You miss the point, she is a way more successful photographer than any of us for whatever reason, but she has the budget to use anything that might get her an edge, she still chooses gear which is regularly denigrated and lambasted on here as being past it. Clearly either she is misguided or the complainers are
no, i was pretty much agreeing exactly with that point.
there seems to be a certain degree of nonsense that comes out in these types of conversations. to suggest the 5D mrk2 is a garbage camera for any reason only serves to discredit those making that claim. stop the nonsense or post a picture proving that the camera is the sole reason holding you back from taking great pictures.
the DR conversation is a bit of a non starter for me for two reasons.
firstly there are a number of work arounds to increasing the dynamic range of a scene that have been around for a long time. i can get all the range i need in my 5Dc. i do the same on the Mrk 2. would extra DR in camera be nice? yes....but it doesn't come even close to negating the cameras usefulness.
secondly, most great photographers seek out great light. the gear they use to record the image is almost superfluous if great light is not present! i have to shoot in all kinds of light due to circumstances and i accept that not all shots i take are going to be the pinnacle of my ability. not because my gear is the shortcoming...but because i am not afforded the luxury of finding the quality of light i know will create a phenomenal photograph.
14 stops of DR will not turn crappy light into great light. it will only marginally improve a photograph that is taken in crappy light. why is that so exciting? you are still left with crappy light.....
i dont get it.