June 20, 2013, 02:35:55 AM

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Topics - jdramirez

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1
 So I have a 5d  mkiii  and when I pair that with a 70-200 is mkii,  it  draws quite a bit of attention.   But people don't have anything interesting to say...  it is always like,  " that's  some camera."  I  want to respond that they should look in my pants if they really want to be impressed.   but  no, I  just  say  thanks. 

I love talking about gear  and I really love talking about the  four year journey  it has taken me to get here.   but nice camera is on par with,  some weather,  huh?   it is vapid  and  lacks depth.

 so are y'all polite and say thanks,  or do y'all  have a  funny line or just ignore em...  just  curious.

2
I previously owned the Neewer Wired Shutter release and I paid $15 which I think is more than reasonable.

http://www.amazon.com/gp/product/B003QA0MWW

I really liked and did a little time lapsed when my daughter and I built a snowman.  I also liked it for July 4th when I take pictures of fireworks. 

I did find that the cord was cumbersome because it was both too long and not long enough at times, and the overall body of the shutter release was a little large.  It fit in my bag... but again... I wouldn't mind the same functionality at half the size. 

Well, I sold the old one which isn't compatible with my 5D mkiii and I couldn't find a simple adapter. 

So 2 questions... should I just get a one the same type as I did before since I liked it and I know what I'm getting in to... or is there a better option for around $20 or less.  I'm cheap... sunk all the free cash in the camera... so accessories have to suffer for the time being. 

http://www.amazon.com/gp/product/B0081EC08M/ref=ox_sc_sfl_title_1?ie=UTF8&psc=1

Also... the 5D mkii has the same imput as the 5d mkiii, right?  I don't think they changed it, but the listing at Amazon didn't bother to include the mkiii in the list of compatible devices in the title. 

3
and yes,  take photos is at the top of the list.   But along with starting afma,  attacking the neck strap,   adjust my insurance coverages, and learning how to adjust the settings  intuitively so I don't have to think about it when I'm taking pictures...  what else should be on the list?

4
Technical Support / 60D built in flash non-responsive.
« on: May 25, 2013, 09:10:51 PM »
I rarely use my built in flash, usually to trigger off camera flash, but the Built-in flash func. setting is giving me this message, This menu cannot be displayed.  External flash is attached.  So I think the hotshoe isn't registering when I take off the 430 ex ii. 

Is there an easy way to fix this.  I sold it the other day and now I want to make sure it is 100% operational before I send it out.  I reset all of the settings to factory specs, except for this one aspect, and I have no clue how to fix it.  I used string to manually open the built in flash, but there wasn't anything noticeable that was affecting its operation. 

Honestly, I can get it fixed, but that is going to take time which means canceling the order for it and then selling it after it comes back.  Is there any easy way in the settings to tell it to recognize that there isn't a speedlite attached.  I did try attaching the 430 and then removing it.  I did that twice.  I cleaned the hot shoe and that didn't work.  Honestly, any help is more than welcome.

5
I have a 60D at present and I'm able to wirelessly trigger the 430 ex mkii using the built in flash and ettl. 

The 5d mkiii doesn't have a built in flash, so does it communicate wirelessly or am I going to have to buy some fancy accessories to trigger the flash.  Regardless if I knew the answer before I put in the order for the mkiii... I was still going to get it... but I'm hoping I don't have another expense after plunking down a small fortune for a body.

6
Lenses / I just bought a like new Canon 400mm f/5.6L for $600...
« on: May 21, 2013, 11:10:37 PM »
from Amazon from a Marketplace seller.  It was in like new condition, so is there any chance that the purchase will go through?  I'm thinking no... It was from a pretty reputable seller, but normally the lens sell for $900 used.  So that is too steep of a discount, right?

7
The last time I went to the beach, I had a Sony point and shoot ($200) and I had no fear.  I was taking pictures while the water was up to my knees with my daughter splashing around. 

And now that I have a 60D which might be a 5d mkiii by the time we are beach bound, a 70-200mm f/2.8 L IS mkii, a 24-105mm, and a bunch of other lenses.  And one grain of sand is all it takes to screw things up. 

So... what do yall suggest?  I will absolutely avoid changes the lenses outside... and I will absolutely not leave my gear on the sand or even on a blanket that might have sand on it... but is it worth the risk to even take it out of the hotel?  Should I rent a body/lens and let the guys at Borrow lenses remove the sand from the motor? 

I was thinking of stupid ideas like wrapping saran wrap around the lens and body and then just treating the lens like it was a prime... but that doesn't really seem reasonable. 

I should have agreed to go to Disney again. 

8
I see these photos on an iphone or windows phone and I KNOW that photo wasn't taken with a camera phone.  The bokeh gives it away.  It was probably a 35mm f/1.4 (or a 135mm f/2) with a 5dmkiii (or whatever the Nikon equivalent is) with wireless umbrella lighting being side lit from both the right and left. 

But no... that was a wide angle camera phone photo which simply looks like a 135mm f/2 was used.  So your gear that costs $5000 is really just overkill, since the camera phone's is MORE than sufficient.  Ughh...

9
Canon General / I lost $300 in an accounting error.
« on: May 08, 2013, 10:10:23 PM »
I keep a spreadsheet with all of my gear.  What I've paid, what I've sold, residual values, etc.  I was going through past years and I noticed I had a projection which combined several fields which resulted in me having to make a correction and consequently losing $300. 

It isn't that much considering I have spent over $29500 in gear in the past few years, but that phantom $300 will haunt me.  Every time I am saving up for a lens/body and I am a stone's throw away...

Ugh.

10
And  today was the first real opportunity I had to go and play with my new 70-200mm f2.8L is mkii.   so if y'all don't mind looking at some zoo photos.   this was just a test.  I  had it on aperture priority all day and I should have kicked up the iso to 1200+  when I was indoors,  but I  wass lazy and didn't bother.   so they aren't perfect,  and I'm really impressed with the lens.

 at the moment I have a 60d,  so no afma,  but I will be upgrading to a 5d mkiii  soon.   so if it is a bit front focused, I  will eventually be able to correct that without issue.

 photos to come. 

11
Lenses / Found a Canon 35mm f/1.4L lens for $900...
« on: April 28, 2013, 12:29:07 PM »
And I'm pretty sure I'm going to go ahead and buy it and sell my 50mm f/1.4 USM.  But I wanted to check with some "experts" to see if there is anything I should be looking for.

For example, I know the 50mm f1.4 has AF issues, the 17-55 and the 100-400 are dust suckers (by rumor at the very least), etc.

So is there anything I need to be aware of about the Canon 35mm?  Also, the new Sigma is reported to be crazy good wide open and it also is in the $900 range.  Is one really that much better than the other?

12
I just bought a 70-200mm f/2.8L is mkii so my coffers are starting to run dry, but with what little is left I'm upgrading my 60D to a 5d mkii.  So in my arsenal, I will have a 24-105, a 100mm f/2.8L IS Macro, a Rokinon Fisheye and a 50mm f/1.4.  I'm probably going to ditch my 50mm and upgrade to the sigma 35mm f/1.4 in the after the body upgrade and after the extender purchase. 

OK... now with all of that out of the way, I'm looking at pairing my 70-200 with an extender with a focus on image quality.  Based on that alone, the Canon 2x extender is out of the running.  I'm seriously considering the Canon Extender EF 1.4x II.  I read from DP review or some online presence that the II is roughly the same quality as the III, but different build quality.

I've heard of Kenko and I've been told there is additional functionality with more lenses... but I'm otherwise entirely ignorant of the piece.

So is the consensus bang for buck the 1.4 ii?  Or is there another option that yall would suggest?

13
I'm ripping off ahsanford's question format... consider it praise rather than theft.

I thought I would start with a bit of history.  I started off with a Canon XS and a 18-55 and I got a 75-300mm along with it.  Without question, I was not happy with the 75-300, but I did learn a few things about shutter speed with shooting at a distance with a long zoom, not to mention having a relative understanding of bokeh at longer focal lengths. 

I eventually upgraded to the 55-250, and I know I'm romanticizing how great it was, but it was a good little lens, especially at the price I paid for it. 

I had a 70-200mm f/4L usm for a while and I didn't hate it... but I didn't think it was really that much better than the 55-250 (which I had sold quite a while before).  I REALLY didn't like it in low light, but I guess that is expected.  Outdoors it was good, but still never blown away like I had been with my primes (50mm f/1.8 and eventually f/1.4, 100mm f/2.8L IS macro, etc.)

So I waited a while and I got a 70-200mm f/2.8L USM... and I liked it more, but according to everyone here, it was a touch backfocused and my 60D as many of us know doesn't have AFMA... so I sold it because again... I wasn't blown away.  But I did like that a whole heck of a lot more than the 70-200mm f/4L usm. 

I would like a 135mm f/2L but it isn't an emergency to get one, but it contributes to my concern that if I get the 70-200mm f/2.8L IS mkii, then I will have too much money in the same focal range (a 100mm f/2.8L IS, a 135mm f/2L, and then the aforementioned 70-200mm).

So I was thinking... is there a good zoom option that has more reach, with reasonable low light capabilites (5.6+ need not apply)...

Auto focus is a must, and image quality is paramount.  I find that if my lens doesn't have the capability of producing breathtaking photos, I just ignore it and work with my other lenses that are significantly more impressive. 

Brands:

I prefer canon.  I think they tend to have better resale value and so if I don't like a lens, I can always sell it again and either not lose anything, or at least not lose much.  I know Sigma makes a very good product depending on the specific lens, so I'm not averse to them... and they also tend to be a good deal cheaper for comparable specs... though maybe the image quality isn't quite as good... (70-200mm f/2.8 OS, I'm pointing the finger at you). 

I'm going to be upgrading to a 5D mkiii in a few months and I know I'm going to miss the reach of the crop sensor (though I realize the bokeh is still the same, if not better, and when I crop into the image, the depth of colors will be greater and it will be sharper... so I'm complaining only about perception of a loss of length).

As you guys always ask when someone pipes up about lens selection, here are my shooting needs...
 
  • I am an enthusiast, but I'd like to think I've exceeded the hobbiest moniker.  I never been professional, though I think I get a little lucky here and there and come out with pro quality images.  And I would like to do a little sports photography on the side, though I realize that is a dependent position and if the kids plays 4 minutes in a game and doesn't do anything... it was basically a huge waste of time.
  • Currently happily using a 60d, but I'll be upgrading to a 5dmkiii.  I plan on buying the lens after the mkiii, so f/4 for indoors might be manageable though not ideal as I'll kick up the iso.
  • I don't do studio, but I will throw the camera up on a tripod and use my 430ex to get the shot I want.  Yes, a lone 430ex. :(
  • I used to be a snob about using on camera flash... and I still am, though I'll bounce light happily to get more light into the environment and I enjoy the challenge that brings.  I actually created a homemade diffuser that I really thought did a very good job of lighting my subject while not causing them to cast much of a shadow.  I was very pleased with that.
  • I don't like vignetting... I'll add some in post in LR4, but if I can skip that step, I will. 
  • I like shooting wide open, or at the very least moving the aperture just a step away from wide open... so I'd prefer a lens that is really sharp nearly all wide open
  • I am in really low light, handheld situations all the time.  In the last year, I shot football games (3rd grade through 8th), I shot an indoor play my daughter was in in rather dark lighting, I shot indoor baskeball (4th graders), an outdoor track event (photographing people run is crazy boring), and then the normal hodge podge of fatherly duties, like a pumpkin festival, a girl scout fireside jamboree (so very dark and I couldn't get even a hint of AF using my 50mm f/1.4easter egg hunts, trick or treating, etc. My subjects generally are both moving at a full run, or not moving at all. 
  • High priority needs for this length: I'm a big strong guy, so if the lens weighs 10 lbs... it doesn't matter to me.  I really like taking Candids.  I shoot often in aperture priority and if it is a bright setting I'll throw iso into 100 and the let the camera adjust shutter speed. 
  • Medium priority needs for this length: Handheld Low-Light (Concerts), Street, Portraits
  • Low priority needs for this length: Landscapes, Handheld low-light (Gymnasium Sports)
  • Zero need for this length:  Video (I'd shoot with my other lenses first), Macro (already have the 100mm f/2.8), Wildlife (I'll go out into the woods, but the only thing I saw the few time I went was a squirrel.
  • I buy and sell gear at a small profit, and then I put that money into my gear... So I make around $2,000 a year doing so and it feeds my hobby.  So after I get the 5dmkiii, I should have $1,000 and I'm willing to spend maybe $2000 on the lens... up to $3000 if there is a miracle lens that is a great value out there.  I'll pay more for better gear at this stage.
  • Weather sealing is important... and while I don't want to go out into the rain, I might get caught in the rain and I don't want to lament water spots affecting my image quality. 
  • I'll print things for my wall, but they tend to be no bigger than 11x16...  But if I'm actually doing some sports photography, I really want my shots to be print capable. @ a fathead level, if it comes down to that.
What I'm considering...

I'm willing to consider a 70-200mm f/2.8L IS with a 1.4 or a 2.0 tele-converter.  With AFMA on the 5kmkiii, I don't have to worry about front or back focused and I know it is a miracle lens... but I have been disappointed with it's smaller brothers... so I just don't want to go back to the well and not like what I'm seeing AGAIN.

http://www.amazon.com/Sigma-70-200mm-2-8-Telephoto-Canon/dp/B003HC8V9A/ref=sr_1_1?ie=UTF8&qid=1364689577&sr=8-1&keywords=sigma+70-200+2.8

I'm also willing to consider the 70-200mm Sigma.  I know it is not quite as good as the Canon, but for $600+ in savings... I might be willing to overlook it.  Also... throw on a teleconverter.

It is presumed by many (and absolutely expected by myself) that the EF 50mm F/1.4 USM will finally get a modern refresh like the 24mm, 28mm and 35mm lengths.  I own the new 28 and adore it.  I hold it in the same regard as my L glass -- it's a joy to use.

I would consider a prime lens if I had two bodies, but switching when the players come closer doesn't seem practical... though I have done something similar when I was trying to compare image quality of a 70-200 to a 100mm.  100mm won.

The Canon 70-300mm  f4-5.6L calls to me, but I'm not a big fan of variable apertures, but it does have more reach and it is a good price, but the difference between f/2.8 and f/5.6 means only two additional stops of iso, but that's what gives me reason for concern. 

There's also the 100-400mm by canon, but ditto on the variable aperture, f/4.5 to 5.6L.  Also, I don't like the the pump action lens.  If I recall, it lets in way too much dust. 

Sigma has a 120-400 and a 150-500 that sound really interesting, but their apertures are f/4.5-5.6 and f/5-6.3 respectively.  I really don't think I would be able to use indoors, kicking up the iso will help, but I'm not sure it will be adequate. 

If I were to go with a prime, I kinda like the 300mm f/4L.  I don't have too much to say about it, because I really don't want to carry on 200mm prime, one 300mm prime, and one 400mm prime.  Both are very well rated on Amazon, 4.5+ stars each, but it doesn't mean that it is right for me.

My mind is really not made up right now, so I'm willing to hear suggestions based on either personal experience or otherwise. 

14
Technical Support / Lightroom crashes when I try to import...
« on: March 23, 2013, 09:24:09 PM »
I'm pretty sure the answer to my problem is upgrade my computer to one that can handle LR4, but it normally works well enough, so I don't want to do that if I don't have to. 

Here's the problem and it occurs sporadically.  I open LR4, press cntrl, shift, I and for import, or I hit import and it says the following:

Adobe Photoshop Lightroom 64-bit has stopped working
A problem caused the program to stop working correctly.  Windows will close the program and notify you if a solution is available. 

Before this started, I cleared the cache... but I've done that before.

I have windows 7 home premium, 6 GB's of ram, and a 64 bit OS. I restarted the computer and it was to no avail... and I can wait for LR to fix itself... but I'd rather just have it start working again.

15
Lenses / How do yall compose a shot using a fisheye lens?
« on: February 12, 2013, 10:05:47 PM »
I just bought a Rokinon Fisheye for $300 from Amazon.  It's about 30 bucks cheaper than it normally sells for, and while I'd like to get it cheaper than I did, I've been wanting a fisheye to play with for a while. 

 http://www.amazon.com/gp/product/B008X1C4IY/ref=ox_sc_sfl_title_1?ie=UTF8&psc=1&smid=ATVPDKIKX0DER

But I'm composing shots in my mind (before I have the lens in hand) and I guess my question is, do yall bother following the rule of thirds when you are using a fisheye?  Do yall shoot your subject in the center of the frame so there is minimal distortion, and then recompose in post and place the subject along the third?

I'm excited to have a new toy, but my concern is that I don't like wide angle photography as I have presently experienced it (18-55mm kit lens and @ 24mm with my 24-105) all on a crop sensor 60D.  So I realize that doesn't really qualify as wide angle since it is 24-35ish respectively. 

But again... kinda excited to have a new toy to try and figure out.  I'm ok with the manual aperture and I'm ok with it being soft at f/3.5 since I plan on shooting at f/5.6 to f/8.  And I'm ok with it being all manual focus, though it really shouldn't matter much considering 8mm naturally has a large depth of field. 

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