Archive for the ‘Canon General’ Category
Canon Follows Up on Their Strong Showing at February’s Big Game in New Jersey With Widespread Use by Imaging Professionals at the Soccer Tournament in Brazil
MELVILLE, N.Y., July 24, 2014 – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce that Canon broadcast lenses were the most widely used broadcast lenses covering the matches of the recent Soccer Tournament in Brazil. Furthermore, the professional photographers tasked with capturing the riveting goals, ravenous fans, colorful scenery and nail-biting moments of the soccer matches utilized Canon DSLR cameras and lenses more than any other brand.
This outstanding show of support for Canon equipment in Brazil follows Canon broadcast lenses being used extensively to broadcast The Big Game in New Jersey on February 2, 2014, as well as being the number one camera and lens choice for imaging professionals shooting from the sidelines of the game between Denver and Seattle. In support of professionals on the ground, the Canon Professional Services (CPS) team was on location at each of these sporting events, among countless others, to provide support to photographers, broadcasters and all imaging professionals.
“Canon is honored to help broadcast companies and news services bring the action of these high-profile sporting events to devoted fans across the world. It is a testament to our products and professional service and support that so many image makers at the pinnacle of their profession rely on Canon,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.
Throughout the soccer matches in Brazil, Canon broadcast field lenses were utilized to deliver footage of the thrilling tournament. Canon broadcast field lenses represented approximately 90 percent share of all broadcast lenses used. Additionally, Canon broadcast lenses were used extensively to deliver The Big Game to more than 111 million television viewers.
A look to the sidelines in Brazil revealed a familiar sight to many sporting event fans — Canon EOS Digital SLR cameras, equipped with iconic white Canon telephoto EF lenses. Throughout the tournament, approximately 70 percent of imaging professionals chose Canon DSLRs and lenses to capture and share the memorable moments of these passionate and prideful soccer matches. Much like The Big Game, in which 75 percent of imaging professionals on the sideline of that gridiron matchup chose Canon equipment.
At each of the 12 stadiums that hosted Soccer matches in Brazil, CPS had teams of technical and professional representatives providing imaging professionals with convenient access to product support, equipment maintenance, and product loans.
The EOS 5D Mark IV received a mention recently as possibly being announced in early 2015. One of the features mentioned as a possibility is 4K video capture. Although, I’m pretty sure every future Canon DSLR is going to be rumored to shoot 4K video.
If the EOS 5D Mark IV is coming in early 2015 as this rumor suggests, then I cannot see 4K being a part of the feature set. I don’t think we’ll see 4K video recording in a “prosumer” level DSLR from Canon until the technology moves down the Cinema EOS line.
I asked someone in the know recently if Canon had market research on who buys the EOS 5D Mark III and for what purpose. I was told that the videographer focused purchaser of the EOS 5D Mark III was less than 10% of the total sales. The camera is, and has always been, for the still photographer.
If Canon wants to grow in cinema and 4K capture, and they do, then they have a whole new line of cameras that is one generation into its existence to add these and other features to at various price points.
My 2 cents anyway…. :)
Source: [CW] via [P5D]
A brief mention that we could see a new Speedlite announced with the EOS 7D replacement in September.
I do not expect an 600EX-RT replacement, but the 430EX II could be the one to get an upgrade.
We were told a while back by a great source that a replacement to the PowerShot SX50IS would be coming in the spring, obviously that didn’t occur. We have been told there have been some production issues with the camera and it will be announced for Photokina 2014 in September. The PowerShot lineup will probably get a separate announcement date than that of the EOS 7D replacement.
We’ve been told it will indeed have the biggest zoom range on the planet when it does surface.
More to come…
Preproduction models of the Canon EOS 7D Mark II will be in the field at the FIFA World Cup in Brazil next month according to a new report. It’s the hope of Canon to announce the camera in August to show off at Photokina in September.
This is probably the same sort of path Nikon is going to take with the D9300, which is rumored to be the replacement for the D300s.
Sigma is planning to announce a 24mm f/1.4 DG HSM Art series lens at Photokina with availability coming in October of 2014.
There has been no word on the possible 85mm f/1.4 DG HSM Art or 135mm f/1.8DG HSM Art lenses. I think both the 85 and 135 would be more highly desired than a 24mm prime, though if it’s as good as the 35mm or 50mm, we’ll take it anyway.
Preorder the Sigma 50mm f/1.4 Art: Amazon | B&H Photo | Adorama
MELVILLE, N.Y., April 2, 2014 – Canon U.S.A. Inc., a leader in digital imaging solutions, shared today that its parent company, Canon Inc., announced a software upgrade for the EOS C500 digital cinema camera (launched in October 2012), part of Canon’s Cinema EOS System lineup of professional digital cinematography products, that will enable users to more efficiently on-set production workflows. The Company plans to offer the free-of-charge Cinema RAW Development software upgrade* starting in October 2014.
The new Cinema RAW Development 1.3 software, currently under development, will deliver enhanced shooting workflows, including the on-set playback and confirmation of 4K RAW video, when using the EOS C500 camera.
Through collaboration with Intel, Cinema RAW Development 1.3 will deliver improved performance using a beta version of the Intel Media SDK 2014 Professional Camera Pack, making possible faster development of 4K Cinema RAW data when using a PC equipped with Intel Iris Pro graphics. Canon’s software upgrade will support greater workflow efficiencies for 4K RAW data by enabling real-time playback with playback speeds of up to 24 frames per second (fps). To date, previewing 4K RAW video footage on a notebook PC and other compact computer devices had been difficult because of the slow fps rate and the need for tremendous processing power, which was only available with a workstation PC. Now, with a combination of upgrades to Canon’s Cinema RAW Development 1.3 software, compatible with the Intel Media SDK 2014 Professional Camera Pack, and a PC with Intel Iris Pro graphics, Canon users will be able to more quickly preview their 4K video footage while on a shoot.
Executive quote from Intel
“Through our close collaboration with Canon, Intel is excited to be able to deliver highly accelerated 4K playback performance on a mobile PC with Intel Iris Pro graphics,” said Christos Georgiopoulos, vice president, Software and Services Group general manager, Developer Relations Division, Intel Corporation.
About Cinema RAW Development
Cinema RAW Development software enables 4K Cinema RAW footage shot with the EOS C500 camera that has been exported to and recorded by an external recorder to be converted into DPX and other standard file formats and output for image previewing and editing.
Demonstration at 2014 NAB Show
Canon will demonstrate a trial version of Cinema RAW Development 1.3 using an Intel Iris Pro graphics-powered PC at the Canon NAB 2014 exhibit, Central Hall Booth No. C-4325 from Monday, April 7 through Thursday, April 10 at the Las Vegas Convention Center.
Nikon has officially announced the D4S flagship camera body. There have been a lot of performance boosts as compared to the D4, such as a “newly designed” 16.2mp sensor, a new EXPEED processor, the ability to get to ISO 409600. There have also been tweaks to video, workflow and autofocus settings, though the AF system has remained the same.
- 16.2MP FX-Format CMOS Sensor
- EXPEED 4 Image Processor
- 3.2″ LCD Monitor
- Full HD 1080p Video Recording at 60 fps
- Multi-CAM 3500FX 51-Point AF Sensor
- Native ISO 25600, Extended to ISO 409600
- 11 fps Shooting for 200 Shots with AE/AF
- 91k-Pixel RGB Sensor and Group Area AF
- 14-Bit RAW Files and 12-Bit RAW S Format
- 1000 Base-T Gigabit Wired LAN Support
EOS-1D X Replacement?
Not this year, though I wouldn’t be surprised to see an EOS-1D C replacement. I think the EOS-1D X is still a world class capable body and Canon should be in no rush to replace it. Most people I talk to don’t want incremental updates, such as the perception with D4 to the D4S (again, image quality may change that opinion). The EOS-1D X should remain current well into 2015.
Nikon D4S | Canon EOS-1D X
Another lens patent has shown up today. This time an EF-S 17-55 f/3.5-5.6 IS STM. Perhaps it’ll be a new kit lens this year and will replace the current 18-55 IS STM. However, this may also be a hold over from last years kit lens update.
Description and self-interpretation of the patent literature
- Patent Publication No. 2014-21258
- Publication date 2014.2.3
- Filing date 2012.7.18
- Example 2
- Zoom ratio 2.92
- Focal length f = 18.50-32.89-54.00mm
- Fno. 3.49-4.39-5.80
- Half angle ω = 36.44-22.55-14.20 °
- Image height Y = 13.66mm
- 119.77-110.06-120.23mm overall length of the lens
- BF 37.98-52.51-74.3mm
- Example 3
- Zoom ratio 3.09
- Focal length f = 17.50-32.05-54.00mm
- Fno. 3.47-4.38-5.80
- Half angle ω = 37.97-23.08-14.20 °
- Image height Y = 13.66mm
- 119.55-108.81-118.68mm overall length of the lens
- BF 36.59-51.53-73.93mm
- Canon patents
- 4-group zoom of positive and negative positive negative
- Inner folder – Kas (Group 3)
- The fourth lens unit can also be used for anti-vibration
Bryan over at The-Digital-Picture has completed his review of the ST-E3-RT remote for Canon’s 600EX-RT flash system.
From his review:
“If you are a professional or serious amateur photographer and have the ability to choose the Canon’s radio wireless system for your uses, the decision to get one or more ST-E3-RT remote transmitters makes a lot of sense.”
Our reviewer, Justin, didn’t weigh in on the ST-E3-RT but did have high praise for Canon’s 600EX-RT system in our review. The bottom line is that Canon has a real winner with their RT system and all the components of it make for an incredible setup for anyone interested in off-camera flash.
You can purchase the ST-E3-RT from B&H on it’s own, from Adorama or save by buying it as part of a 2 speedlight, 1 ST-E3-RT set.