August 21, 2014, 02:48:29 PM

Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.


Messages - BozillaNZ

Pages: 1 2 [3] 4 5 ... 9
31
It's like why can't you see things with your eye lids closed.

When the sensor is active, the mirror inside the camera is flipped up, hence the light path to the optical viewfinder is cut off.

32
No it's "Sigma 70-200mm 1:2.8 APO DG EX OS HSM WOOSH OMGWTFBBQ SOFAST HOLY SUPER HAPPY FUN TIME THIS LENS IS GOOD!(1). 1: Limited super deluxe edition"

33
the image quality of the 6D is as good as the one from the 5D MK3.
i have both cameras.

is the 1Ds image quality better then the 5D MK3?
well i doubt you will see a difference at low iso... at high iso the 6D/5D MK3 will be better.

i hear a lot about better color rendition from the 1Ds.
donĀ“t know how true this is or if people just repeat what they read.

i shoot RAW and i have no problems to get the colors i want. :)

for street photography i would prefer a small body.
not a big monster like the 1Ds.

the real question is, why would a guy with the cameras you have need another camera....?

Quote
1DX,1DM3,1DM2,5DM3,5DM2(x2),50D

you should have enough backup bodys, not?  ;)

Sensors have different color filters and color management software, so it is expected that they render colors differently. I didn't believe that Nikon renders a total different color tone until I actually tried one! Sometimes you can never make one camera's color output match another one.

34
Lenses / Re: Hello Old Friend.
« on: October 28, 2013, 06:17:59 PM »
Have you ever went back to any old favourites?

Only with ladies and other gaming devices.

Old secondhand ladies, ewwww!!! Aren't they kind of loose and saggy?  :-X

35
6D pros: better high ISO (at least 2 stops in raw), bling factors (wifi, gps, movie, etc), better LCD screen

1Ds3 pros: better color, better AF, better build + weather sealed, larger battery, robust shutter/mirror (all metal), 100% VF, 0.76x VF magnification, faster responsiveness, 2 card slots for backup/separate recording

They are made for completely different purposes.

In fact I have replaced my 1D3 to 1Ds3 two months ago and never looked back. It feels just like the 1D3, but the VF is a lot bigger and brighter, and the images are better.

36
Lenses / Re: Is it still the time for the 16-35 ?
« on: October 27, 2013, 07:35:46 AM »
I actually found the 16-35 II very good. Wide open for centre sharpness and stop down to f11 for corners.

Most people who states that the 16-35 II is not sharp in the borders / corner does not know the fact, it has very pronounced field curvature at 16mm. Try to manually focus to the infinity mark, stop down to f11 and shoot a
landscape photo, you will find that the sharpness across the frame is actually very good.

There is about 2% area from the picture corners (and I mean the dead corners) that is a bit less sharp at 100%. The borders are totally sharp. If you are so obsessive about sharpness in the picture corner, then forget it and get the Nikon 14-24 and adapter.

Overall the 16-35 II's build, AF speed, ability to take filters all makes a very versatile event/landscape lens.

Take a look at my flickr account for landscapes shot using 16mm f11

37
Lenses / Re: How does EF Mount compare to other mounts
« on: October 21, 2013, 05:48:26 PM »
EF is pure electronic, unlike many others, which still kept the mechanical aperture lever.

This made tilt/shift lens easy and consistent to implement.

Take a look at how many mechanical parts in a Nikon zoom lens just to keep the aperture work, and why Nikon PC-E lenses is an exception, you will see that EF mount is superior.

Also, have you seen any Nikon camera that can change Aperture value when recording movie? They can't, because of the mechanical design. To change / step aperture value, they have to activate the aperture lever, which causes the aperture to snap to the fully open value, then re-release the lever again to get to the target value. EF lenses on the other hand, could step aperture value in any direction and steps you want. So EF mount is better for video too.

38
Lenses / Re: why would anyone scratch off the red ring of an L lens?
« on: October 21, 2013, 05:19:37 PM »
There is a design/material issue with 24-105L lens (apart from the aperture flex cable which snaps after some years of use). The red ring is a brittle plastic ring which have some chance to spontaneously crack and fall off. I don't think all of the are intentional, at least I have seen / owned 2 24-105 lenses which the red ring cracked by itself.

Of course auctions of this type would not attract the red ring whores but apart from partially weakened weather seal around the red ring/focus ring, the lens performance is not affected.

That being said, the 24-105L is dubbed the 'kit lens' of Canon entry level FF cameras, don't put up your hope too high that it gives the best construction because it does not.

Also, is a red ring really boost your ego?  ::)

39
Lenses / Re: Bought Sigma 35mm 1.4, bad copies?
« on: October 15, 2013, 11:52:20 PM »
This post is my take on explaining why HSM is so crappy:
http://www.dpreview.com/forums/thread/3372965

I personally won't buy any Sigma lens any more, until I can either see, or do a disassemble to make sure their motor does not use paint as the friction material any more.

40
I bought a crappy Honda because I knew what I was getting and what for, now just tell me how can I drive this babe at 200MPH. Just tell me. I floored the gas pedal and it still struggles at 80MPH, what's wrong with it?

I don't want to hear anything like "just buy a Porsche".

41
70-200 IS II + 1.4x actually give you quite good sharpness and color.

I used to have a 300 f4L (non-IS), which is supposed to be even sharper than the 300 f4 IS, however, after comparing shots of 300 f4 and 70-200 @ 200 f2.8 + 1.4x TC, I sold the 300 f4 without regretting.

42
Lenses / Re: Which Normal to Wide Angle Focal Length Matches Your Vision?
« on: October 15, 2013, 11:38:12 PM »
Lenses that matches my vision is varying between 16mm and 300mm, depends on where I am and what I am looking at.  ::)

43
It's impossible to put plane filter over a 180 degree fisheye, the math doesn't work that way.

You need a curved filter.

I see you have APS-H camera, which may be working, but it won't work on ff.

44
Canon General / Re: Irritating photography advice
« on: October 10, 2013, 09:58:44 PM »
You can never shoot picture with your lens cap on*!

(* unless you are shooting a Leica)

45
EOS-M / Re: EOS-M + Sigma 30mm f1.4 DC = One sexy camera!
« on: October 07, 2013, 12:49:15 AM »
There is nothing sexy about it. The lens is disproportionally large and heavy. If you find that looks 'sexy', then putting a 70-200 2.8 on it will look sexier. :'(

Pages: 1 2 [3] 4 5 ... 9