June 20, 2013, 12:45:47 AM

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Messages - V8Beast

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31
Lighting / Re: 600EX RT vs AlienBees
« on: March 23, 2013, 08:12:03 PM »
A great benefit of the clean high ISO ability of modern cameras that rarely gets discussed is how far they allow you to push the output of a Speedlite. It takes a lot of juice to light up a car, but at ISO 800 - 1600 it can be done, even stopped down to f/8 or f/11.










The big catch, however, is that when used in such a fashion, Speedlites give off some nasty, disgusting light. They're a PITA to use for shots like this, and are extremely finicky in terms of getting your angles just right. If not, you get hot spots galore. 

Aside from the output advantage, IMHO monolights yield a much more pleasing light quality with far superior fall-off characteristics. They're much more forgiving if your light positioning isn't spot on, too.

As for differences in power, this was shot with two 550EX's at ISO 800 at f/8. I was very difficult to light the rear quarter-panel without the front fender being dark, and vice-versa.



I took a similar shot of the car with some AB800s, and the additional power allowed stopping down to f/11 at ISO 400 with the monolights in the 1/2 to 3/4 power range. More importantly, the light quality is sooooo much better with the monolights.

It's not to say that Speedlites are junk. In fact, I use them far more often than monolights. Even so, just because you can make them work, through sheer will power, in situations they aren't well suited for doesn't mean they're the ideal tool for the job in those situations.

32
Lighting / Re: Phottix Odins, monolights, and HSS
« on: March 23, 2013, 07:42:45 PM »
http://www.paulcbuff-techforum.com/viewtopic.php?f=8&t=2455


To plagiarize what someone posted in that link:

"Remember that Hyper-sync (PW) and Highspeed Sync (Canon) are two completely different things.
The first is a tweak to X sync timing that permits taking best advantage of a strobe tube's tail after the main burst. Essentially making the strobe a short duration continuous light source."

I thought that's what the Odins are supposed to do, but perhaps I'm mistaken. I wouldn't expect a monolight to pulse like a Speedlight in HSS. That would be insane :)

33
Lighting / Phottix Odins, monolights, and HSS
« on: March 23, 2013, 07:26:28 PM »
Maybe I'm on crack, but I thought people have successfully used the Odins to high-speed sync monolights? I tried HSS with the Alien Bees today but no workie :( Am I doing something wrong?

The way I understand it, in HSS mode the Odins are supposed to trigger the monolights to fire right before the shutter opens. All I got was a black exposure.

34
The more money Canon milks from its entry-level product line, the more money it has to invest in its pro and semi-pro gear. Sounds good to me ;D

 

35
Sports / Re: Cars cars cars (and some bikes)
« on: March 19, 2013, 11:30:31 PM »
Stumbled upon this one while out wandering around Newcastle Uk. Luckily had my walk around camera Sony Nexus 5N which I love!


Ferrari 458 Italia, Newcastle by TomScottPhotographyCumbria, on Flickr


Ferrari 458 Italia, Newcastle by TomScottPhotographyCumbria, on Flickr


Ferrari 458 Italia, Newcastle by TomScottPhotographyCumbria, on Flickr


IMHO, the 458 is the greatest supercar on Earth at the moment. What a machine!

36
EOS Bodies - For Stills / Re: Own a 5D3 - need a backup...
« on: March 15, 2013, 04:19:40 PM »
For $700, you can't go wrong with a 5DC. Like RL said, even an OLD full-frame body like the 5DC crushes a 50D and 7D in terms of ISO, color depth, contrast, and overall IQ.

In fact, Canon has made very little improvement in IQ to its current flagship crop body (7D) versus it's OLD crop bodies (10D/20D). According to DxO:

20D
Overall Score:      62
Color Depth:        21.9
Dynamic Range: 11 EV
ISO:                      721

7D
Overall Score:       66
Color Depth:         22
Dynamic Range:  11.7 EV
ISO:                       854


Now compare this to the 5DC:

Overall Score         71
Color Depth:          22.9
Dynamic Range:   11.1 EV
ISO:                        1368


Having shot with all three bodies before (20D, 7D, 5DC), DxO's ratings translate to field performance rather well. Interestingly, although the 7D has the edge over the 5DC in DR on paper, I find that the 5DC handles fine tonal gradations (especially grays and blacks) soooooo much better than the 7D that I don't care at all about it's .6 EV disadvantage. If you can put up with its horrific AF and antiquated screen, the 5DC still offers exceptional IQ. 

37
Canon General / Re: How to Pre-Visualize like Ansel Adams
« on: March 14, 2013, 09:04:26 PM »
There is so much that is ignored these days - composition, lighting, shot set up and so much other relevant important stuff that makes you wonder what the hell is going on.

That pretty much describes every watermarked snapshot ever posted online. I suppose watermarking snapshots is some bizarre form of self-flattery I've yet to fully understand ;D

Watermarked snapshots for life ;D!

38
Stunning work! Please post some more images :)

39

I will re-evaluate my gear when the 5Dmk4 and D900 get released. until then, I an only trust my eyes and I just can't see myself shooting with anything but the D800 for nothing gives me the confidence that I will recover all the detail with the least artifacts like that camera does.

So I take it that you're still hanging around a Canon forum waiting for rumors on the 5D4? Talk about being proactive ;D

40
If you don't have those options, and if the scene you photographed clips white and black, what do you do?

Concede defeat and try again when......

Quote
You can choose to shoot when the scene doesn't greatly exceed camera capabilities. You can choose to limit the scene DR as viewed through the lens with filters, or by artificially lighting the shadows.

If you're shooting with natural light, and you don't have the means/skill/will power to manipulate that light with modifiers, filters, diffusers, flash, etc., then you just have to accept that there are certain situations where you simply can't get the shot you want to get. That's just he way it goes, homie :)

More DR is always welcome, but unless you shoot landscapes and have little control over where and when you shoot those landscapes, I can't think of many situations where a photographer has no means of stacking the odds in their camera's favor.
 

41
Can't go wrong with Eneloops. I love mine.

42
EOS Bodies / Re: Canon EOS 7D Mark II Information [CR1]
« on: March 07, 2013, 02:44:13 PM »
If Canon puts a 61-point AF system off of the FF 1Dx/5d3 on a crop sensor, does that mean it will cover a larger percentage of the frame? If so, I'd imagine that you could get the 61-point system to cover a massive percentage of an APS-C sized frame.

Having more AF points is great, but what I really love about the 61-point AF system on the 5D3 is that it covers SO much more of the frame compared to the 5DC and 5D2. This is such a nice luxury if you frequently shoot subjects that aren't centered in the frame.

43
Lenses / Re: your goto everyday lens and why?
« on: March 04, 2013, 12:10:09 PM »
The 24-105 offers the ideal range of focal lengths for most of what I shoot, so it's the lens I use most often. Throw in the image stabilization, and it's a very, very versatile lens.

I get a kick out of people that go poopoo on this lens because it can't hang with fast primes in lab tests, or because it came/comes bundled with the 5D2/5D3. This mere "kit lens" has made me more money that all my other lenses combined :) Makes me wonder how much more I could make with a real lens ;D

44
Animal Kingdom / Re: MY dog
« on: March 02, 2013, 12:29:22 AM »



45
EOS Bodies - For Stills / Re: 6D as a Compliment to 5DMkiii
« on: February 24, 2013, 02:18:41 PM »
I'm sure that the 6D would be a nice complimentary body to the 5D3 for some users. Personally, I'd rather buy a second 5D3 or a used 1Ds3. I almost never use the center focus point, and aside from the additional 50 AF points that the 5D3 offers over the 6D, what makes those points so useful is how much of the frame they cover (53% horizontally).

The 6D's -3EV center point focusing ability is very impressive. Even so, I find the 5D3's low-light focusing ability to be astoundingly good, even when it's so dark outside that you can hardly see your feet :)







Another great perk of the 5D3/1Dx AF system is how many of its 61 AF points function as cross-type sensors, even with slow glass.


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