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Messages - lastcoyote

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61
Software & Accessories / Re: Lightroom 5
« on: August 10, 2013, 05:03:24 PM »


great, thanks for that info.
when you uninstall the old version (4.4 in my case) do you have to manually delete the old catalog and previews then or does it ask to do this when uninstalling?

Why delete your old catalog when you can open it in LR5 and not lose all the work you've done?  You might get prompted about updating process versions but that is easy enough to cope with if you feel the need to rework existing images.

Jim

i'm talking about deleting your old LR4 catalog only once LR5 upgrades your old catalog in to its own new one. so you'll lose no work. at which point you can then get rid of LR4 and work solely in LR5. if that be your desire.

62
Software & Accessories / Re: Lightroom 5
« on: August 09, 2013, 09:17:25 AM »
anyone able to explain why LR5 installs seperately from LR4?
Have all the new versions of LR done this? I've only used LR4 and still am. Not moved to 5 yet.

I've been using LR since v1, and all major version upgrades (2,3,4,...) have installed separately, and copied and upgraded the catalog from the previous version. When upgrading the catalog, though, the "process version" is not changed so your adjustments and sliders stay put so and don't need to rework all your images unless you want to take advantage of the new controls.

The upside of this is that you can keep working with the old while getting used to the new, as long as you realize you're working with two independent catalogs when it comes to importing new images. You can then uninstall the old version and delete the catalog and previews when you're ready to move on.

great, thanks for that info.
when you uninstall the old version (4.4 in my case) do you have to manually delete the old catalog and previews then or does it ask to do this when uninstalling?

63
seems I'm not the only one with this issue. this person in the link below explains exactly the problem and I get the same behaviour with the other colour space settings too depending on what is set in Photoshops camera raw 8.1 workflow output color space:

http://feedback.photoshop.com/photoshop_family/topics/lightroom_4_4_1_edit_in_ps_cs6_with_srgb_configured_opens_in_acr_color_space_instead

annoyingly when I log in to that forum in the link above it doesn't seem to show me as being logged in so I can't reply to the thread  :-\

anyone else able to shed any light on this issue? I guess the answer to that is No as no one has replied so far  :(

64
Software & Accessories / Re: Lightroom 5
« on: August 09, 2013, 06:46:22 AM »
anyone able to explain why LR5 installs seperately from LR4?
Have all the new versions of LR done this? I've only used LR4 and still am. Not moved to 5 yet.

65
Software & Accessories / Lightroom 4 Edit In Photoshop CS6 sRGB Issue
« on: August 08, 2013, 12:57:53 PM »
Hi I wonder if anyone can help with this strange 'bug'?

I have Lightroom 4 which is showing as version 4.4 with Camera Raw 7.4.
I've created some external editor presets depending on the type of file I want to 'Edit In' to Photoshop.
They are all basically set to PSD's, 16bit, 300ppi and then either color space set to ProPhoto RGB (lightroom default), AdobeRGB (1998) or sRGB.

When I Edit In a lightroom adjusted raw file (CR2) to Photoshop using my Presets that I've mentioned above all work correctly and open up the file with the correct settings and color space EXCEPT the preset that is set to open as color space sRGB. This instead opens to AdobeRGB  :o

Now I've actually got a little further with this problem in that I've worked out that it seems to because of the Workflow options in the Camera Raw version of my Photoshop CS6 which happens to be version 8.1.
So If I open a CR2 file straight from Photoshop it pops up the Camera Raw window and at the bottom where it shows the workflow settings if I click on that and change it to sRGB for the color space if I then go back to lightroom and Edit In a file to Photoshop with my sRGB preset it now works and opens up with the sRGB color space.

Anyone know why this is happening? I wouldn't have thought that the Workflow settings in Camera Raw of Photoshop would have any influence on my Edit In preset settings in lightroom.

This hasn't always happened as far as I'm aware. Maybe it's started from an update to Photoshop and its Camera Raw version ??

Anyone shed any light on this for me?

66
Lenses / Re: Canon EF 24-70 f/2.8L II
« on: July 16, 2013, 04:04:36 AM »
Hi guys, just wondering how many of you use a circular polariser on your copy of the 24-70 f/2.8L II?
I haven't got a CP yet but considering maybe that I should have one for use with this lens.
If you do use one how often is it on the lens? Is it only for the odd occassion or more?
Also any recommendations on filter purchase? All my screw on filters are B+W and am looking at maybe the B+W MRC Nano XS-Pro. Expensive but maybe worth it. Especially as it's slim mount with front threads.
Suggestions welcome..
I splurged on the 82mm B+W MRC Nano XS-Pro and it is a beautiful filter but I can't tell much of a difference between it and my Hoya 77mm Circular Polarizing HD filter.  The construction is a bit better, but Hoya sent me a brand new one when I foolishly separated mine while under warranty.  I use a polarizer a lot in Florida for water and foliage and if you follow B+W & other's recommendations not to shoot under 28mm, it works great, although, I've shot plenty at 24mm.  It works fine if I'm careful about the "effect".

As for frequent vs. occasional use, that's up to you.  If you need one or use one already, it may be worth it, but if you mostly shoot people and don't get around the water, wet landscapes, foliage in the sun, big windows, etc. your better off spending your money elsewhere.

Also, using my polarizer leads me to my one gripe about the Mark II - plastic filter threads.  For $2k+, that seems ridiculous!

thanks for the reply mackguyver. yeah I think it'll be something that's nice to have in the bag when I need it rather than something that i can't live without. however I often come across articles that say it's the most important filter you can have. maybe I'll just wait till money is flowing a bit more freely than it is now and get one then.

67
Lenses / Re: Canon EF 24-70 f/2.8L II
« on: July 14, 2013, 02:18:38 PM »
Hi guys, just wondering how many of you use a circular polariser on your copy of the 24-70 f/2.8L II?
I haven't got a CP yet but considering maybe that I should have one for use with this lens.
If you do use one how often is it on the lens? Is it only for the odd occassion or more?
Also any recommendations on filter purchase? All my screw on filters are B+W and am looking at maybe the B+W MRC Nano XS-Pro. Expensive but maybe worth it. Especially as it's slim mount with front threads.
Suggestions welcome..

68
EOS Bodies / Re: EOS 70D a New Benchmark in ISO Performance?
« on: July 01, 2013, 11:44:50 AM »
i'll be really pleased if the 70D and the 7DII have nice clean low iso noise files and good DR as I'll be interested in replacing my 40D for my macro work with either of these bodies.

69
zero AFMA needed on mine. took a few replacements to get an issue free copy though (and i don't mean focusing issues). my patience has been rewarded with a super sharp copy.

70
Lenses / Re: Canon EF 24-70 f/2.8L II
« on: June 27, 2013, 05:35:14 PM »
just thought i'd mention that i've noticed significant copy variance. i went through 4 copies due to unfortunate problems (never had issues like this with any other lens purchase). first copy i had seemed fine and sharp however after a big outdoor session with it i felt it had the dreaded decentering issue as the right edge was always rather soft. returned it and then had a strange clicky zoom ring noise issue with the replacement as mentioned on these forums. someone else has had this too. seems to be a problem with a batch of the newly made copies. shame as it was lovely and sharp. so back it went for another. the third copy was a lemon. after proper testing i found it incredibly soft wide open (compared to previous copies) and it didn't improve much stopping down. especially at the tele end. no amount of AFMA helped. it wasn't down to a focus issue. went back for a fourth copy. first shot i could tell straight off that it was an absolute beauty. sharp as a razor across the frame. even wide open. both wide and tele end. finally got a keeper. yay!  ;D it was from last octobers manufacturing line (with old style lens cap). obviously i'm really pleased but the reason why I say all this is that it may explain why some are raving about the lens and other not so impressed. i believe like the mark I version there are indeed some copy to copy variances. to be fair i mostly read great things about this lens so thankfully it seems there are more great copies than poor/average copies.

71
all very helpful info so far thanks  :)

72
maybe it would be sensible to go for a soft ND Grad first then.
WEX in the UK here have 10% off filters at the moment and typically they're out of stock of almost everything Lee  >:(

73
Foundation Kit, a 0.9 soft-edge ND grad, the Big Stopper, and if you plan to shoot straight horizons (ocean, etc.), a 0.6 or 0.9 hard-edge ND grad.  If you'll shoot sunsets on the horizon, consider a 0.9 reverse-grad ND (e.g. Singh-Ray).

yeah this is kind of what i'm thinking of getting.
still undecided on whether to go hard or soft on my first ND Grad though  :-\

74
I wonder if anyone would post their suggestions on what is a good starting place when it comes to Lee filters?
I know they do a Lee Digital SLR Starter kit but not sure if the included 2 stop filters are the best starting point as I read a lot of people prefer the 0.9 (3 stop filters).

So maybe buying the foundation kit and getting seperate 3 stop ND and NDG would be better?
I know these things are really a matter of what you want to be able to achieve with them but still if we're talking a good starting point what would you suggest?

I'm initially going to be using this with my 24-70 f/2.8L II lens by the way.
I've already bought a Lee 82mm wide angle adaptor ring. I'll also be buying a Big Stopper at some point in the future too.

Any advice welcome...


75
Lenses / Re: 24-70 II slight clicking sound when zooming
« on: June 07, 2013, 12:04:40 PM »
I got the store to cancel my purchase and got it somewhere else. I got the 2012-edition this time, old style lens cap, which I love. And the mechanics feel MUCH better! No Noise, no squeaky AF and if anything this is even sharper at all focals.

I got an explanation from the rep guy as to what causes the noise (please note I'm simply quoting him as I have no idea about this myself)

He said there's a brass or copper band around the inner barrel that has a brush mounted to it that reports focal length to the camera. And he had taken in 5 (!!) 24-70 2013 editions with the same exact problem. And he said that brush is simply mounted to hard so that it grinds, it's nothing faulty, and it would loosen up and become normal. He understand fully that I didn't want to wait to "break it in" so I simply got my money back.

interesting. i'm glad it wasn't just me who felt it was worth returning it for though. I was starting to think it was just me being fussy. it must be quite a stiff brush attached to make such an audible 'tick' sound. it certainly didn't sound like it would go away any time soon to me.

as you say the ones made last year were fine. my new copy was made i believe in october of 2012 and is dead quiet and nice and smooth. also it appears to be as sharp as the returned copy. i need to go out and do some proper shooting though to confirm this.

EDIT: huh just seen your reply neuroanatomist. that's how i aged my lens too :)

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