May 21, 2013, 12:01:54 AM

Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.


Messages - wsmith96

Pages: [1] 2 3
1
I'll second the Corel option - their paintshop pro lies somewhere inbetween elements and photoshop, leaning more towards photoshop in capabilities.  It's a nice piece of software.

-w

2
Site Information / Re: Membership Approval Now Required
« on: May 10, 2013, 11:23:51 AM »
Thanks for keeping this site as "clean" as possible.

3
Canon General / Re: new canon lens caps
« on: May 08, 2013, 01:07:27 PM »
At least it was nice of him to notice the curtains...most men wouldn't.   ;D

4
Canon General / Re: new canon lens caps
« on: May 08, 2013, 11:53:34 AM »
lol - it's actually a bed comforter. 

5
Canon General / Re: new canon lens caps
« on: May 08, 2013, 11:09:14 AM »
forget the lens caps, I'm just drooling over the lenses in your pic.   As you can see, mine are not as impressive as yours  :D


6
Software & Accessories / Re: Adobe to Stop Making Packaged Software
« on: May 08, 2013, 12:13:40 AM »
Adobe is just following a trend.  Stock prices perform well when you smooth out the quarterly revenues with subscription services.  The people this won't affect are the professionals as they will pass that cost along to their clients.  Amateurs and enthusiasts will have to make a choice, but understand that the other vendors will follow Adobe's lead.  I know Corel is already entertaining this as well.

the issue is what adobe will do when the honeymoon is over.  After the subscriptions normalize, so will the stock price which means adobe will be pushed by investors to seek new ways to increase revenue. My concern is the same as expressed earlier - what happens if adobe decides that they will hold your work hostage.  It wouldn't take much for them to push your files to an online only organizer where you could have access to your originals only, but have to pay to get to the edited versions.  Have you seen adobe revel?  This platform is well suited to do just that.  If I were them, I would make the service free, but in some way painful like giving you a low storage amount, or only allowing x number if uploads a day.  Then I would allow you to upgrade your service, etc. Oh, wait, they are already starting to do that. Again, the professionals will pass the costs along to their clients, but the people like me whom are becoming tired of being nickled and dimed will have a problem with this. What if adobe writes their license agreement to where you only have rights to your originals, but have joint or sole ownership of the edits - especially in exchange for a service for free.  This is somewhat the model google uses. Would it piss you off to see one of your pictures used in an advertisement and you weren't paid a royalty or given credit? 

now this is some serious forward speculation here but it isn't that far fetched.  The millennium babies are used to a rented life style and services for free in exchange for giving up intellectual ownership to the data they produce using these services. Companies today are positioning themselves to take advantage of that market. They make money by upselling  you services, or by capitalizing on your intellectual property. interesting thing to watch will be the companies like Corel, serif, google, Microsoft, etc.  Google and Microsoft are already kings in the cloud services market and they are in a position to actually steal some of Adobe's business away by offering "close enough to adobe" apps.  Ever wonder why google bought nik software? Microsoft has photo software too though they aren't using much of it yet.  The other lesser used software companies now have a shot at a level playing field as each company will scramble to provide the best service at the best price.  Even though it is adobe we are discussing, every software company is on the ground floor when it comes to cloud services.  By leveling the playing field, adobe is vulnerable to actually losing marketshare as this new generation of buyers is used to cheap/free and jumping between services for the better deal. What could happen is that adobe may end up with professional customers only, where as Corel and google provide you with free apps for any of your devices that can do the same thing. Guess how many professionals there are compared to hobbyists or ppl who think they are professionals. 

Do you really need adobe to do your photography work? Think about that before you answer.




7
Nice portrait.  Also I love seeing that procurve switch in the background. As an HP employee, thank you for helping to feed my family!   Now if we could just do something with that Mac.....  :-)  j/k


8
Software & Accessories / Re: Equipment Breakdown
« on: April 06, 2013, 08:32:22 AM »
In reality though, it looks like he's wearing an over the shoulder tool belt and has attached a homemade light kit on it.  My guess would be it is made of PVC and "hidden" with Christmas flare.   I used to work for a company with a lot of scientists that had photography hobbies.  They custom made things like this all the time.  I know its all about getting the right shot, but these things made them look silly too.  All he's missing in your picture is the hammer and one of those pouches full of nails.


9
Software & Accessories / Re: Equipment Breakdown
« on: April 06, 2013, 08:26:48 AM »
Looks like we have a new low orbit spy satellite.  I'm thinking it will be easy to shoot down.

10
Pricewatch Deals / Re: Nik Collection Bundle for $126.65
« on: March 29, 2013, 08:07:57 PM »
I got mine!  "Stuckincustoms" works too for the coupon code

11
Software & Accessories / Re: Nik Software worth it?
« on: March 27, 2013, 09:56:46 PM »
Thanks for posting - just bought it.  I loved color efex 3 in corel, but I've moved on to photoshop and lightroom.  This price is just right!   Thanks again for posting this.

12
Lenses / Re: New 100-400 to Launch with EOS 7D Mark II [CR2]
« on: March 27, 2013, 09:27:15 AM »
I'll get excited about this lens when it is available for purchase - until then I'm burnt out on annoucements, pre-annoucements, etc with no definitive delivery dates.  It reminds me of google and their perpetual beta software.  I'm sure this lens will amaze when available.


13
Lenses / Re: your goto everyday lens and why?
« on: March 10, 2013, 09:37:25 AM »
My everyday lens is the 17-55 2.8.  I love this lens and it's never let me down.
 :)

14
As promised, here are some pictures of my son's soccer game from this morning.   I've set my camera as I always do (see above) and I've attached some sample images for review/critique.  Soccer games at this age are very fun to watch because the kids are starting to get how to play together as a team, but there's still some chaos on the field.  My goal is to perfect my picture taking skills beyond that of a typical point and shooter. 

I uploaded a sample of the pictures to Flickr.  http://www.flickr.com/photos/77807708@N02/

My son is number 3, you can see him in image 95.  The issue I was describing regarding slow frame rate of my camera is illustrated in images 97-100.  I was trying to get a shot of my son kicking a goal kick but I got right before he kicked it (99) and then the ball isn't even in the frame (100).   I'm not sure what I need to do to correct my technique so any advice is welcomed.  It's tricky to get the timing down because children are so unpredictable.  I guess that's what makes a great photographer.

The images have not been altered, so you can see exactly how I've shot and how they are coming out of the camera.  I was using my 70-300mm IS USM lens for these pictures.  I didn't get many good pictures this time - I was the substitue coach today.

Thanks for looking and for the advice.



15
It's not the body.  And the problems the body has aren't ones that the 40D will necessarily solve.

My 2 cents.

Get a x0D series for the better construction, better viewfinder, better ergonomics and better control.

If you are otherwise happy with your T1i then here's a couple of things to try first.

1: On all EOS cameras the centre AF point has the best performance.  Your T1i is no exception, as it's the only cross point.  Go into P Tv Av or M.  Select the centre AF spot as your only active point.

2: Ai Servo has a better chance of getting the action shot that one shot AF.  One Shot AF will actually prevent you taking a shot, unless the camera thinks it is in focus.  This will make your moderately fast camera much slower,  and the same would be true of a 40D or 7D or 1D.  So go to tracking AF (Ai Servo)  learn to track for a few seconds, burst burst burst, track for a few seconds, burst burst burst.

3: Consider your lenses.  Dark non-constant max aperture lenses are going to really hinder your AF system.  The centre AF spot becomes even more sensitive with lenses brighter than f2.8. Spend some money on a bright USM lens.  The 50mm f1.4 USM or 85mm f1.8 USM will let in loads of light and really boost your AF performance.  And if your AF is fast, your frame rate is up!   You'll get the benefit no matter your shooting aperture.  If you put slow lenses on any body, you are going to struggle.  If you are shooting action, you should be using fast lenses regardless of the body.

4: Consider your format.  Where are these pictures going to end up?  Are they going to be A2 posters?  Or 9x6 prints?  Do you really need to shoot RAW?  JPEGs, particularly smaller JPEGs without in camera effects, will get the most out of your cameras buffer depth.  RAW is a killer, and max resolution is often overkill.

5: Memory card speed. When your 500D came out memory cards were much more expensive.  Treat yourself to a class 10 card, if you haven't got one already.  This won't make your camera physically faster, but it will reduce buffer bottlenecks when you are piling on the frames.

So yes, there are reasons to buy a better body, but I don't think a 40D is the answer to your problems.
Brighter glass will probably be more effective, as will a look at your technique and settings.

I used a 400D for a few years and it was a different camera with bright glass on it.  Centre spot AF. Ai Servo mode. Bright USM glass, faster card.  Exactly the same advice I would give to a 40D user.

Thank you all for your insight, opinions, and as always, great advice.  I've enjoyed reading the forums here and know that I can count on the group to steer me right when I have a question.

I realized that I didn't provide enough detail in my question after reading some of the responses, so here's the missing info.

First, I do enjoy the T1i, but I am wanting a "better" camera.  This doesn't mean I need it of course.  The biggest complaint that I have about it is that it doesn't fit my hands as well as a x0 model camera.  I also would desire to have a faster shutter speed, but after reading the responses, that may not be as much of a factor as perfecting my technique.  My last "complaint" is that it takes long for me to change settings.  I think I'm pretty fast at it, but there are some settings that require me to navigate menus rather than just using the dial on the back of a camera.  So my reasons for wanting a new camera are to be quicker with it, hope that the faster shutter speed will allow me to capture keeper sports shots, and ergonomics.   To help with the ergonomics, I did purchase a vello battery grip which fits my hand great - it just requires me to rotate my camera 90 degrees.

How I shoot sports photography:
I typically use either Manual or Time Value settings.  I use my center focus point and set my auto-focus to AI Servo.  For these pictures, I use jpeg on the large setting and I'm using a 32G class 10 sandisk memory card.  Most of my pictures, if I print them, will be 8x10.  I print very few posters if any at all - actually one to date.  Most of my pictures I put into memory books or just view online.

As for lenses, I've been using the following: EF-S 17-55 2.8, EF-S 60 2.8, and 70-300 IS 4.0-5.6.   Most of the time I use the 70-300 due to the distance between me and the field.  Last fall, I was able to use the 17-55 being on the side lines.   I primarily shoot in the daylight, outside, but my daughter does dive and the 70-300 suffers greatly in the natatorium lighting.  This is where I've been using the 60mm, though it is still a bit far away. Outside, I can shoot at 1/1000 or 1/1250 shutter speed on 70-300 with acceptable results.  I keep the aperture set at 5.6 so I don't have to consider changing shutter speed as much when I zoom on the 70-300.   I do try to keep my zooming between 135mm and 200mm - just for training as my wish list includes the 70-200 is L.  Don't want to end up missing 300mm :)  I usually turn IS off, unless I forget about it.

So, based upon the feedback I've received, what I need to do is to save and invest in some better glass and work on my technique first, then get a better body later.   The cost of the 40D I found is good, but I'm thinking that it will remain "good" and could get better if I wait.  There will always be a better deal.  In truth, I do want a 7D (don't need, but want).   It will preserve my lenses and provide growth room for me at a reasonable price.   The 40D I guess was a cost effective stop gap I was hoping to resolve my skill issue, but it's probably better I stay the course and not compromise or I'll be kicking myself later for it.   I also considered a used 1D MkII or MkIII as well, but if I go this route, I'll need to refresh my lenses as the only one I have that is compatible today is the 70-300.   That's not much of an option for me right now, in the future maybe.

My son's first soccer game is this Saturday.  I'll shoot some pics and post them on this thread for feedback.  I'm sure it will help if I show you what I'm doing rather than just telling you.

Thank you all for the advice.

 

Pages: [1] 2 3