOS sensor; Full HD
- High sensitivity, low noise
- 24Mbps AVCHD to SD cards
- Automatic shooting functions
- Interchangeable EF lenses
- Canon Log Gamma
- Compact, modular, lightweight
- Professional audio
- Seamless workflow integration
- CPS video support
Here’s a Canon EOS-1D C in someones lucky hands.It is a preproduction model, and not the retail version.
I do think it’s a good sign that more people are getting their hands on the camera, as we should start to see lots of 4K footage from the EOS-1D C. As for retail availability, the EOS-1D C will start shipping to customers sometime before the end of 2012.
The camera is still listed at $14,999USD and not yet available for preorder.
Canon EOS-1D C Unboxed – 4K Wedding Shoot This Weekend – Click for larger
I have received two reports of people buying retail versions of the Canon EOS-1D C, one of them in Australia. I haven’t yet seen pictures to confirm this.
If you have received an EOS-1D C, I’d love to see an unboxing.
Come see the C500
If you’re in LA and want some time with the recently announced Canon C500, Canon is having another event to show off the good stuff.
First Look: EOS C500, featuring 4K RAW Output
Presented by: Canon Live Learning
Program: Professional Development Seminars & Workshops
Date: May 10, 2012
Time: 6:00 pm – 8:00 pm, Doors open at 5:30pm
Fee: Free of charge. Advanced registration required
The Los Angeles Film School
6363 Sunset Blvd, main 4K theater
Los Angeles, California 90028
Organization: Canon Live Learning
To Register Visit usa.canon.com/proworkshops
Join Canon Live Learning for a first look at the EOS C500, the only Cinema EOS camera offering support for 4K RAW output. Designed for 4K professional production environments, the EOS C500 features Canon’s renowned high-sensitivity and low-noise technologies, including high ISO settings of up to 20,000.
The evening will begin with a 4K screening of Man and Beast, a short film shot with the EOS C500 by Director Dante Ariola, DP Jeff Cronenweth and 2nd Unit DP Peter Simonite. Peter will be on hand to share his behind the scene insights and an operator’s perspective on shooting with the EOS C500.
Man and Beast was processed and colored by postproduction house Fotokem. After the screening, representatives will unfold the post process from beginning to end. The evening will conclude with a Canon representative providing a brief introduction on the EOS C500, followed by an open Q&A.
EOS C500 cameras will be available for demonstration by Canon Professional Market Specialists at this event.