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Messages - drmikeinpdx

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Lenses / Re: Rented a big white and wow
« on: November 09, 2014, 12:09:01 AM »
Nice shot!  Looks like it came through just fine.

I enjoyed clicking back and forth between the 7D and the 7D2 at various ISOs.  I'd say less than one stop of improvement.  If you take into account the five year wait, it's definitely not very impressive to me.  I plan to keep my 7D classic as a backup to my 5D3.

However, I'm happy for you guys and gals who shoot sports and birds.  Looks awesome for you.  Hope you have fun with the new camera!

Third Party Manufacturers / Re: One Samsung Camera to Rule Them All
« on: November 02, 2014, 09:38:06 PM »
Going by my experience with my Samsung Galaxy 4, I bet their new camera has wi-fi capability.  I would also guess that you won't be able to keep Samsung from doing forced downloads of profitable bloatware.  I can just imagine myself photographing a hot model and having an ad for a some new ride sharing service take over my LCD screen!

Lenses / Re: Sigma or Canon (50mm 1.4)
« on: November 01, 2014, 10:54:52 PM »
Trying to decide on a 50mm lens is tough!  in my opinion there is no really good option.

I rented the Art lens a couple of weeks ago.  Yes, it was sharp wide open.  If that is someone's only criteria, I think it is the best option. All the other 50 mm lenses available in the EF mount have problems either with autofocus or, in the case of the very expensive Zeiss, no autofocus at all!

Note on the 50 Art, for lots of people, including me, you will probably need to use only the center focus point or those near it.  The outer points front focus horribly.  Maybe that will be a problem for you and maybe it won't

I've had the Sigma 50 Classic for a few years and got mildly frustrated with the somewhat erratic autofocus.  If you use it wide open, you had better double the number of shots you normally take and make sure you refocus for every shot.  That's what I do.  At least it is fairly sharp wide open when you get the focus right.  I did an outdoor photoshoot with the Art and the classic and had a hard time telling the photos apart when both were used wide open.

I just did a complete studio shoot with only the Sigma Classic on my 5D3. I used it between 2.8 and 5.6.  I really enjoyed pixel peeping, it looked like an L lens to me.

I haven't tried the Canon 1.4, but it would probably be a good option for your 50D.  I believe that body does not have MicroFocusAdjustment, which is a must for a non-Canon lens.  It could even be an issue with the Canon 1.4 if you intend to use it wide open.

So whatever lens you get, be prepared for it to be less than perfect in one way or another.  :(

A good photographer learns to work around the limitations of their equipment.

Software & Accessories / Re: Free DxO Optics Pro 8
« on: October 29, 2014, 12:22:41 AM »
Me too.  Won't accept the activation code now.  Maybe it was a limited time offer?  Will try again tomorrow.

Photography Technique / A Note From Portland
« on: October 24, 2014, 04:33:40 PM »
I am writing this from Rainy, Stormy, Portland!  We actually had a tornado or two and torrential rain in the area yesterday.

November is a bad time to visit Oregon!  We don't even have much Fall foliage to look at.   If it were me I would spend as little time as possible here and spend most of your time visiting the Grand Canyon, Arches, and other areas in the warmer and dryer part of the country.  You will certainly get A LOT MORE nice scenic photos to take home.

If you happen to love cold, rainy weather, then this advice might not apply to you.  This time of year, most Portlanders hang out in the brewpubs and coffee shops or at Powell's Books.  It's a tough time of year to do any kind of scenic photography.  A waterproof camera might be helpful.  LOL

Oh, and find the web sites for the various state's highway departments.  Bookmark them on your mobile device.  They will have information on the road conditions in the mountain passes you will be going through.   November is hard to predict, the roads could just be wet or they could be covered with dirty snow.

Also remember that the days are short.  Driving 14 hours may not be too bad in daylight, but when most of it is in the dark, your fatigue level may become excessive.  Certainly your speed will have to be less.  I would estimate four days from El Paso to Portland myself.

Lenses / The 50 prime problem
« on: October 24, 2014, 09:20:44 AM »
From what I've been able to gather from a couple of years of net research and renting and borrowing lenses.  Nobody makes an EF mount 50mm prime that works very well, at least for my needs. 

I eliminate the Zeiss due to lack of autofocus.

The 50 L has focus issues at different distances

The EF 50 1.4 has poor optics and is fragile

The EF 50 1.8 is good for the price (hmmm maybe I should test that one again)

The Sigma classic 50 has autofocus problems

The Sigma 50 Art has autofocus problems

A fast 50 prime needs a very accurate and consistent autofocus system to take advantage of the shallow DOF.  It is frustrating that none of the manufacturers have risen to the challenge.  I don't know why it has to be so difficult.  I have money to spend, but nothing to buy.  :(

Infrared and VeloDramatic...   Glad you are having good luck with the 50 Art lens.

What body are you using your 50 Art on?

Do you use the outer focus points or mainly the center point?

NancyP, I really liked Canon's 35mm stabilized lens when I rented one, but I  need it in a 50.

Since there is no sign of one on the horizon, I may start researching the 50L lens.

EOS Bodies - For Stills / Re: ISO 160 vs. 100
« on: October 23, 2014, 01:14:03 PM »
If you want to know more about the work of William Claff, you can follow this link:

He has a number of charts that apply to Canon sensors, mixed in with a lot of Nikon data. 

I've been really curious about the Sigma 50mm F1.4 DG HSM, aka: the 50 Art lens.  I've read a lot of reports about autofocus problems, but wanted to check it out for myself.

I rented a copy of the Sigma 50 Art from  Before I ordered, I emailed their customer service to ask if they used the USB dock to do any kind of calibration with the lens.  They replied that they take every 50 Art that comes back into the shop, put in on the USB dock and reset it to the default values.  That sounded good to me, as I planned to use the microfocus adjust feature on my 5D3 to make any needed changes.  I was planning to do an outdoor photoshoot where my models would always be roughly ten feet from the camera, so I did not feel like I'd need the USB dock to adjust the focus for different distances.

Upon receiving the lens, I did my usual autofocus calibration.  This time only at ten feet.  Using the center focus point, the Art lens was pretty consistent on my 5D3.   I settled on +3 MFA value and was pretty pleased with the stable focus from shot to shot.

Then I tried using other focus points.  I found that as you move away from the center point, the lens will front focus more and more.  Using the outermost horizontal points, the front focus was about two feet or a 20% error.  The next pair in toward the center front focused about one foot or 10%. Using the top and bottom points, the front focus error was about 1 foot or 10%.

When the lens was in focus, it was very sharp, so I went ahead and did the planned outdoor photoshoot.  I used mostly the center point, but occasionally moved the focus two spots left or right.   Used within this restriction, I was very happy with the sharpness, bokeh and autofocus accuracy.

I did a few shots with my old Sigma 50 Classic, which was autofocusing pretty well that day, since I fed it a shot of cheap gin before leaving the house and said some magic words over it.   The Art lens was definitely sharper, but not stunningly better.    They both created very nice bokeh of the distant trees when used wide open.

Here is a shot with the Art lens at F/2.0:

Here's a shot with the Sigma 50 Classic at F/1.4:

These are just fun shots to give you an idea of what kind of photoshoot I was doing, they don't really prove anything.

One thing I learned on this shoot was that the DOF at 1.4 is even more shallow than I thought.  Shooting two models standing side by side you have to make sure they are both exactly the same distance from the camera.  Unfortunately couples naturally want to move around.  I had a lot of shots where one model was in perfect focus and the other was slightly out of focus.  I was kind of expecting that and shifted focus back and forth between the two models, so I got plenty of usable photos.

In the future, if I'm not going for the absolute maximum bokeh, I plan to use my Sigma 50 Classic primarily at F/2 on these kinds of photoshoots.

One more item...  Before sending back the Art lens, I attached it to my old 7D backup body and ran it through my usual autofocus test.  It was difficult to come up with a precise AFMA number because the focus was not very consistent.  I settled on +12.  I tried the outer focus points to see if the 7D showed the same error pattern as the 5D3.  It did not, but the general accuracy and repeatability was poor enough that I would not venture a guess as to what the real pattern is.  Basically, I would not want to use the Art lens on my 7D unless I stopped it down to about F/4 or so.  As a control, I put my 40 pancake lens on the 7D.  It focused better than the Art lens, but still not as well as I wished.   I don't know about your 7D, but mine has never had a very accurate AF system, which is one reason I rarely use it now that I have a 5D3.

As a result of my experience, I have decided not to buy a new 50mm lens.  I will keep using my Sigma 50 Classic and wait and see if Canon comes out with a new 50mm lens in the 1.8 to 2.0 range.   If it is sharp wide open, it would be the perfect lens for me.

Update:  I turned this photoshoot into a blog post that includes some additional photos taken with the 50 Art lens.  Some are mildly naughty, so consider yourself warned.  :)

Check it out here:

EOS Bodies / Re: Patent: Variable Diffusion Focusing Screen
« on: October 15, 2014, 11:52:09 AM »
That would be a very nice feature if it worked.  I'd have to see some positive reviews before I was convinced.

EOS Bodies / Canon profit report
« on: October 14, 2014, 04:55:12 PM »

October 15, 2014 1:57 am JST

Canon likely saw 7% profit boost in January-SeptemberTOKYO -- Canon's operating profit apparently climbed 7% on the year to just over 260 billion yen ($2.41 billion) for the nine months through September thanks to strong office equipment sales and a weak yen.

     But sluggish camera sales blunted the Japanese company's profits, which had shot up 26% in the January-June half.

     Total sales for the January-September period likely stayed flat from the 2.69 trillion yen booked a year earlier.

     Both sales and profit appear to have grown at its mainstay office equipment unit. The recovery in the business environment has pushed up demand for photocopiers, laser printers and other office equipment around the world. The soft yen has further boosted profits. Yet sales of high-margin consumable items, such as toner, stalled.

     Meanwhile, profits in its imaging systems segment likely dipped from falling digital camera sales. The company sold about 30% fewer compact cameras due to competition from smartphones with better-quality cameras. Weak personal spending in Europe and repercussions from Japan's sales tax hike also contributed to a double-digit drop for interchangeable-lens products, such as SLRs.

     The company is focusing more on higher-end items, which have a wider profit margin, and has slashed production costs, but was unable to completely make up for the slow sales.

     Canon plans to release January-September results on Oct. 27. It is expected to retain its guidance for the year ending in December of an 8% operating profit gain to 365 billion yen.

Landscape / Moon over Portland this morning
« on: October 08, 2014, 08:24:05 PM »

This was taken with my old 7D Classic and a 200mm F/2.8 L wide open at 1/4 sec and ISO 400. Camera set for daylight color balance, did not change it in Lightroom.

 Feel free to make jokes about putting my logo on a moon shot.  LOL   Lightroom does it automatically.

If there is ever a contest to determine the best kit lens ever made, I would suggest the 24-105 as a contestant.  It really does a lot of things amazingly well for the price.  I bought one a year ago from Big Value for about $600 because I had to satisfy my Gear Acquisition Syndrome.  Didn't think I'd use it much at the time!  I'm still surprised how often I reach for it when I need a good reliable zoom lens for an important photoshoot.

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