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Messages - Canon Rumors

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46

UPDATE:
Please see the changes to the “Identification Procedure” section below regarding criteria for affected serial numbers. The identification method has been enhanced to include the first digit in the identification procedure in order to more precisely identify affected products.
 
Thank you for using Canon products.
 
Concerning the EOS 5D Mark III digital SLR camera, when the LCD panel illuminates in extremely dark environments, the displayed exposure value may change. Canon has concluded the investigation of this phenomenon, and this announcement informs you of our findings as described below.
 
Phenomenon
In extremely dark environments, if the LCD panel illuminates, the displayed exposure value may change. However, based on the results of extensive testing this change in exposure value will not noticeably affect the captured image.
 
Affected Product
The phenomenon described above may occur in Canon EOS 5D Mark III Digital SLR Cameras whose first and sixth digits of the serial number are as set forth below.
 
Identification Procedure:
Serial Number: [XnnnnNnnnnnn]
“X”=”0″ and “N”=”1″ or “2″
“n” represents any digit.
Examples of affected serial numbers are: “0nnnn1nnnnnn” or”0nnnn2nnnnnn”


Support
Under almost all shooting conditions (including dark environments) this phenomenon will not affect your captured images. However, if you would like Canon to inspect your camera, we will provide this service free of charge upon request beginning in mid-May. Please contact Canon using the information below to request service.
 
This information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.
 
Please register the EOS 5D Mark III. By registering, we will be able to notify you via email when service updates are available. If you already registered, please ensure you are opted-in to receive the notification.


cr



47
EOS Bodies / EOS-1D X & EOS 5D Mark III Replacements in 2015 [CR1]
« on: June 22, 2014, 07:19:25 PM »
Northlight has posted a bit of a roadmap for the pro level cameras from Canon. They’ve been told that the EOS-1D X Mark II would come first, with a potential announcement coming in very late 2014. The EOS 5D Mark III would follow afterwards. Both cameras will most likely benefit from the new sensor technology we’ll see in the upcoming EOS 7D replacement.

CR’s Take If the technology in the EOS 7D replacement is as great as people are claiming it to be (we don’t yet know what it is), then it would make sense to replace the other flagship models in the lineup fairly quickly. The EOS 5D Mark III was arrived in March of 2012, and the EOS-1D X soon after in June of 2012. A three year cycle for each seems doable, even if the EOS 7D will have taken nearly 5 years to replace.

Source: [NL]

cr


48
Pricewatch Deals / Canon EF 16-35 f/4L IS Shipping This Week
« on: June 22, 2014, 07:10:34 PM »

*UPDATE*

Apparently smaller retailers in the US have already been selling the lens, I guess they were allocated before the high volume web retailers. Thanks for letting me know.


B&H Photo has informed us that all preordered Canon EF 16-35 f/4L IS lenses will be shipping this week. We expect the same thing from other retailers in North America. Various retailers in Asia and Europe have already begun selling the lens.


Canon EF 16-35 f/4L IS $1199: B&H Photo | Amazon


cr



49
Pricewatch Deals / Ended: Canon EOS-1D X Body $5099
« on: June 20, 2014, 11:07:46 PM »

GetItDigital (99.4% approval) is selling the Canon EOS-1D X body for $5099 (Reg $6799) via ebay.


Canon EOS-1D X via ebay $5099 | Canon EOS-1D X via Amazon $6799


Note: The items in these sales are brand new and likely grey market, therefore not technically covered under a Canon USA warranty. Although, there are reports of warranty service being performed on these items. If you have any issues, we’re always here to help.


cr



50
EOS Bodies / Patent: Canon EF 400 f/4 DO IS
« on: June 20, 2014, 09:20:36 PM »

A patent for a new Canon EF 400 f/4 DO IS has appeared. The current lens has been around since December, 2001 and I think it’s a gem in the Canon lineup.


We’ve seen a lot of DO patents over the years, but no DO lens has been announced since June, 2004 when the EF 70-300 f/4.5-5.6 DO IS came to market.


Canon EF 400 f/4 DO IS

Canon EF 400 f/4 DO IS



  • Patent Publication No. 2014-109700

    • Publication date 2014.6.12

    • Filing date 2012.12.3



  • Example 1

    • Focal length f = 392.00-381.59-332.99mm

    • Fno.

    • Half angle ω = 3.16-3.10-2.81 °

    • Image height Y = 21.64mm

    • The overall length of the lens 292.02mm

    • BF 105.64mm




Source: [EG]Canon EF 400 f/4 DO IS at B&H Photo



51
Third Party Manufacturers / Gura Gear Acquires Tamrac Brands & Assets
« on: June 19, 2014, 12:15:24 PM »
OGDEN, UT (June 18, 2014) – GuraGear, LLC, makers of innovative carrying solutions for discerning creative professionals has agreed to acquire the brand and assets of Tamrac, Inc. The U.S. Bankruptcy Court approved the sale through the Chapter 11, Section 363 Sale of Assets process. Tamrac entered Chapter 11 bankruptcy protection in early 2014 and has a 37 year history of developing affordable carrying solutions for photographers.

Gura Gear President, Gregory Schern stated, “this acquisition represents an exciting opportunity for Gura Gear to build upon a brand with a legacy of designing solutions for photographers and a dedicated customer following while leveraging worldwide distribution. We look forward to providing customers a high level of service and implementing solutions from a new perspective in a rapidly evolving industry.”

Tamrac, Inc. will continue to operate normally until the acquisition is finalized in late June. Once the transaction is complete, Gura Gear will relocate Tamrac’s assets and expand its Ogden, Utah facilities.

Questions regarding the acquisition can be directed to info@guragear.com.

About Gura Gear

Gura Gear began in 2008 as an idea on the back of a napkin by a team of passionate photographers looking for the perfect photography bag. Today, Gura Gear has expanded to a full line of carrying solutions built to the highest standards utilizing only the best materials and workmanship. Gura Gear focuses on creating innovative products for discerning creative professional and enthusiast photographers who love to explore the world.

About Tamrac

Since 1977, Tamrac has offered a diverse product line to meet a wide range of travel and photographic requirements. From the first bag a beginning enthusiast will purchase to a bag suitable for the professional, Tamrac is committed to continuing to offer innovative products that are easy-to-use and understand. 

Visit Gura Gear

cr


52
EOS Bodies / New Sensor Tech in EOS 7D Mark II [CR2]
« on: June 19, 2014, 09:10:07 AM »
We’re told to definitely expect new sensor technology to be introduced in the Canon EOS 7D Mark II. This tech will be used in all forthcoming Canon DSLRs. What is it? We’re not 100% sure yet, though we’re told it’s definitely not a foveon type technology that we’ve previously seen in patents.

This may be one of Canon’s best kept secrets as it’s apparently going to be more than an “evolutionary” technology.

We’re filtering through a lot of emails about this new sensor tech and we’re not sure what’s true and what isn’t.

More to come… We’re not putting a [CR3] on this until we know what the new tech is.

cr


53
Innovative All-In-One zoom integrates state-of-the-art optical design, PZD (Piezo Drive) and Tamron’s exclusive VC (Vibration Compensation) system to achieve superb image quality in a remarkably compact, lightweight package.
 
June 19, 2014, Commack, NY – Tamron USA, Inc. has announced the delivery date of the anticipated 28-300mm F/3.5-6.3 Di VC PZD (Model A010), an advanced new All-In-One zoom lens for full-frame DSLR cameras. The lens will be available in the U.S. in both Canon and Nikon mount (Sony mount availability to be announced) on June 26, 2014 at $849.
 
Since the launch in 1992 of the 28-200mm (Model 71D) high-power zoom lens – which featured a revolutionary compact, lightweight design – Tamron has been continually expanding its portfolio of world class optics to benefit consumers. Having revolutionized the optical design of the previous 28-300mm (Model A20), Tamron developed a powerful new, high-power zoom lens for full-frame DSLR cameras that enhances image quality and incorporates the PZD (Piezo Drive)-a standing-wave ultrasonic motor system optimized for swift, quiet AF-and the acclaimed VC (Vibration Compensation) mechanism in an amazingly compact configuration.
 
Featuring a new, sophisticated external finish, this lens complements the performance and style of full-frame DSLRs, while delivering the practical advantages of an All-In-One zoom lens.

Preorder the Tamron 28-300 f/3.5-5.6 DI VC PZA at B&H Photo $849

Product Highlights

  • State-of-the-art optical design technology delivers superior image quality. The advanced optical construction of this lens includes four elements of LD (Low Dispersion) glass, three Molded-Glass Aspherical elements, one Hybrid Aspherical element, one XR (Extra Refractive Index) glass element, and one element of UXR (Ultra-Extra Refractive Index) glass, which has greater refractive index than XR. The full use of specialized glass elements in its design contributes to making this outstanding lens as compact and lightweight as possible, while minimizing aberrations, resulting in superior image quality. Particularly impressive is the thorough compensation of chromatic aberrations at the telephoto end, yielding images of enhanced clarity and crispness.
  • Focus on portability – The lens is now even smaller and lighter. In addition to state-of-the-art optical design that facilitates downsizing of the lens body, the mechanical design leads to a smaller overall lens compared to the existing Tamron 28-300mm (Model A20). The incorporation of a highly sophisticated multi-stack-cam layout that takes up far less space as well as the PZD (Piezo Drive) AF, an autofocus drive system with a simpler, more compact structure, make it possible to reduce the overall dimensions of this lens. These technologies are the fruit of Tamron’s more than 20 years of research and development in the high-power zoom lens field.
  • Advanced anti-reflection coating. The application of BBAR (Broad-Band Anti-Reflection) coatings for suppressing reflections on lens element surfaces minimizes unwanted flare and ghosting to deliver sharp, crisp, high-contrast images.
  • Upgraded cosmetic design – Elegant tungsten silver brand ring. Tamron has upgraded the cosmetic design and finish of this lens to create a more sophisticated, high-end look in keeping with the demands of discerning full-frame DSLR users. Employing a sophisticated linear pattern rubber grip on the zoom and focus rings and an elegant tungsten silver brand ring, this newly designed model accentuates its visceral presence with understated elegance and class.
  • PZD (Piezo Drive) delivers faster, quieter autofocus action. The PZD (Piezo Drive), a standing-wave ultrasonic motor system, delivers faster, quieter, more precise action when the autofocus is engaged. The full-time manual focus system is easy and intuitive, enabling quick and convenient manual focus at any time.
  • Sharper images with VC (Vibration Compensation) Tamron’s acclaimed VC (Vibration Compensation) mechanism reduces image blur caused by camera shake to deliver significantly sharper images even when shooting handheld.
  • Circular diaphragm facilitates achieving spectacular blur effects Using a circular diaphragm[4], this lens achieves spectacular background blur effects that enable creative use of depth of field
  • Moisture-resistant construction for worry-free outdoor shooting. Moisture-resistant construction helps prevent moisture from penetrating the lens.

Specifications

Model A010
Max Format size 35mm FF
Focal length 28–300 mm
Image stabilisation Yes
Lens mount Canon EF, Nikon F (FX), Sony/Minolta Alpha
Maximum aperture F/3.5 – F/6.3
Minimum aperture F/22.0 – F/40.0
Number of diaphragm blades 7
Aperture notes Circular diaphragm
Elements / Groups 19 / 15
Minimum focus 0.49 m (19.29″)
Maximum magnification 0.29×
Autofocus Yes
Motor type PZD Ultrasonic
Full time manual Yes
Focus method Internal
Distance scale Yes
Weight 540 g (1.19 lb)
Diameter 74 mm (2.93″)
Length 96 mm (3.78″)
Zoom method Rotary (extending)
Zoom lock Yes
Filter thread 67 mm
Hood supplied Yes

Preorder the Tamron 28-300 f/3.5-5.6 DI VC PZA at B&H Photo $849

cr


54
June 19, 2014, Commack, New York- Tamron USA, Inc. announced the price and delivery of the 18-200mm F/3.5-6.3 Di III[2] VC for Canon mount (Model B011). This lightweight, compact high-power zoom lens, originally released for Sony mount in 2011, is designed for mirrorless interchangeable-lens cameras with APS-C sized sensors and sports a stylish design and is available in two color options. It will be available in the U.S. starting June 26, 2014 at $499.
 
Product Highlights

  • This high-power, 18-200mm, lightweight and compact zoom lens weighing 16.2 ounces with a 62mm filter is designed for mirrorless interchangeable-lens cameras. Equipped with Tamron’s acclaimed VC (Vibration Compensation), the lens enables easy handheld shooting from 18mm wide angle to 200mm full telephoto.
  • Employing two (Low Dispersion) elements, three Molded-Glass Aspherical elements, one XR (high refractive index) element, and one Hybrid Aspherical element, the lens delivers astounding image quality by reducing aberrations to a bare minimum.
  • The lens boasts a striking appearance worthy of mirrorless interchangeable-lens camera designs. The metallic lens barrel exterior is available in two colors: black and silver.
  • The lens also has a stepping motor adopted for the AF drive, a construction that accommodates Contrast-detection AF and shooting video. This feature also supports Direct Manual Focus (DMF) function, which allows the user to make fine manual adjustments after initially focusing by AF.

Preorder the Tamron 18-200 f/3.5-5.6 VC at B&H Photo $499

Specifications

Model B011
Max Format size APS-C (EF-M)
Focal length 18–200 mm
Image stabilisation Yes (4 stops claimed)
Lens mount Canon EF-M, Sony E (NEX)
Maximum aperture F/3.5 – F/6.3
Minimum aperture F/22.0 – F/40.0
Aperture ring No
Number of diaphragm blades 7
Elements / Groups 17 / 13
Minimum focus 0.50 m (19.69″)
Maximum magnification 0.27×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Weight 460 g (1.01 lb)
Diameter 68 mm (2.68″)
Length 97 mm (3.82″)
Materials Metal barrel, metal mount
Colour Black, Silver
Zoom method Rotary (extending)
Zoom lock Yes
Filter thread 62 mm
Hood supplied Yes
Hood product code flower shaped hood
Tripod collar No

Preorder the Tamron 18-200 f/3.5-5.6 VC at B&H Photo $499

cr


55
Lenses / Canon EF 16-35 f/4L IS Hitting Retailers
« on: June 19, 2014, 08:26:06 AM »
It looks like the Canon EF 16-35 f/4L IS is beginning to hit retailers. Below is an image from a Taipei retailer, there’s some unboxing images as well as a bunch of test shots taken with the new lens.

You can see the unboxing and test images here.

This lens is expected to be available at European and North American retailers in the coming weeks.

20140617091109281030860f50f582f4d8cc6156f77a31

Preorder the Canon EF 16-35 f/4L IS $1199: Amazon | B&H Photo | Adorama

cr


56
Lightroom 5.5 is now available as a final release on Adobe.com and through the update mechanism in Lightroom 5.  The goal of this release is to provide support for Lightroom mobile, additional camera raw support, lens profile support and address bugs that were introduced in previous releases of Lightroom.

Release Notes

New Camera Support in Lightroom 5.5

  • Canon PowerShot G1 X Mark II

New Lens Profile Support in Lightroom 5.5

Mount Name
Canon   Sigma 50m F1.4 DG HSM A014
Canon   Sigma 18-200mm F3.5-6.3 DC MACRO OS HSM C014
Canon   Tamron 16-300mm F3.5-6.3 Dill VC PZD MACRO B0163

Bugs Corrected in Lightroom5.5

  • Improved responsiveness in Develop module while Lightroom mobile sync is occurring.
  • Custom Develop module default settings were not syncing correctly to Lightroom mobile.
  • Initial rendition in Develop would sometimes appear posterized.
  • Undo function failed and applied a preset instead.
  • Scaling looked inaccurate when scaling to 200% in Windows.
  • Manual slideshows sometimes did not advance to the next slide as expected.
  • Aspect ratio changed when modifying the crop rectangle and when rotating the crop
  • Image flips between portrait and landscape after switching orientation while shooting tethered with Leica S cameras.
  • Fixed issue with Fujifilm X-T1 raw images appearing too bright at high ISO settings when using Dynamic Range 200% and 400%. Unfortunately, this fix may affect the appearance of existing images captured with this combination of settings. It is recommended that you (1) purge the Camera Raw cache via the Preferences dialog, and (2) review images shot at ISO settings higher than 1600 for unexpected brightness changes.
  • Fixed image quality issue (noisy result) when applying spot healing to floating-point (HDR) images.

Download Links:

Lightroom 5.5:

Mac – http://www.adobe.com/support/downloads/detail.jsp?ftpID=5791

Win – http://www.adobe.com/support/downloads/detail.jsp?ftpID=5792

cr


57

New Creative Cloud Technology Connects Latest Photography Tools; New Photoshop Mix Debuts for iPad
 
SAN JOSE, Calif. — June 18, 2014 — Adobe (Nasdaq:ADBE) today announced the availability of the new Adobe Creative Cloud Photography plan. Designed for anyone interested in photography, the new plan brings together — for USD$9.99 per month — Photoshop CC and Lightroom 5, two tools that have fundamentally impacted how photographs and imagery shape our visual culture, as well as Lightroom’s breakthrough mobile apps on iPad and now iPhone. Also introduced today is the all-new Photoshop Mix, a new iPad app that provides access to powerful Photoshop features normally confined to the desktop, enabling compositing and transformative edits while on the go. Built using the new Adobe Creative SDK (see separate release), Photoshop Mix delivers new levels of Adobe imaging precision and magic to mobile users.
 
“With our Lightroom products alone managing over 100 billion images, we know there’s a huge appetite from photography enthusiasts to have powerful, world-class software available on their mobile devices as well as their computers,” said Winston Hendrickson, vice president, digital imaging, Adobe. “With Photoshop, Lightroom and new mobile photo apps, we’ve created the most complete photography solution on the planet, ensuring that anyone interested in photography can be creative with their images, no matter where they are.”


Join Creative Cloud Photography Plan $9.99mth



Create and Manage Beautiful Images in Photoshop CC and Lightroom 5
Photoshop CC, part of the Creative Cloud Photography Plan, was updated, with stunning new features — as part of a milestone release of Adobe Creative Cloud. Features for photographers, include:



  • Perspective Warp – The recently introduced capability for fluidly adjusting the perspective of a specific part of your image without affecting the surrounding area.

  • Blur Gallery motion effects – Two new additions, Path Blur and Spin Blur create a sense of motion, even if not originally captured with a camera, enabling photographers to tell their story or express just the right feeling in an image. There’s also faster performance when creating blur effects with the Mercury Graphics Engine delivering a performance boost with OpenCL.

  • Focus Mask – Lets Photoshop CC create the first step of a mask by automatically selecting the in-focus areas of an image. The Focus Mask feature works great with headshots and other images that have shallow depth of field.

  • Content-Aware color adaptation improvements – Previously when using Content-Aware features, if a selected area contained smooth gradients, it didn’t necessarily appear in the final image. Now retouched images using Content-Aware Fill, Move, and Patch gets more seamless and realistic. Additionally, new technology blends areas containing gradients, like skies, to give exceptional results.

  • Improved stylus support and experimental features for Windows 8.1 – Enjoy smoother brush strokes and a simple out-of-the-box experience with expanded stylus support for Windows 8.1. Turn on experimental features for touch and gesture controls and bigger touch targets on devices like Surface Pro 3.


The Creative Cloud Photography plan includes Lightroom 5 desktop software, a staple for all photographers, making digital photography easier, faster, and more amazing. Photographers can experiment without limits in a nondestructive editing environment and perfect shots with advanced controls for tone, contrast, color, and more. Efficient organizing tools help sort thousands of photos and make it simple to share them almost anywhere.


Mobile Solutions Takes Serious Photography Work Anywhere

Following its April 2014 release on iPad, Lightroom mobile is now available for iPhone. Lightroom mobile for iPhone and iPad provide the most efficient way to manage and edit images across desktops, mobile devices and the Web. The apps can automatically import images from the iPhone camera roll and sync back to a Lightroom catalog on the desktop. Lightroom mobile provides photography essentials, including non-destructive processing of files using Smart Preview technologies to enable professional class photo editing from the confines of the desktop. Quickly apply star ratings, flag or reject images and edit them on iPhone and iPad. Edits and metadata changes automatically sync back to the Lightroom catalog on the desktop and are also viewable from any Web browser at lightroom.adobe.com. Lightroom mobile photo collections are also accessible for users of Adobe Voice, the recently introduced free animated video storytelling app.


Photoshop Mix, provides a connected mobile workflow to Creative Cloud, aimed at anyone who wants access to powerful editing tools on their mobile device. Open Adobe Photoshop documents, individual layers from PSDs, and images from Lightroom mobile. Easily apply looks, create advanced selections and masks, and access advanced Photoshop features like Upright, Content-Aware Fill, and Camera Shake Reduction to take creativity on the go. Then export your layered and masked composition to Photoshop CC for further refinement on the desktop. Share work, or even save it to a Photoshop document for a mobile workflow that works seamlessly with Photoshop CC.


Technology Optimized for Mobile Photography

The Creative Cloud Photography plan’s desktop and mobile apps are connected by a powerful technology designed to enable users to edit and sync photos non-destructively from anywhere. By combining the same non-destructive editing pipeline found in Lightroom and Adobe Camera Raw, with Adobe’s renowned Smart Preview technologies, the amount of information being moved between apps is minimized, without compromising the end result. This gives users confidence that edits will be saved while being able to access their images with unprecedented speed, no matter what device.


Pricing and Availability

Creative Cloud Photography plan is available at $USD9.99 per month. For additional details, please visit: Creative Cloud Photography Plan $9.99mth.


cr



58
Software & Accessories / Adobe Announces the All New Creative Cloud
« on: June 18, 2014, 09:28:08 PM »
Mobile Apps and New Hardware Extend Creative Cloud Workflow; All Major CC Desktop Apps Updated
 
SAN JOSE, Calif. – Adobe (Nasdaq:ADBE), the leader in creative software, today continued to drive Creative Cloud innovation by announcing 14 new versions of CC desktop applications, including essential tools such as Adobe Photoshop CC, Adobe Illustrator CC, Adobe Dreamweaver CC and Adobe Premiere Pro CC. The biggest Adobe software release since CS6, it also includes four new mobile apps, the immediate availability of creative hardware, updates to Creative Cloud services and new offerings for enterprise, education and photography customers. Yesterday, Adobe announced that there are now over 2.3 million Creative Cloud subscriptions, far exceeding original projections when it was unveiled two years ago.
 
“Our shift to Creative Cloud has given us a broad canvas on which to innovate like never before,” said David Wadhwani, senior vice president, Digital Media, Adobe. “We’ve taken bold steps with this milestone release, fast-tracking new features to industry-defining tools like Photoshop and InDesign, while introducing mobile apps that turn tablets into indispensable creative tools.”
 
The release serves a creative industry that is changing at a staggering pace: three in four creatives believe the industry has changed more in the past five years than the previous 50 and about two thirds believe their role will significantly change in the next 3 years (see The New Creatives Report, surveying 1,000 U.S. creatives, issued June 16). Creatives cited new technologies as the top driving force behind the rapid change.

Join Creative Cloud Photography Plan $9.99mth

 
Mobile Apps Extend CC Desktop Workflows
Delivering on mobile innovation, Adobe launched three new mobile apps for iPad – Adobe Sketch, Adobe Line, and Adobe Photoshop Mix; and began shipping new creative hardware called Adobe Ink, a new digital pen, and Adobe Slide, a new digital ruler (see separate release). The mobile apps were developed using a new Adobe Creative SDK that unlocks over 30 years of Adobe innovation and makes it available on mobile devices for the first time. These new apps are professional-grade quality but easy enough for anyone to use, similar to the recently launched Lightroom mobile for photographers and Adobe’s new animated video app for storytelling, Adobe Voice, which were also updated with this release. These powerful, yet easy-to-use apps add significant mobile capabilities to Creative Cloud, integrate workflows with the CC desktop apps and bring tablets into serious creative workflows for the first time.
 
New Versions of CC Desktop Apps
Beyond mobile innovation, the 2014 release of Creative Cloud delivers more Adobe magic, makes everyday tasks easier and faster, while delivering new support for cutting-edge hardware and standards. Highlights of top features in the 14 new desktop apps include:

  • New capabilities in Photoshop CC for photographers such as, Blur Gallery motion effects for creating a sense of motion; Focus Mask that makes portrait shots with shallow depth of field stand out; new Content-Aware capabilities; and the recently introduced Perspective Warp for fluidly adjusting the perspective of a specific part of your image without affecting the surrounding area. Designers using Photoshop CC will enjoy enhanced Mercury Graphics Engine performance as well as the ability to link Smart Objects and share them across multiple documents. With improved Layer Comps, users save time by changing the visibility, position, or appearance of one layer and simply syncing to see the change reflected in all other Layers. Photoshop CC also has ability to pinch and zoom images, create smoother strokes, and deliver a more responsive experience on Windows 8 Touch devices, such as Microsoft Surface Pro 3.
  • Also for designers, new capabilities in Illustrator CC include Live Shapes to quickly transform rectangles into complex shapes and then return to the original rectangle with just a few clicks, as well as faster rendering of vector graphics with GPU acceleration on Windows with an Adobe-certified NVIDIA graphics card. In InDesign CC, layout artists can now select table rows and columns and use EPUB Fixed Layout to easily create digital books. Adobe Muse CC now includes 64-bit support, HiDPI display support for sharper-looking images, objects, and text, and the ability to preview and optimize desktop, smartphone and tablet versions of your sites before going live.
  • New features in the video apps include, Live Text Templates and Masking and Tracking, new integrations that leverage the power of Adobe After Effects CC inside Adobe Premiere Pro CC. Race through projects thanks to enhanced graphics performance in Premiere Pro; precise new keying effects in After Effects; a more flexible Direct Link color pipeline in Adobe SpeedGrade CC; and enhanced multi-track tools for audio work in Adobe Audition CC. Integration between apps has also been further improved to save time when working between Premiere Pro and After Effects or SpeedGrade.
  • Web tools now include the ability to look at the markup in a document using the new Element Quick View in Dreamweaver CC, which allows Web developers to easily see, navigate, and modify the HTML structure of pages. CSS Designer improvements help apply CSS properties like gradients, box shadows and borders and then easily undo. SVG export in Flash Pro CC lets developers export any frame in Flash projects as an SVG file, while native HTML video support in Edge Animate CC allows the direct import of HTML5-friendly video clips.

Your Creative Assets and Your Creative Profile Anywhere The new CC desktop apps, mobile apps, and hardware are tightly integrated through Creative Cloud services. This integration helps liberate the creative process by enabling users to access and manage everything that makes up their creative profile – their files, photos, fonts, colors, community and more – from wherever they work. Also introduced today is the new Creative Cloud app for iPhone and iPad that allows users to access and manage their files, assets, and more from their mobile device.

New Creative Cloud Offerings For Enterprises, Educational Institutions and Photographers Adobe Creative Cloud for enterprise is an offering designed specifically for large-scale software deployments that works with other Adobe enterprise offerings such as Adobe Marketing Cloud, Acrobat, Adobe Anywhere, and Adobe Digital Publishing Suite. Updates include more services with collaboration and file storage, expanded options for deployment, and a new dashboard for managing users and entitlements. For education, Adobe now has a device-based licensing offer for classrooms and labs, which allows multiple users to access software on a single device rather than tying it to an individual with an Adobe ID, critical in an environment where students come and go. And for photography customers, Adobe has introduced a new Creative Cloud Photography Plan for $9.99 per month.

Pricing and Availability Today’s updates to CC desktop tools are immediately available for download by Creative Cloud members as part of their membership at no additional cost. The new mobile apps are free to everyone. To join Creative Cloud, special promotional pricing is available to existing customers who own Adobe Creative Suite 3 or later. Membership plans are available for individuals, students, teams, educational institutions, government agencies and enterprises. To download free trials of any of the new Creative Cloud desktop apps, go to: Explore the desktop apps. For pricing details, visit: How to Buy.

cr


59
EOS Bodies / Patent: Canon EF 100-400 f/4.5-5.6 IS STM
« on: June 18, 2014, 09:20:40 PM »
A new patent for an EF 100-400 f/4.5-5.6 STM has appeared. Also in the patent is the EF-S 55-250 f/4-5.6 IS STM, so this patent is probably just covering an additional optical formula that will not become a product. I’d think any 100-400 replacement will be an L lens with an Ultrasonic Motor instead of an STM.

  • Patent Publication No. 2014-102462
    • Publication date 2014.6.5
    • Filing date 2012.11.22
  • Example 1
    • Zoom ratio 4.24
    • Focal length f = 56.90-133.00-241.28mm
    • Fno. 4.12-5.04-5.83
    • Half angle ω = 13.50-5.86-3.24 °
    • Image height 13.66mm
    • 154.33-176.38-191.20mm overall length of the lens
    • BF 41.21mm
  • Example 5
    • Zoom ratio 3.73
    • Focal length f = 104.59-199.99-389.99mm
    • Fno. 4.58-5.03-5.87
    • Half angle ω = 11.69-6.17-3.18 °
    • Image height 21.64mm
    • 245.09-285.06-308.91mm overall length of the lens
    • BF 68.73mm

Source: [EG]

cr


60
Canon has launched Digital Photo Professional (DPP) 4.0, the first sweeping overhaul of Canon’s RAW processing software since its launch. The latest version of DPP – available for download at the end of June – has been updated with a raft of key changes to satisfy the most demanding of digital photographers.

Canon software engineers – having the unique advantage of being able to directly harness the power of the Canon sensors, DIGIC processors and lenses – have made the all-new Digital Photo Professional 4.0 a much faster, more dynamic, linear and feature-packed image editing software solution, thanks to the ability to fully utilise 64-bit architecture. The latest version of DPP has been designed and developed from the ground up, tailored to the workflows of professional and high-end amateurs to help them realise the key EOS System concepts of speed, ease of use and high image quality.

New, improved Canon algorithms have been optimised to make the most of the wealth of information delivered by the camera sensors, while productivity has been increased thanks to improved speed of RAW image display and developing that makes real-time image adjustment a reality.

DPP 4.0: ALL-NEW KEY FEATURES

  • Faster, real-time adjustments.
  • Improved RAW file workflow.
  • Better, more approachable user interfaces.
  • Compatible with 64-bit native environments.
  • Colour adjustments for specific colour gamuts.
  • Improved highlight recovery provides expanded tonality.
  • Improved shadow recovery function.
  • Support for movie playback.
  • Auto Lighting Optimizer can be applied to JPEG images.
  • Better integration with EOS Utility.

Read the full preview at CPN (via TDP)

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