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Messages - Hesbehindyou

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46
EOS Bodies - For Stills / Re: New body or new lens...
« on: February 14, 2013, 07:47:12 PM »
This is a no-brainer; lenses first. Look at the situation 2 years down the line - the lens will cost the same, the body will either be cheaper or replaced by an even better version.

Two other points; I'd be wary of going full frame unless you're happy you will not be focal length limited and the 500 is a lot of money for not a lot of focal length. I'd be tempted to keep the 100-400 and add the 600.

47
Canon General / Re: Camera advice requested for parents in Africa
« on: December 13, 2012, 05:41:40 PM »
My first thought was a good bridge camera. As long as light is very good the long end of the zoom will still result in decent photos.

When I read your other message re the DSLR my thoughts turned to one of the recent mirrorless interchangeable lens cameras with a 2x crop sensor (as opposed to the 1.5 or 1.6 on APS-C DSLRs). Mirrorless means smaller body, 2x crop means smaller lenses - a 300mm lens gives a similar effective focal lens to a 375mm lens on a crop/APS-C camera (or 600mm on FF) while keeping IQ high.

48
Lenses / Re: New Tilt-Shift Lenses in 2013 [CR2]
« on: December 08, 2012, 11:22:07 AM »
It’s also mentioned that a 5th lens with “special movements” would also be added to the lineup. What would it be? Perhaps some kind of unique new macro.

Mmmm, tilt shift macro would be awesome. Make it a a replacement for the MP-E and you've got an awesome lens (and another one I'd desperately want but would never be able to afford!)

49
Lenses / Re: Don't want to make a rookie mistake
« on: November 26, 2012, 04:04:03 PM »
I have just begun to get hooked on DSLRs over the past yr.  My wife had an XSi that I learned on before purchasing the T4i in June.  I am looking to spend between $800 -$1200 on a new lens.  I currently have the EF-S 55-250 IS, EF-S 18-55 IS and a 40mm STM.  I mostly take pictures at sporting events, choir concerts (indoors with lower lighting), family events (holidays, weddings, graduations, etc.) and city landscapes. 

70-200 f4 is a strong contender, though you'll want to consider the f2.8.  Downside is that it likely won't be quite fast enough for indoor sports; for that I'd get the 100 f2 or 85 f1.8 (assuming you're on a budget).

I've an f4 lens (Sigma 100-300 f4) and it's good but an f2.8 aperture is missed for it's ability to blur distracting backgrounds a little more than the f4 lens and provide very high shutter speeds for sport etc.

I don't find the size of the 100-300 f4 (comparable with the 70-200 f2.8) a problem, especially since the 55-250  can be brought along instead. The 70-200 f4 is a good lens but it's still fairly sizeable & weighty.

I looked at the suggestions to get a 135 f2 for indoor sports. Problem with that is that the 70-200 nails it for all but one of your uses; the 135 nails just indoor sports and means you're compromising with everything else by having the f4 lens; background blur moving from f5.6 to f2.8 is significant, the intermediate step to f4 is not so impressive.

50
Landscape / Re: Help Me Get Better - Crashing Waves - Round 2
« on: November 25, 2012, 05:03:02 AM »
Here is another approach: some Rebel don't remember model with 10-22 lens @10mm, EwaMarine underwater housing, and not being afraid of water. That big blob was smashing in my face and camera just fraction of a second later. Maybe will post later when, I find the one "under" water and sand actually.

Please do post that!  Could you also tell us a little about any post-processing as well?

51
Third Party Manufacturers / Re: 120-400 OS Sigma &7D
« on: November 25, 2012, 04:53:27 AM »
Two really obvious things here:
1. Is it better with manual focus/liveview with contrast detection?
2. We need pictures. Would you post some?

52
EOS Bodies / Re: Possible positive 6D surprise? Should I wait?
« on: November 24, 2012, 12:41:43 PM »
They are right, the 6d will have an edge, for the same reason the 1dx has better iOS, because the pixels are bigger, and gather more "stuff". Look at digital rev's 1dx video on YouTube, you will see what they're talking about.

ah and that is why the D800 IQ is so worse?
when will people stop repeating the same wrong (or lets say simplified)  stuff.

I'm pretty sure the thread and his comments should be read as being about two Canon full frame DSLRs using the same sensor technology (i.e. all things being equal).

He really should have clarified things for those that couldn't keep track of the context of the discussion, but who cares if the beginners are wrong (or let's say simple)  ;)

53
1) Sell T2i with 18-135 kit lens ($600 after Amazon cut)
2) Sell 17-55 f 2.8 ($650 after Amazon cut)
3) Buy Used 5DIII (LensRentals sale) or 6D and 40mm pancake ($2300).
Total cost of coverting: $1050.

I wouldn't want to spend any more money for a zoom (24-70 or 24-105), so the pancake would have to do.

So, what you would you do?

I'd go for a second hand 5dmkII, the 50 1.8 and the Tamron 28-70 f2.8 (cheapest) or the Canon 28-135.

Why have I gone for cheap lenses? Because viewing on a monitor or TV isn't demanding of IQ, while even A3 prints will be fine. They won't allow for aggressive cropping, but you're not likely to do this.

Why do I include a zoom? Because the majority of the photographs will be spontaneous rather than planned out or staged. The flexibility of changing focal length also allows you to eliminate much of the distracting background by standing further back and using a longer focal length.

I suspect you will use the camera a lot, so better lenses would make a lot of sense. The 50 1.8 is awful for manual focus, the 28-70 lacks IS and the 28-135 is a little slower than the 24-105. If budget isn't limiting you then stretch for the better lenses.

Would I recommend the MkIII over the Mk II?  Not if it meant you bought inferior lenses. If you're moving to FF to get shallow depth of field a more expensive body crowding out the fast glass is absolutely the wrong thing to do. Also remember that we're nearing the end of the current generation of Canon's sensor tech. Future stuff will be much better - better than the stop or two between the mk II and III.

disclaimer: I don't shoot as much as I like and find focal length more valuable over depth of field. My budget is also limited. It's crop for me.

54
EOS Bodies - For Stills / Re: 5d2 vs 6d
« on: November 19, 2012, 03:54:18 PM »
@HobbyShooter
We all know that the AF is better than the 6D, just look at the specs. We all know that Nikon is on 180nm and Canon on 500nm so they have better high iso.

Really... using older (read inefficient) process yields better High ISO?

I'll re-write it for him with context added:
"We all know that the D600's AF is better than the 6D, just look at the specs. We all know that Nikon is on 180nm and Canon on 500nm so they [Nikon] have better high iso."

55
Lenses / Re: Bring 120-300 OS or buy 55-250mm ?
« on: October 27, 2012, 05:05:39 AM »
I've travelled with both the 55-250 and the Sigma 100-300 f4. I now take just the 55-250. Why?

- Gaining 55-99 is more valuable than the relatively subtle difference between 250-300, even with a standard zoom - particularly when with others one doesn't always want to change lenses.
- Weight
- Size
- Weight again
- 55-250 IQ is absolutely adequate
- Rarely needed the f4 of the 100-300
- IS on the 55-250 was useful
- 58mm circular polarisers are cheaper
- Weight and size again

Hope that helps.

56
EOS Bodies - For Stills / Re: How does the 5d mk iii think
« on: October 06, 2012, 05:21:37 PM »
Problem stated by OP: Camera is using slower shutter not higher ISO

Real problem:  OP is letting the camera do the thinking instead of the person holding it

Solution part 1: get it the hell out of P mode  ::)

If you want to control DoF, don't care about shutter speed as long as it's above a certain minimum, and prefer the ISO ramp up instead, set Av mode, ISO to Auto, and in the menu where you set ISO range, set the min shutter speed you want.

To OP: Most people shoot in Av most of the time, just set to whatever aperture gives sufficient depth of field and raise ISO if you need a faster shutter speed.

To everyone else: I've never seen the point of P mode. Are there any situations in which it's better than the other modes?

57
Canon General / Move along, nothing to see here.
« on: October 06, 2012, 12:49:18 PM »
Except, just like the US canon gateway library thing they did... they got me interested right up until this...

5.2 When you upload or submit any content to our Services, you grant Canon (and those we work with) a non-exclusive, worldwide right and licence to freely use, host, store, reproduce, publish, modify, create derivative works (for example, versions of your content created to ensure your content works better with our Services) and edit your content solely for the purposes of providing you with the Services. The rights that you grant in this licence shall be free of charge, perpetual and capable of sub-licence. We may exercise all rights in the content in all jurisdictions to the full extent for the full period for which any such rights exist. This licence may continue even when you stop using our Services but may be revoked when you delete content or your account unless such content has been shared with others who have not deleted it.

Canon for US had something like this where you can make slideshows and such with your pictures... but it says once you make a slideshow with their services, they are granted rights to republish, modify, etc...  I love canon cameras but dont love them that much...

Except when they have "...solely for the purposes of providing you with the Services.", to me that sounds basically like them playing lawyer CYA so that users who use the service, upload their photos to it, can't turn around and sue them claiming copyright infringement.

Yes. They can't do *anything* with the photo if it's for a purpose other than the image management service, i.e. they or a 3rd party cannot sell or use your photo for anything that's not *solely* related to providing *you* with the service. They can't even use your images to publicise their image management service.

58
EOS Bodies / Re: Funny thing happening across the camera world
« on: August 27, 2012, 07:30:24 AM »
Either Canon is really good at keeping secrets, or they are asleep at their wheels.

We can be sure that they're pretty good at keeping secrets. Canon's habit of having several competing prototypes helps muddy the waters too.

59
Canon General / Re: No story here or have I got my maths wrong?
« on: August 12, 2012, 03:50:17 AM »
I think it's exchange rates. Canon deals in Yen, not dollars, so it's yen to pounds and yen to dollars that we have to look at.

5D mark III
B&H Photo (US) $3,464
Jessops (UK) £2794 minus 20% VAT = £2235

Tax-free price converted to Yen as of 12th August 2012
B&H Photo (US) 271,048 Yen
Jessops (UK) 274,093 Yen

UK premium is 3045 Yen, or £24.

The strength of the yen doesn't affect any dollar / pound conversion. If it did, the currency markets would have made me the world's richest man by now.  ::)

That's why I converted them both to Yen. It's why I didn't do a dollar pound conversion as others had and why I said "Canon deals in Yen, not dollars, so it's yen to pounds and yen to dollars that we have to look at."

Quote
Also, removing 20% VAT from £2,794 equals £2,328.33, not £2,235.

Not on my calculator.  2794 x 0.8 = 2235.20.

60
Canon General / No story here or have I got my maths wrong?
« on: August 11, 2012, 05:23:14 PM »
I think it's exchange rates. Canon deals in Yen, not dollars, so it's yen to pounds and yen to dollars that we have to look at.

5D mark III
B&H Photo (US) $3,464
Jessops (UK) £2794 minus 20% VAT = £2235

Tax-free price converted to Yen as of 12th August 2012
B&H Photo (US) 271,048 Yen
Jessops (UK) 274,093 Yen

UK premium is 3045 Yen, or £24.

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