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Lenses / Re: Help Me Build My Lens Stable!
« on: February 18, 2013, 09:16:02 AM »
First off, I'm tremendously grateful for such a number of insightful posts. Thank you all so much!
When I originally posted, the only two things I felt sure about on that list (besides the unanimously approved decision for the 50 1.4) was that the 5d III was for me and the 70-200 upgrade was a no brainer. So it is interesting to me that it appears that these two items are the least supported for my uses. I'll admit my very first thoughts were to save the difference with the 6D, but comments about its AF scared me off. I sorted my catalog and indeed found the reduction of SS would have factored into less that 1% of any shots I've taken. Also the build quality was of slight concern, though I suppose I haven't broken my 60D yet, so...
As for lenses, I had never considered the fact that the FF jump would breathe new life into the 70-200/4. That's a great point, so thanks SiliconVoid and all. I can always rent is I NEED the 2.8 and buying later is still on the table, but for now, that potentially saves $2k from the camera upgrades. Anyone want to offer a counter point on why I should still jump to the 2.8? I will say that weight doesn't bother me.
On a secondary note, I could see forgoing the 2.8 to buy a 300/2.8 IS I at a later date as well. Compressed portraits, wildlife, etc. At ~3k used, thats not terrible.
I had no idea on the 24L II...glad I posted. I don't play with star field much, but I'd like to. I've now seen the samples illustrating the coma. I wonder can that be PP at all? It would also appear that EVERY Canon UW or wide has coma or sharpness issues that preclude it, yet I see some great examples even with these so-called tainted lenses. Is this a case of good enough is good?
Regarding the 85... it is such a great piece of glass. Pricey. I'm surprised nearly everyone has told me to forgo the 135 for one thing or the other, given that arguably my greatest focus is on portraiture, yet I'm looking for versatility to branch out. My biggest nudges towards the 135L were focus speed (just how bad is the 85, really?) and price. Talk me into this...
Lastly, those that looked at that site, which admittedly needs some work. Any constructive critiques? You're dead right in that photography does not yet pay all the bills, though it does a few. I'd love to hear what I might improve.
Thanks so much for all the help. Just one of many reasons CR is a daily read for me.
When I originally posted, the only two things I felt sure about on that list (besides the unanimously approved decision for the 50 1.4) was that the 5d III was for me and the 70-200 upgrade was a no brainer. So it is interesting to me that it appears that these two items are the least supported for my uses. I'll admit my very first thoughts were to save the difference with the 6D, but comments about its AF scared me off. I sorted my catalog and indeed found the reduction of SS would have factored into less that 1% of any shots I've taken. Also the build quality was of slight concern, though I suppose I haven't broken my 60D yet, so...
As for lenses, I had never considered the fact that the FF jump would breathe new life into the 70-200/4. That's a great point, so thanks SiliconVoid and all. I can always rent is I NEED the 2.8 and buying later is still on the table, but for now, that potentially saves $2k from the camera upgrades. Anyone want to offer a counter point on why I should still jump to the 2.8? I will say that weight doesn't bother me.
On a secondary note, I could see forgoing the 2.8 to buy a 300/2.8 IS I at a later date as well. Compressed portraits, wildlife, etc. At ~3k used, thats not terrible.
I had no idea on the 24L II...glad I posted. I don't play with star field much, but I'd like to. I've now seen the samples illustrating the coma. I wonder can that be PP at all? It would also appear that EVERY Canon UW or wide has coma or sharpness issues that preclude it, yet I see some great examples even with these so-called tainted lenses. Is this a case of good enough is good?
Regarding the 85... it is such a great piece of glass. Pricey. I'm surprised nearly everyone has told me to forgo the 135 for one thing or the other, given that arguably my greatest focus is on portraiture, yet I'm looking for versatility to branch out. My biggest nudges towards the 135L were focus speed (just how bad is the 85, really?) and price. Talk me into this...
Lastly, those that looked at that site, which admittedly needs some work. Any constructive critiques? You're dead right in that photography does not yet pay all the bills, though it does a few. I'd love to hear what I might improve.
Thanks so much for all the help. Just one of many reasons CR is a daily read for me.
