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Messages - AUGS

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31
EOS Bodies / Re: Lack of information with announcement so close
« on: February 25, 2012, 12:39:04 AM »
Northlight suggests March 2nd announcement and 22MP,6fps,full 1DX AF,best video quality of any DSLR.
http://www.northlight-images.co.uk/cameras/Canon_5d3.html


And we shouldn't forget this too:
"There are apparently invites to press events on March 2, 2012. That could be for the coming 5D, or another product."
http://www.canonrumors.com/2012/02/canon-rebel-t4i-cr2/

32
BUT also the photoshopped image to have eye-control (bottom right corner)... Fun, but bring on that truckload of salt for now. :o


So is NorthLight on its post on 2006 August 1st.  I think rumor sites just like to tease with obviously photoshopped images.


Actually, it looks like it is exactly the same recycled image from the NL 2006 rumour (it even has the 40f1.2L lens)....   :)
The merry-go-round continues.

33
Has anyone else skimmed the "http://www.kuaddro.com/" site for other info?
The 3D will be the monster megapixel studio camera - due later this year - Photokina?  BUT also the photoshopped image to have eye-control (bottom right corner) "http://www.kuaddro.com/canon-eos-3d-a-40mpx-full-frame/".  Fun, but bring on that truckload of salt for now. :o
Lets get through next week first.

34
EOS Bodies - For Stills / Re: Panoramas or Stitching + Interior Shots
« on: February 20, 2012, 02:01:08 AM »
As has already been said, for close up work or scenes with both distant and close objects, you will get parallax errors and "ghosting" of the objects if you don't use a panoramic head and the correct nodal point.  So indoor scenarios more-or-less demand a proper setup.  I use the RRS (Really Right Stuff) head and find it awesome to use.

But just as important to note, even if you use the best possible setup and have all the nodal points for your body and lens combinations, to get optimal results you must use fully manual setup in the camera - manual focus, manual white balance, and manual setting (not Av or Tv).  Prepare the settings off the part of the image you want perfectly exposed (the rest will generally be very close, but may be slightly over- or under-exposed in a stand-alone image) and you will have far less post-processing issues, and the quality of the final image will be improved.  If you don't do this, you can end up with light banding and areas of softness in the overlapping regions.

If I'm doing landscapes with only distant objects, I will occasionally do hand-held panoramas as the "errors" are far less obvious, but I still use a fully manual setup in the camera.

Hope this helps.

Stitching is a good way to get those extra mps into a landscape. I have to laugh when I hear that a high mps body is the only way. So shoot in portrait and stitch. Far more detail in a 5x 5DII than a single D800 image

Too true.  I am a landscape photographer and stitching portrait images is my preferred method when I require/desire "large" prints (upward of 36" - I have a few at 4500x13500=60.75mpix).  By stitching and cropping, you can actually get a better resolved image as well as you are predominantly using the centre area of the lens (based on MTF charts).
The only time this falls over is when you have moving elements in the image, such as seascapes which I also do quite a bit, where I wish I had a big mpix sensor for a one-shot and then cropped panoramic image.  Then again, any softness in the corners/edges may change my mind.

35
EOS Bodies - For Stills / Re: Panoramas or Stitching + Interior Shots
« on: February 19, 2012, 07:19:14 PM »
As has already been said, for close up work or scenes with both distant and close objects, you will get parallax errors and "ghosting" of the objects if you don't use a panoramic head and the correct nodal point.  So indoor scenarios more-or-less demand a proper setup.  I use the RRS (Really Right Stuff) head and find it awesome to use.

But just as important to note, even if you use the best possible setup and have all the nodal points for your body and lens combinations, to get optimal results you must use fully manual setup in the camera - manual focus, manual white balance, and manual setting (not Av or Tv).  Prepare the settings off the part of the image you want perfectly exposed (the rest will generally be very close, but may be slightly over- or under-exposed in a stand-alone image) and you will have far less post-processing issues, and the quality of the final image will be improved.  If you don't do this, you can end up with light banding and areas of softness in the overlapping regions.

If I'm doing landscapes with only distant objects, I will occasionally do hand-held panoramas as the "errors" are far less obvious, but I still use a fully manual setup in the camera.

Hope this helps.

36
Software & Accessories / Re: Photo editing software for a new user...
« on: February 15, 2012, 05:06:58 PM »
One thing that may not have been mentioned, but I consider very important - the software should be a non-destructive editer.  Basically, it means it creates a virtual workflow on the image that is only applied when you export the image, leaving the original image untouched.  So many novice PPs over-ride their original with changes that cannot be undone.  For this reason I use Lightroom.

37
EOS Bodies / Re: No 7D Mark II? [CR1]
« on: February 14, 2012, 09:40:33 PM »
Cropping will never replace framing the image well in the first place.
Well, yes and no, right? The D800 has a DX Mode that turns it into a crop-sensor camera. The only reason it can do this is because it has a huge number to start out with and it pre-crops it for you down to a 16MP camera. I don't know how this looks in the viewfinder or how it works in practice. It will be interesting.

Think of all the arguments that would just vanish if they came out with an über 5D that had enough MPs to be able to put it into an 16MP crop mode. Also, if you put an EF-S lens on it, it automatically senses it and puts the camera into crop mode.

Yeah, this is pretty much what the D800 does. Cool, right?

Then breaks the mirror/lens? The main reason you can't put a EF-S lens onto a FF/EF Only camera isn't that Canon don't want you "cropping down" in camera, its more that the EF-S lenses work by getting closer to the sensor - hence the S - "Short back focus" if i remember correctly. IE, once the lens is on, its a lot closer to the sensor AND mirror, and with the bigger sensored/mirrored cameras, that means theres a massive chance of it making contact.

Its not so much Canon don't want to, its more of a design issue, where the EF-S lenses were designed that way, in order to reduce cost & end user price

EF-S is a poka-yoke feature.  Poka-yoke is a Japanese term that means "fail-safing" or "mistake-proofing". The EF-S lens aren't designed for the full-frame cameras due to the shorter distance between the back of the lens and the sensor, and have been designed to mistake-proof by not allowing the lens to engage where not specifically design to do so.

38
EOS Bodies / Re: 7D Guinea Pig
« on: February 14, 2012, 09:21:55 PM »
I think the 7D may well have been a guinea pig, but maybe not for the reasons mentioned.

Technology is evolving all the time, and we are more than happy to reap the benefits (more mpix [doesn't the 7D has highest pixel density?], better AF, faster processors).  But these all come with some overhead during the development process.

There is always a first camera to pilot some new system to help future-proof the development process - be it software language, manufacturing technique (sensor build, seal moulding, manufacturing line), CAD software.  The rewards for that targetted technology may well have been the commercialisation of the 7D, allowing scalability of all processes at the same time.

39
EOS Bodies / Re: No 7D Mark II? [CR1]
« on: February 14, 2012, 07:44:47 PM »
One thing I've never really understood, and maybe someone like neuro can inform me, but why does the Canon naming/numbering seem discontinuous and random.  By that I mean we have the flagship in the 1D, and pro-bodies and generally accepted next level down being the 5D, followed by current 7D (ignoring all mark versions).
So why is the next Series "leader" the 60D and not the 10D (which is no longer available)?

Is this rumour, and the rumoured 5D split into 2 bodies, the change to their naming paradigm?  Could we see the rumoured 5D split become 5Dx (22MP, 1D type AF, etc) and 7Dx (full-frame big MP based on existing 7D sensor scaled up, 7D type AF spec, higher fps - hence no 7D2 - and as seen in Kenya which looked very 7D-esque), with the successor to the 7D becoming the 10Dx and we see a gradual naming convention trickle down over time?  The 10Dx becomes the APS-C flagship with current 7D type features including the AF and build standard?

Just a thought based on a huge number of rumours and postings of late.

If Canon were to stick to their naming convention the followup 7D would be the MK II. Only the XXD, XXXD etc change their model number. PRobably due to the 1D and 5D being very strong brands, not so sure about 7D though, so... Maybe it'll be an 8 or 9 or 10?

And if you think Canons naming is weird look at Nikons.

True, I can see that.  No reason for the new high MP to be called 7Dx, I was just alluding to the fact that the high MP body may take many "features" from the existing 7D and the rumour it may not be succeeded.  It could be 6Dx (or any other single digit number) and allow the 7D to co-exist until its successor is unveiled.

For the same reasons of strong branding of 1D and 5D, I'm surprised 10D isn't highly coveted.

I do know Nikons naming is very confusing.  Canon has at least some logic behind it.

40
EOS Bodies / Re: No 7D Mark II? [CR1]
« on: February 14, 2012, 07:20:59 PM »
One thing I've never really understood, and maybe someone like neuro can inform me, but why does the Canon naming/numbering seem discontinuous and random.  By that I mean we have the flagship in the 1D, and pro-bodies and generally accepted next level down being the 5D, followed by current 7D (ignoring all mark versions).
So why is the next Series "leader" the 60D and not the 10D (which is no longer available)?

Is this rumour, and the rumoured 5D split into 2 bodies, the change to their naming paradigm?  Could we see the rumoured 5D split become 5Dx (22MP, 1D type AF, etc) and 7Dx (full-frame big MP based on existing 7D sensor scaled up, 7D type AF spec, higher fps - hence no 7D2 - and as seen in Kenya which looked very 7D-esque), with the successor to the 7D becoming the 10Dx and we see a gradual naming convention trickle down over time?  The 10Dx becomes the APS-C flagship with current 7D type features including the AF, build standard and any upgrades?

Just a thought based on a huge number of rumours and postings of late.

41
EOS Bodies / Re: 5D Split? 5D X & 5D Mark III [CR1]
« on: February 12, 2012, 09:07:40 PM »

$3000 for body
$2000 + to upgrade computer
$400 on hardrives
$400 on CF cards


wow! a lot of big assumptions being made here and based on those assumptions some very big dollar upgrades

Just bought two external 2Tb drives (Samsung) for equiv $300. As I rigorously go through and delete the not so good photos I dont want to keep I reckon I could get well over 2 years worth of 45gb files on them (sync'd)

I couldn't reckon on a new computer - mine is a 4 year Core 2 Duo that still does the job, and even if does take longer on each file, as a hobbyist that means I wont have to rush the cup of tea :D I did 550 file adjustments in less than 2 minutes in DPP.

If DxO or something simillar is being used it then perhaps a faster workflow would benefit.

Bring on the best IQ and the biggest mp, providing it is an improvement I will upgrade when it is convenient

For me at least, there may be a reduction in processing.  As a landscape photographer, the larger MPix may mean less pre-processing, photo-stitching, post processing to get the image size I'd like to print (I print up to 36inches wide at the moment).  Also, photo-stitching only really works when there aren't moving elements in the image (I do seascapes, so this can be an issue), so the rumoured 46mpix could be a one-shot solution for me.  And coming from a film/transparency perspective, the cost of medium format film ($15-20) and processing ($15-20) for 6x17 images, and their subsequent scanning (anywhere from $50-90 per frame) is become far too restrictive (ignoring the film supply may dry up).  These scanned files can easily exceed 500MB.

So for me personally, these 2 new offerings hit the mark. Whatever the final products are, we will get something truly fantastic, and something I can work with either way.

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