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Topics - distant.star

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31
EOS Bodies - For Stills / Spec Obsession Disorder
« on: April 05, 2012, 04:00:12 PM »

Columnist David Pogue of The New York Times makes a point. Sometimes we seem to miss the image forest for the megapixel/ISO/AF/etc. trees.

http://pogue.blogs.nytimes.com/2012/04/05/spec-obsession-disorder-the-incurable-techie-malady/?ref=personaltechemail&nl=technology&emc=edit_ct_20120405

Here's the text in case you can't access the NYT site:


April 5, 2012

Spec Obsession Disorder: The Incurable Techie Malady

In my Times column Thursday, I reviewed the Nokia Lumia 900 phone. Plenty of people (including Nokia) consider it Nokia’s last best effort to make some headway in the American smartphone market. Microsoft also has a lot riding on this phone, which runs its Windows Phone 7 software. Like Nokia, it’s currently flopping.

After I review a big-deal product like this, I sometimes go online to see what other critics have written, to see if it struck them the same way. In the case of the Lumia, a number of reviewers mentioned something I didn’t: the Lumia’s processor.

One of the phone’s most notable features is its price: $100 with contract, rather than the $200 phones of this type go for. And one way Nokia got there was to use a 1.4 GHz Scorpion single-core processor, instead of, for example, the dual-core 1.5 GHz Qualcomm APQ8060 found in some of its Android rivals.

Horrors, right?

I smacked my forehead. This kind of thinking drives me batty. Who on earth cares what processor is inside — as long as the phone feels fast? And this one feels fast. Very, very fast.

As far as I’m concerned, for the customer, it shouldn’t matter if the phone has a Snapdragon, a dual core or a hamster wheel. All that matters is how fast the phone winds up.

Among the tech cognoscenti, this is a typical symptom of Spec Obsession Disorder (SOD). You see it all the time.

Back in the day, PC makers used to market their computers by promoting the megahertz rating of the chip inside. Remember that? “Powered by a 2.4-gigaherz Pentium 4,” as though that’s all you needed to know about the computer’s power. The clock speed of a chip was only one tiny factor of many that determined the PC’s speed—and not even the most important factor. The amount of memory, the hard drive speed and size, the bus speed—all of these things determined a PC’s power.

The joke was on Intel, though. Eventually, the company couldn’t make its clock speeds any faster — so it stopped featuring that statistic. It developed other ways to make its processors faster, ways that couldn’t be handily represented by a single number. So nowadays, nobody says, “I’m upgrading to a 3-gigahertz PC.”
Similarly, for years, we were taught to believe that what determined a camera’s quality was its megapixel count — which, I’m happy to report, has been duly debunked. Nowadays, the megapixel count isn’t featured nearly as much, and the smart camera makers (Canon is one) have actually reversed themselves. They’re making cameras with fewer, but better, pixels.

But Spec Obsession Disorder lives on. We still make a fuss about 720p versus 1080p hi-def video, for example. Don’t tell anyone, but I’m not entirely sure that most people could tell the difference at normal viewing distance.

O.K., maybe, if they had two side-by-side TV sets, both playing Blu-ray discs. But most people don’t have that. They see a brilliantly crisp picture, and they’re fine with it. (Besides, the source also matters. Standard-def TV doesn’t have enough resolution to fill even a 720p picture, let alone a 1080p one.)
And don’t get me started about contrast ratios. Do you really think the average person could see the difference between a contrast ratio of 500,000:1 and a million to 1?

Spec obsessions also crack me up because, frankly, you’re judging something based on the report of what’s inside. When you bought a PC, did you extract its processor to measure its 3 gigahertz yourself? Do you count the pixels on your hi-def TV or your camera?

No, of course not; you’re just taking the manufacturer’s word for it. And as we all know, that can get you into trouble.

I’ll keep reporting the most important specs in my reviews, because techies care about such things. But to me, the questions should not be, “How much memory is in this tablet? How many nits of brightness does that phone’s screen put out? What graphics processor is in that laptop? How much milliamp-hours does that phone’s battery pack?”

Instead, the questions should be, “How fast is it? How good does it look? Can you read it in sunlight? Does the battery last? How long does the battery last?”

And even those are secondary questions. The bigger ones are, “Is it a good value? Is the design excellent? Should you buy it?”

And on the Lumia 900, the answers to those questions are “yes,” “yes,” and “maybe.”

32
Canon General / DST Reminder
« on: March 10, 2012, 11:21:21 PM »

For those in the U.S., daylight saving time begins Sunday, March 11.

Don't forget to change the time in your camera bodies.

A public service message from....


33
EOS Bodies / Lotto Winner Cameras?
« on: January 28, 2012, 07:47:39 PM »

I don't know if anyone saw a piece in the LA Times a few days ago -- "Is $6000 Too Much or a Camera?"


http://framework.latimes.com/2012/01/25/nikon-nikon-d4-canon-eos-1d-x/


A few interesting quotes:

"Nikon and Canon recently introduced two new state-of-the-art, high-priced DSLR (digital-single-len-reflex) professional cameras. To be exact, the manufacturers of the Nikon D4 list the suggested retail price as $5999.95, and Canon doesn’t list the price of the EOS-1D X on its site, but chatter on the Web puts it somewhere around $6,800.

"Throw in a few lenses and you’re at the price of a modest new car. Usually the cost of technology goes down with improvements and time, but that doesn’t seem to be happening here.

Who needs a camera this good and this expensive?"

And they answer the question thusly:

1. Professional newspaper or magazine photographers who shoot sports
2. Staff photographers at a National Geographic-type publication
3. Lotto winners

They also make a provocative point that the price of most advanced technology products gets lower as time goes on.

How many Lottery winners among us?

34
EOS Bodies / 5D2 & Obama
« on: January 12, 2012, 02:21:33 PM »

I just learned that Obama is the first U.S. president to have his official portrait done with a digital camera. Here's a link to the info:

http://en.wikipedia.org/wiki/File:Official_portrait_of_Barack_Obama.jpg

The camera was a Canon EOS 5D MarkII. I don't see any info about the lens though.

Fascinating when you look at the largest rendering available, you can see small pieces of lint, etc. on the lapels. In the "old days" a brush or lint cloth was a standard tool for serious portraitists; I guess now it's post processing. I think they should have done some better post here. You'd have to expect a lot of people would be seriously looking at this piece of work.

35
Third Party Manufacturers / First Kodachrome, now Kodak?
« on: January 03, 2012, 07:51:42 PM »

Two years ago we lost the much beloved Kodachrome. Next year we could be taking digital pictures of a tombstone with the name KODAK on it.

http://www.democratandchronicle.com/article/20120103/BUSINESS/120103030


36
Canon General / What Pictures Mean to You?
« on: December 15, 2011, 04:24:51 PM »


Here's a question I'd ask everyone to think about and answer is you can.

What do pictures mean to you?

People fleeing their homes in fires, floods, etc. always manage to grab family pictures if they have time to get anything. "Leave the jewelry, get that picture of Matilda on the pony when she was a baby!"

Obviously, pictures are important to most of us. Yet, I think we take them for granted most of the time -- we look at them and don't consciously think much about how important they are.

Everybody is taking pictures today. Cheap point & shoots are everywhere, cell phones are in every pocket. Facebook has billions on it's servers -- there were 750 million uploaded to FB last New Year's weekend. Flickr is in the 7 billion image range on its servers.

So, please, take a minute and think about what pictures mean to you -- pictures you take, pictures other people take, pictures of family and friends, pictures of people and places near and far.

I'm going to write something about this, so you may be quoted.

Thanks.



37
Street & City / Winter Holiday Images
« on: November 25, 2011, 08:07:18 PM »

If anyone wants to post winter holiday images -- lights, houses, parades, etc., I'd enjoy looking at them.

Thanks.

38
Canon General / Pentax Gets New Owner
« on: July 01, 2011, 02:59:01 AM »
From Reuters:

TOKYO, July 1 | Fri Jul 1, 2011 1:53am EDT

(Reuters) - Japanese optical glassmaker Hoya said on Friday it would sell its Pentax camera business to copier and printer maker Ricoh in a deal that will go through on Oct. 1.

Hoya did not disclose how much Ricoh would pay for the business, but the Nikkei business daily said earlier it would be about 10 billion yen ($124 million). ($1 = 80.530 Japanese Yen)

39
Canon General / Light Field Cameras/Sensors?
« on: June 22, 2011, 03:41:56 AM »

Fascinating concept. I have to wonder how real it can be in practical terms.

My best hope is that it throws Canon for a loop and makes them innovate.


http://www.lytro.com/picture_gallery


40
Lenses / 24-70L or 100-400L ??
« on: June 09, 2011, 03:33:36 AM »

On the road again…

Goin' places that I've never been.
Seein' things that I may never see again…




I have the opportunity to spend July and at least some of August traveling, and of course recording images with Canon cameras. Given the uniqueness of the opportunity I’m going to add a lens, and that requires a decision. I’m soliciting useful thinking on the matter. There are at least a few people here whose opinions I would value.

Two SLR cameras are going along on the trip:

EOS T2i

EOS-1V (film)

A 5d would go along if Canon would unplug their keister and start selling some new products! As soon as the 5d3 is born I will get one and match it up with a 24-70 that I can either get now or later. But that match up can’t happen in the next few weeks.

Lenses making the trip:

EF-S 15-85
EF 50
EF-S 60 (macro)
EF 135L
EF 70-200L

While landscape is not my main interest, there will be lots of it along this trip:

Depart Calaveras County, CA and head up the coast. I know there are lots of images along that coast. Work the west coast up to Seattle. Turn right at Everett and set out on U.S. Route 2, the northernmost U.S. east-west highway. This crosses the whole northern tier, goes through Glacier National Park, the big sky prairies of Montana and ND and MN into Duluth with good views of Lake Superior. The old Burlington Northern rail line parallels much of Rt. 2 so there will be trains to shoot at various scenic places. Then it’s across the MI UP and into Mackinac. I want to go over to Mackinac Island and shoot the Mac bridge from there. Unfortunately, in July or August I probably won’t have the drama of fog, but it’s a great bridge and night shots may be impressive. Then it’s south down through MI and east through Ohio and then across the backroads of northern PA (Alleghenies) and into NJ where the trip ends – let’s say Cape May.

My real passion is candid portraits and “street photography,” such as it is in rural areas. So I’ll be spending time in the towns and getting images of the folk along the way.

As for the lenses. The 24-70 is a sure purchase at some point as I’ll make that a staple with the 5d3. For this trip, it doesn’t seem to add much as the 15-85 covers that range. (And the 15-85 I have has been tweaked by Canon and is capable of really great IQ.) But the 24-70 quality would be a great addition for the film work on the 1V. Otherwise I’m doing film landscapes with the 50mm.

The 100-400 adds a lot of range, but, unlike the 24-70, it was not something I planned to buy and own. In April, I rented one and was very impressed with the ease of use and IQ overall. It seems like it may be useful on this trip for long shots at trains and with some seascapes and especially some of the flat plains areas where such a focal length can create interesting effects. Anyway, I believe if I owned a 100-400 it would be used enough to be worthwhile. So I seriously consider getting it now. (A Canon refurb is $1359, a good buy and around the same price as the 24-70.) And a word to the big spenders – no, I’m not getting both! Oh, and the 24-105 is not a consideration; just don’t like it.

Thanks if you have some thoughts on this. It may help my decision process. Also, if anyone has suggestions of must see places/things/people along that route, let me know. My time frame is wide open, and I’m willing to go far and wide for good stuff.

So, do you choose the 24-70 and add better quality and range with the film camera for this trip and already have it when Canon finally graces us with the 5d3?

Or do you choose the 100-400 and add a whole new dimension? If I get the 100-400 now I still get the 24-70 when the 5d3 eventually shows up so the “either or” is only for this trip.

Finally, this is all just personal stuff. It’s been a long time since I was being paid to take pictures, and I won’t be doing that for this trip.

Thanks.

41
Landscape / Seascape Suggestions?
« on: May 21, 2011, 09:24:57 PM »

I'll be in Santa Barbara next week. I need a good seascape picture there. Anyone know the area?

For a long time, I've been researching a bio of radio drama writer/director/producer Jack Johnstone who died in 1991. His remains were cremated and placed "3 miles offshore Santa Barbara Channel, Santa Barbara, CA." He was known for his great interest in fishing and had invented and patented a fish hook.

Obviously, a sunset shot would seem most appropriate.

Thanks.

42
EOS Bodies / EOS-1V Experience?
« on: April 23, 2011, 12:58:34 PM »

I'm wondering if anyone here has experience with the EOS-1V. Looks like if you're willing to shoot film, this is as powerful a tool as you can get.

Used ones can be had at around $500.

For me, this may be an interim thing while I wait for the 5D MIII. My goal is to have two usable, everyday bodies -- the T2i I now have as the crop-frame and the 5D MIII as the full-frame. Right now all my film cameras are rangefinders (except for an old EOS 10s that's too slow and clunky for much. Seems like the EOS-1V would be a good full-frame fill in while I wait for the new 5D, then I can use it as my primary film camera.

So, I'm curious if anyone here has experience, good-bad-otherwise with the 1V.

Thanks.

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