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Messages - Sporgon

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211
Landscape / Re: Waterscapes
« on: April 30, 2014, 02:37:30 AM »
A change of pace from all these razor sharp shots  ;)

Did you just focus close on nothing to get the blurring?

It was shot on a 28 mil at about f2.2 and I focused on the tree branches, either above or on the reflection in the water, I can't remember. At a focusing distance of about 3m the dof was about 1.5m so I had to focus on a specific part of the picture that I wanted in focus. There was a little mist rising from the pond which helped.

212
Landscape / Re: Waterscapes
« on: April 29, 2014, 04:41:11 PM »
A change of pace from all these razor sharp shots  ;)


Atmospheric. Somewhere in Middle Earth, I presume?

Gandalf's resting on his stick just out of shot ! I just popped out to see where the trolls come from.

Thanks  :)

So the tree from the movie Big Fish is in Middle Earth? Coz I'm sure thats right there in your photo Sporgon.  ;D

Part of a 4 step waterfall some minutes walk from the house.


Water From the Doorway by Le ARchie, on Flickr

You're probably right. I live in the middle of a film set. Here's Fin Raziel's island from 'Willow', one of my all-time favourite movies. 

213
Try Loxley Colour, they seem to do everything.

214
Lenses / Re: Canon's f/1.2's: What is really going on?
« on: April 29, 2014, 08:34:40 AM »
I have both.  Utterly love the 85, but the 50 goes almost unused.  I am going to look at the new Sigma when it's available.

I had and loved the Canon 50 F/1.4 and had great hopes for the F/1.2 but it is so much less everything than the 85.

I think the 85/1.2 can be regarded as a (££ substantial ) upgrade to the 85/1.8. However the 50/1.2 isn't intended to be an 'upgrade' to the 50/1.4, at least not in a general use sense. I know a few photographers who purchased them in '06 and ended up howling. It's a specific lens for a specific type of image. If it wasnt I'd have purchased one years ago as 50mm is my staple diet lens.

215
Lenses / Re: Canon's f/1.2's: What is really going on?
« on: April 29, 2014, 06:17:16 AM »
If you have been looking at images taken at f1.2 then I guess it is because the 85 is significantly sharper than the 50 at this aperture:

http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=403&Camera=453&Sample=0&FLI=0&API=0&LensComp=397&CameraComp=0&FLIComp=0&APIComp=0

Clearly the 85 is a much more expensive lens, but the 50 is hardly cheap. I presume on the 85 focal length it was possible to achieve excellent bokeh with more chromatic aberration correction than on a 50 focal length.

216
Landscape / Re: Waterscapes
« on: April 28, 2014, 05:40:16 PM »
A change of pace from all these razor sharp shots  ;)


Atmospheric. Somewhere in Middle Earth, I presume?

Gandalf's resting on his stick just out of shot ! I just popped out to see where the trolls come from.

Thanks  :)

217
Landscape / Re: Waterscapes
« on: April 28, 2014, 05:31:51 PM »
A change of pace from all these razor sharp shots  ;)

218
Animal Kingdom / Re: Portrait of your "Best friend"
« on: April 28, 2014, 02:58:12 PM »
Action portrait of Kali playing 'stick'. 1DX + 600 II.

That is such a good shot !

Now even I will admit you couldn't have done that on a 6D  ;)

219
EOS Bodies - For Stills / Re: Backup for 6D for Wedding Photography
« on: April 28, 2014, 06:59:09 AM »
+ 1 on no need for a back up camera when shooting as a second, especially when you are using a new, good quality camera such as the 6D. These (generic) machines are incredibly reliable, being designed to reliably record one off, unrepeatable events.

However as a primary photographer at such an unrepeatable event I always have a back up of everything because of Sod's Law.

For a proper back up you really need exactly the same body, as has been said, so you can share the work load and lenses seamlessly between them.

As for the 6D vs 5D III debate, well ........ :-X

220
Canon General / Re: When do you know you have enough camera gear?
« on: April 27, 2014, 02:17:51 AM »
When you find gear at the bottom of your bag that you never knew you had......

221
Third Party Manufacturers / Re: Need your help again, Dear Sir/ Madam
« on: April 26, 2014, 05:45:47 PM »
Hi Surapon, the numbers will be marking a scale of the polarisation axis, so just a reference to where you have it set.


Thank you, Sir, Dear Friend Sporgon.
But How can I set that number  according to the sun's location ?. It must to have an easy way, Like HOYA's White mark.( ??)
Thanks again, Sir.
Surapon

Hi Surapon, I'm guessing that number 1 will equal the same axis as the White mark on the Hoya. I'm assuming the numbers go half way around the lens. Looks good anyway !

222
Third Party Manufacturers / Re: Need your help again, Dear Sir/ Madam
« on: April 26, 2014, 05:33:26 PM »
Hi Surapon, the numbers will be marking a scale of the polarisation axis, so just a reference to where you have it set.

223
Canon EF Prime Lenses / Re: Canon EF 50mm f/1.2L USM
« on: April 26, 2014, 12:24:43 PM »
I do not know why so many people hate this lens... I love it! I don't care what Sigma or what ever present, that 1.2L Glas is so damn lovely! <3
Shot on a 5D Lr + Ps for Skin. (all at 1.2, except the last one at 1.4)

The problem with "examples" like that is they are post process driven, I could give an image shot taken with any 50mm lens at any aperture (at the same shoot) to a decent post processor and get them to look very similar.

+1, if you want to see a plethora of images processed in this way look on 500px. You can see similar images shot on all sorts of cameras with all sorts of lenses.

Like theses images though.

224
Lenses / Re: Canon IS Primes for landscapes?
« on: April 26, 2014, 09:12:33 AM »
Looks like I’ve made my decision: It’s going to be the Canon 6D kit with the 24-70 f/4 L lens, just a matter of waiting on a good deal (Canon Cash-back, a good shop discount or both).

The 24-70 f/4 should be able to produce the results I’m after, but I’ll put aside the money I save so I can always “upgrade” to some prime lenses when needed (with or without selling off the 24-70 f/4).

Maybe in the long term save enough to get some Zeiss glass, but meanwhile the FF upgrade should keep me satisfied.

Good choice; we bought a 6D kit with 24-70 IS and the two go really well together. With this lens I think you'll find that any future purchase of a prime in the same focal length range would be for faster aperture.

225
Not sure if this has already been mentioned, but if Sigma are able to give a 24 mm focal length the edge of frame resolution at 1.4-2 that they have achieved in the 35 + 50 Art line ( much more difficult at 24mm I know), then it would actually be a more significant lens to a much larger audience because as the 24mm has a much greater dof, it would be practical to use it at say 2.8 to achieve adequate dof in low light, allowing landscape shooting at lower ISO's and faster shutter speeds in low light, with little vignette.

I think if this was the case we would see a response from Canon in a 24/1.4 III

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