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Of slightly more concern are the ~30% of shots taken between 70-105mm
I would think that the higher sharpness at 70mm, especially stopped down to f/4, would give you the latitude to crop your photos to at least 85 or 90mm and still match the sharpness of the 24-105. This starts getting pretty close to matching the 24-105's usefulness as a walkaround lens, especially if you're not worried about shutter speed.
More high praise for the 24-70 II, with the usual caveat of price.
Question for people who've bought the 24-70 II and had/have the 24-105mm f/4L IS 'kit lens'. Did you keep the 24-105L, and if so, now that you have the 24-70/2.8 II, do you use the 24-105L any more?
125 then keep the new one... will hold value over time better than the old one...
50mm 1.4 on 5Diii
no matter what lenses I take to do anything I end up just sticking the 50mm on and it seems to get exactly what I want from it. if I'm using the 24-105 I end up getting annoyed and take it off, if I'm using a 70-300 I end up getting annoyed and take it off. I shoot everything with it. It's crazy.
It used to be 28mm 1.8 on my 7D. A little wider side by side and a bit more forgiving on the DOF but when I bought the 5D I couldn't use a crop sensor as a back up as the focal lengths just make no sense when swapping quickly between bodies. the curse of the 5Diii, you never want/need to use anything else. I bought a 2nd hand 5Dii as a second body and that's only been used to test if it works even though I planned on doing weddings with both and not having to swap lenses over. I sold everything crop and EF-s including an ultra wide as landscapes generally escape me or hate me.
the only time I ever reach for the 24-105 is for the groups and it bores the hell out of me. maybe I'd get on better with the 24-70 2.8 shooting around f3.5.
I feel like I'm cheating on the 28mm now, it's like the girl you've always had around that's great but then the 50mm turns up and steals the show. I'd equate the 24-105 being the lady of questionable morals in a bag of lenses that you should really avoid unless absolutely necessary... 70-300, she's not pretty but sometimes that's what you need to get the job done.
Canon 50mm 1.4
It's your best bang for the buck regardless of the FF body you're putting it on.
That and a 24-105 F4L.