Thanks for the video, Mark. Interesting as I've been on two sides of that story -- photographer and editorial staff. It can seem very cold as editors sit and discuss the merits of publishing different images, especially ones so graphic and wrenching. It can feel so disconnected from the reality portrayed.
On the photographer side, it's really hard to bring a camera into that setting. For me, it's almost like going over a wall -- you just don't want to do it, but once you're over, it's about getting the shots and nothing else. The heartbreak for the folks comes later -- with the images. And I think if you don't feel that emotion, the pictures won't show it. Psychopaths don't make good photographers, I guess.