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Messages - TommyLee

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31
we all have to go sometime

maybe if he was still alive...
you could hook up the Sigma Dock..
and he could walk out...on the dock



32
     Thanks for all the really great responses.  I really appreciate it.  I think I'm gonna go with the 135 so feel free to let me know if anyone would like my 100 2.0 or 200 2.8 II ( corsteiner@aol.com ).  I like primes a lot.  Maybe it's partly due to having one less thing to do (zooming) so as to focus more on everything else.  I think, too, that there's just a different quality to the result, but I'm not experienced enough to say that with total confidence.
     Much appreciated.

good choice...
if you find more light than you thought ...and more $$$ lying around you can do a 70-200 II...
it is great..
but the clean simple solution is feet + 135L + FF(center crosspoints) ...
you will have enough variables past those features....

it will work!!!

I also tried a lot of things in dark jazz clubs..
the 85L II, 135L ,24L  (didnt have sig 35 at the time but it would have been wonderful) 35L

but in the clubs I needed a bit more reach so as not to fall onto the stage (ha)...
THAT is why 135mmm AND f2 .................  WORKS.......
Canon will have a very hard time replacing this 135 f2 lens...
and sigma's (rumored) 135 f1.8 OS will be a crazy new lens ...if it arrives.....

this is why I decided that 14L II,  sig35 1.4 and 135L are a complete kit....
(as if there is such a thing)

TOM

33
EOS Bodies - For Stills / Re: Camera for keen 9 year old.
« on: August 19, 2013, 11:54:13 AM »
Keep an eye on WEX used section, I picked up a 400D body for £79 from them and it looked basically new. It would be a great place to start and to grow from, admittedly once you've added a kit lens it'll be more than £100 but not by much, I've seen the kit lenses go for less than £40

I believe this is right on....................
this sounds ...as close as one could get to the budget and still have real camera control...

an (near) obsolete slr... but enough to try the features ...set things etc....


for sure done  breakdown and 'project'... and get some new cropper or a midrange slr and a good lens....not yet...
as you said.... try the small path FIRST

spoken as a grandfather who would LIKE to see the kids - grandkids get 'hooked'....

they will tell you if they NEED more

TOM

======

I ......ALSO.....discovered my girlfriend did NOT WANT a big camera ...just one in purse...
doh!.....  THAT.....is projecting our vision.... not everyone is a photojournalist-geek

so....go slow...


of course...
IMO

34
option 1:
stick with the 5D3

5D3 + 24-105  + 134 f2

add a... tamron sp-pro 1.4x TC... or Canon 1.4 III......
for the 135 and a set of kenko extension tubes for macro
the VERY next lens would be a sigma 35mm f1.4

finally.... if you want really wide
 a 14L II or something more exotic

the final primes would then be ....14, 35 and 135 ..... IMO ......all needed range  covered
....cept for the very long stuff....
and you already have the 100-400

so option 1....but add the sigma soon


Enjoy

35
Lenses / Re: Best setup for falling stars
« on: August 18, 2013, 08:46:35 PM »
Best set up for falling starts?

You could try the Betty Ford Clinic?


ha ha you beat me to it

FIRST OFF people here have great ideas and pics... wonderful...

on a less serious note
I usually use a 35 f1.4 sigma ..... on Lindsy Lohan...in the clubs....

sorry ......when I saw your post I had to un-restrain myself....

again........... I love the REAL work here

TOM

36
yrs ago I did ballet /rehearsals and the like with 1d3  and 5D2...
this was a dark setting ...i mean poor light and even sometimes natural light but not enough of it
so dark and action  =  f2 NOT f2.8

I also had 100 macro (non L)

the 135 f2 was great on the 5d2 ...the 1d3 was fast but iso limited..
NOW
the 6d with 135 will be just right...
not quite as fast to focus/frame rate.... but plenty on light

I have not used the 100 f2 ..but it is not as good with ITS wide open setting...

my 70-200 f2.8 II...is good but I believe not fast aperture enough....

the 135 and your feet are the solution...chase and frame everything...
just use the center cross point..... I think...
... IN MANUAL......keep the shutter speed up......and let the iso float...auto
? spot meter?... that is up for discussion....

nothing else (ie no other mentioned hardware) will work as well...and be sharp and clean..(cough 100 f2...cough)

 IMO...
but what do I know.....

6d and 135L ...has to rock.... in some way.... for this........

TOM


 

37
Lenses / Re: What lens delivers the strongest background blur?
« on: August 14, 2013, 10:42:56 AM »


Wait till you try the 24mm @ f1.4, get closer with stronger perspective distortion, yet still provides tons of blur. That is why 24 1.4 is special, it offers this effect at widest angle of view in 135 system. :P

yes...it is a fun lens for sure....
I also like flower shots on it....  and when I first got it I went off in that direction for while...

this is my 24 L mk I  .... mine is a sharp copy...but the mk II is sharper and less CA/fringing...
I didn't upgrade my 24L because I didnt use it enough...and the improvements not enough to justify the $$....but mk II is pretty nice

a 24 1.4 (wideopen) in a club or cafe or the street... in the evening... is very fun.

I find the 35 sigma giving canon a run for the money...
I would like to see them beat sigma with their 35L II...



38
Lenses / Re: What lens delivers the strongest background blur?
« on: August 11, 2013, 11:07:24 AM »
I have enjoyed reading this discussion ...and learned a lot...thanks


.......Ok [comparing] a tractor to a lamborghini then.




lamborghini makes a very  nice 4WD tractor

just sayin'

////////////////
those long lenses are nice..... that 200mm f2 shot was especially lovely...


but
I think there is a lot to be said for a moderate wide angle (35mm)  FAST(f1.4) lens that can include
a prime subject ....close up... and yet blur out - but leave recognizable -  a nearby secondary background subject

choose your fav brand.....

I like that compositional effect

this needs  - I think a close focus ability and a secondary subject  not-too-far-away
I think some of the discussion covered this issue




TOM




sigma 35mm @ f1.4

39
Software & Accessories / Re: Canon Close Up Lens and Step-Up rings
« on: August 10, 2013, 09:49:59 AM »
yes they work great...just get the 77mm
( I am not aware of any issues with a very small distance added by the ring...if that concerns you)

I bought the 77mm (largest) 500d
and a few  rings....
77-72,   77-67,  a few others  ... even for the original 58mm-thread, 100mm macro

when I used the 500d more... I left a 72-77 ring on the 135 f2...\
and 67-77 on the 70-200 f4 I.S. .....
.....AND got lens caps in the 77mm size for each

further, I worked out a system to carry the 500d with its own dedicated 77mm lens cap
and left the most used ring (72-77) on the back of the diopter....
and....had a litte case to carry the package...

this kept the  surface pristine/unscratched...EVEN if I had in a pocket for quick use

I used the 500d on the 70-200 II (77mm), 24-105 (77mm) and 135 f2 (72mm)  the most

so when I have a tele lens on, I can reach into my pocket get the 500d - protected by a lens cap AND an adapter ring......
if it is a 77mm tele...I remove the ring ..........if it is a 72mm tele I leave it on and attach to lens

this is how I used to do long walkabouts with the 24-105 ...for example
it really was a useful, quick switch into 'macro'.......
walk thru the 'hoods' shooting houses..... bldgs...
when I saw a nice front garden with bees and such..
grab the 500d from my pocket, and QUICKLY convert the 24-105 to a macro and get some shots..wonderfully efficient...I got so I could do the whole thing without losing eye contact.

this (and a 12mm tube) would make a FF camera + 24-105 into a great travel system... so you can shoot Paris flowers too without carrying a macro lens
/////////

I just took a shot of the typical kit for you ............attached
hope this helps

TOM








40
Lenses / Re: Sigma 24-70 f/2 OS HSM Coming? [CR1]
« on: August 05, 2013, 04:42:50 PM »
I think the new series of Sigma lens are amazing and they are so sharp it is scary!  However not sure if I was the only one experiencing this but after buying the Sigma 35mm 1.4 (their new one) I ended up returning it and taking the older Canon 35mm L 1.4 instead.  While the Canon is less sharp, I was always finding exposure to be weird with the sigma .  With the Canon 35mm however my exposure was always on the notch.

Anyone else experience "exposure" challenge with the new series of sigma lenses?


not me...
sorry you had a bad experience...and your 35L is likely pretty good...however

me
I sold my 35L - actually in anticipation of a coming 35L II...I was not using it as much as I thought..maybe because wide open was not quite 'there'...liked it but was preparing for a coming Zeiss killer....

I did like to use the shorter 35L hood also on the 135L .........made a nice small kit...with just a little lens bag....and they shared filters too......but the CA and sharpness was one notch low...

but then ....Canon ran into the closet and shuddered...(it seems to me) ...with their current, unreleased - 35L II  at the appearance of the sigma 35 1.4...and its loved performance .....so I tried it...

it is a couple clicks off perfect (MAed to my 5D3)...and sharper wideopen than the canon was at f2 or f2.8
solid exposure, colors...very low CA/fringing....almost as fast to focus if not the same...and accurate
(I give credit to the 5D3 there)
if Canon puts OUT their revamped-but-struggling 35L II-b, then I will try it....
of course it will be $2000 or so....ha!

also canon better get busy replacing the 180mm macro with a f2.8 I.S. or maybe f4 I.S ...or I will just relent and dive into Sigma again...

well,
while I am on the subject...the 24-70 f2 rumor (with or without I.S.) may also take some of my money...

/////////
I am glad your 35L pleases you ......mine did not - fully ..... to answer your question

I love Canon but they need to get their board and engineers awakened... 
just how I see it

I recommend the sigma 35 ..... maybe try another one

TOM

41
Reviews / Re: Review - Canon EF 16-35mm f/2.8L II
« on: August 03, 2013, 08:31:01 PM »
I switched from crop (10-22 canon)  to FF ... w/16-35 II and saw a fair bit of improvement....
loved this lens on the 1DIII ...

I finally got the 14L II which has a lot less distortion full-wide ... but a lot more fringing / CA ...
(mostly correctable)

but I COULD NOT sell the 16-35 II...just too useful...mine is clean and sharp

I find the 16-35 and a 100L macro  make a nice walk-around pair...so capable
(I sometimes bring the 14L and sig 35 with the 100L or 135L  as an alternative setup)

but
the review was nicely done ...not a techy review..
but I must say some very nice shooting examples...
really showing what the lens can do...within a short report


the 24-105 is a nice lens and meets most needs...as a one lens kit
but 24mm ...never seems to be quite wide enough....

so .. 16-35 is ....a good lens to have for FF shooters
it really is the way to go for FF wide - IMO

just my thoughts ...thanks for a good look at it


I find this site pretty useful.....
TOM



42
Lenses / Re: 85L or 135L?
« on: August 01, 2013, 07:28:46 PM »
earlier I said  ...with a few details...
that you could get the 135L AND a Sigma 35mm f1.4  ...... for the price of the 85L II (which I do love...)
well if you got the Canon 135 f2 USED  you could get.............................

a USED 135 f2, - beautiful with good reach and extendable to 190 with a 1.4x TC
a new Sigma 35 f1.4 - top of the performance heap
...and a used 85 f1.8  - a close performer-competitor of 85L f1.2...faster to focus

...all for  the price of a NEW 85 f1.2L II ......
close enough in price .... to call an even exchange... IMO

three lenses 35, 85 and 135...
fast, famous, well-performing glass
covering a wide and popular range...

I can speak for all the lenses except the 85 non-L ...just relying on comments and test results

what I say again is that the 85 L  is wonderful but too spendy and specialized - IMO - when compared to some great high-performing alternative sets of lenses

.....................................................NOW.............................

all that said ....and re-reading BECKSTORY post...  MONEY ASIDE

I say
just add the ....ethereal, magical.... 85mm f1.2L II  .....  and end this quest....

it is different.... the others are NOT of the same planet...
I know you waited for this to finally get said....

I like the 85L wideopen or .....usually below f1.4..
there..... it is special.... and there it .... welcomes the companionship of Sigma 35 f1.4....
others stay at home that day............... ok maybe the 14L sneaks a ride ....

but in the weak light........ those two rule IMO

you have to get out just before sunrise ...in a city.....to see what I mean


TOM

43
Lenses / Re: Wide angle lens' for crop sensor camera
« on: August 01, 2013, 09:17:32 AM »
agree with neuro here..,,
I have not tried Tokina 11-16 ...but Canon 10-22 is a good performer...
solid build

It should come as kit lens on crop body  -  IMO

I sold mine for $700 after yrs of use ...more than I paid new..
they are avail used...just check out to insure it is optically right...

usually less than $700
refurbished from canon would be ideal

I went from crop body to 5D2...
the 10-22 was last lens sold before the crop body (50D)

as the wide end on a cropper, the 10-22 (becomes 16-35mm) prepares you for a lot of options
to cover useful range...
...the 24-70/105 zooms fit right in..
I liked carrying the macro/ 10-22 as a 2 lens kit....
//////////

16-35 II replaced the 10-22 on FF.. same basic framing... a little better than 10-22..
then got 14 L II
still have the 16-35 II .. too useful to give up

resale of 10-22 is solid too..
as I said TOKINA might be good too...did not try it..heard good things

just my opinion

TOM

44
Lenses / Re: Wide Angle lens for my 6D
« on: July 24, 2013, 04:17:19 PM »
IFF ...
you had a 16-35 II..
you could take the 100 macro and be done....

that would get in at ABOUT the $1000 level

I hate to say it
but
the 14L II, 35 sigma and the 100 macro would be lovely for travel...meet all the normal needs

that is at least $2500 put into the 14mm and 35mm  lens... selling the 24-105 nets  $650+
gets you down to ~ $850 short  past the $1000 limit

you could just get the 35mm siggy and accept 24mm as widest...

I believe a traveler should have a very good f1.4 to f2 lens ...near the normal range.. for clubs etc....
...more important than LONG.....  IMO


travel safe

TOM




45
Software & Accessories / Re: PC Monitor for photo editing
« on: July 23, 2013, 04:17:36 PM »

So what is the price difference between the 24" -27" and 30"?
This new monitor will sit alongside my current 23" Samsung monitor on what is a decent size desk but going any bigger than 24" might not be a good idea for me.
[/quote]


yes yes
there is some logic to staying at/near 24"...with two mons
keep that thought...

a very large ......and a medium mon  dont mix well in the dual mon setup

I believe the NEW dell 30" was about $1100, the 27 dell at that time was $750-800 I think...
and whatever the newest 24" is ...it is way cheaper / even with IPS and better qual/features...

having 2 mons.... seems logical to have two (about) the same size..
I left that place and just went for one large one..
gave my girlfriend the old 24"
and I missed it after 5 mins....it was a great bit of hardware...lasting thru 3 CPUs

maybe the newest / (researched) ...best.... 24" dell is  ...an inexpensive and good option..
I gave up calibrating mons because I never print and just shoot to see what I have... just for my eyes

but if 'cal' is in the cards ...then that is also a cost...maybe on the 24" for sure
I am not a reference here...

except that DELL was always a very good value... and still seems to be ... 24-30"

just my thought

//////

spend the little leftover $$ or pounds (if any) on a samsung 840 pro ($250) ....256Gig  ssd...ha!
they RIP...

good luck on choices

TOM



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