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Messages - RLPhoto

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1981
EOS Bodies - For Stills / Re: 5dmIII coming unglued
« on: July 07, 2012, 04:17:42 PM »
Wasn't too happy to see the rubber grip material on my camera (not the vertical grip) coming unglued tonight. I've shot 20+ weddings on it, and have no major complaints aside from this. Anyone experiencing the same thing?

It happens on some cameras (like my current 5Dc). Just treat it like a wound, and DONT PICK AT IT. ;D

1982
Animal Kingdom / Re: Some Animals!
« on: July 07, 2012, 04:10:17 PM »
Not a wildlife expert or photographer but I saw this and had to take these shots.

Taken on my 3MP D30. 8)

1983
Lenses / Re: A New EF 50 f/1.8 IS? [CR1]
« on: July 07, 2012, 01:34:35 PM »
I bought the 50L and that's it, found my 50mm of choice. Never looked back.

1984
Lenses / Re: A New EF 50 f/1.8 IS? [CR1]
« on: July 07, 2012, 09:50:50 AM »
Lame, don't need IS on a 50mm prime.
Your comment is even lamer.

There is no such thing as "no need for IS". ALL lenses and all FL's can benefit from IS.

Your must have more dollars than sense because IS makes things more expensive. Especially wide aperture lenses.

1985
Hi, I’m seeking advice on suitable/K.I.S.S Camera and lens combinations for close-up beauty style Portraits to showcase make-up and I’m hoping some of the knowledgeable folk on here can help point me in the right direction

From my research I will need a fairly long (85-300mm) focal length to obtain the most flattening and flattering perspective and unless I instead get a macro lens will possibly also need to invest in some extension rings for the extra close shots.

My Budget is around $2500 and I have narrowed it down to the following options.

EOS 650D + 18-135 IS STM Kit  @ $1,300 plus 70-200 f4 IS @ $1,200 = total $2,500

EOS 5Dii @ $2,100 plus 85mm f1.8 @ $468 = Total $2,568
(I have been offered free, an old 28-105 EF lens that I can also use with this to give me more range)


In order of importance and usage
1.   60% Tight headshots
2.   10% eye/lip only close-up details
3.   10% head & shoulders
4.   10% video
5.   10% full length

Output suitable for :
 Advertising – web, brochures, magazine and ideally posters to about AO size. Photo sharing & Contra deals

Location:
70% inside salon on tripod with good light – mostly close-ups. I have 3meters max to play with.
30% outside &/or on location, backstage and behind the scenes – hand held, mostly wider action or full length shots but also some head and shoulders too.

Photographer:
I'm a Smallish (5’1”) female with small hands
At beginner+ level and upgrading from a Canon Powershot SX30

I would also love to here people's thoughts on which of these commonly mentioned and slightly contradictory statements would be more valid for my situation and budget?
1.   All things being equal, a superior result will be achieved using a full frame camera.
2.   It is better to skimp on the camera and get the best lenses one can afford

This has been driving me somewhat nuts and while I realise either decision is certainly not life and death and that I should be able to achieve a reasonable result regardless of which one I choose, I just can’t seem to press the button for either one. I have definitely, 100% made my mind up a dozen times – and then changed it :(

The 650D isn’t in stock yet locally so I haven’t been able to pick it up and have a play with it, which may make a difference.

Any advice at all is appreciated.

If your not doing a whole lot of video, which it seems. I would seriously look into a 5D series camera. Any of them are good for your photos. The MK1 is good if your on a tight budget, the MK2 if your willing to spend more. A mk3 is out of the budget.

I can recommend the 135mm f/2L. It's super sharp and not too expensive. It will be flattering for your subject matter.
If you can't afford that, the 100mm f/2 is another good option.

IMO, 85mm isn't enough compression for a tight headshot. I prefer 100mm and longer.

1986
Lenses / Re: A New EF 50 f/1.8 IS? [CR1]
« on: July 07, 2012, 09:30:52 AM »
Lame, don't need IS on a 50mm prime. Rather have the extra speed.

Canons going to want 700$ for it too, I just know it.

1987
This is a nice post. The only reason I'm not switching is nikons primes lack any uniqueness in their rendering.

I've shot primes all my life, from many different manufacturers from MF hasselblads, contax/zeiss, yashica, Minolta and of course canon.

Nikons 24mm f1.4G took ages to be released and once it was. It was more expensive than canons offering.

Nikons 50mm's has horrendous bokeh and no f/1.2 offering.

Nikon doesn't make a modern 135mm f/2. It's DC version is horrible compared to the canon.

Otherwise, sure I'd be with Nikon, but there primes lack character.

1988
EOS Bodies - For Video / Re: How should I spend my cash?
« on: July 07, 2012, 01:28:02 AM »
Doing weddings and I have a 60D with a 50mm 1.4 and kit 18-135 which is useless basically. Friend shoots with 60D/T3i.

Currently looking to get a 5D3 and a Tamron 24-70. The low light capabilities seem to be worth it for me. I could very well get away with a T2i...if all my shooting was out in the sun, but instead I have a lot of lighting situations where I cannot control it at all. Using footage that is totally usable past 1600 ISO seems almost too good to be true. So, should I get a 5D3 with the Tamron, or go for a lighting Kit? I am leaning towards to the 5D because of the lack of control in the lighting, and in my unscientific opinion, the footage from full frame cameras looks way way better than what my 60D can do.

Doing weddings, should I have 2 bodies anyway or chill knowing who I shoot with has the cam? Input welcome!

Yes the Video on the 5D3 is much improved over the previous generation of camera.

1989
Animal Kingdom / Re: Portrait of your "Best friend"
« on: July 07, 2012, 12:23:54 AM »
Heres one it took on my ancient d30.

1990
EOS Bodies / Re: Should I get 650D now or wait for 70D?
« on: July 06, 2012, 11:46:36 PM »
Hey everyone!

I'm new to photography and videography, and I'm looking to purchase a new DSLR. I'll be using it for around 70% video, and 30% photo. I was wondering if you could help me out by giving me some advice on which camera I should go for. 650D or 70D?

I don't mind waiting for the 70D and spending the extra if it's worth it. But is it? Why, or why not?

Thanks in advance!  :)

If your new to photography, Invest in Glass and get a cheaper body. All cameras nowadays can produce world class images as long as you do your part behind the camera.

1991
Lenses / Re: How do I know I have a bad lens?
« on: July 06, 2012, 11:44:52 PM »
Wide aperture lenses vignette more, its the nature of the beast.

They will vignette less on EOS film cameras though due to sensor design. 8)

1992
Lighting / Re: Fauxtographer Ruins Olympic photos.
« on: July 06, 2012, 11:27:41 PM »

1993
EOS Bodies - For Stills / Re: Argh! Photos don't look like 7D photos.
« on: July 06, 2012, 05:53:49 PM »
These people aren't really bringing up the only real factor here. Yes, editing helps, but you shouldn't have to do any real serious editing to any great natural light portraits.

The real issue here is light.

The first image is shot under much higher sun, it's harder light, and can easily wash colors out because it's on a higher angle and generally looks bad if you don't know how to use it.

The second image, the one you seem to like, was shot indoors, under lower ambient, where it's softer, and coming from "all over" as opposed to from one specific angle up in the sky.

Don't fall into the trap of thinking that the editing will make the difference, it might HELP fix problems, but if you shoot it really well, you shouldn't have to do much editing at all. If it was all done really well in the camera, then the very minor things will help get an over all better image like white balance.

All the posts + this will help. Buy a scrim also.

+1

1994
EOS Bodies / Re: Should I get 7D now or wait for MKII?
« on: July 06, 2012, 03:16:34 PM »
All of the lenses you mentioned are expensive in relative terms.

You could do this.

10-22mm

50mm 1.4

100mm f/2

Much cheaper and great IQ. Of course, you'll sacrifice the convience of zooming.

1995
EOS Bodies / Re: Should I get 7D now or wait for MKII?
« on: July 06, 2012, 02:56:29 PM »
Hey guys! I'm new to this forum and new to Photography. I've always loved taking pictures of landscape,cars,people, and just random stuff. Lol So I decided that it's time for me to grab a decent DSLR.

I'm completely new to DSLR's and photography. Still doing a lot of reading and learning on which camera I should go with. Based on the stuff I've read and learned I'm leaning towards getting the 7D. But I'm concerned that when I get the 7D now couple of months later down the road the new rumored 7D MKII comes out.

So my question is should I wait for the 7D MKII (why?) or I should just get the 7D?

There is no guarantee from Canon that there will even be a 7DmkII - nobody really knows.  It is also anyone's guess when Canon plans to introduce a new APS-C sensor.

What would interest me is why you particularly want the 7D?  If you don't have specific needs to shoot sports or to use the camera in an environment where a sealed body and lenses are needed, you could look at a 60D, which has the same sensor, or even a 650D.  I would possibly rather put the difference in price between the 7D and the 60D into a good lens, which will possibly yield a better return than a higher end body.

The reason I want the 7D over the 60D/650D is because of its weather sealing and also its faster. My family travels a lot thats why I want the rigid and weather sealed body of the 7D.

The things I want to take pictures of are landscape, fast moving things (cars going around the track), and just random stuff. lol its mostly going to be cars and landscape.

As far as Lenses go I'm not quite sure of what I need for the stuff I want to shoot. I do plan on upgrading to a 5D later on just not sure when tho.

Then by all means, The 7D is the body for you then as the MK2's AF isn't quite as good. Just pick up a 10-22mm as well. A very good lens.

I plan on buying that lens also the 17-55.

or should I be getting L lenses instead? I do plan on upgrading later on on a 5D body but not for the next 2 yrs. or so.

I'd get the 10-22mm + 24-70L. This because you wont overlap focal lengths and when you switch you'll have the 24-70L ready.

Personally, I'd get a 50mm 1.4 and a 100mm f/2 as well.

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