Hats off to Neuro for "Watercolors". Awesome image.
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Since people here have already given you some really good information about the 1Dx, 85mm 1.2, 5D3, etc. and how all that might work together, let me offer you a different suggestion that nobody has suggested yet. What about the possibility of not getting anything new at all at this point? I'm not trying to be smug or mean spirited, but rather trying to give what I feel is really good advice given your current setup. Even you admit you have plenty of gear to make amazing pictures.
I think sometimes when we have too much gear we tend to lose focus of why we have them in the first place and how we might grow to better use them. I hear you, it is totally tempting to try out and want to use all the cool new things out there, but in truth if your end goal is to make compelling and thoughtful images for your client and yourself none of us really need as much gear as most of us probably already have.
If you don't have much money and this would put a burden on you that will in the long run diminish your enjoyment of the craft as you will constantly worry about what you sacrificed to attain all of that gear. And even if you do have the money to keep buying whatever you want, I still argue that constantly chasing after new pieces of gear can ultimately hurt your ability to focus on making great use of the gear you already own. Because when we get new pieces of gear, we often do tons of tests and wonder why it does this or why it does that or why it doesn't do this right or as well as that other piece of gear, or why some people seem to be having great success with it and others not....you get the point right? Stuff, (not just photography gear) has a tendency of complicating our lives and we often end up being obsessed (as you rightly observed) with the things themselves rather than the more important stories that we were meant to create with them.
One of the most famous current wedding photographer by the name of Jeff Ascough (http://www.jeffascough.com) had once said in an interview that he shoots about 95% of all his wedding on a 24mm 1.4 and a 50mm 1.2. His wedding work is inspired to be sure. Even the great HCB used mainly a 35mm or 50mm lens his entire career and he is considered by many in our field as one of the greatest human photographer of all time.
I'm not trying to preach to you---lord knows I feel the same impulse as you, but nobody was giving you the advice that I think would best benefit you as a photographer---and that is to learn to use the gear you already have so expertly that you will eventually forget the gear all together and instead focus on the craft and narrative of our subjects and ourselves---after all isn't that really our goal as photographers?
Just my two cents. All the best to you and I hope you create wonderful images with the fantastic setup you already have.I am a wedding photographer and have two 5D mark IIIs, a 70-200 f/2.8L IS II, a 50mm 1.2L, a 24mm 1.4L, a 100mm f/2.8L IS and three 600ex-rt flashes. I have more than what I need to take amazing pictures in almost any situation but I after I buy something I find myself looking to the next thing to buy. I don't know what is wrong with me it is like a disease. I know I am crazy and should just be content with what I have. So if you were in my situation and you were going to buy something new would you sell one of the 5D3s and get a 1DX or would you buy the 85mm 1.2? I am a little afraid the 85mm 1.2 will be a little slow focusing at receptions similar to the 50mm 1.2. I just don't understand that my 70-200 and 24mm are able to focus really well in almost no light but the 50mm is very slow and unreliable. If the 85mm is anything like the 50mm in that regard it may change my decision. I would love to use it for portraits and almost always shoot at very large apertures. As a matter of fact I love a shallow DOF so much that I usually shoot two or three Brenizer method images each wedding to get the effect of f/0.5 or f/0.6.