Leave all but one of them off, shoot RAW, process as desired. ACR/LR will ignore all except one of those on your list - HTP. With HTP, you 'lose' ISO 100 with this because the camera is actually exposing at one stop lower ISO (i.e. you set ISO 200, it exposes at ISO 100, you set ISO 800 it exposes at ISO 400, etc.), but it records the ISO you set, not the one-stop lower real exposure, in the metadata. Then the camera selectively applies a tone curve to push the shadows and not the highlights, meaning one stop more shadow noise. It sets a flag in the metadata, which DPP resepcts, and ACR tries to mimic. You're better off leaving it off, shooting RAW and avoiding having your camera lie to you, and setting your exposure properly.
The one to leave on is long exposure NR. That one actually modifies the RAW image data (the only one that does). Long exposures result in higher noise because low levels of read noise add up over time, and high temps make that worse. So, after the exposure the camera takes a dark frame, and subtracts the frame (noise) before writing the RAW file. The only reasons to leave it off are if you shooting several long exposures in quick succession (can't wait for the intervening dark frames, the exposure time is the same as the image), and/or you're using special software to subtract your own dark frame in post (both of those are common for astrophotographers, and probably no one but them).
Hope that helps...