That said, what they did find interesting was that the resolution of the DNGs they got from their RAW mode were way higher resolution than just the traditional h.264 video stream from Canon. Not sure if that means that Canon intentionally is crippling it, or if the h.264 encoding loses a lot of resolution, but, that could be useful for some purposes.
Of course, if you want Raw video at 2k, you'd just spend the same amount on a BMCC instead and get a much nicer workflow.
yup. BMCC FTW.
Regarding the RAW video hack of ML,
EOSHD has a really interesting update
Canon’s Chuck Westfall and Tim Smith say line skipping on the sensor was necessary to get down from the native sensor resolution of 21MP+ to 2MP, implying this results in moire and aliasing. However the 2K output of the sensor is much cleaner without the same moire issues as the final 1080p video, and resolution is much closer to 1080 lines than the mushy 5D Mark III 1080p is.
The softer image with moire and aliasing appears to be introduced by the image processor further (and crudely) resizing the 2K raw image, which seems unnecessary. All the camera should need to do is crop to 16:9 and compress the data, not reduce the resolution dramatically further like it is doing. It could be that in order to provide a simultaneous VGA live view feed and 1080p to the SD card, the 2K data has to be downrezed to a middle ground between 640×480 and 1920×1080, then upscaled back to 1080p but I’m purely speculating.
line skipping, yikes. I'm sure we haven't heard the last of this yet.