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EOS Bodies - For Stills / Re: Options for 60D upgrade/replacement?
« on: September 28, 2012, 04:16:56 AM »
I started out with a 60D and bought mostly L glass hoping that canon wouldnt drag their feet about upgrading the 5D2. I bought the 5D3 as soon as it came out and love it. I would agree that the 70-200L 2.8 II is MUCH more useable on the 5D3. I rented it once for a project when I had the 5D2 and although a few random shots turned out exceptionally well and I could tell it was an awesome lens, the range was just awkward, soooo much better on the 5D3 I use it whenever I can.
The 24-105L is such a great walk around lens on the 5D3. Just finished a tour of Cambridge. I couldnt use the 70-200L in almost any shots, but the 24-50mm range on the 24-105L was perfect. Personally I rarely use my 70-300L on the 5D3, but I keep it glued to the 60D for range shots.
The lowlight usability of the 5D3 is just nuts by comparison. With the 60D I was always trading slowing the shutter and opening the aperture to try and maintain a 100-800 iso. I checked my Aperture library and only have two keepers above 1600 iso from the 60D. With the 5D3 I dont even think about noise until I get to 12800. And after pixel peeping some keepers in the 12800-25600iso range, I have to say its not just the amount of noise...its the TYPE of noise. The noise in the 5D3 is soo much less distracting that the 60D. Cant emphasize that enough. The noise in the 5D3 typically looks more "artistic" than the 60D, much like film grain and less like the 60Ds "video camera" noise look.
I would also argue that the color balancing on the 5D3 is quite a bit better than the 60D. The metering is very good imo. Without adjustment in Av mode, it nailed exposure that I know the 60D would miss.
I agree the lack of a pop up sensor for remote flash activation is super annoying, which makes the 6D more attractive. I dont know if I would have popped the extra $1500 for the 5D3 over the 6D if I had had the choice. Almost all the features I mentioned above would be available in theory with the 6D. I guess it would come down to how much better the 5D3s AF is. I enjoy it vastly more than the 60D. When I go back to the 60D I feel quite handicapped.
The 24-105L is such a great walk around lens on the 5D3. Just finished a tour of Cambridge. I couldnt use the 70-200L in almost any shots, but the 24-50mm range on the 24-105L was perfect. Personally I rarely use my 70-300L on the 5D3, but I keep it glued to the 60D for range shots.
The lowlight usability of the 5D3 is just nuts by comparison. With the 60D I was always trading slowing the shutter and opening the aperture to try and maintain a 100-800 iso. I checked my Aperture library and only have two keepers above 1600 iso from the 60D. With the 5D3 I dont even think about noise until I get to 12800. And after pixel peeping some keepers in the 12800-25600iso range, I have to say its not just the amount of noise...its the TYPE of noise. The noise in the 5D3 is soo much less distracting that the 60D. Cant emphasize that enough. The noise in the 5D3 typically looks more "artistic" than the 60D, much like film grain and less like the 60Ds "video camera" noise look.
I would also argue that the color balancing on the 5D3 is quite a bit better than the 60D. The metering is very good imo. Without adjustment in Av mode, it nailed exposure that I know the 60D would miss.
I agree the lack of a pop up sensor for remote flash activation is super annoying, which makes the 6D more attractive. I dont know if I would have popped the extra $1500 for the 5D3 over the 6D if I had had the choice. Almost all the features I mentioned above would be available in theory with the 6D. I guess it would come down to how much better the 5D3s AF is. I enjoy it vastly more than the 60D. When I go back to the 60D I feel quite handicapped.
Tried Shooting windsurfers in Maui without one and nothing but water glare. Bought one went back the next day around the same time and got great shots.