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Messages - preppyak

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526
Yes, you need to ask why. What is it that makes one camera perform vastly better than another?
Well, the price for one thing. If the 1DX didn't do anything better than the 5dIII, nobody would buy it for twice the price. So its understandable that Canon would use certain items that are better in the 1DX to differentiate it.
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Why are Sony sensors better while the cameras using them are cheaper?
Because a sensor is one item in a camera, and the best sensor doesnt change a blurry or missed shot. Also, if we're talking video, I'm not sure I'd agree the Sony sensor is better (reviews pretty universally favor the Canon footage). But for photos, I'd agree that the Sony sensor has some potential advantages

Also, its coming from different companies...so maybe Nikon is taking a loss on the D800 to get people to convert to their system (Sony sold the PS3 at a lost for a few years, for example). Maybe the D800 has really a really cheap build. Maybe Canon is fleecing their customers. I'm not sure you can answer that question in any reasonable way since it involves multiple companies, multiple strategies, and thousands of different parts.
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Why does the 7D use the same sensor as the 550D? Because the price is not in the sensor and the 7D doesn't make better pictures once the light gets through to the sensor than the 550D.
And the answer there is easy, as just reading the spec sheet would show you all the differences in the camera. Again, the best sensor in the world doesn't matter if the object is out of focus, or if the camera can't process the shots fast enough to even take the shot.

527
EOS Bodies - For Stills / Re: 5DIII Price Drop
« on: June 28, 2012, 02:11:20 PM »
$3369 on Amazon
http://www.amazon.com/Canon-5D-Mark-III-Digital/dp/B007Q1FFI8/ref=sr_1_5?ie=UTF8&qid=1340903937&sr=8-5&keywords=canon+5d+III
Actually, its $3499 from Amazon. The others are just people using the marketplace and are potentially as sketchy as BestPricePhoto. Only when its sold by Amazon, or fulfilled by Amazon, do you have the protection Amazon offers (though fulfilled by might not qualify you for a warranty).

528
EOS Bodies / Re: Is SLR dead?
« on: June 28, 2012, 02:05:54 PM »
Following are couple of shots with my Samsung Nexus Phone camera, which work OK when lighting is good.  It is utter cr**^ in anything less than optimal light, though.
Those are pretty impressive for a camera phone though, the resolution seems great

529
EOS Bodies - For Stills / Re: 5DIII Price Drop
« on: June 28, 2012, 12:44:11 PM »
It is important to note, they are not a Canon authorized dealer.
And they are a fairly well known scam/upseller shop. Sure, you'll order the 5dIII, then you'll get the call telling you the battery only lasts 30mins and you need the extended battery with service plan (for only $179.99!)...oh, and their unbranded 16GB CF card for $179.99 too. If you don't upsell, your order gets cancelled as they don't have it in stock anymore. If you do get the camera, the warranty is through another shady company, and it will likely be grey market.

Listing a popular item for 15% off retail when nobody else is doing discounts is exactly how you hook people into a scam.

530
EOS Bodies - For Stills / Re: Canon EOS-1D X Review
« on: June 27, 2012, 09:44:42 AM »
And he's saying 1 stop improvement in noise for higher ISO. If that's true for raw and not just JPEG then that's quite significant as that advantage.
Well, just looking at those flower photos, ISO 12800 on the 1DX looks like ISO800/1600 on any of Canon's APS-C cameras (60D, 7D, etc), which is kind of crazy. Like he mentions, its very useable to 12,800, the 25,600 would probably be where I'd set my Max ISO setting, but you could even use the 51,200 and de-noise and probably be fine. It's kind of crazy how well it handles low light.

I agree about the new sensor design, I don't think an slight MP drop is enough to account for that

531
Lenses / Re: Canon EF 100-400 f/4-5.6L IS [CR2]
« on: June 25, 2012, 03:30:56 PM »
The other serious alternatives are way too expensive. Unfortunately  :(
Well, the 400mm f/5.6 is well regarded, but, obviously doesnt have IS. Maybe the 300 f/4L with a teleconverter? Or you could stick with the original 100-400. All are around the same price and have sufficed for many a wildlife shooter.

I'd be interested in your thoughts accounting for (presumed) the weight increase..
A couple of guesses, based on the rumors and patents. For one, it'd be 19 elements in 14 groups instead of the 17/14 of the previous lens, so extra glass means more weight. The different body style and weather sealing could add weight. And if it truly is 82mm instead of 77mm, then the glass itself is larger, which would be more weight. It doesn't say how much more weight...so, even like 3.25lbs would be considered "heavier", even if its truly not "heavy"

532
Lenses / Re: Canon EF 100-400 f/4-5.6L IS [CR2]
« on: June 25, 2012, 02:40:08 PM »
By the way, these are past rumors, for comparison sake

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I was told it would be in the $3000 price range, have a rotating zoom, weigh less, be slightly faster on the wide end at f/4 and carry the latest and greatest coatings and IS.
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Ring zoom (not push/pull)
Latest IS System
82mm Filter Size
Weather Sealed
Slightly heavier than the current model
Slightly faster f/4 at 100mm (Current is f/4.5)
Retail around $2800 USD
So, that's 2 mentions of being heavier, 2 mentions of the price in the $3k range, all mention it at f/4, and the rotating zoom seems to also be likely. Then gain, this was rumored at CR2 in 2010 before they scrapped that lens, so, who knows

I'd say set your expectations at $2500 to be the lowest possible price point, and be surprised if its cheaper. Especially if they wasted R&D on a previous design

533
EOS Bodies / Re: Announcement Day July 24, 2012? [CR2]
« on: June 23, 2012, 11:14:04 AM »
 
Best thing is: such a camera can be made today. Even by Canon, if we - the market - push 'em hard enough.
true, but I'm not sure I agree that the market is large enough to make it very cheap. For people who use the camera for several hours at a time or who have large tele lenses, the ergonomics would suck and they wouldn't use it. So cutting out that audience raises the price. And full frame raises the cost, so the audience was limited already.

We see that with the high end L glass, canon can make any item awesome for a niche market, but it cost a LOT to get it. I'd like one for more portable applications, but, I doubt I'd pay the premium. And I'd doubt it releases at 1500-2000

534
EOS Bodies / Re: Announcement Day July 24, 2012? [CR2]
« on: June 22, 2012, 10:25:24 AM »
Canon, you will sell tons of these things and lenses if you at least match the video quality of a 5DIII- I will pre-order now if you give us that.
Well, if you want moire-less video, they might be able to do that. But, you obviously won't be getting the shallow depth of field or the general look of the 5dIII if its an APS-C or smaller sensor.

As for the G1X...well, I wouldnt get your hopes up video wise

http://www.eoshd.com/content/6841/canon-g1x-video-samples-digic-5-im-not-impressed

535
Lenses / Re: Faster cheapish prime for a wedding?
« on: June 22, 2012, 09:14:36 AM »
the 70-300L on crop imho just isn't a wedding lens - and as I wrote, I have it, too
I'll disagree, with the caveat being that the ceremony has to be outdoors. I just used my 70-200 f/4L IS to shoot a friends wedding, and I wouldn't have been able to shoot the ceremony well (the whole ceremony lasted maybe 15mins) without a zoom that allowed me decent reach. I had no problems with AF, as it was bright outside. Sure, indoors the 70-300 would struggle, but outdoors its perfectly fine. Better than using the 85mm, because it allows you to stay out of the way, and you don't have to crawl over people's chairs to get the shot you need.

And I agree with Mitchell, flash is gonna do you the most good. Wireless triggers would do it, and you can use it both for the preparation shots and for the reception.

536
Probably means most 7D and 1Dx owners
And birders are using the 5dIII? Nikon users would get a D7000 or perhaps even a D4. Its not like Nikon only makes the D800 and has abandoned every market but it. By comparison, your 7D would be pretty poor for landscapes compared to a D800E; but, you don't see people ripping you for that, because nobody bought a 7D to go shoot tripod-mounted landscapes. You knew what utensil you were getting; D800 owners do too

537
Lenses / Re: What should I buy next?
« on: June 21, 2012, 04:20:24 PM »
You'd have to give us the full run-down of your kit really. You only mention one body and one flash; which is half of what you should have of each, and you don't mention any lenses. You need duplicate bodies in case something goes wrong, that's a critical first. And it's tough to recommend other lenses without knowing which primes/zooms you have now.

The 100L is nice for detail shots, but, I think you'd like the versatility of the 85mm lenses or the 135mm more in terms of portraits. And in the mean time, extension tubes work well, since your details aren't moving and you'll be setting up the shots anyway.

538
Lenses / Re: Faster cheapish prime for a wedding?
« on: June 21, 2012, 04:16:33 PM »
I think you are more than fine with your kit, the 50mm f/1.4 is barely gonna move your shutter speeds up at all vs the f/1.8's, and a creative use of flash will save far more shots than the 2/3 stop of light. If anything, you should be looking to grab the 430ex for candid shots, unless you have nailed the YN560's usage. Without the flash, I was stuck shooting 1/30th at my reception...with it on, I was shooting at 1/160th and 1/200th, which was more than sufficient. Unless the reception is outside, they are plenty of places to bounce the flash.




539
Lenses / Re: Ultra-Wide options for APS-C Body
« on: June 21, 2012, 04:11:59 PM »
Thank you both for the quick replies! I am less concerned about the max aperture, as this will be a daylight shoot in the American Southwest, so light will be more than abundant.
Based on that, I'd go with the 10-22. The 10-22 will be more resistant to flare, it will handle distortion a little better, and it gives you double the range. Only reason I'd go with the Tokina for your purposes is if you are also shooting video with it, in which case the flare it produces can actually be quite nice.

540
Lenses / Re: ephotozine review of 40mm f2.8 STM
« on: June 20, 2012, 04:27:31 PM »
This lens, mounted to a 5DIII, is the mirrorless / Leica X2 / Fuju X100 killer that everybody's been dreaming about. It's got all the photographic goodness everybody keeps saying they want in a compact body and then a whole hell of a lot more, and the combo is hardly bigger than a compact. It's eminently pocketable (in a way that a 5DIII with the Plastic Fantastic isn't), and non-photographers will look at it and only see a high-end P&S -- especially if you shoot with Live View at arm's length.
You're stretching the truth with the bolded parts. For starters, this thing is only 3/4" smaller than the 50mm, its negligible as a combo. Especially when you consider that even my rain jacket pockets would struggle to fit my 60D, and that's smaller than the 5dIII. Nobody is gonna confuse a 5dIII for a P+S. An NEX with a pancake is pocketable, but it's literally half the height and depth.

I agree that this would be a great combo as a prime, but lets not make it the game-changer that it isn't.


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