![135mm f/1.8 DG OS ART Next from Sigma? [CR1]](http://www.canonrumors.com/wp-content/themes/magnet/scripts/timthumb.php?src=http://www.canonrumors.com/wp-content/uploads/2012/11/sigma35.jpg&a=t&h=100&w=200)
More from Sigma in 2013
We’re told Sigma will announce a 135mm f/1.8 DG OS Art lens sometime in 2013. There could be up to 3 more Art lenses announced this year. We’ve previously heard they would be releasing a 24mm f/1.4 DG Art sometime in 2013.
There has been no mention of an f/2 or faster zoom for full frame cameras.
An update to the 50mm f/1.4 could also be on the horizon.
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RONKONKOMA, NY, Apr. 18, 2013 — Sigma Corporation of America (www.sigmaphoto.com), a leading researcher, developer, manufacturer and service provider for some of the world’s most impressive lines of lenses, cameras and flashes, today announced the Sigma 18-35mm F1.8 DC HSM Art lens, the market’s first zoom lens to achieve a maximum aperture F1.8 throughout the entire zoom range.
This revolutionary, wide aperture, standard zoom lens is created for DSLR cameras with APS-C size sensors, which translates to a focal range of 27-52.5mm on a 35mm camera. With a minimum focusing distance of 11 inches, and a maximum magnification ratio of 1:4.3, the 18-35mm is ideal for landscapes, portraits, still-life, studio, close-up and casual photography.
“Exceptionally fast apertures were previously unavailable in zoom lenses, so photographers turned to several prime lenses in a session to get bright images at various focal lengths. We’re incredibly excited to be the first manufacturer to bring the F1.8 standard zoom to the market and to provide photographers with a new level of creativity and convenience, with the outstanding image quality at the core of the new Sigma Global Vision,” said Mark Amir-Hamzeh, president of Sigma Corporation of America.
Amir-Hamzeh added that because developing a large aperture wide angle zoom lens can prove to be technologically and optically challenging, often resulting in various distortions, aberrations and field curvature, Sigma has tapped into its long history as a lens pioneer to overcome those issues in this new generation lens.
“Our experience with the wide angle designs of our 12-24mm F4.5-5.6 II DG HSM and our 8-16mm F4.5-5.6 DC HSM, and our research and development in our Aizu factory have prepared us for this technological advancement,” he said. “Our wide, glass-molded aspherical lens and the incorporation of Special Low Dispersion (SLD) glass have optimized power distribution of the optical elements and compensated for various aberrations, as well as curvature of field at the widest angle. We’re extremely proud of this achievement.”
The 18-35mm is the latest addition to the company’s company’s Art line of lenses, designed under the new Global Vision. The Global Vision lenses have a sleek new design with the manufacturing year stamped on the barrel, and are categorized by use into one of three groups: Art, Contemporary and Sports. The Art category delivers high-level artistic expression through sophisticated and abundant expressive power.
The new 18-35mm lens incorporates Sigma’s improved AF/MF switch and the use of Thermally Stable Composite (TSC) compound material, which has a high affinity to metal parts, consistently performs well at extreme temperatures, and reduces the size and weight of the lens. It is also compatible with Sigma’s new USB Dock, which will be available in coming months, enabling photographers to update lens firmware and adjust focus parameters from their computers.
Convenient handling is achieved with internal focusing and zooming, which prevents changes to the size of the lens. Additionally, the front part of the lens does not rotate, so special filters like circular polarizers can be used.
The 18-35mm lens’ Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images, even in backlit conditions. The petal-type hood that is supplied with the lens will provide extra protection from flare and ghosting. Sigma’s Hyper Sonic Motor (HSM) ensures a silent, high-speed AF function and the optimized auto focus algorithm results in smooth focusing and full-time manual focusing capability. Lastly, the nine-blade, rounded diaphragm creates an attractive, round bokeh at large-aperture settings.
Is this your next 35mm lens?
With Canon being slow in replacing their decade old EF 35mm f/1.4L with new technologies, Sigma has stolen a ton of hype from both the Canon & Nikon sides with the Sigma 35mm f/1.4 DG HSM.
Is this the best 35mm autofocusing lens you can buy for Canon at this time? It just might be. There’s a couple of drawbacks, but for the money, I think you’d be hard pressed not to at least consider this wonderful lens from Sigma.
Says Justin
“The Sigma 35mm f/1.4 is the finest lens I’ve ever used from the company. It has impressed me more than many of Canon’s own primes. Perhaps some of that is a bias because my expectations were slightly lower or I was at least cautiously optimistic about this offering. Either way, I have been thoroughly sold on the lens and have given up my quest for a Canon 35mm f/1.4 L even if Canon does replace their lens soon (which they should).”
Read the entire review here | Buy the Sigma 35mm f/1.4 DG HSM
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Delay of the first “sport” product
Sigma has delayed the release of the new 120-300 f/2.8 DG OS HSM lens. This lens was to be the first in their “sport” line of lenses. Along with the lens, the USB dock they announced with it has also been delayed.
Sigma suggests that the delay is due to sourcing parts for the new lens. It was originally scheduled for a March release, but now a release date is undetermined.
Sigma has been riding a wave of great publicity because of the 35mm f/1.4, so this is a disappointment.
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![The Next Zeiss Lenses? [CR2]](http://www.canonrumors.com/wp-content/themes/magnet/scripts/timthumb.php?src=http://www.canonrumors.com/wp-content/uploads/2011/10/zeisslogo.jpg&a=t&h=100&w=200)
More high performance Zeiss primes coming
I’ve been told by a good source what Zeiss has planned for the coming year or so as far as new prime lenses.
There will be a 28 f/1.4 introduced and an update to the Planar 85 f/1.4 (probably the weakest lens in the lineup). Don’t expect both lenses to be announced at the same time, and there could be a big gap between them. These are going to be on par with the new Distagon 55mm f/1.4 that was announced at Photokina.
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YOKOHAMA, Japan — Jan. 29, 2013 — Sigma Corporation of America a leading researcher, developer, manufacturer and service provider of some of the world’s most impressive lines of lenses, cameras and flashes, today announced the release of four new lenses for the ART product line, including three lenses for mirrorless interchangeable lens cameras and one lens for DSLR cameras with APS-C size sensors. This announcement comes at the start of the CP+ Camera and Photo Imaging Show 2013 this week in Yokohama, Japan.
The new and updated Sigma lenses include the 30mm F1.4 DC HSM, which will be available in Sigma, Canon and Nikon mounts.
30mm F1.4 DC HSM
Sigma pioneered the large-aperture, APS-C format, standard lens category with its 30mm F1.4 lens in 2005. With new optical configurations of nine elements in eight groups, as well as rounded aperture blades, this updated lens delivers pleasing sharpness and a beautiful bokeh background. Its angle of view is equivalent to 45mm on a 35mm camera (which is similar to that of human vision), its minimum focusing distance is 11.8 inches and its maximum magnification ratio is 1:6.8. The lens’ optimized power distribution helps to minimize field curvature, prevent a loss of image quality at the edges of photographs and produce outstanding image quality. Its double-aspheric lens minimizes spherical distortion, astigmatism and coma, and its rear focus system prevents focus-dependent variation in aberration. Together, the new optimized auto focus (AF) algorithm and rear focusing system ensure smooth and accurate focusing. The new 30mm F1.4 is also compatible with Sigma’s new USB Dock, which will enable firmware updates and focusing adjustments, is expected to be available in coming months.
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SIGMA 120-300mm F2.8 DG OS HSM
Conventionally, large aperture lenses for 300mm F2.8 have been loved by professional users due to their brilliant capability of depiction and bright aperture value. It has established a solid standpoint in the world of photography. Based on the concept that turning a 300mm F2.8 lens into zoom lens would enable photographers to expand the scope of shooting, we have developed 120-300mm F2.8 lenses and released them into the market. It is not simple to decide on a composition with a 300mm lens. Especially for sports and theatrical shows, shooting positions are almost always fixed and changing lenses could lead to missed photographs. By adding a zoom function with the large aperture 300mm F2.8 lens, it no longer requires other interchangeable lenses and rotation of the zoom ring will offer excellent framing. In other words, when conditions are difficult, this high-performance lens gives you more scope to express yourself in the shots you take.
SIGMA 120-300mm F2.8 DG OS HSM
Corresponding AF Mounts: SIGMA, Nikon (D), Canon
Accessories: Lens case, lens hood (LH1220-01), shoulder strap and tripod socket (TS-51) supplied.
* The Appearance and specifications are subject to change without notice.
Preorder the Sigma 120-300 f/2.8 DG OS HSM for $3599
[Special Features]
1. Sports line lenses deliver high action-capture performance
Sigma is organizing all its interchangeable lenses into three product lines; Contemporary, Art and Sports. While offering sophisticated optical performance and expressiveness, our Sports line lenses deliver high action-capture performance, enabling photographers to get exactly the shots they want. With their high-level optical performance and expressive power, these lenses can capture fast-moving subjects, even at distance. This high-performance line also offers a variety of functions to aid the photographer in challenging conditions and scenarios. The SIGMA 120-300mm F2.8 DG OS HSM is the first product from the “Sports” line. Besides sports photography, the lenses are also perfect for nature shots featuring birds, wild animals and other wildlife, and for capture of aircraft, trains, racing cars and more. Another major feature of our Sports line lenses is their wide range of customization functions: using the software provided, all sorts of settings can be tailored to the personal preferences of the photographer.
2. Dust-proof and splash-proof construction
For professional purposes, we have achieved excellent durability by incorporating dust-proof and splash-proof parts for joint parts, such as mount attachment, manual ring, zoom-ring, switches for customization and external switch panels. It prevents dust and dirt from entering the lens. Also, the usage of the zoom ring and focus ring is well positioned for shooting situations.
3. High image quality close to fixed focal length lens.
This lens incorporates 2 FLD (“F” Low Dispersion) glass elements, which have performance equal to fluorite, 1 SLD (Special Low Dispersion) glass element, and compensate for the color aberration at the utmost. The design also compensates for sagittal coma flare and minimizes the blurring of a point light source in peripheral areas. It offers very high image quality, close to fixed focal length lens.
4. Incorporation of focus limiter
Excellent usability is achieved by incorporating inner focusing and zooming that requires no change in the length of the lens for focus and zoom. It is possible to use with a rounded filter, such as a Circular Polarizer, as the front part of the lens is fixed. Due to the focus limiter offering adjustable range of auto focusing, this lens can provide fast focus setting. The USB dock enables users to change the range of the auto focusing at the discretion of users’ creativity.
5. Newly developed “USB DOCK” exclusively for new product lines
Based on these new lines, we have developed special software (SIGMA Optimization Pro) that can update the lens firmware and adjust parameters such as focus. In addition, the lenses from our Sports line have customizable AF speed, focus limiter and OS function. The “Custom Mode Switch” is the device for further customization on the dedicated lenses.
6. Ease of use
Many parts of this lens have been designed for comfortable usage. For example, the design of the zoom ring is concerned with a texture when you hold it, the position of printed letters and the 4 control switches with integration-considered shape of the screws. Included accessories such as the removable lens hood and the newly designed tripod collar with strap ensure added ease of use.
[Other Features]
• Flare and ghosting conscious design
SIGMA’s Super Multi-Layer Coating reduces flare and ghosting. It provides sharp and high contrast images throughout the entire zoom range.
• Excellent in handheld photography for telephoto shooting
This lens incorporates the OS system which offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible, ensuring the excellent use in handheld photography for telephoto shooting. The OS system has two modes – OS mode 1 is suitable for general photography, and OS mode 2 is best for panning shots of subjects such as planes or racing cars. It is possible to adjust the OS using the optional USB DOCK.
* This lens cannot be used with film SLR cameras with the exception of the Nikon F6, Canon EOS-1v.
• Quiet and Fast AF
The HSM (Hyper Sonic Motor) ensures high speed and quiet AF as well as full-time manual focus override by rotation of the focus ring. With the enhanced AF algorithm, smoother AF is achieved. The full time manual, which offers further adjustment after focusing with AF mode, is possible. By using USB Dock, you can change and adjust the AF speed at your convenience.
• Incorporating Rounded Diaphragm
The 9 blade-rounded diaphragm creates an attractive blur to the out-of-focus areas of the image.
• APO Tele-Converter (Optional)
The addition of Sigma’s 1.4x EX DG APO or 2x EX DG APO TELE CONVERTER produces a 168-420mm F4 AF telephoto zoom lens or a 240-600mm F5.6 AF telephoto zoom lens respectively.
• Brass made bayonet mount
This lens incorporates a brass made bayonet mount which has both high accuracy and durability. A special treatment to reinforce its strength is applied to the surface giving it greater strength and making it highly resistant to long-term use.
• Evaluation with Sigma’s own MTF measuring system “A1”
We used to measure lens performance with an MTF measuring system using conventional sensors. However, we’ve now developed our own proprietary MTF (modulation transfer function) measuring system (A1) using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of our quality control inspections. The SIGMA 17-70mm F2.8-4 DC MACRO OS HSM will all be checked using this “A1” before they are shipped.
• “Made in Japan”
All Sigma’s manufacturing – right down to the molds and parts – is carried out under an integrated production system, entirely in Japan. We are now one of the very few manufacturers whose products are solely “made in Japan”. We like to think our products are somehow imbued with the essence of our homeland, blessed as it is with clean air and water, and focused, hard-working people. We pride ourselves on the authentic quality of Sigma products, born of a marriage between highly attuned expertise and intelligent, advanced technology. Our sophisticated products have satisfied professionals and lovers of photography all over the world, because our manufacturing is based on genuine craftsmanship, underpinned by the passion and pride of our experts.
[Specification] For Sigma
Lens Construction: 23 elements in 18 groups | Minimum aperture: F22 | Filter size: ø105mm | Angle of view (35mm format): 20.4°-8.2° | Minimum focusing distance: 150cm-250cm/59.1in.-98.4in. | Dimensions (Diameter x Length): ø121.4mm x 291mm/4.8in. x 11.5in. | Number of diaphragm blades: 9 (Rounded diaphragm) | Maximum magnification ratio: 1:8.1 (f=200mm) | Weight: TBD
[Accessories]
Lens Hood LH1220-01 (supplied) : 0085126-929657
FRONT CAP LCF-105 III (supplied) : 0085126-929640
REAR CAP LCR II (supplied)
SIGMA : 0085126-929497 Nikon : 0085126-929503 Canon : 0085126-929510
TRIPOD SOCKET TS-51(supplied) : 0085126-929664
SIGMA DG UV 105mm : 0085126-923792
SIGMA DG CIRCULAR PL 105mm : 0085126-923907
APO TELE CONVERTER 1.4x EX DG
SIGMA : 0085126-824402 Nikon : 0085126-824556 Canon : 0085126-824273
APO TELE CONVERTER 2x EX DG
SIGMA : 0085126-876401 Nikon : 0085126-876555 Canon : 0085126-876272
Sigma Launches the 17-70mm F2.8-4 DC Macro OS HSM
The most important features for a standard zoom lens for digital single lens reflex camera is to achieve high image quality, to meet the needs in various occasions and to be handy and compact.
The SIGMA 17-70mm F2.8-4 DC MACRO OS HSM will clear away all the general concerns, such as a short minimum focusing distance, not a long enough focal length for telephoto shooting and a small aperture value. Mainly used for general-purpose photography, this everyday lens covers a range equivalent to 25.5-105mm on a 35mm camera. It’s surprisingly compact in size for a large-aperture lens that opens up to F2.8. Great for treasured snapshots of travel or family occasions, it also handles shots that are a little bit more creative. Designed to be the kind of lens you carry around with you all the time, it delivers simplicity and is so user-friendly it’s sure to satisfy even the most demanding of users.
Sigma 17-70mm F2.8-4 DC Macro OS HSM
Corresponding AF Mounts: SIGMA, Sony (D), Nikon (D), Pentax, Canon
Accessories: Petal type Lens hood (LH780-03) supplied.
Preorder the Sigma 17-70 f/2.8-4.0 DC Macro OS HSM for $499
* The Appearance and specifications are subject to change without notice.
Special Features
1. Contemporary line can handle all sorts of photo opportunities
Sigma is organizing all its interchangeable lenses into three product lines; Contemporary, Art and Sports. Featuring the very latest technology, and combining optical performance with compactness, the Contemporary line covers a wide range of needs. Incorporating the very latest technology in these lenses, Sigma has solved the difficult problem of keeping size and weight low without compromising optical performance.The SIGMA 17-70mm F2.8-4 DC MACRO OS HSM is the first product from the Contemporary line. Featuring a wide zoom range, the lens has a focal range equivalent to 25.5-105mm on a 35mm lens.
2. Excellent for macro photography
This lens’ minimum focusing distance is 22cm and the maximum magnification ratio is 1:2.8. At 70mm, the working distance becomes 5.52cm. When it comes to telephoto, it can shoot pictures with a similar sensation to a macro lens. Also, without the need to change the lens, it enables photographers to take a close up pictures of subjects such as jewelry and flowers. In order to secure a clear field of view, the design of this lens is very thorough, even down to the precise position of the engraved letters on the lens.
3. 30% Smaller Than Conventional Models
For a which is used lens used in everyday situations, the small size makes a big difference. By incorporating a smaller OS unit and optimizing the structure and power distribution of optical elements, the lens barrel has now become more compact. In order to ensure high accuracy of the product, the new compound material TSC (Thermally Stable Composite), which has high affinity to metal parts, is introduced for the lens barrel. It results in better durability of the parts and smaller zoom rings and scale rings. The dimension of this lens is 30% smaller than our conventional models.
4. Superior Image Quality Throughout The Entire Zoom Range
This lens incorporates 2 FLD (“F” Low Dispersion) glass elements, which have performance equal to fluorite, 1 SLD (Special Low Dispersion) glass element and 3 aspherical glass lenses including double sided aspherical lens. By optimizing the power alignment of the lens, both chromatic aberration of magnification and axial chromatic aberration have been corrected. From infinity to macro, it achieves superior image quality through entire zoom range. This lens offers extraordinary expressive power and is capable of surpassing the requirement of the rigorous checking process of our new MTF measuring system “A1”.
5. Large maximum aperture of F2.8
The aperture value is F2.8 at the wide end (17mm), and is F4 at the telephoto end (70mm). The bright viewfinder aids focusing and composition of images. The fast apertures also offer useful functions such as fast shutter speeds to prevent an object from being blurred and ensuring a smooth bokeh in the background.
Other Features
• Optical Stabilizer
Sigma’s own unique OS (Optical Stabilizer) function is incorporated. It offers effective correction of approximately 4 stops, which makes it possible to compensate for camera shake even in macro range photography where a small blur can be easily identified.
*1. The closer the lens is to the object, the less effective the OS function is.
*2. For Sony and Pentax, OS function is not incorporated.
• Flare and ghosting conscious design
In order to achieve high rendering on this flagship lens, flare and ghosting were thoroughly measured from an early stage to establish an optical design which is resistant to strong incident light such as backlight. The Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images even in backlit conditions.
• Incorporating Rounded Diaphragm
The 7 blade-rounded diaphragm creates an attractive blur to the out-of-focus areas of the image.
• Hyper Sonic Motor
The HSM (Hyper Sonic Motor) ensures high speed and quiet AF as well as full-time manual focus override by rotation of the focus ring. With the enhanced AF algorithm, smoother AF is achieved.
• Brass made bayonet mount
This lens incorporates a brass made bayonet mount which has both high accuracy and durability. A special treatment to reinforce its strength is applied to the surface giving it greater strength and making it highly resistant to long-term use.
• Ease of use
The new product lines incorporate rubber for the attachment part of the provided lens hood. For better usability, the design of the lens cap and AF / MF changeover switch has been improved.
• Newly developed “USB DOCK” exclusively for new product lines
Based on these new lines, we have developed special software (SIGMA Optimization Pro) that can update the lens firmware and adjust parameters such as focus.
• Evaluation with Sigma’s own MTF measuring system “A1”
We used to measure lens performance with MTF measuring system using conventional sensors. However, we’ve now developed our own proprietary MTF (modulation transfer function) measuring system (A1) using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of our quality control inspections. The SIGMA 17-70mm F2.8-4 DC MACRO OS HSM will all be checked using this “A1” before they are shipped.
• “Made in Japan”
All Sigma’s manufacturing – right down to molds and parts – is carried out under an integrated production system, entirely in Japan. We are now one of the very few manufacturers whose products are solely “made in Japan”. We like to think our products are somehow imbued with the essence of our homeland, blessed as it is with clean air and water, and focused, hard-working people. We pride ourselves on the authentic quality of Sigma products, born of a marriage between highly attuned expertise and intelligent, advanced technology. Our sophisticated products have satisfied professionals and lovers of photography all over the world, because our manufacturing is based on genuine craftsmanship, underpinned by the passion and pride of our experts.
Specification For Sigma
Lens Construction: 16 elements in 14 groups | Minimum aperture: F22 | Filter size: ø72mm | Angle of view (SD1): 79.7°-22.9° | Minimum focusing distance: 22cm/8.7in. | Dimensions (Diameter x Length): ø79mm x 82.0mm/3.1in. x 3.2in. | Number of diaphragm blades: 7 (Rounded diaphragm) | Maximum magnification ratio: 1:2.8 | Weight: 465g/16.4oz.
Accessories
Petal type Lens Hood LH780-03 (supplied) : 0085126-929602
FRONT CAP LCF-72 III (supplied) : 0085126-929633
REAR CAP LCR II (supplied)
SIGMA : 0085126-929497 Sony : 0085126-929527
Nikon : 0085126-929503 Pentax : 0085126-929534
Canon : 0085126-929510
SIGMA DG UV 72mm : 0085126-923747
SIGMA DG WIDE CIRCULAR PL 72mm : 0085126-923853
Sigma USB Dock
By connecting the USB cable to a computer, SIGMA USB DOCK enables photographers to update the lens firmware and adjust parameters such as focus. The adjustment is processed with special software (SIGMA Optimization Pro). The AF speed, focus limiter and OS function are also customizable for Sports lenses.
Sigma USB Dock
Release: Early 2013.
Compatible lens
Art | 35mm F1.4 DG HSM
Contemporary | 17-70mm F2.8-4 DC MACRO OS HSM / 17-70mm F2.8-4 DC MACRO HSM
Sports | 120-300mm F2.8 DG OS HSM
* The Appearance and specifications are subject to change without notice
Special Software “SIGMA Optimization Pro” will offer the following customization.
Focus setting
Contemporary, Art and Sports
• Updating Lens Firmware
It is possible to update the lens firmware via the internet.
• Focus Setting
Multiple focus setting options are available: 4 categories for fixed focal length lenses, and 16 categories (4 options for focal length) x (4 options for shooting distance) for zoom lenses.
For Sports line
• AF Speed Adjustment
There are 3 AF speed modes.
• Focus Limiter Adjustment
Offering customization for the driving range of auto focus enables a photographer to exactly reflect the personal preference.
• OS Setting
There are 3 OS (Optical Stabilizer) adjustment modes.
You can download “SIGMA Optimization Pro for Windows” and “SIGMA Optimization Pro for Macintosh” from the link below.
http://www.sigma-global.com/en/lenses/cas/
Condition of Operation
Windows
This software operates in the condition that meets with the following criteria;
• Pentium 4 processor or higher
• Windows 7 or Windows 8 is pre-installed.
• 1GB of RAM or higher
• 1 GB of available hard drive space.
• 24-bit graphics card (approx. 16.7 million colors).
• 1024×768 or higher screen resolution.
• USB 1.1 as standard
Mac OS
This software operates in the condition that meets with the following criteria;
• Intel processor that either Mac OS X 10.7 or 10.8 is pre-installed
• 1GB of RAM or higher
• 1 GB of available hard drive space.
• 24-bit graphics card (approx. 16.7 million colors).
• 1024×768 or higher screen resolution.
• USB 1.1 as standard.
The new Tamron 70-200!
A lot of people have been eager to hear and see how good the new Tamron 70-200 f/2.8 VC lens is. Coming in at a mere $1499 compared to $2099 for the Canon version, it has a chance to sell well for Tamron if it can at least be close to the highly regarded Canon.
Photo News had a chance to play with one and have come away pretty positive about the Tamron. There are lots of pictures and thoughts about build, the AF and optical performance of the lens.
From Photo News
The Tamron 70-200mm F/2.8 Di VC USD brings Tamron’s legendary optical performance into the 21st century with the addition of USD and VC. The autofocus is fast with the addition of USD, the VC is effective , and the image quality is what we’re used to from this legend. Tamron has fixed a few quirks of the older version and we’d feel comfortable taking this lens on any job or just a walk in the park. The deciding factor for this lens will be the price point.
The Tamron 70-200 f/2.8 Di VC USD is due to start shipping on November 30, 2012.
Tamron 70-200 f/2.8 Di VC USD $1499 at B&H Photo | Adorama | Amazon
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