Archive for the ‘Third Party Lenses’ Category
Rokinon is thrilled to announce the release of its 16mm T2.2 Cine lens in September, 2013. The Rokinon 16mm is a wide-angle lens for DSLR and mirrorless cameras in both the APS-C and Micro Four Thirds formats.
This lens allows for an impressive range of depth of field, with its fast T2.2 aperture. With a smooth operating manual focus, the 16mm offers pristine sharpness and clarity. It is ideal for shooting landscapes, architecture and interiors, as well enjoying unique perspectives and close-ups with shallow depth of field.
The 16mm T2.2 Cine lens features de-clicked apertures and follow focus compatibility, which is ideal for video. The lens is constructed with a solid build, using 13 optical elements in 11 groups with 2 aspherical lenses.
Rokinon is proud to provide a wide range of mounts. The 16mm T2.2 lens will be available in Canon, Nikon, Pentax, Sony, Canon M, Fujifilm X, Sony E, Samsung NX, as well as Micro Four Thirds cameras.
Rokinon continues its mission of “Excellence for Less.” See these great lenses at a Rokinon dealer near you or at www.rokinon.com.
RONKONKOMA, N.Y., – Aug. 1, 2013 - Sigma Corporation of America, a leading researcher, developer, manufacturer and service provider of some of the world’s most impressive lines of lenses, cameras and flashes, today announced a revolutionary new, fee-based service that will enable the company’s Global Vision lens owners to change their lens mounts for use on different camera systems.
Starting Sept. 2, Global Vision lens owners can request the Mount Conversion Service to convert their current Sport, Contemporary or Art DSLR lenses to their choice of a Sigma, Sony, Pentax, Nikon or Canon mount. Global Vision category lenses for mirrorless interchangeable lens cameras (MILCs) can be updated to either a micro four thirds (MFT) or Sony E- mount.
In addition to the announcement of the industry’s first Mount Conversion Service, Sigma is also extending the warranty on all of its products – including cameras, lenses and flashes purchased on or after July 1, 2013 – to four years. Previously, warranties varied by product. This enhanced product protection provides Sigma’s customers with more consistency and improved service.
“Professionals and amateurs alike are taking advantage of the many affordable camera options in today’s market; they’re updating their camera bags and exploring new systems and brands,” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “When photographers purchase a lens, it’s often a significant, financial and artistic commitment – and we believe that investment should last a lifetime. Our new Mount Conversion Service and extended warranty are intended to help Sigma users get more enjoyment from our products, regardless of how their approach to photography changes overtime.”
The Mount Conversion Service is limited to all of Sigma’s Global Vision lenses. Current, applicable full-frame lenses include the 120-300mm F2.8 DG OS Sport and 35mm F1.4 DG Art; APS-C crop sensor lenses include the 30mm F1.4 DC HSM Art, 17-70mm F2.8-4 DC OS Macro Contemporary and 18-35mm F1.8 DC Art; and MILC lenses include the 19mm F2.8 DN Art, 30mm F2.8 DN Art and 60mm F2.8 DN Art. Lenses can be converted to any mount of a photographer’s choosing, as long as Sigma has released that product in the requested mount.
Cost of the conversion will range between $80 to $250, plus shipping costs, depending on the focal length of the lens. All lenses will be shipped to Sigma’s US subsidiary in New York, and updated, calibrated and optimized for the new camera system at Sigma’s factory in Aizu, Japan. All lenses that undergo the Mount Conversion Service will be covered under warranty for six months following the update. Teleconverters, USB Docks and other accessories are not eligible for the service.
To request the Mount Conversion Service, please visit your local Sigma subsidiary. Customers in the United States should visit www.sigmaphoto.com.
Bryan over at TDP has completed his review of the new Sigma 120-300mm f/2.8 DG OS HSM lens.
Bryan, just like a friend of mine that is sponsored by Sigma in Canada, was pleasantly surprised about how much they like the lens. I keep hearing the build quality, optical quality and focal range are very useful on a day-to-day basis.
“It is hard not to like a great looking lens with a 120-300mm focal length range in a non-extending, solidly built body that also feels great – and delivers image quality that leaves most other zoom lenses wanting even at this lens’ wide max f/2.8 aperture. I like the direction Sigma has been going with their recent lenses and I think they have another hit with the Sigma 120-300mm f/2.8 DG OS HSM Lens.”
Read the Full Review | Sigma 120-300mm f/2.8 DG OS HSM at B&H Photo
From DXO Mark
The folks at DXOMark have tested the new Sigma 18-35 f/1.8 DC (APS-C) HSM lens and found to be extremely sharp. It turns out that it’s the sharpest APS-C lens that they have ever tested. The performance rivals that of Canon’s 24-70 f/2.8L II lens.
“Although it is unlikely a user would buy several full-frame wide-angle lenses specifically for an APS-C format camera, the fact remains that the Sigma 18-35mm f/1.8 DC HSM is an outstanding performer optically.
If we want to be picky, the Sigma lacks image stabilization and the zoom range isn’t as wide as some rivals, but at $799 the lens is remarkable….”
Read the full review | Sigma 18-35 f/1.8 DC HSM at B&H Photo
More from Sigma in 2013
We’re told Sigma will announce a 135mm f/1.8 DG OS Art lens sometime in 2013. There could be up to 3 more Art lenses announced this year. We’ve previously heard they would be releasing a 24mm f/1.4 DG Art sometime in 2013.
There has been no mention of an f/2 or faster zoom for full frame cameras.
An update to the 50mm f/1.4 could also be on the horizon.
RONKONKOMA, NY, Apr. 18, 2013 — Sigma Corporation of America (www.sigmaphoto.com), a leading researcher, developer, manufacturer and service provider for some of the world’s most impressive lines of lenses, cameras and flashes, today announced the Sigma 18-35mm F1.8 DC HSM Art lens, the market’s first zoom lens to achieve a maximum aperture F1.8 throughout the entire zoom range.
This revolutionary, wide aperture, standard zoom lens is created for DSLR cameras with APS-C size sensors, which translates to a focal range of 27-52.5mm on a 35mm camera. With a minimum focusing distance of 11 inches, and a maximum magnification ratio of 1:4.3, the 18-35mm is ideal for landscapes, portraits, still-life, studio, close-up and casual photography.
“Exceptionally fast apertures were previously unavailable in zoom lenses, so photographers turned to several prime lenses in a session to get bright images at various focal lengths. We’re incredibly excited to be the first manufacturer to bring the F1.8 standard zoom to the market and to provide photographers with a new level of creativity and convenience, with the outstanding image quality at the core of the new Sigma Global Vision,” said Mark Amir-Hamzeh, president of Sigma Corporation of America.
Amir-Hamzeh added that because developing a large aperture wide angle zoom lens can prove to be technologically and optically challenging, often resulting in various distortions, aberrations and field curvature, Sigma has tapped into its long history as a lens pioneer to overcome those issues in this new generation lens.
“Our experience with the wide angle designs of our 12-24mm F4.5-5.6 II DG HSM and our 8-16mm F4.5-5.6 DC HSM, and our research and development in our Aizu factory have prepared us for this technological advancement,” he said. “Our wide, glass-molded aspherical lens and the incorporation of Special Low Dispersion (SLD) glass have optimized power distribution of the optical elements and compensated for various aberrations, as well as curvature of field at the widest angle. We’re extremely proud of this achievement.”
The 18-35mm is the latest addition to the company’s company’s Art line of lenses, designed under the new Global Vision. The Global Vision lenses have a sleek new design with the manufacturing year stamped on the barrel, and are categorized by use into one of three groups: Art, Contemporary and Sports. The Art category delivers high-level artistic expression through sophisticated and abundant expressive power.
The new 18-35mm lens incorporates Sigma’s improved AF/MF switch and the use of Thermally Stable Composite (TSC) compound material, which has a high affinity to metal parts, consistently performs well at extreme temperatures, and reduces the size and weight of the lens. It is also compatible with Sigma’s new USB Dock, which will be available in coming months, enabling photographers to update lens firmware and adjust focus parameters from their computers.
Convenient handling is achieved with internal focusing and zooming, which prevents changes to the size of the lens. Additionally, the front part of the lens does not rotate, so special filters like circular polarizers can be used.
The 18-35mm lens’ Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images, even in backlit conditions. The petal-type hood that is supplied with the lens will provide extra protection from flare and ghosting. Sigma’s Hyper Sonic Motor (HSM) ensures a silent, high-speed AF function and the optimized auto focus algorithm results in smooth focusing and full-time manual focusing capability. Lastly, the nine-blade, rounded diaphragm creates an attractive, round bokeh at large-aperture settings.
Is this your next 35mm lens?
With Canon being slow in replacing their decade old EF 35mm f/1.4L with new technologies, Sigma has stolen a ton of hype from both the Canon & Nikon sides with the Sigma 35mm f/1.4 DG HSM.
Is this the best 35mm autofocusing lens you can buy for Canon at this time? It just might be. There’s a couple of drawbacks, but for the money, I think you’d be hard pressed not to at least consider this wonderful lens from Sigma.
“The Sigma 35mm f/1.4 is the finest lens I’ve ever used from the company. It has impressed me more than many of Canon’s own primes. Perhaps some of that is a bias because my expectations were slightly lower or I was at least cautiously optimistic about this offering. Either way, I have been thoroughly sold on the lens and have given up my quest for a Canon 35mm f/1.4 L even if Canon does replace their lens soon (which they should).”
Read the entire review here | Buy the Sigma 35mm f/1.4 DG HSM
Delay of the first “sport” product
Sigma has delayed the release of the new 120-300 f/2.8 DG OS HSM lens. This lens was to be the first in their “sport” line of lenses. Along with the lens, the USB dock they announced with it has also been delayed.
Sigma suggests that the delay is due to sourcing parts for the new lens. It was originally scheduled for a March release, but now a release date is undetermined.
Sigma has been riding a wave of great publicity because of the 35mm f/1.4, so this is a disappointment.
More high performance Zeiss primes coming
I’ve been told by a good source what Zeiss has planned for the coming year or so as far as new prime lenses.
There will be a 28 f/1.4 introduced and an update to the Planar 85 f/1.4 (probably the weakest lens in the lineup). Don’t expect both lenses to be announced at the same time, and there could be a big gap between them. These are going to be on par with the new Distagon 55mm f/1.4 that was announced at Photokina.
YOKOHAMA, Japan — Jan. 29, 2013 — Sigma Corporation of America a leading researcher, developer, manufacturer and service provider of some of the world’s most impressive lines of lenses, cameras and flashes, today announced the release of four new lenses for the ART product line, including three lenses for mirrorless interchangeable lens cameras and one lens for DSLR cameras with APS-C size sensors. This announcement comes at the start of the CP+ Camera and Photo Imaging Show 2013 this week in Yokohama, Japan.
The new and updated Sigma lenses include the 30mm F1.4 DC HSM, which will be available in Sigma, Canon and Nikon mounts.
30mm F1.4 DC HSM
Sigma pioneered the large-aperture, APS-C format, standard lens category with its 30mm F1.4 lens in 2005. With new optical configurations of nine elements in eight groups, as well as rounded aperture blades, this updated lens delivers pleasing sharpness and a beautiful bokeh background. Its angle of view is equivalent to 45mm on a 35mm camera (which is similar to that of human vision), its minimum focusing distance is 11.8 inches and its maximum magnification ratio is 1:6.8. The lens’ optimized power distribution helps to minimize field curvature, prevent a loss of image quality at the edges of photographs and produce outstanding image quality. Its double-aspheric lens minimizes spherical distortion, astigmatism and coma, and its rear focus system prevents focus-dependent variation in aberration. Together, the new optimized auto focus (AF) algorithm and rear focusing system ensure smooth and accurate focusing. The new 30mm F1.4 is also compatible with Sigma’s new USB Dock, which will enable firmware updates and focusing adjustments, is expected to be available in coming months.