« on: February 07, 2013, 01:10:42 AM »
im happy with my YONGNUO yn 568 ex, cheaper, does a great job, my friend has the 600ex and i get the job done first, end of story
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the question is about shooting multicam PRO footage and importing into a PRO sequencer where the clips line up to the exact TIME CODE recording during session for both online and offline PROFESSIONAL editing, same process used in film and cinema, PROFESSIONAL standards require TIMECODE, if you you want entry level equipment that does not REQUIRE to be up to those standards like the minimum of 100mbs, Timecode - digi clock, SDI connectors then a pro-summer camera would be priced at the correct range for you.I am a "pro" wedding videographer and shoot almost every wedding ceremony with 2x 5D mkIIIs, a 7D, a 60D. and a T2i. For the last two years, I have not once need to manually sync, or worry about free running timecode, or synced time code. I use "Plural Eyes" now made by the company "Red Giant" and it has never once failed me. The plugin uses the audio tracks, dirty or clean, to match the video clips up. I have many starts and stops on each camera throughout the ceremony and plural eyes has no problem auto syncing them up and keeping each camera on it's own track. I think it is around $150 but is totally worth it.
WOW....how many people do you have shooting with you, with that many cameras, or is that not all video..some for stills?
Still...how many extras to you have shooting a wedding?