September 19, 2014, 06:04:56 PM

Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.

Messages - cayenne

Pages: 1 ... 35 36 [37] 38 39 ... 81
Does anyone know if this kind of shooting could be possible on the 6D in the future?
By the way, fantastic job (again) to the ML team!  :D

They said they're working on other cameras as well, and there is a limited build for the 5DII, and appears to be working well, albeit not as good as the 5D3. The problem though here is with the cards, SDs don't go as fast as CF and even then you need the fasted available CF cards. So the SD only 6D may not work well. Though, lower resolution with the fasted SD cards could work, not sure, much is in development with so many changes coming so quick~

Thanks for the respond! Makes me regret a bit buying the 6D a few weeks ago  :(
Do you think with HDMI out, the writing speed could be fast enough? That might be a solution to get pass the SDs lower writing speed.

I think so far, they're ruling out HDMI. But then again, they do seem to pull of miracles.

I did hear them talk at one time of USB, but not sure if USB2 would be fast enough.

There has even been talk of doing some kind of CF card adapter to cable, but that won't help with the SD card situation.

Right now, the best speed to capture size is the extra speedy CF cards, and the cheap ones aren't working too well, especially the one that starts with a "K" and is 128GB. The 32and 64 of that seem to do ok at times, but not the cheap 128GB one.

At least, that's what I've been reading.


Hello all,

I had such good luck with the NIK plugins when they went on sale awhile back and only took the plunge after the great feedback on these forums.

So, I'm wondering if ya'll could chime in on the FilmConvert software:

Looks like you can get the bundle for about $299.

Watching the examples, it looks like you not only can add some grain in interesting ways, and emulate different film stocks, but looks like this is a quick, down and dirty color grading tool too?

Does anyone have experience with this software, and if so...what are your thoughts? Is this worth the $$? What would other options be that you might recommend looking into?

Thanks in advance,


Video & Movie / Re: First real attempt at video with 5d
« on: May 16, 2013, 03:57:38 PM »
Very interesting!!
What did you use to color grade this? Interesting colors...reminiscent of the old 70's polaroid photos.

My one thing was..WOW..did you really take your 5D3 out to that run where they throw all that colored dust on everything?

Ouch..dunno if I would have risked that...hahaha. How hard was it to clean the camera after that?

Nice video, enjoyable to watch.


Video & Movie / Re: I made a quick a dirty time lapse in wales
« on: May 16, 2013, 03:43:58 PM »
What did you use to put the shots together?

Did you shoot in raw or jpg? Looks like you could use a bit of post processing to get a bit better color in the looked a little flat.

Construction of the timelapse itself is well done.

You might get that pulled off of YouTube for unauthorized use of that Pink Floyd song tho....

Just my $0.02,


Video & Movie / Re: Chromakey Green Screen Editing help
« on: May 16, 2013, 03:41:01 PM »
I'm not sure what's available on windows but the adobe products, like Premier. That gets a bit $$$.

I use Final Cut Pro X on my mac...that was only $300. I'm about to start doing some greenscreen work hopefully this weekend.

Get on youtube and search for green screen, chromakey...etc. That might give you some leads.



Video & Movie / Re: Wildlife Doc
« on: May 16, 2013, 03:38:31 PM »
VERY Nice!!

Well, shot, good looking and entertaining to watch!!

On the timelapse..did you shoot RAW or jpg?

Again, a great effort!


EOS Bodies - For Video / Re: Tripod for video?
« on: May 16, 2013, 01:05:07 PM »
OK, I'm finally going to try video on my 7D and 6D - going to Yellowstone in a month.  I have a Manfrotto 190CXPRO4 tripod with a Manfrotto ball head (496.)  I assume video will be much better using a tripod.  Any recommendations for an inexpensive head I could use on the Manfrotto tripod?  Thanks!

I forgot what model Manfrotto tripod I originally got..came with a cheaper video head, which was ok, but I needed to get a QR system that would work on a bunch of things, including the new manfrotto monopod I got.

So, I got this head as a replacement and I'm happy with it so far:



EOS Bodies - For Video / Re: Need help with video lighting!!!
« on: May 16, 2013, 10:48:33 AM »
I just came across another possibility...

FV K4000 LED

Again, to save yourself some PP grief, make sure whatever lights you get, are the same color temperature, or at least be prepared to gel some of them to match the others. Also, when filming indoors, change out your practical lights to match your lights you buy. It makes life so much easier when trying to set white balance, and for color correction/grading in post.

Good luck...let us know what you end up with, and post some examples!!!


EOS Bodies - For Video / Re: Need help with video lighting!!!
« on: May 15, 2013, 03:16:41 PM »
I tried my best but could not figure out what to say.

What are you shooting and for what? On what format?

What is the kind of end result you looking at?

How many crew members? Will you have someone who can hold reflectors, lights or you will have to fix all on stands yourself?

How many lights do you want to use and what power supply do you have?


It's just me. I will be shooting personal projects. No crew, low budget. I'm just starting out with video, but I have a lot of experience with stills. I will be shooting with a 5D3.

I plan to shoot random different stuff. For the end result, I will probably go for a variety of looks. Flexibility is good. I'd like to have some sort of 3-light setup:rim/spot, key, fill/ambient. Everything will be on stands. I will mostly be shooting in small rooms and tight spaces. Power supply for indoors will be AC wall power. For outside, I will assume a battery does the trick (I don't need to light up the Eiffel Tower :-).

I'm not necessarily looking for a magic/complete answer. I'm just looking for whatever advice you've got: which bulbs to use for what, where to go DIY, where not to skimp, etc.

My target budget is $300-400. I'm trying to keep my costs low so I can get a decent slider.

Well, after a few shoots of my cooking show I'm doing (mostly to learn shooting and editing)...I've found a few things out.

1. Make sure all your lighting, practical (in place lighting) and your external lights are ALL the same temp. I replaced all the track lighting in my kitchen...and found at Lowe's / Home Depot...those particular lights were best priced at about 2700K. I then made sure to by my CFLs at the same 2700K color temp.

I bought cheap clamp lights, and some flash light stands...and use those as my external lights (key light, fill light...etc).

This seems to work quite well.

I also found on, some pretty cheap 22" or so reflectors, that when you take off the covers...are nice white diffusers. I bought some clamps and I put these in front of my clamp worklights to soften the light in a DIY lightbox fashion.

I recently bought something from amazon, that is a kit that has 3 softboxes with 3x CFL sockets inside (I've not looked at the temp of the bulbs sent yet)...and a rack and a large green screen.

I've not had time to unpack and look into that yet....but I will incorporate that into my mix of goodies.

But anyway, that first thing....and this works wherever you film at indoors...if possible, switch out ALL practical light fixtures to bulbs of the same color temp as your external lights, that will save you a TON of grief in post processing.

Get lights same temp...just pick one....set your white balance to them and shoot....
I bought this to help with setting custom light balance, put it on the lens, shoot from the point of view of the talent to be filmed back at the lighting...and set custom WB to that:

Hope that helps.


ps. To see the problems with mixed lighting even after a TON of PP trying to grade last video I did:

CWI: Chicken & Andouille Sausage Gumbo

I'm currently editing my latest one, using Marvels Cinestyle...and found that it was best if I exposed to meter, then set to underexpose by about 2 steps...this stuff looks great in post so far...and should be the best imaged video I've done to date...what I'm editing now as opposed to the link above, has all lights same color temp and it makes a world of difference.

Slighly not safe for work, but hilarious with regard to the ML breakthrough...

Hitler finds out about ML breakthrough!!
Hitler finds out about Magic Lantern RAW video for Canon DSLRs



It would be equivalent to test driving a Honda Civic that the dealership secretly installed a Corvette engine in, then sending you home in a regular one without letting you know.

I'd buy one of THOSE!!!


Anyone? Anyone?


EOS Bodies / Re: New 5D3 Raw video samples mind blowing!
« on: May 14, 2013, 10:47:18 AM »
This is insanely awesome.

But keep in mind:
* no audio recording
* only 24 minutes of 1920x1080 24fps RAW video in a very expensive 128GB 1000x CF card
* when editing on a very fast computer, playback is around 1.5fps

Yeah, I read about 15min on a 64GB card, which I think I'd do a couple of them to start with (right now, must one man banding it on private projects)...but could always have one in the camera, one uploading to the computer. I think that would work to start with.

No audio, not that bad...and I've heard possibly they might could do audio later? But even so...just use a clapper and sync in post with external audio....I've got a couple of Rode video mics (latest is the stereo pro still in box)...and I have an older Zoom H2. I'm looking to get a couple of good lav mics that I can hook to small dig recorders, or maybe even the iphone/ipod for micing up talent...

I was thinking workflow might be something along off camera, somehow into Resolve Lite...then out from that to ProRes for FCPX editing...?

Hmm...It might be time for me to build that loaded up Hackintosh I've been toying about for the past year or so....


also, I dump the footage after the video is complete and the client is happy, so if i keep one 2TB hard drive on Thunderbolt or Esata then I should do pretty well with storage space shooting one house at a time.

Hey, just wondering, if since the BM 4K camera was announced, and also the BM Pocket Cinema camera.....have you reconsidered going BM and getting one of these cameras?

Just curious,


Yessir. I pre-ordered the pocket camera and will be using it with a Metabones Speed Booster and my Tokina 11-16mm f/2.8. I am also on the look out for a decent 1" c-mount super wide angle lens 5-7mm range.

Too Cool!!

PLEASE, do a post, maybe this thread, to give a report on how it all works,and of course, some footage.

I'm looking to go this route too.
I didn't think the Speed Booster was out yet, or was that just for Canon lenses it isn't out for?
I'm trying to learn the differences and what I would need for the BMPC....I am a bit of a noob, and only know what EF focal lengths are like..not sure how to relate them to the lenses for MFT lenses...etc.



The speed booster was announced, but is not available yet for MFT and Canon combo. Basically, if you have a FF canon camera and you adapt your lenses to the BMPCC, just multiply your lens "mm" by three. That how tight the lens will be. so a 100mm lens on a FF Canon camera is 100mm but on the pocket camera it would look like a 300mm. and with the speed booster is would look like a 200mm.

Now due to some very unexpected news, releases, and possibilities from magic lantern in the last week, my BMPCC is in danger of being cancelled. Magic Lantern has announced their ability of recording 24p continuos RAW video to CF cards on the 5D mkIII with likely no heat issues. If they get this stabilized, then I may be sticking to my 5D mkIII for my RE video work and canceling my black magic pre-order. We shall see what ML brings us. The way I see it, Magic Lantern has 2 months or so to polish up the raw video from 5d mkIII and win me back from Black Magic. I doubt there are any decent lenses sub $1K that would give me the quality I have with my 5d3 and bower 14mm. So to not have to invest further and just upgrade to better CF cards would be great!
I'm excited about this ML possibility too!

I have the Rokinon version of your Bower 14mm...very fun lens for a bargain price!!

I would like to try to break into the Real Estate video business, and I've been a big fan of your posts, VERY good stuff. I'm trying to learn by the C.A.S.E method (Copy And Steal Everything)...haha.

But seriously, I'm learning a lot from what you've posted, both posts and videos.

I believe we're in different parts of the US, I'm in the New Orleans,we'd have no competion, so I was wondering if you had any advice on how to get started...what all equipment and processes you use...

I have a slider, an optonika (sp?) cheap-o steadi-cam....manfrotto monopod and tripod...and use FCPX for editing.

Do you use the 14mm a lot? What other lenses do you use? Are you using HDR (I think I recall a post or two showing you did, especially to help with keeping from blowing out highlights in a room from windows, etc).
Are you doing HDR video too?

Any advice or pointers welcome.

I have a couple of contacts in local realestate, but I wanna have my story together before approaching them. I might try to shoot a couple of friends' homes first to put an example video together.

What is the going rate for a real estate video shoot? Do you sign contracts keeping your rights to the video or do you sell those?

I'm also a bit of a techie...I was thinking of offering the videos to be hosted from my home business office servers...I have a business ISP account so I'm good to go on running servers, etc.

Anyway, any advice appreciated!!


EOS Bodies / Re: 5D Mark III with Continuous RAW Video Recording
« on: May 14, 2013, 09:59:50 AM »
Well, if ML is doing a clean room reverse engineer of the camera, that should be perfectly legal. He isn't doing anything that helps 'circumvent' safe people have come down on gaming mods for. This hack doesn't allow you to circumvent copyrighted material.

Nope, the contract for a fw upgrade  (the current cannot be extracted out of the camera) it says you mustn't reverse engineer it at all.

Hmm...what contract? I've never signed a contract with Canon for anything. Are you saying ML signed some contract with Canon?

And I was referring to reverse engineering the hardware, not the software as such. If someone wanted to write a clean room firmware to replace the firmware provided by Canon, there's nothing illegal about that..

Pages: 1 ... 35 36 [37] 38 39 ... 81