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Third Party Manufacturers / Re: "I am boycotting Nikon" campaign
« on: April 13, 2013, 08:29:27 AM »
I hate guns, so I shoot with a CANON
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2.8 is OK I guess provided a red L followsTsss, are we becoming elitist now?

Thanks for the samples in this topic, I've been teetering on the edge of getting a new copy, and now I'm really compelled to do so.
Teetering done, lens ordered! Yee-ha!
I think you'll be pleased with it's performance, optically it is good; just doesn't have a 'snob' value.
Below is our latest picture shot on the 35mm f2 and below that a comparison we shot on the 35mm L f1.4 of the chapel at Marlborough College ( where the Duchess of Cambridge - nee Kate Middleton - was at school).
At f8 to 11 there is no difference.
To be honest I expect to use it most at about f/2.8 to f/5.6 and not to stop it down all that much beyond about f/9. Its main uses will be travel, street, low light and as a contingency lens that can always find a place in my bag (like the 50 mm f/1.8 Mk I). Yes, (small) size does matter!!!In short, I've changed my mind. No 40 for me. Too tight, too slow.
I've reviewed the photo's I took over a year ago with my old 35mm f/2 and a lot of those were OOF due to AF problems that I think are the result of wear and tear on the tired old lens I had, but those shots that were focused on target are definitely good enough for my purposes.
The 40 mm is not going to cut it with f/2.8 and no IS - and the new 35mm f/2 IS is too expensive and bulky for my purposes. I'll give it another think over but chances are I'll mail-order the 'methusalem' 35 very soon
Hence, I am again considering a new 35mm f/2 optic.
The wider aperture and mechanical drive of the focus ring won me over. Besides, it's a nice partner for my 50 mm f/1.8 Mk I, and they can share the EW-65II hood!
Thanks for the samples in this topic, I've been teetering on the edge of getting a new copy, and now I'm really compelled to do so.
I know there was a thread on images from this humble little lens in 2011, but it appears to have been held in such contempt there were zero replies !!
With all the excitement around the arrival of the new 35 f2 IS and the Sigma f1.4, how about posting your best shots taken with the old 35 f2 ?
Wow, never seen the 35 f2 receive so much attention !
Is this like great artists or composters ? Their work is never fully appreciated until they are dead

Thanks neuro, that´s sad I thought it might have a higher optical quality and deliver a higher resolution with a nice low DOF .
Most of what you're paying for is lack of focus breathing, accurately calibrated focus markings, excellent internal gearing, and standardized build/size and transmission across the line (e.g., so T/3.2 gives identical exposure with any cine lens). In short, benefits for shooting a production film.
I've been struggling with getting a longer lens for way too long. I have debated 300 f4 vs. 70-300 L vs. 400 f5.6 vs. 100-400 vs. 70-300 DO (not too much consideration) along with the TC issue (I have the Canon 1.4 but would need a Kenko to use with some of the above). You see what I have below.
Thought I'd settled on the 70-300 L after taking some shots of the moon with my 70-200+TC last week. The night was cloudy but the shots were not too bad with cropping post (BTW, the Redged legs are great but I'll probably up the ballhead in the future). I knew what I wanted and was just waiting for the right price.
Then, the 2 day Canon refurb sale comes up. As I was ready to buy a 70-300 L, I had a quick change of heart and purchased the 100-400! Should arrive soon. I truly hope there is no "buyer's remorse," but my thoughts were to expand my options with some IS and little overlap. We'll see.
dont.
stay with your optics.
a) upgrade the 24-70 + 70-200 to the II-versions, it's worth the money!
b) add a 14mm (if you need it)
c) get a 50mm
d) get a 100mm macro
changing optics on the job sucks if you have 2 do it too often.
you don't have 4 bodies, do you?
Still rocking a 20+ year old 50mm 1.8 first version. Build in Japan with the metal mount. Clean, fast , reliable & sharp. Only fault is the 5 blade shutter makes crappy bokeh. I am waiting for a reason to replace it. A $1,200 lens, even if it's 1.2L is not a good enough reason. A 1.4, for $400, even if a tad sharper in the after 2.8 is not a good reason. a 2.5 with 1/2 frame macro, and sharp, for $500 was a good reason. So I bought one of those too. I'm really hoping for a hyper-sharp 1.4 with IS that does not break the bank. Guess I will be holding onto that 1.8 until the first price drop on any new 50mm
Any fault should quickly become apparent if you start using the stuff before the return period is over.
i must have missed the rumour!
is there a CR rated rumour about a 50 f2 IS?
Already invented as well - a digital back?