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Messages - c.d.embrey

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EOS Bodies / Re: Canon Doing Market Research on Medium Format?
« on: August 06, 2014, 02:55:41 PM »
the nikon rumors website claims that no such thing is going to happen but i sometimes wonder if that website is more of an arm of nikon marketing ...

All rumor sites are arms of marketing to some extent. When a rumor site depends on anonymous tips (that's all of them) then the camera companies can manipulate certain rumors. This comes with the territory, and there ain't much that can be done about it.

Both Nikon and Canon Medium Format rumors serve as polls, i.e. would you buy one if it were made. And how better to get Canon/Nikon fans to take the poll than to float a Medium Format Rumor.

Lighting / Re: Studio lighting advice for a newbie
« on: August 04, 2014, 06:30:59 PM »
First you have to answer some questions. Why do you want to try studio work? Do you have an interest in Fashion Photography? Product Photography? Food Photography? Pet Portraits?

Some of the nicest studio shots you'll ever see were made in a daylight studio. No lights, just a large north facing window.

Canon General / Re: What is your Least Used Piece of Gear?
« on: August 04, 2014, 05:28:03 PM »
My least used gear are my Canon DSLRs and lenses.

EOS Bodies - For Stills / Re: Fun Arias rant on APS-C vs. FF
« on: July 31, 2014, 11:32:04 PM »
Who cares what Zack Arias has to say. His main talent is self-promotion, i.e. he's not much of a photographer. His major source of income seems to come from being a guru/media whore/pitchman. If he wants to maintain that income he has to stop acting like a hopped-up loon.

His understanding of photo history leaves much to be desired. Back in the day many magazine covers were shot with 35mm cameras (gotta love Kodachrome). Photojournalists stopped using 4x5 and 6x6 during the Vietnam War era.

Now-a-days no-one except pixel peepers care about sensor size. No. One. Cares. Got that -- No. One. Cares.

Professionals are shooting paying work with everything from iPhones to 8x10. The impossible Project is now making New 8x10 Polaroid film

So please don't bore me with senseless sensor wars. No. One (except you). Cares.

Photography Technique / Re: Recommendations for portrait cropping
« on: July 24, 2014, 04:43:51 PM »
One of the nice things about art is that there are no rules. Just opinions that people try to sell as rules.
I both agree and disagree on this one - there are no rules, but there are some guidelines like the ones Phil posted that certainly make a portrait look better.  For example, cropping at the wrist, knee, or ankle joints may not break any rules, but it's not going to make for a pretty portrait.
I agree.  I think it's a good guideline to follow "rules" within a range of scale. 

If you want your portraits to look like everyone's, then follow the rules. If you want to standout, then pay no attention to the rules.

Here are a few well known photographers work. Non of it is conventional. And some not safe for work.

Hedi Slimane  No three-point lighting set-ups here.

Richard Avedon  You won't find poses like these in any posing guide.

Juergen Teller  Horror of horrors, he uses on-camera-flash  :o

Mark Seliger has well over 100 Rolling Stone covers  Do you have a portrait of President Obama back in your portfolio ???

Photography Technique / Re: Recommendations for portrait cropping
« on: July 24, 2014, 07:56:11 AM »
One of the nice things about art is that there are no rules. Just opinions that people try to sell as rules.

They say that the "Eyes Are the Window to the Soul," so I like the motion picture Extreme Close Up (ECU) cutting off the chin and the top of the head

50+ Wonderful Examples of Classic Photography Portraits  Please note the #3 "Gone" violates the the suggestion of thirds ;)

10 More Tips for Stunning Portrait Photography

Do something different. Wideangle portraits  and Wide angle portraits: how to use your wide-angle lens to caricature your friends

Also check-out Stunningly And Incredibly Realistic Pencil Portraits

Software & Accessories / Re: Post processing workflow
« on: July 17, 2014, 01:00:54 PM »
What is your hobby? Photography or Retouching? What do you enjoy doing, taking photos or spending hours on your computer?

Me, I'd learn to get-it-right in camera. Also learn to use Custom Functions Here are a couple of links to help you learn  and

Also I'd use Canon's Digital Photo Professional, it's FREE software that comes with all Canon cameras.

A properly shot file should require little work, maybe some tweaking of curves.

Lenses / Re: What Lenses are missing from Canon's range
« on: July 16, 2014, 03:26:11 PM »
Both Canon and Nikon need primes for their crop-cameras (APS-C/DX).

I'd like to see these EF-S lenses:
1) An ultra-wide, non-fisheye, 8.75mm = 14mm FF, or a 10mm = 16mm FF.
2) A wide 14mm = 22mm FF.
3) A long wide 17mm = 27mm FF or 18mm = 29mm FF.
4) A 22mm = 35mm FF

Why not just use an EF-S 10-22mm you ask. Because it's big/bulky and doesn't open up to f/1.8

I'm not interested in impressing people with the size of my zoom. I'd rather disappear into the background with a small camera (SL1 maybe) and a small/light prime.

... this means they dont have to engineer their own solutions that one of the largest tech companies in the world has already solved.

Solved ??? seems to me FUBARed is more likely ;)

Here's a fun read on Military Slang

I've been using Great Whites for years, but I've NEVER considered buying one. As a Pro using a piece of gear three (3) time a week means you should probably own it. If less, just rent as needed. As some-one just using a 400mm f/2.8 once or twice a year, renting is a no-brainer.

A hobbyist needs to follow a similar idea. Will you shoot BIF (or surfing, etc) every (or most) weekend(s)? Or will you just use it once or twice a year, while on a trip?

On one of the fora, about ten years ago, there was a guy who claimed to own every Great White except a 1200mm. He also claimed to have never opened a box (that would destroy their value). So are you a photographer or a gear collector (who seldom uses his gear).

BTW big lenses need big support, so you will need a gimbal head or a SharpShooter rifle stock Or maybe both :)

I've been a Windoz hater for over 20 years. The reason I did not buy a Nokia Lumia 930 was, you guessed it, Windoz Phone 8. BTW I use a 2006 LG flip-phone, so please don't call me an Apple fanboy :)

If a Canon camera comes along that I'd normally buy. But it uses MicroSoft code, I'll have to pass. Back in the day, when I did HTML coding (by hand), I learned to h8t MS, and their non-standard (and buggy) Windoz Explorer. Been there, done that and I ain't going back :( YMMV.

EOS Bodies / Re: A Few EOS 7D Mark II Specs [CR1]
« on: June 11, 2014, 12:35:17 PM »
If this is in a 1D body with built in battery grip, I can see a lot of enthusiasts disappointed. When the 80D or 90D comes out, they'll say that is what the 7D2 should have been.

Oops! You beat me for a couple of minutes... As you said, I would have been disappointed in the past, but honestly I must say I'm changing my mind as time passes, despite what I had said in prevous discussions. Anyway, the assumptive departure of the mode dial only suggests a higher chance for an integrated battery grip, I can't think of a valid reason for a non-gripped body not to sport an EOS 1-type top plate.

Pop-up flash: I like, IR flash triggering should be there in this case, but radio? Having both options would be really great.

One of the main reasons that I use APS-C is that they are smaller and lighter than Full Frame cameras. Why would I want a gripped body that is larger and heavier than a 5D3 ??? Makes no sense to me, therefore a Deal Breaker..

EOS Bodies / Re: A Few EOS 7D Mark II Specs [CR1]
« on: June 11, 2014, 11:06:38 AM »
How about some Pro Lenses to go with the Pro Body. Maybe a 9mm (14mm FF), a 17mm (27mm FF) and a 22mm (35mm FF). F/1.8 would be a good compromise between fast and light.

Lenses / Re: Review: Canon EF-S 10-18 f/4.5-5.6 IS STM
« on: June 03, 2014, 02:59:09 PM »

It's truly bizarre to me that almost 20 years after Canon's first IS lens people still insist on staying ignorant about the benefits of IS. IS is not just about counteracting shaky hands, IS allows you to shoot at lower shutter speeds than you normally would. f/4.5 with 3-4 stops optical stabilization on this lens will be able to handle lower shutter speeds than f/3.5 without on the 10-22mm. Can you use your imagination to think of any scenarios where lower shutter speeds are indispensable?

I can successively shoot an EF 85mm f/1.8 at 1/4 second on a crop-camera. Therefore the EF-S 10-22mm f/3.5-4.5 is not a problem, for me. YMMV. I can also drive a stick-shift (manual) transmission car. YMMV.

There are many times an IS system is handy -- Long Whites comes to mind. But a 10-18mm you've to to be kidding!

But not-to-worry, your side has won  ::) Canon has also added Image Stabilization to the EF 16-35mmf/4L IS USM. When will Canon add IS to the EF 14mm f/2.8L and EF 15mm f/2.8L ??? I'm sure that Zeiss will soon add IS to their Wide Angle Prime lenses :)

Lenses / Re: Review: Canon EF-S 10-18 f/4.5-5.6 IS STM
« on: June 02, 2014, 09:21:22 PM »

Updating the 17-55 and producing a high end constant aperture replacement for the 10-22 (f/2.8?) would be a good start ...

The variable aperture 10-22mm is fairly heavy. For Me a 10-18mm (16-29mm FF) f/2.8 would be a better/lighter choice. Even better, for me, would be 10mm f/1.8 (16mm FF), 17mm f/1.8 (27mm FF) and a 22mm f/1.8 (35mm FF) primes.

At the moment, Canon's message seems to be that if you want anything more exotic that a slow zoom, you need to go full frame. Whilst many will (including you and I!), many others will decide it is not worth the extra price and bulk; they will switch to one of the increasingly capable alternatives.

Canon, Nikon and Sony are trying tp move their customers to High Profit Full Frame cameras. The lack of a 7D2, D4 and NEX 7 II may be a costly mistake.

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