« on: November 06, 2014, 02:56:49 PM »
Can this really be happening?!?!?!?!?! Better not be this again:
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The 24-105 could be a cheaper FF option. Some people were banging on about that here so I guess there might be a demand but seriously? So you fork out $1600 on a FF 6D right? Assuming you went body only. And then you go an pair it with, what I assume will be, a cheap kit lens with compromised IQ? Why? Why not just stick with a rebel and a 18-55 kit lens if you're a cheapo? Having a FF camera means you give a s___ about IQ. This rumor makes no sense.
I currently use the discontinued 28-105mm f/3.5-4.5 USM II for that purpose. Surprisingly, this is one of the lenses that the 5d3 and 6d have included for Automatic Lens Optimization. So Canon is obviously aware that there is a need. If this new one is small, light, and affordable, it will find its way into many bags. I'm hoping its street price comes in between the 28-135 (~$300) and the 24-70 f/4 (~$1000). Great for outdoor, walk-around, f/8-and-be-there kind of shooting.
This already exists - it's called an EF 24-105 f/4L IS and costs around $600 if you shop around.
I really don't want to waste bag space on a slow midrange zoom.
If it is as sharp as their recent releases and has IS then I suppose I could sell a kidney...
I love mine...
Even put up my 21mm f/2.8 Zeiss on eBay this weekend... Hate to let that go...I needed it when I had the 16-35mm f/2.8L II. The Zeiss just blew that lens away... but not the new UAW zoom.
I really do not need the f/2.8..and the IS is just what the doctor ordered for most of what I shoot.
I know that is not true for everyone.
Another one with the 16-35... I was really happy with the corner sharpness on this one. Lots of detail in the trees.
Lovely shot. Terrific. Thanks for sharing.
I'm still a rookie on landscape work -- how on earth did you get the trees in the foreground so bright? It looks like those trees are below the line of the sun, and your skyline is sufficiently uneven to make using an ND grad pretty difficult. So how did you get that? What that a composite of a few exposures? Surely you didn't just push up the shadows in post...
I have to say, "never felt a need to take out the Zeiss 21" says a lot about the quality of the zoom. I can't imagine not wanting to take photos with the Zeiss if you have it available at the time. 16-35mm f/4L would have great application as a hking lens to replace a heavier primes kit for landscape. Dragging both the Zeiss and the Sigma 35mm f/1.4 (current landscape and astro-landscape kit, with 6D, tripod, filters, etc - 12 pounds?) up the side of a mountain made me aware that I need to do more conditioning.
Yeah....I have a Zeiss 21mm and the Sigma 35mm Art that I did personal, informal testing against my new Canon 16-35mm IS. So...I used to never use my 16-35mm f/2.8 II because the Zeiss and the Sigma blew it away....but damn...these are all very close in sharpness now....hmmmmmmm...the others do offer the faster f/stops though.
and last but not least... most serious landscape photo competitions will disqualify you for doing such editings. for a good reason.
What reason? It's the exact same thing as using a grad ND.
Just google "Lindisfarne Boats". A great photo, but outside the rules and ultimately disqualified.
anyway in some situations you need a grad filter because doing it in photoshop is not faster and tedious work.