April 16, 2014, 12:17:51 PM

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Topics - Canon Rumors

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16
EOS Bodies / EOS-1D X & EOS-1D C Cold Weather Autofocus Issues
« on: April 03, 2014, 04:55:40 PM »
We have been notified about a known issue within Canon on the Canon EOS-1D X and Canon EOS-1D C camera bodies and sometimes not autofocusing in cold weather situations. I have read about the issues on our own forum as well as on others.

Below is an explanation of the issue we’ve received from an anonymous source, though no official service advisory has been issued by Canon.

Symptom: Camera “does not autofocus”, “does not search in AF”, or “does not focus in AF search” depending on the reporter or the camera settings; specifically, the focus cannot be achieved in low temperatures (under 0 degree Celsius).

* Although there has been no reported occurrence on the EOS-1D C, the mechanical structure of the Mirror Box Ass’y is the same as the EOS-1DX, so the EOS-1D C is included in the affected product.

Cause: This phenomenon is due to the Locking Claw of the Sub Mirror (mirror for AF) going over the Locking Pin. The Sub Mirror’s angle becomes deviated and the light rays for AF does not fall on the AF sensors, causing the “does not autofocus” phenomenon.

EOS-1D X Mirrorbox Phenomenon in Cold Weather | Pre January 2013

EOS-1D X Mirrorbox Phenomenon in Cold Weather | Pre January 2013

Service of Affected Product: To control the torque, the process to check the Locking Claw’s going over torque of Locking Pin has been newly incorporated. (From production on January 24)

Repair Procedure: Handling of units in question: If the user complains about this specific phenomenon (does not autofocus in low temperature), replace the Mirror Box Ass’y with the ones to be shipped in the future (CY3-1661-010 or CY3-1687-010).

Handling of general repairs: If the user does not mention this phenomenon, please handle as normal repair.

The line directly above is of great concern to me. If you bought one of the earlier EOS-1D X cameras and live in a warm climate, you may never know the issues existed until you went to shoot in a cold climate.

The notice is dated January 2013, so I assume all cameras manufactured after that date would be unaffected. There is no serial number range that I can see, nor do we know how widespread the issue is. However, if you have experienced this phenomenon, you now know what it is.

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17

DXOMark has completed their review of the Sigma 18-200 f/3.5-6.3 DC Macro OS HSM lens for Canon. They’ve compared it to other superzooms from Canon itself as well as Tamron and found the Sigma to be the best performer. On top of it being the leader in its class, this new lens actually costs less than the lens it replaced.


From DXOMark:

“Sigma’s cosmetic revamp of the exterior and revision of the optical construction has resulted in a lens that not only looks classy but also produces results superior to rivals including those from Canon.


A reduction in weight and size, albeit only slight makes this all the more tempting for travel, while the enhancement in sharpness and optical performance generally at the longer focal lengths is particularly valued in zoom like this. Although this has led to a certain amount of compromise with the performance at the wide-end, retaining the modest price of its predecessor the Sigma easily impresses.”


Read the full reviewSigma 18-200 f/3.5-6.3 DC OS $399


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19
Pricewatch Deals / Deal: Canon EOS 5D Mark III Body $2819
« on: April 02, 2014, 09:39:08 AM »

RedTagCamera (100% approval) is selling the Canon EOS 5D Mark III body for $2819 (Reg $3399) via ebay.


Canon EOS 5D Mark III Body $2819 (Reg $3399)


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20

New Compact Portable HD Lens for 2/3-Inch Imager Cameras Features High Peripheral Resolution, First-Class Magnification, Focal Length, MOD, and a New Drive Unit


MELVILLE, N.Y., April 2, 2014 – With an impressive design and competitive price, the new HJ18ex7.6B portable HD zoom lens from Canon U.S.A., Inc., a leader in digital imaging solutions, delivers superb optical quality and versatile operability, improving on the performance of its widely used predecessor, the HJ17ex7.6B lens. Utilizing a generous focal length range of 7.6mm to 137mm (15.2mm to 274mm with its built-in 2X extender) and a Minimum Object Distance (MOD) of 0.56m (10mm with Macro), this new member of Canon’s family of HD portable lenses enables shots to be taken four centimeters closer than with rival lens models, an advantage for camera operators working in tight locations such as studio spaces or on-site home-improvement reality television locations.


20140402_thumbL_HJ18ex76B_3q


Designed with broadcast news gathering in mind, the HJ18ex7.6B portable HD zoom lens features an advanced new optical design that helps ensure high-peripheral resolution and contrast from its closest subject-focusing distance out to over 19 feet. This enables news shooters to capture “head and shoulders” shots from distances further away than previously possible with comparable ENG lenses. A new design for the Digital Drive Unit provides additional advantages including a more comfortable hand grip, simple display-based operations for improved operability, greater digital precision for integration with virtual studio systems, and reduced power consumption compared to predecessor Canon models.



“The new Canon HJ18ex7.6B zoom lens is designed for use in diverse news and documentary situations, which can frequently involve rapid changes in subject distance and associated focal length,” noted Larry Thorpe, senior fellow, Professional Engineering & Solutions Division, Canon U.S.A., Inc. “The imaging enhancements of the HJ18ex7.6B zoom lens reflect Canon’s ongoing optical research and development, which resulted in sophisticated aberration compensation for virtually distortion-free imaging throughout the zoom range, and advanced encoders for rapid start-up and turn-on. This is a fully equipped, yet cost-effective, 2/3-inch HD ENG lens that embodies the optical and optomechanical qualities that have made Canon portable lenses one of the top choices for TV news and HD documentary productions.”


User Benefits

The Canon HJ18ex7.6B portable HD zoom lens delivers improved operability due to its compact size, lightweight 3.5 pound design, short MOD, and simplified settings menus. These menus are part of the HJ18ex7.6B’s new Digital Drive unit, which – as with most Canon portable HD lenses – enables camera operators to program repeatable zoom positions and speeds, as well as focus and iris settings if they so choose. This new Digital Drive unit also delivers new user-benefits by virtue of its integration of an absolute value encoder. This advanced technology, integrated into the Digital Drive unit, enables rapid start-up and power-on of the lens, with instant detection of lens positions and lens/camera aberration correction, as well as reduced power consumption compared to predecessor Canon models for support of long battery-powered shooting times.


The advanced encoders of the Canon HJ18ex7.6B’s Digital Drive unit are able to detect and generate extremely precise positional data that can be output to virtual set systems. This data is output via the unit’s three 20-pin zoom and focus servo-control connectors, allowing for optimal system support prevision. Other important changes in the Canon HJ18ex7.6B portable HD zoom lens that further enhance user convenience include the addition of magnification and wide-end markings, deletion of the glossy logo plate, and the simplification of other markings on the Digital Drive unit.


Pricing and Availability

The Canon HJ18ex7.6B portable HD zoom lens is expected to be available in July 2014 for a suggested retail price of $20,700.00 (IRSE S) and $22,600.00 (IASE S). For more information, please visit the Canon U.S.A. website at www.pro.usa.canon.com/Broadcast



21

MELVILLE, N.Y., April 2, 2014 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the introduction of the compact Canon XF205 and XF200 Professional Camcorders, building on technologies carried over from the XA25 and XA20 Professional Camcorders and offering improved performance and enhanced operability in response to industry feedback.


Positioned above the XF105 and XF100 Professional Camcorder models, the new Canon XF205 and XF200 Professional Camcorders are equipped with the upgraded zoom lens, CMOS sensor and image-processing platform featured in the XA25/XA20 High Definition Camcorders. The new camcorders have a compact, lightweight body design, advanced operability and expanded network connectivity, satisfying a wide range of professional shooting demands from the production of high-definition content for news gathering, documentaries, weddings and event videography.


Canon XF205

Canon XF205


The XF205 and XF200 camcorders each feature a wide-angle 26.8 mm (35mm film equivalent) 20x optical zoom lens with Hi-UD (Hi Index Ultra Low Dispersion) glass lens elements for compact size and reduced chromatic aberrations compared to prior models. Additionally, the lens is equipped with an eight-bladed circular aperture that employs the same EMD (Electro Magnetic Diaphragm) technology used in Canon EF lenses and creates natural, attractive blur characteristics. Differentiating the two models are industry-standard 3G-SDI and HD-SDI output terminals in addition to genlock in/SMPTE time code (in/out) terminals available on the Canon XF205 camcorders.



Further building upon the successful features of the XF105 and XF100 Professional Camcorders, the Canon XF205 and XF200 Professional Camcorders support two recording formats – MXF, a file format used by broadcast stations, and MP4, which offers high versatility through its compatibility with various viewing and content providers such as web browsers and television news outlets. The new camcorders each have a compact, lightweight body with approximately 58 percent of the mass and volume of the XF305/XF300 models.


In addition to their compact size, the XF205/XF200 camcorders include three separate lens rings for focus, zoom and iris control and are equipped with a comfortable handgrip that can rotate freely up to a 120 degree angle for outstanding operability while shooting in a variety of situations.


Canon XF200

Canon XF200


To help ensure a reliable network data connection is always available, the new Canon XF205 and XF200 camcorders are equipped with both an Ethernet LAN terminal and dual-band wireless LAN connectivity. With these two options, users can select the network connection method that best suits their needs.


The XF205 and XF200 camcorders’ enhanced network functionality provides users with improved shooting freedom and efficiency during electronic news gathering and other shooting situations in which workflow speed plays a crucial role. Canon’s CameraAccess plus app enables live viewing and remote operation using a compatible smartphone or tablet device, as well as the real-time transfer of proxy data.*


The Canon XF205 and XF200 Full HD Professional Camcorders will be available in mid-July for an estimated list price of $4,400.00 and $3,900.00, respectively. For more information, please visit the Canon U.S.A. website at www.pro.usa.canon.com/XF205.



22

MELVILLE, N.Y., April 2, 2014 – Canon U.S.A. Inc., a leader in digital imaging solutions, shared today that its parent company, Canon Inc., announced a software upgrade for the EOS C500 digital cinema camera (launched in October 2012), part of Canon’s Cinema EOS System lineup of professional digital cinematography products, that will enable users to more efficiently on-set production workflows. The Company plans to offer the free-of-charge Cinema RAW Development software upgrade* starting in October 2014.


The new Cinema RAW Development 1.3 software, currently under development, will deliver enhanced shooting workflows, including the on-set playback and confirmation of 4K RAW video, when using the EOS C500 camera.


Through collaboration with Intel, Cinema RAW Development 1.3 will deliver improved performance using a beta version of the Intel Media SDK 2014 Professional Camera Pack, making possible faster development of 4K Cinema RAW data when using a PC equipped with Intel Iris Pro graphics. Canon’s software upgrade will support greater workflow efficiencies for 4K RAW data by enabling real-time playback with playback speeds of up to 24 frames per second (fps). To date, previewing 4K RAW video footage on a notebook PC and other compact computer devices had been difficult because of the slow fps rate and the need for tremendous processing power, which was only available with a workstation PC. Now, with a combination of upgrades to Canon’s Cinema RAW Development 1.3 software, compatible with the Intel Media SDK 2014 Professional Camera Pack, and a PC with Intel Iris Pro graphics, Canon users will be able to more quickly preview their 4K video footage while on a shoot.


Executive quote from Intel

“Through our close collaboration with Canon, Intel is excited to be able to deliver highly accelerated 4K playback performance on a mobile PC with Intel Iris Pro graphics,” said Christos Georgiopoulos, vice president, Software and Services Group general manager, Developer Relations Division, Intel Corporation.


About Cinema RAW Development

Cinema RAW Development software enables 4K Cinema RAW footage shot with the EOS C500 camera that has been exported to and recorded by an external recorder to be converted into DPX and other standard file formats and output for image previewing and editing.


Demonstration at 2014 NAB Show

Canon will demonstrate a trial version of Cinema RAW Development 1.3 using an Intel Iris Pro graphics-powered PC at the Canon NAB 2014 exhibit, Central Hall Booth No. C-4325 from Monday, April 7 through Thursday, April 10 at the Las Vegas Convention Center.



23

New Canon CINE-SERVO 17-120mm T2.95 Zoom Lens Features 4K Optical Performance, a Dynamic 17-120mm Focal Length Range, and Removable Digital Drive Unit for Cine-Style or Shoulder-Mounted Operation


MELVILLE, N.Y., April 2, 2014 – Shallow, creative depth of field, high-resolution and optimal low-light shooting capabilities are just some of the many reasons that large, single-sensor digital cameras have been kitted and rigged for use in nearly every application involving video capture. Further enhancing the versatility and adoption of these cameras into markets such as ENG (Electronic News Gathering), documentary, narrative production and special event coverage is the new CINE-SERVO 17-120mm T2.95 zoom lens from Canon U.S.A., Inc., a leader in digital imaging solutions.


20140402_thumbL_cineservo_3qleft


Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon CINE-SERVO 17-120mm T2.95 zoom lens has an ENG-style Digital Drive handgrip with zoom rocker switch, which can also be detached to allow for manual cinema operation. The new CINE-SERVO lens features high 4K optical performance throughout the broad focal length of 17mm to 120mm within its compact and lightweight body, a three-group inner focus system to help minimize focus breathing and provide a stable angle of view, an 11-blade iris to help achieve creative depth-of-field manipulation and natural “bokeh” background, user-friendly design features, support for matte boxes, follow focus and other accessories, and rugged reliability. Designed to work with single-sensor cameras, the lens will be available in either PL- or EF-mount.


“Since the launch of the Cinema EOS system, Canon has been a part of the large-sensor camera movement that has taken many video markets by storm. Each day the markets that employ these dynamic tools are growing, as is the way professionals are using them in the field,” explained Yuichi Ishizuka, president and COO, Canon U.S.A. “We remain dedicated to providing the equipment and service that enables professionals to reach the full potential of their talent. With the CINE-SERVO 17-120mm T2.95 zoom lens, we sought to arm them with a lens that is equally as versatile and adaptable as they are, and just as comfortable shooting a feature documentary as it would be shooting a corporate event or an interview for the evening news.”



Lens-Camera Communication

Compliance of the Canon CINE-SERVO 17-120mm T2.95 lens with industry-standard camera-to-lens communication protocols helps ensure its compatibility with multiple brands and models of 4K, 2K, and HD cameras. These standards include 12-pin serial communication (common to major broadcast camera brands), Cooke’s /i Technology, and Canon EOS technology (employed by the EOS C500, EOS C300, and EOS-1D C Cinema cameras, and the EOS C100 Digital Video Camera). Specific types of data-management functions involving focus, zoom, iris and other settings can vary, depending on camera brands and models. In the case of the Canon EOS system, precise lens data – including aperture setting – are displayed in the EOS camera’s viewfinder, as well as recorded in the video file as metadata along with the model name of the lens and focal length setting.


Dual Operability

With its Canon Digital Drive handgrip unit attached, the CINE-SERVO 17-120mm T2.95 lens is ideal for shoulder mount camera configurations commonly employed in ENG, broadcast, or cinema shooting. Attaching the Digital Drive unit does not require manual adjustment of the focus, zoom, and iris gears on the lens, and a rubber cap prevents dirt from entering the Digital Drive unit connections when it’s detached. Together with Canon’s unique LCD display equipped on the Digital Drive unit that allows the operators to easily access the various digital functions, a 16-bit high-precision microprocessor contained within the Digital Drive unit enables operators to pre-program focus and zoom position/speed, as well as iris settings if desired – allowing for precise, repeatable performance. The microprocessor also provides the capability of a very high-speed zoom of 0.5 seconds to a very slow and consistent zoom of 300 seconds, from wide-end to telephoto-end. Three 20-pin connectors on the Digital Drive unit enable the use of zoom and focus demands or the precision integration of images from the lens and its accompanying camera into a variety of virtual set systems.


In addition to its removable ENG-style Digital Drive unit handgrip that gives users a choice between programmable broadcast-style or fully manual cinema-style operation, the new Canon CINE-SERVO 17-120mm T2.95 zoom lens integrates strategic design features for intuitive, convenient operation by a wide range of camera operators. These features include an ergonomically designed compact and lightweight Digital Drive unit that fits into an operator’s hand and brings the palm closer to the center of the lens barrel which can contribute to lessening fatigue on the operator’s arm. The lens barrel markings are clearly engraved in both feet and meters on both sides of the lens barrel, and focus indicators on the front side of the lens are marked on an inclined surface to make them easier to see from the back of the camera, especially when mounted on an operator’s shoulder. Additionally, luminous paint is used for the scale display on one side of the barrel to help make the markings visually identifiable in the dark.


Combining both broadcast operability and the accuracy required by cinematographers, the lens features a 180 degree focus rotation angle. Both 0.8 type and 0.5 type gear module focus accessories can be used, with the 0.8-pitch gear positioned in front of the focus ring to preclude any interference with the Digital Drive unit or a connecting cord. Major power-driven accessories, matte boxes, and other standard options used by filmmakers can all be mounted. Lens support shafts for support rods as well as a lens hood unit are also included with the lens.


As a symbol of inheriting the optical technology that was developed for other Canon Cinema lenses, a red alumite identity color is used for the mount area. A structure enabling the lens’ EF mount to be replaced with the PL mount, or vice versa (electrical system included), is also incorporated. This conversion upgrade can be provided at authorized Canon service centers.


Pricing and Availability

The Canon CINE-SERVO 17-120mm T2.95 zoom lens (CN7x17 KAS S/E1 in EF mount and CN7x17 KAS S/P1 in PL mount) is expected to be available in August 2014 for a suggested list price of $33,000. For more information, please visit the Canon U.S.A. website atwww.pro.usa.canon.com/cine-servo.



24
EOS Bodies / New DSLR and PowerShots in May [CR2]
« on: April 02, 2014, 06:23:56 AM »
We’re told to finally expect some significant camera announcements from Canon in May. There will be a couple of PowerShot’s announced, most notably the SX60 IS and its 100x zoom, as well as a DSLR. The assumption on the DSLR is that it will be the follow-up to the EOS 7D.

We should also expect at least 2 new lenses, with one possibly being EF-S.

There will be a bunch of announcements in August as well, as Canon gears up for Photokina 2014 in Cologne, Germany.

cr


25
Pricewatch Deals / Deal: Canon EOS 6D Body $1567 & Lenses
« on: April 02, 2014, 06:18:28 AM »
GetItDigital (99.4% approval) is selling the Canon EOS 6D body for $1567 (Reg $1899) via ebay.

Canon EOS 6D Body $1567 via ebay (Reg $1899)

There are a couple of lens deals from GetItDigital and BVI on ebay as well.

Canon EF 24-70 f/4L IS $899 (Reg $1499) | Canon EF 24-70 f/2.8L II $2028 (Reg $2299)

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26
Canon General / Canon USA Opens New Midwest Service Center
« on: April 01, 2014, 01:00:59 PM »

MELVILLE, N.Y., April 1, 2014 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the expansion of its service facilities with the opening of a new service and support center in Itasca, Ill. This facility, located just outside of Chicago, will provide comprehensive product repair and maintenance of Canon’s professional products to Cinema, Platinum, and Gold level members of Canon’s Professional Services (CPS) program, and owners of Canon professional broadcast lenses.


The Itasca facility features repair and maintenance operations for Canon’s extensive lineup of professional cameras, including Cinema EOS and EOS Digital SLR cameras, high-definition camcorders, and all of Canon’s lenses, including EF series photography lenses, Cinema lenses and broadcast lenses. Repair operations at the facility include four state-of-the-art camera body and lens adjustment rooms, Canon’s most advanced adjustment and calibration equipment, spare parts inventory, and experienced repair staff.


“The new Itasca Professional Service and Support Center is a testament to the growth and demand of Canon’s professional imaging products and the local support needed for imaging professionals working in or around Chicago,” said Yuichi Ishizuka, president and COO, Canon U.S.A. “We believe in providing industry-leading support where our professional photography, cinema, broadcast and television production customers work so that we can return their products to the original factory condition and operation as quickly as possible.”


The Itasca facility is Canon’s third service facility exclusively available to professional clients, joining the Canon Hollywood Professional Technology & Support Center, located in Hollywood, Calif., and the New York/New Jersey service and support center, located in Ridgefield Park, N.J. These facilities provide local support to key markets and deliver an average in-house repair process time of less than three days.


An advance reservation is required for all service and support requests handled by the Itasca, Hollywood, and Ridgefield Park facilities. Canon Professional Services (CPS) Cinema, Platinum and Gold level members can make a reservation via the CPS hotline by calling 1 (888) CPS-4540. Non-CPS owners of Cinema EOS, professional video cameras and broadcast lenses can also request an appointment by calling 1 (855) CINE EOS.


Additional camera and lens service facilities for both professional and consumer clients are located in Jamesburg, N.J., Irvine, Calif., and Newport News, Va.


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27
Third Party Manufacturers / Sigma Announces Acquisition of Samyang
« on: April 01, 2014, 12:59:08 PM »

Ronkonkoma, NY, April 1, 2014 – Today, Sigma Corporation is pleased to announce the acquisition of Korean-based Samyang Optics Company Limited. Known for its high quality manual lenses, Samyang offers expertise in production efficiencies and brand management that will greatly benefit the world’s largest family-operated lens manufacturer.


“We are very proud to integrate Samyang into our organization. This is a symbiotic relationship that will pay excellent dividends to the photographic community,” says Machyzo Yamakiro, Excecutive Vice President of Sigma Corporation.


All of Samyang’s manual-only lenses will represent a new Global Vision line at Sigma – “Classic” – which will join the already popular and well-respected Art, Contemporary and Sports lines. Hallmarks of Sigma’s new Classic lenses will be simplicity, superb performance and affordability.


“While the Samyang/Rokinon/Bower/Walimex/Pro-Optic/Opteka names will not live on, their spirited defiance of modern technology will continue in our ‘Classic’ vision for budget-minded photographers,” says Yamakiro.


Distribution of Sigma’s Classic lenses will begin in May 2014.


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28
CANON U.S.A. INTRODUCES THE NEW CANON EOS-1D W DIGITAL SLR CAMERA, DESIGNED FOR “WILDLIFE”

Featuring Canon’s proven 61-Point High Density Reticular AF, Extreme Fast Shooting up to 24 fps, 39.9-Megapixel Near-Full-Frame CMOS Sensor, Outstanding ISO Sensitivity up to 204800, Dual Pixel CMOS AF II, Full HD Video Recording, Extreme-Durability Camouflage Finish, Development Announcement of EF 200-600mm f/4 L W IS USM/STM Lens

LAKE SUCCESS, N.Y., April 1, 2014 – Canon U.S.A., Inc. once again shows its leadership in digital imaging by introducing the Canon EOS-1D W “Wildlife” Digital SLR camera, the EOS-1D W is the world’s first professional DSLR designed specifically for the needs of wildlife photographers and videographers. A new addition to Canon’s arsenal of professional DSLRs, the EOS-1D W is a progressive EOS-1D series camera based on the EOS-1D X, but loaded with exciting new features.

According to Sakuichi Ishizukara, Canon’s Executive Vice President and General Manager, Imaging Technologies & Communications Group, Canon U.S.A., “Wildlife photographers make up a large percentage of DSLR camera users. These photographers have specific needs – needs that have long been overlooked.”

“That the new Canon EOS-1D W is going to revolutionize wildlife photography is unquestionable” says Martyn Culbreck after 3 months of field testing the new camera. Mr. Culbreck is the Director of Photography for BBC’s upcoming “Planet Life” series. “We spend weeks waiting for the an animal to be in the right position. When that perfect moment arrives, we cannot risk any camera-related issues causing a missed shot. The EOS-1D W is a game changer. It never misses.”

Read the rest of the press release at TDP

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29

An article on Planet5D talking about Panasonic potentially dropping the Micro 4/3 system (except for the GH4) also mentions the possibility of Canon acquiring Panasonic’s camera division. We’ve heard various things in the past about Canon acquiring camera technologies and companies, but nothing has ever come of it. It’s usually been focused around medium format companies or print technology companies such as Kodak.


From Planet5D

dalubo 1:15PM

I heard from some very reliable sources that Canon is about to take over the Panasonic camera division. And that Olympus retreats from MFT too.


I have no idea what Panasonic has that Canon would want, perhaps there’s some video technology or patents that are of interest. I am reminded of a few articles I’ve read about the camera industry needing a giant shakeup. One of the suggested shakeups is less camera manufacturers. Panasonic, while making some very good products in the industry, seems to relegated to a niche market of budget conscience videographers and photographers.


Whether or not this is true doesn’t matter, it’s a telling reminder of the state of the industry. Some companies are going to be leaving the camera marketplace in the coming years, there just isn’t enough growth to keep companies profitable. Canon and Nikon are safe, though the latter isn’t exactly a profit machine. Sony seems content of giving it their all to find a place in the photography world and Fuji is making some cool niche products and are profitable. Leica has become a lifestyle brand, and the Louis Vuitton customer will continue to purchase the high margin German cameras. The rest? I’m not sure how much longer we’ll see Olympus, Panasonic, Samsung and Ricoh/Pentax in the game, I expect at least 2 of those names will be moving onto other things.


Source: [P5D]


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30
Contests / Gura Gear Contest Winner Announcement & Coupon Code
« on: March 31, 2014, 01:04:38 PM »

Congratulations to Andrew B on winning the Gura Gear Uinta giveaway contest, you have been notified by email!


Consolation

For the next 48 hours, Gura Gear is offering 10% off of all their goodies for the next 48 hours. Use the coupon code “CRUMORS10″ without the quotes at checkout.


I highly recommend everything Bataflae as well as the Uinta. My favourite Gura Gear accessories are the Et Cetera cases, I never leave home without them.


Visit Gura Gear


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