« on: October 25, 2013, 03:20:54 PM »
I also shoot weddings and events with a two body set up. I came from a single 5d2 to owning a 5d3 along with the 5d2. when my 5d2 was taken from my car I quickly purchased a 6d to replace the stolen 5d2. BAD CHOICE for me! although I love that the IQ and ISO of the 6d had me not for want for great pics, the button orientation was the drawback for me. I was just too used to the 5d button lay out. My second camera ever was a 50d so with my nose to it's back for a few years the 5d systems layout became natural. hence, the toggle button along with the quick select dial allowed me more control in situations where i need to keep my eye in the viewfinder.
1-The dial of the 5d3 is more responsive to me. ( I think the 6d's dial is too plastic-ky and cheap and doesn't select my choices responsively.)
2- The 5d3 is WAY BETTER made! ( the little aluminum mode indicator disc fell off the 6d after about 3 weeks, and the rubber gripping started to peel after a month).
3-The ability to select AF points with an assuring toggle while looking thru the VF. ( I've missed a few shots using the 6d selector dial to change AF points).
4.-Which is a biggie, two card slots. I shoot J-peg and RAW. I use an Eye-Fi card to instant upload for display if the client adds that service to their package. ( I tried the Wi-Fi feature of the 6d during events and found that it's way to tedious to apply at events.)
In the end I sold the 6d and bought a second 5d3.
I think you should WORK THE BEST YOU CAN with what you can afford now, and try to get the gear that allows you to do the MOST for the type of work you will constantly do in the future.
I think this is great advice.