I'd rather see a supreme 14-24 performer than an "acceptably good" 12-24. Unless Canon can pull it off and steal the show for that range, the 14-24 sounds much better (output quality guarantee-wise).
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that's what the cynic would think. The optimist in me says "not the story of the day" means there's something bigger and juicier that'll eclipse the 7d replacementI like your approach. But the question is (with that in mind): with something bigger/juicier, will two bodies splitting from the 7D be released and cause a forked road?