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Messages - Adam Schallau

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Lenses / Re: Landscape tips needed on shooting the Grand Canyon
« on: November 18, 2012, 03:33:07 PM »
I'm a photo guide and workshop instructor at the Grand Canyon. I also lived there for a short time many years ago.  You're going to be visiting during a great time of year! The crowds have begun to diminish and there's plenty of low-angle light to take advantage of!

Your gear list looks fine and I expect that you'll get the most out of the 24-70/2.8L and 70-200/2.8L lenses. My most commonly used focal lengths at the canyon are 24mm, 45mm, and 90mm. I also love using the telephoto focal lengths to isolate areas of strong light & shadow or interesting patters in the landscape.

An ultra-wide zoom is handy to have along, but consider that they can also have an effect of minimizing some of the finer features in the landscape. I tend to use a 16-25/2.8L or Nikon 14-24/2.8 when I capturing the night sky, including the Milky Way, as Northern Arizona is a great place to do this type of photography. Depending on when you visit, and the weather you experience, you may be able to get some shots of the canyon illuminated by the moon.

As for filters...be careful with the polarizer on a wide-angle lens. It's very easy to over polarize or have an uneven polarization effect across the sky. Neutral density grads will come in quite handy with a 2-stop soft edge and 3-stop hard edge being my most used grads at the canyon.

On to shooting locations. You've already received many great suggestions here on CanonRumors.com. Ths is time of the year the points at the east end of the park are great. I love Lipan Point and Moran Point for sunrise. Desert View and Navajo Point can be great at sunset. On the Hermit Road at the west end of the park there are several good points including Powell Point & Memorial, and Hopi Point. No matter where you go, remember that you don't have to stay at the points. You can and should explore a bit!

I know several other members here have mentioned the weather at the canyon, but I'll add my 2 cents. It can get quite cold this time of year. We've already been down to 3 degrees Fahrenheit  once this fall and it's routinely getting down to the high teens in the morning. The wind has been blowing lately which makes the need for a good/sturdy tripod all that much more important. Dress in several layers and be prepared to add or take away as necessary.

If you're interested, you can view some of my Grand Canyon work on my website and Facebook page:


I hope you have a fantastic trip!

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I ran a camera shop for several years and we were a Canon Authorized Dealer. The owner wanted to retire, and no one was interested in buying the shop, which lead to us closing the doors in September 2010. Here it is almost 2 years later and the shop is still on Canon's list of Authorized Dealers.

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United States / Re: Annular Eclipse May 20th, 2012
« on: February 21, 2012, 11:40:03 AM »
I'll be photographing it and will most likely be at the Grand Canyon, but I'm considering other locations as well.

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Canon General / Re: Battery for 5dmk2
« on: February 17, 2012, 09:28:10 PM »
I've been using the Pearstone batteries in my 5D Mark II and 7D for at least the past year, as have many of my workshop clients, and they've been working just fine.

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Lenses / Re: Polarizers
« on: February 17, 2012, 09:14:39 PM »
I owned several Hoya HD circular polarizers including a pair of 82mm filters, and a pair of 77mm filters. I loved the quality of the filter itself, but I quickly became tired of these filters falling apart...including once in the middle of a backpacking trip in the Grand Canyon.

About a year ago I switched to the Marumi DHG Super Circular P.L.D filters based on the recommendation of a popular filter reseller. I couldn't be happier with these filters, and it seems that the LensTip.com site lies them as well. Checkout chapter 24.

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Lenses / Re: Grand Canyon Lens suggestions
« on: February 17, 2012, 09:03:16 PM »
FSU_Dan,

To answer your original question regarding the 17-40/4L on a full-frame camera...I've owned 3 copies of the 17-40/4L, 3 copies of the 16-35/2.8L II, and also the Nikon 14-24/2.8G adapted to the Canon EF mount. I currently have, and use, the 16-35/2.8L II and the Nikon 14-24/2.8G. From a landscape shooters perspective, I found the 17-40 to be very usable at f/8 and higher, even on a full-frame body. It's performance was very similar to the 16-35 at those apertures, but I have experienced a slight improvement in corner sharpness with the 16-35. The reason I've been through so many copies of each lens was in the hopes of finding one that would still deliver acceptable results at apertures faster than f/8, which is important to me when shooting assignments, and travel stock.

That said...don't get too hung up on feeling like you have to capture the full width of the canyon in one shot. It's tempting to shoot it with an ultra-wide lens, and I've done my share of those shots, but an ultra-wide has the effect of exaggerating the distance to the opposite rim, which is already quite far away. This can also have an adverse impact on the perceived depth of the canyon. All I'm really saying is, keep your composition options open, and be willing to experiment with other lenses besides the ultra-wides.

I'd like to add that there are plenty of opportunities to use a telephoto at the Grand Canyon beyond wildlife shots. Some of my favorite shots have been created using 70-200mm lens (both the f/4 IS and f/2.8 IS II), and now the 70-300mm f/4-5.6L IS lens. I really like to use this focal length range to isolate interesting light, and also when conditions support telephoto stacking.

My Grand Canyon lens setup typically consists of the Nikon 14-24/2.8G, Canon 24-105/4L IS, and the Canon 70-300mm f/4-5.6L IS lens. When the light is changing fast, and I don't have a particular shot in mind, The 24-105 is left on the camera, and the 70-300 is easy to get to in the bag. In addition to these lenses I will typically carry with me a TS-E 24mm f/3.5L II Tilt Shift.

A brief word about polarizers and grand landscape compositions...if you are shooting with a wide-angle, or ultra-wide, be careful about using the polarizer as it may lead to an uneven sky. I prefer to leave it off the lens when including lots of sky.

Here's to your safe return from Afghanistan! 8)



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