Archive for the ‘Third Party Accessories’ Category
GURA GEAR ANNOUNCES THE BATAFLAE RANGE OF CAMERA BACKPACKS FOR TRAVELERS
Introducing the camera bag with an innovative patent pending multi-access system designed for traveling visual artists. OGDEN, UT (September, 2012) – Designed by Gura Gear, the company that developed the revolutionary Kiboko photo bags, the Bataflae represents the next evolution of creative design and refinement for photographers and videographers featuring a patent pending butterfly multi-access system and stowaway harness. Bataflae is aimed at traveling photographers needing to navigate through the world’s airports with carry-on compatibility and a lightweight durable design.
Bataflae’s unique patent pending butterfly multi-access system features a smarter way of carrying and accessing camera gear. The unique configuration maximizes the interior space making it possible to work out of the bag with multiple bodies attached to lenses in the field. Available in 32L and 26L variants, the Bataflae swallows professional size DSLRs, medium format systems, and long lenses. The butterfly flaps provide access to just the gear needed, useful in tight environments like tour vehicles and stadiums, or in rough conditions where exposing the entire kit is less desirable. There are times, however, when opening the bag completely is helpful, like loading and unloading or in studio environments. With the quick pinch of a buckle, the butterfly flaps release to a full traditional opening.
Gura Gear Bataflae 32L & 26L Camera Backpacks
Available in black, grey, and tan, the Bataflae is PVC-free, features durable materials, flawless craftsmanship and the world’s best zippers, YKK RC Fuse with a weather resistant coating that repels dust and water while remaining flexible and easy to operate.
Additional innovative features of the Bataflae include a M.O.L.L.E. compatible side attachment system that allows for unique multi-point tripod/monopod configurations as well as the attachment of other accessories with the innovative quick-hook side straps. Each bag comes with a removable seam-sealed adjustable rain cover/ground cloth, fully riveted handles, and color-coded zipper pulls that can easily be operated with gloved hands. Two full-length external accessory compartments on the front allow for the storage of travel documents, light jacket and snacks, while the multiple internal mesh pockets and a fully adjustable divider system help keep gear organized.
Bataflae is Bislama (Vanuatu) for ‘butterfly’.
Bataflae 32L and 26L are available for pre-order at www.guragear.com or by calling +1 (801) 823-2809.
GURA GEAR ANNOUNCES THE ET CETERA AND TEMBO RANGES OF POUCHES, CASES, AND MEMORY WALLETS
Introducing the solution for keeping your cables, chargers, batteries and ‘everything else’ organized.
OGDEN, UT (September, 2012) – Gura Gear, an innovator in carrying solutions for passionate visual thinkers and travelers, introduces a range of solutions for organizing the chaos that follows any digital imaging user. Et Cetera cases and pouches are finely made bags in a range of sizes from 0.5L to 3L for cables, adapters, power blocks, chargers, batteries, pocket wizards, flash units, and the rest of the “extra stuff” that needs a place to call home.
Et Cetera Range of Accessory Cases
The Et Cetera range features top-quality YKK zippers, Velocity Nylon exteriors, luxurious linings, and PVC-free TPU micro mesh windows for viewing contents. The Et Cetera cases all feature interior elastic battery keepers and a convenient external slot for business cards and ID tags. In practice, the Et Cetera bags allow for easy sorting and organization of kits for GPS units, adapters, or charging sets so photographers can simply grab and go, rather than sorting through a nest of cables and electronic components. Et Cetera is available in three pouch sizes from 0.5L to 1.0L and three case sizes from 1L to 3L.
The Tembo Memory Card Wallets
The Tembo range of memory card wallets take a fresh look at a classic design correcting some key annoyances with wallet-style memory card holders by eliminating noisy Velcro and opening like a book; no more unrolling. Available in three versions holding various combinations of compact flash (CF) and smart disc (SD) memory cards.
All Et Cetera and Tembo products are finely crafted of the highest quality materials to exacting specifications.
Et Cetera is Latin for ‘other things; odds and ends’. Tembo is Swahili (East Africa) for ‘elephant’.
The Et Cetera and Tembo ranges of pouches, cases, and memory wallets are available for pre-order at www.guragear.com or by calling +1 (801) 823-2809.
Introducing the new AquaTech DC5-V3 Sport Housing
AquaTech is happy to announce the release of the new DC5-V3 to suit the new Canon 5D MKIII. This housing is now available through all your normal outlets and features the same dependable controls that are conveniently placed at your fingertips to ensure smooth and reliable control over your camera.
The DC5-V3 features the following controls.
- Shutter release
- Quick menu
- Play back
- Main rear dial
- Multi control toggle
- Video / Stills switcher
- Live view
- $1895 USD
- Available Now
This is the world’s first adapter that would give Canon lens owners electronic contact with Nex cameras (such as changing aperture using the camera itself).
Estimated availability: January 21, 2012
I had met the folks at Jobu Design nearly two years ago at a show in Toronto. At the time I had just bought Wimberley gimbal heads for my lens rentals business and then became aware of Jobu Design.
What is relatively unique about Jobu Design is their range of different gimbal head sizes. The same head isn’t required for a Canon 600 f/4 and a 100-400L, so why pay for a really large head?
The Jobu Design Booth
From Jobu Design
Our unique BWG line of tripod heads suit both pro and amateur photographers alike. With three basic sizes and modular design components it is easy to configure a product to your own exact specifications and price-point.
Made proudly in Canada by Devonshire Manufacturing Group, Inc. We ship our products to happy customers the world over, from Tasmania to Iceland and all points in between.
I hope to do a full review of some Jobu products in the future. I’ll probably take one to Ecuador with me next month.
View the Jobu Design line at B&H | Visit Jobu Design.com
BETA Shell Cases
The first product I hadn’t seen before are the BETA Shell Cases for lenses. They have no distribution in Canada, so I’ve never had the opportunity to run into them in stores.
For those that don’t know, they’re basically indestructible cases for individual lenses. They’re priced extremely well and are easy to use. They’d be fantastic for people that take their lenses into areas you don’t want to drop a lenses. They’d probably also make the shipping of lenses safer for rental businesses and the like. I also think this would be a better solution for me over a Pelican style case with a foam insert, as I don’t carry the same lenses with me on each trip. You can also fit these into your camera bag and have exceptional protection. Each case can also fit multiple lenses in your collection.
Each and every case is made in the United States, as they’re based in Portland, Oregon. The price value of these things are almost shocking. They don’t have a single lens case over $90. They’re also looking into products for the supertelephotos in the future.
The BETA Shell Booth @ CES 2012
Rigid, water-proof, and shock resistant – our patent pending BETA Shell™ protective cases are constructed unlike any other case.Our cases are designed to provide a lifetime of unsurpassed protection to your expensive photo & video gear. Now you can travel in the harshest conditions and the most extreme environments with complete confidence! Travel with us, travel protected!
They have cases that will fit lenses up to the 70-200 f/2.8L IS II and 100-400 f/4-5.6L IS without the tripod ring attached.
See the full line of Beta Shell cases at B&H
Visit BETA Shell at www.betashell.com
Timed perfect by the folks at Sony, they have officially announced their XQD cards alongside the officially official Nikon D4.
PARK RIDGE, N.J. , Jan 5, 2012 /PRNewswire/ – Giving photo enthusiasts and professional photographers a new level of speed and performance, the new Sony XQD™ memory cards support the recently adopted XQD specification for high-speed, high-performance digital image capture.
Using the XQD memory cards, XQD compatible high-end DSLR (Digital Single Lens Reflex) camera users can capture up to approximately 100 frames in RAW format in continuous shooting mode. In addition to outstanding high-speed data transfer capability, the new cards are highly reliable to protect users’ data and images.
“Advanced shooters want to capture the moment in the highest quality possible, and that often means dealing with massive files like RAW images,” said Viviano Cantu , Director of Consumer Media for Sony Electronics. “Memory card technology has done a great job of keeping pace, but these new cards give an entirely new meaning to speed and performance.”
The new Sony cards are based on the XQD memory card specification, which the CompactFlash Association recently approved and licensed as an open format. With its ultra high write-speed performance, and when using Nikon’s new DSLR “D4,” the XQD memory card can record up to approximately 100 frames in RAW format in continuous shooting mode*.
The Sony XQD memory card achieves stable continuous shooting of RAW images and blazing fast data transfer rates of up to 1Gbps/125MB/s write and read (based on Sony tests and dependent on host hardware) through the PCIe interface, a computer expansion card standard for serial interfaces.
A unique controller and optimized flash memory enables high-speed data processing, resulting in faster write speed and performance that can’t be achieved by conventional compact flash cards.
Sony is also introducing a USB 2.0/3.0 compatible XQD card reader (model MRW-E80) so users can quickly and easily transfer large quantities of very high capacity data to their PC. Also, an XQD ExpressCard Adapter (QDA-EX1) will be available for use with computers with an ExpressCard™ 34 card slot.
“As users’ needs continue to evolve,” Cantu added, “Sony will also continue to enhance the XQD memory card line-up to meet the future requirements of the high-end digital imaging market.”
The new Sony products are planned to be available in February and are estimated to sell at the following retail prices:
- QD-H16 card, 16 GB, $129.99
- QD-H32 card, 32 GB, $229.99
- Card Reader, MRW-E80, $44.99
- ExpressCard Adapter, QDA-EX1, $44.99
For information, visit www.sony.net/Products/memorycard/en_us/xqd/index.html.
* When used with Nikon “D4,” with capture of compressed 12-bit NEF (RAW) images; based on Nikon research.
Redrock Micro Announces New ultraCage | blue for Digital Cinema Cameras
In lock-step with Canon Cinema EOS Camera announcement, ultraCage is a New Generation of Support for a New Generation of Cameras
Hollywood, CA and Dallas, TX – Redrock Micro, the recognized leader in affordable professional-level cinema accessories, announced today the ultraCage | blue line of cinema accessories and support gear for the new generation of digital cinema cameras. The ultraCage is the first cage designed specifically the just-announced Canon EOS C300, and has been called the essential accessory for transforming these phenomenal cameras into phenomenal camera systems. The ultraCage delivers all the needed pieces for mounting, accessory support, safety, and modularity to fulfill the promise of these cameras. As with all Redrock products, the ultraCage delivers professional systems at revolutionary prices.
Redrock ultraCage the Foundation of Canon’s Product Launch Films
The ultraCage and Redrock rigs were used exclusively by all productions of Canon’s launch movies shot with the EOS C300. These projects were all helmed by prestigious directors and directors of photography including Richard Crudo, ASC, Félix Enríquez Alcalá, Sam Nicholson, ASC, Vincent Laforet, DGA, and Ron Howard, DGA.
During camera prep for these films, each production’s crew created their own custom configurations and rigs using the ultraCage as the foundation, and then built up with Redrock’s huge library of cinema accessories. The result was a wide range of finely tuned solutions to each operator’s individual taste and needs.
“The RedRock Micro ultraCage is an invaluable addition to the new Canon C300,” said Dana Christiaansen, Director of Photography for Sam Nicholson’s film ‘XXIT’. “The engineering and mechanical quality is excellent. Their [system] allows fast adjustments and holds the setting under tough shooting conditions. “I really appreciate a trouble-free camera support system… Redrock Micro has done a great job.”
“We couldn’t have asked for a better camera for this [project]” said Eric Wolfinger, first AC B camera for Richard Crudo’s film ‘Max is Back’. “The [standalone camera] design is great, but wouldn’t really work in a production environment without the support from Redrock. Everything is nice and light and easy to use.”
Leading in Innovation, ultraCage | blue is the First and Only Support Cage Designed Specifically for the Canon EOS C300 Body
Like no other system anywhere, ultraCage mirrors the sleek, compact design of the Canon C300 series camera to add critical features and support without expanding the footprint. The ultraCage closely wraps the camera to maintain its beautiful natural form factor while adding rails support, mounting points, and a rugged 360 degree camera casing. The C300′s removable handgrip can be attached and used, or detached all without removing the ultraCage. The ultraCage is designed in partnership with Canon to ensure all buttons, functions, and doors are completely accessible. You get the most out of your camera without anything getting in the way. The ultraCage is a significant evolution from today’s clunky and inelegant square cages.
“When Canon approached us to create a cage that would ‘finish’ the C300 into a supremely functional production camera, we wanted to do something more than just create a square cage,” said James Hurd, Chief Revolutionary of Redrock Micro. “We felt it was important to mirror C300′s compactness and beautiful lines without increasing the camera’s footprint. Customers want to retain the camera’s feel and ergonomics, and add the support, security, and features of the ultraCage.”
The Redrock ultraCage and Redrock rigs showed prominently in the behind-the-scenes footage of the Canon unveiling event. Martin Scorcese, a keynote speaker at the event, reflected on the significance of smaller, more agile equipment, and underscores the important design theme that both Canon and Redrock espouse: “bulky, expensive equipment [has been an] impediment to filmmaking in the past… Now anyone can make a movie, and storytelling through video is easier than ever.”
The ultraCage | blue Delivers it All
- Form-fitting - The ultraCage design mirrors the C300 and enhances the camera’s form and functionality without increasing the footprint.
- Full-featured - ultraCage delivers a landslide of features across support, stabilization, power, and cinema accessories.
- Modular sizes - choose the style that works for you: from ultra-compact cages to full cinema-style extended cages with added support and mounting points. Tool-less setup allows you to switch between setups quickly and easily.
- High-end cinema ready: built- in 15mm lightweight, built-in ready for 15mm studio and 19mm rails for big lens support such as Canon’s cine zooms. Powered option includes power for camera and up to 2 additional 12v accessories such as camera-top monitors.
- Affordable - Redrock continues to buck the trend by offering professional level cinema accessories at revolutionary prices so that anyone can afford to own great gear and get more value for your money.
ultraCage | blue Universal: ultraCage for Everyone
In addition to the ultraCage for the Canon C300, Redrock also announced ultraCage Universal, a version designed to extend the great features of ultraCage to other cameras including HDSLRs and digital cinema cameras such as the Sony NEX-FS100 and Panasonic AG-AF100 among others.
For More Information
Additional details can be found on the ultraCage page at redrockmicro.com/ultraCage
Pricing and Availability
Official pricing has not yet been announced for the ultraCage, but cages are expected to start under US $750. Like all other Redrock cinema accessories the full line is expected to be profoundly affordable. Redrock revolutionary prices are typically ½ to 1/5th the cost of comparable professional level equipment. Expected availability is December 2011.
About Redrock Micro
Redrock Micro revolutionized independent film production in the early 2000s with the M2 cinema lens adapter, and reinvented digital filmmaking in 2008 with HDSLR cinema rigs and accessories. Today, Redrock Micro continues to lead the industry in innovation with its award-winning digital cinema rigs and accessories, DSLR rigs, depth-of-field adapters, stabilization and support gear, sophisticated focus controllers, and advanced cinema accessories. More information is available at redrockmicro.com.
Print-Ready Images and Resources
Redrock Micro ultraCage | blue
Redrock Micro ultraCage | blue was the exclusive suport system used in all Canon’s product launch films. Behind-the-scenes videos from these launch videos can be found below:
If you have any questions, please drop me a line.
Pretty cool adaptor.
Red Rock Micro has released an adaptor for your Micro 4/3 mount camera. The adaptor allows for aperture control on all Canon EF mount lenses.
…..The Redrock Micro LiveLens mft is the solution for using sharp EF-mount lenses on Micro Four Third bodies without sacrifice. Where standard “dummy adapters” just physically mount EF lenses to the Micro Four Third body, the Redrock micro LiveLens MFT talks to the lens, giving you the ability to adjust your aperture without the need to use time consuming workarounds on set. Don’t work around the ability of your lenses; make your lenses work for you, starting today.
Red Rock Micro
Vincent Laforet is at it again
The angle of video of a Canon 600mm f4 EF Lens with a 2X converter on a RED Epic, is roughly one degree. (1 Degree, 45 arcminutes horizontally to be exact.)
The focal length in terms of 35mm is more than 3400mm – not too shabby when you consider this was shot at 4K, 120fps in full RAW on the Epic.
So who cares? Is this just a case of “just because you can…”
The yet to be released EF mount for the RED system fully supports IS, autofocus, digital aperture control, touch to focus, touch to rack focus and distance readout. All you need to convert your RED to EF is a Torx screwdriver.
Vincent shot this film at Mono Lake 45 minutes after sunset until it was dark. He used an ISO range of 800 to 2000.
Visit the Vincent Laforet Blog to see more images of the setup.