So are you saying that it does not matter if my cameras are set on sRGB or AdobeRGB, because I am shooting in Raw? and that everything can be fixed in post? While opposed to Jpg. where the setting on the camera is more limiting wheter you have your camera set on sRGB or AdobeRGB?
Yes that is right, but remember that DPP reads meta data and color space from the camera if you have chosen so in DPP.
a setting you can turn off in DPP so you can select your own color space to work in .
The differences between Adobe RGB and s-rgb are seen mainly in green,red and cyans
For a year book it does not matter if you choose to work in the color space Adobe RGB or s-rgb, the important thing is that the photos are tagged with Adobe RGB or s-rgb so that a CMYK conversion can be done right.
If the subject contains deep red and green colors and shades and these are printed on glossy paper then Adobe RGB is preferable because of the larger color space.
Is it really difficult deep colors and shades it is better to work in ProPhoto color space and then proof the colors in to a smaller color space like Adobe RGB or S-rgb and then convert.The profiles today has not the necessary data included for a conversion such as from ProPhoto to S-rgb shall be done right
If you have any questions feel free to ask,this is my area
Well about 75 to 80% of my images contain pretty deep reds considering i attend the University of Arkansas and Cardinal is our main color.. also we do print on glossy paper at 400dpi.. not sure if the dpi could affect that but i figured it may since it will have more detail.. and based on my deduction more detail would mean more color detail?