Need some cine lenses?B&H Photo has stock of the Canon cinema prime lens kit. It consists of the new 24mm, 50mm and 85mm lenses.
All 3 can be yours for $14,220!
Canon cine prime lens kit at B&H Photo $14,220
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$14,220? Oh is that all? Great!
Quote from: Renegade Runner on January 21, 2013, 10:17:05 PM$14,220? Oh is that all? Great! That's relatively cheap for cinema primes, Zeiss CP.2s are pretty much the same price. But then you figure Arri Master Primes are $20k-$25k PER LENS, close to $200k for a set. And the Arri's aren't an anomaly, there are plenty of other sets that cost that much.
and the rokinons are $500 a piece, its a shame they are that expensive, bill gates will have fun with his $13000 1D-C and his $14000 prime set, which btw i guess now a "set" is only 3 lenses, sure that will do.
Quote from: jlev23 on January 21, 2013, 10:51:19 PMand the rokinons are $500 a piece, its a shame they are that expensive, bill gates will have fun with his $13000 1D-C and his $14000 prime set, which btw i guess now a "set" is only 3 lenses, sure that will do.Rokinon however, does not offer a 50mm lens... and even if Bill Gates were still the richest man ever I don't see him having fun with an all manual set of lenses, not in this digital age where 64K is not enough!
Quote from: Axilrod on January 21, 2013, 10:47:28 PMQuote from: Renegade Runner on January 21, 2013, 10:17:05 PM$14,220? Oh is that all? Great! That's relatively cheap for cinema primes, Zeiss CP.2s are pretty much the same price. But then you figure Arri Master Primes are $20k-$25k PER LENS, close to $200k for a set. And the Arri's aren't an anomaly, there are plenty of other sets that cost that much. Wow! Those a re crazy prices. I can buy a new car for those prices or put a payment towards a house.
I've never understood these "cinema" lenses. They're used for a pixel count far below that of still photography and don't have to AF, so why are they so absurdly expensive? And why do they exist at all?
Quote from: anthony11 on January 22, 2013, 12:28:51 PMI've never understood these "cinema" lenses. They're used for a pixel count far below that of still photography and don't have to AF, so why are they so absurdly expensive? And why do they exist at all?Put in the context of a video shoot the cost of the lenses, that are often rented, is not significant, you have to realise these are not aimed at pro/ams, or even full time wedding videographers, they are aimed at a plentiful market segment above that, we devour video output at a frightening rate.The point of sets is that the individual lenses are all matched to each other, that is the T stops are all very close in luminance values, much much more accurate than dialing in an aperture value as they do not account for transmission loss, if you swap lenses for a different view of the same shot then the exposures are identical, this saves a huge amount of time, and hence money, in the post production work. Also the focus distances are normally matched so focus pullers can just replicate the pull across lenses, all the marks etc on set should all work the same. Silly things like those save production time and are multiplied in value by the number of people on set, it doesn't take many set hours to pay the lens rental!