« on: November 21, 2014, 03:19:55 PM »
I am no crop camera apologist, but to me the differences are small, couple that with the fact that the 7D MkII shot light is flatter, either a few minutes later or on a more shady part of the water, and if they are both close to 100% then you are enlarging the 7D MkII image nearly twice as much, makes me think you might not be comparing this as evenly as you think.
Yeah...I clicked all the way through to Flickr to make sure I was viewing the original size, flipped between the browser tabs a couple times...and had to come back here to read which was 5D3 and which was 7D2.
I say it all the time even though it offends people and makes me a pariah, but if you expect A to be better then B you will believe it is better and rationalize that it is better even when someone has flipped the labels and you are actually praising B! This is seen in wine tasting, audio equipment testing, photo print comparisons.... Double blind the test and people often can't tell the two apart where they previously thought the difference was huge...JUST HUGE!
That said, I would not normally recommend a 5D3 owner get a 7D2 for extra reach. Too much is made of the difference. You have to be cropping much further then APS-C...and then printing large...to observe the reach advantage of a crop sensor. It comes into play when you're left with 8 MP from the crop sensor, and <3 MP from the FF, and you need to print 16x24. And if you run into that situation it is significant. You can pick it out in a double blind test. But honestly ask yourself how often you run into that situation? If it's very often you might be better served by a new lens any way.
Sorry to disagree but it's not just about reach. Setting aside the debate about the smaller sensor and the effect that has on image quality, pro's and con's, my 5D3 feels like a lumbering dinosaur after shooting with the 7D2 for two weeks. It really is that much more responsive. I can see how people get hooked on those 1 series bodies. If you are shooting with a 1DX or 1D4 than it's hard to make the pro 7D2 argument. But the AF and 10/fps are alone worthy of adding this camera to a 6D or 5D3 if you are shooting moving subjects.
In my experience I really did not see that. Yes, the AF of the 7D2 is a bit quicker and the frame rate is higher, but I did not feel it really blew my 5D3 away. The AF of the 5D3 has never really prevented me from getting the shot, but I did find that the 7D2 marginally increased the rate of keepers.
The primary improvement I saw in the 7D2 was the customizability. I really liked being able to set different AF modes to different buttons. I also felt that the silent shutter was even better.