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Messages - agierke

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looks cropped to me. not particularly remarkable in any way.

Canon General / Re: Physical Ailments From Heavy Gear
« on: February 12, 2013, 02:49:49 PM »
if i shoot 2 all day weddings on a weekend, i need a full day to recover physically. my back and my ankles are just wrecked after a stint like that.

a few things that i have done to alleviate the soreness:

1. Black Rapid straps - puts the weight of the camera comfortably around my shoulders and allows the weight to shift so that its not pressing down on one point for long
2. Bought several pairs of Clarks shoes...those things are just damn comfortable and have spared me a ton of pain in my feet and ankles.
3. more thoughtful packing of my bag - i don't bring everything i might need anymore. i bring specific gear for whatever shoot i'm doing so i can keep weight down.

Lenses / Re: Is this inconsistency acceptable? Sigma 85 1.4 question.
« on: February 12, 2013, 02:42:33 PM »
are you going to be shooting Architecture or Landscapes with this lens? or do you intend shooting people with the lens? if you do plan on shooting people, will you be placing anything in the composition thats worth looking at in the bottom corner near the edge?

again...i am having trouble understanding the thought process here. this level of criticism under these circumstances seems inane.

for an 85mm 1.4 lens shot wide open, what difference does corner sharpness make? what photographic purpose are you trying to achieve that you feel this lens wont be able to cover?

EOS Bodies - For Stills / Re: 5D III Dynamic Range
« on: February 12, 2013, 02:32:32 PM »
^ this...ty.

i would add, learn about good light as well. that is what photography is supposed to be about.

Lenses / Re: New Member / Lens Recs
« on: February 12, 2013, 11:01:52 AM »
I've gone from an ignorant to almost completely grasping the theory behind taking photos in about 4 weeks

really? tell!

EOS Bodies - For Stills / Re: 5D III Dynamic Range
« on: February 12, 2013, 10:56:41 AM »
You miss the point, she is a way more successful photographer than any of us for whatever reason, but she has the budget to use anything that might get her an edge, she still chooses gear which is regularly denigrated and lambasted on here as being past it. Clearly either she is misguided or the complainers are

no, i was pretty much agreeing exactly with that point.

there seems to be a certain degree of nonsense that comes out in these types of conversations. to suggest the 5D mrk2 is a garbage camera for any reason only serves to discredit those making that claim. stop the nonsense or post a picture proving that the camera is the sole reason holding you back from taking great pictures.

the DR conversation is a bit of a non starter for me for two reasons.

firstly there are a number of work arounds to increasing the dynamic range of a scene that have been around for a long time. i can get all the range i need in my 5Dc. i do the same on the Mrk 2. would extra DR in camera be nice? yes....but it doesn't come even close to negating the cameras usefulness.

secondly, most great photographers seek out great light. the gear they use to record the image is almost superfluous if great light is not present! i have to shoot in all kinds of light due to circumstances and i accept that not all shots i take are going to be the pinnacle of my ability. not because my gear is the shortcoming...but because i am not afforded the luxury of finding the quality of light i know will create a phenomenal photograph.

14 stops of DR will not turn crappy light into great light. it will only marginally improve a photograph that is taken in crappy light. why is that so exciting? you are still left with crappy light.....

i dont get it.   

Lenses / Re: Is this inconsistency acceptable? Sigma 85 1.4 question.
« on: February 12, 2013, 10:34:56 AM »
whats it look like when you take pictures of people?

i really don't see the concern here.

EOS Bodies - For Stills / Re: 5D III Dynamic Range
« on: February 11, 2013, 07:43:35 PM »
It is funny, for all the histrionics that these threads throw out, the highest level pros are still using Canon cameras and 24-70 f2.8 MkI's, just today I came across this video of Patrick Demarchelier shooting Beyoncé for Vouge
Behind the Scenes Beyoncés March 2013 Vogue Shoot   Small | Large

Or look at any of a multitude of videos of Annie Liebowitz,
Behind the Scenes: Meryl Streep by Annie Leibovitz for Vogue US January 2012   Small | Large
that show her happily working successfully for the high end of the photo industry with her faithful 1Ds MkIII's and, again, the 24-70 f2.8 MkI.

I got in several disagreements over the "upgrade" the MkII 24-70 gave, these people have more money than God yet they are more than happy with the quality they are getting from "outdated, outclassed, second rate" gear, well if they can do it with what they have surely we should look to ourselves a little if we can't regularly get exposure to within two stops of normal.

In too many instances increased camera capabilities are used as an excuse, by people with ever lower photographic capabilities, for their inadequacies. Rule 1 get your exposure right, rule 101 for RAW shooting Canon users, ETTR

thats because Subject > Quality of Light > Gear. (i could be swayed to put QoL first but i did this order because Leibovitz is renown for her handling Subject matter above all else) 

Lenses / Re: 70-200 f2.8II + 2xIII on 7D vs 300 f4 + 2xIII on 5D3
« on: February 11, 2013, 07:34:14 PM »
one thing that hasn't been discussed is that if you go with the 300mm for reach on the 5d3 then you lose the ability to zoom.

that leads me to ask for more specifics towards whats water sports are you shooting in particular and what kind of access can you get during these events? are you stuck in the stands with the rest of the parents or can you get down to ground level and close to the field of play?

i shot swimming and diving a few times (all indoors) but had access to anywhere i wanted to go...even right up to the edge of the pool if i wanted. never had a problem with reach on the 70-200 under those circumstances. the bigger issue was not being able to use flash and trying to find enough light to get a decent shutter speed.

more specifics please...i feel there may be better solutions than to tie your horse to the 300mm cart.

Speedlites, Printers, Accessories / Re: Ring Lights
« on: February 10, 2013, 07:33:59 PM »
here are examples with the PCB ABR800. fun strobe unit. perfect for the budget minded portraitist.

Lenses / Re: I can't stop thinking about A MONSTER!
« on: February 08, 2013, 07:19:14 PM »
LOL! Well, you guessed wrong! And the funniest thing is: My girlfriend totally approves this lens. If it was for her I would already have it - she even offered to pay for it! I know I'm a lucky sob...

lol...thats awesome! get it, it might turn her on.

my wife still insists that the first time she saw me shoot with my hasselblad she thought it was sexy. cant say i blame her but it surprised me a non photo person would think of it in such a way.

she still says i shouldn't sell it every time i have thoughts of cashing it out.

Lenses / Re: IS or no IS?
« on: February 07, 2013, 09:09:36 PM »
will you be hand holding the 70-200 while doing video? that seems like a little much for video purposes.

everytime i see a videographer with a 70-200 its on a tripod or dolly. never hand held. in that case, you dont need IS and shouldn't have it on.

in this instance i think IS wouldn't be as useful. if you are planning on working handheld at that focal length or shooting alot of stills in low light then yes get the IS.

Lenses / Re: I can't stop thinking about A MONSTER!
« on: February 07, 2013, 12:27:42 PM »
There are more stupid ways of spending €250 per year I guess (smoking for example  ::)).

depends on what you are smoking....

rent it first to see if it really fits your needs. if it does, then go for it.

i'm guessing there is no woman in your life, this type of venture seems indicative to a single persons lifestyle. :)

Canon General / Re: What's your definition of "Pro"?
« on: February 07, 2013, 12:11:51 PM »
its as if we need Jeff Foxworthy to do a "You Might Be A Professional Photographer If...." bit.

you are a professional photographer if your main source of income is from photography. plain and simple.

now whether or not you ARE "professional" is a whole nother story....

Canon General / Re: anyone had someone over their shoulder on a job?
« on: February 07, 2013, 11:50:54 AM »
obviously you haven't had to work with a pesky art director, sales manager, marketing manager, or the anal retentive micro managing general manager on commercial shoots...  You can easily be bothered or intimidated by how they can be... Some shoots, not often, my sets have to be approved by top management before I fire the shutter, just so I dont bother wasting my time if they dont like the set or want something changed... It happens

i have. the difference there being that there is usually as much time as you need to get the shot right. on weddings there is typically so very little time that even the slightest interruptions can start cutting into the opportunities for photos. not to even mention that if there is a distraction or someone getting in your way during a moment...its gone. no redoing it.
i love working with art director's because of the collaboration and the ability to craft a shot for a clients needs. weddings don't afford that luxury. there needs to be one person running the show...otherwise you are inviting potential troubles.

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