Quote from: Quasimodo on January 26, 2013, 08:00:27 AMQuote from: Kernuak on January 26, 2013, 06:59:38 AMMist rolling in across Loch Leven at dawn. by Kernuak (avalonlightphotoart.co.uk), on FlickrBeautiful composition and conversionTusen Takk.
Quote from: Kernuak on January 26, 2013, 06:59:38 AMMist rolling in across Loch Leven at dawn. by Kernuak (avalonlightphotoart.co.uk), on FlickrBeautiful composition and conversion
Mist rolling in across Loch Leven at dawn. by Kernuak (avalonlightphotoart.co.uk), on Flickr
Quote from: Kernuak on January 26, 2013, 08:25:57 AMQuote from: Quasimodo on January 26, 2013, 08:00:27 AMQuote from: Kernuak on January 26, 2013, 06:59:38 AMMist rolling in across Loch Leven at dawn. by Kernuak (avalonlightphotoart.co.uk), on FlickrBeautiful composition and conversionTusen Takk.Du er hjertelig velkommen Liker som tidligere sagt komposisjonen, og de tonale overgangene er fine. Nesten så det skulle vært printet ut på stålplate!
Quote from: Quasimodo on January 26, 2013, 08:45:45 AMQuote from: Kernuak on January 26, 2013, 08:25:57 AMQuote from: Quasimodo on January 26, 2013, 08:00:27 AMQuote from: Kernuak on January 26, 2013, 06:59:38 AMMist rolling in across Loch Leven at dawn. by Kernuak (avalonlightphotoart.co.uk), on Flickr just saying that it would be cool to see it printed on steel Beautiful composition and conversionTusen Takk.Du er hjertelig velkommen Liker som tidligere sagt komposisjonen, og de tonale overgangene er fine. Nesten så det skulle vært printet ut på stålplate!My Norwegian is a little rusty to reply in Norwegian, but it is important for me that I get the composition right. I don't always manage it, but I liked how this turned out after the panic trying to get a good vantage point without trees in the way. For me, a B&W has to have a full tonal range and I'm not happy if my conversion is high key, even if it works for other people. I'm yet to print this one, but a similar image with less mist works really well printed in colour, as the mountain on the right is bathed in the warm dawn sunlight, although that is slightly obscured by the mist in this one. I try to build my style on a combination of composition and light, whenever I can.One day I would like to return to Oslo and photograph what I should have done while living there, but it was in the long period without doing any photography.
Quote from: Kernuak on January 26, 2013, 08:25:57 AMQuote from: Quasimodo on January 26, 2013, 08:00:27 AMQuote from: Kernuak on January 26, 2013, 06:59:38 AMMist rolling in across Loch Leven at dawn. by Kernuak (avalonlightphotoart.co.uk), on Flickr just saying that it would be cool to see it printed on steel Beautiful composition and conversionTusen Takk.Du er hjertelig velkommen Liker som tidligere sagt komposisjonen, og de tonale overgangene er fine. Nesten så det skulle vært printet ut på stålplate!
Quote from: Quasimodo on January 26, 2013, 08:00:27 AMQuote from: Kernuak on January 26, 2013, 06:59:38 AMMist rolling in across Loch Leven at dawn. by Kernuak (avalonlightphotoart.co.uk), on Flickr just saying that it would be cool to see it printed on steel Beautiful composition and conversionTusen Takk.
Quote from: Kernuak on January 26, 2013, 06:59:38 AMMist rolling in across Loch Leven at dawn. by Kernuak (avalonlightphotoart.co.uk), on Flickr just saying that it would be cool to see it printed on steel Beautiful composition and conversion
Quote from: Kernuak on January 26, 2013, 10:57:39 AMQuote from: Quasimodo on January 26, 2013, 08:45:45 AMQuote from: Kernuak on January 26, 2013, 08:25:57 AMQuote from: Quasimodo on January 26, 2013, 08:00:27 AMQuote from: Kernuak on January 26, 2013, 06:59:38 AMMist rolling in across Loch Leven at dawn. by Kernuak (avalonlightphotoart.co.uk), on Flickr just saying that it would be cool to see it printed on steel Beautiful composition and conversionTusen Takk.Du er hjertelig velkommen Liker som tidligere sagt komposisjonen, og de tonale overgangene er fine. Nesten så det skulle vært printet ut på stålplate!My Norwegian is a little rusty to reply in Norwegian, but it is important for me that I get the composition right. I don't always manage it, but I liked how this turned out after the panic trying to get a good vantage point without trees in the way. For me, a B&W has to have a full tonal range and I'm not happy if my conversion is high key, even if it works for other people. I'm yet to print this one, but a similar image with less mist works really well printed in colour, as the mountain on the right is bathed in the warm dawn sunlight, although that is slightly obscured by the mist in this one. I try to build my style on a combination of composition and light, whenever I can.One day I would like to return to Oslo and photograph what I should have done while living there, but it was in the long period without doing any photography.
Wow, lots of beautiful shots here. My landscape shots tend to be intimate in scale, as evidenced by this one.
I especially like Gammyknee's shot just above. How did you get the entire frame in focus?
Quote from: Slowpoke_Rodriguez on January 27, 2013, 03:33:43 PMI especially like Gammyknee's shot just above. How did you get the entire frame in focus?Thanks. In theory the best way to get the appearance of sharpness right through the frame is to run the numbers through a DOF calculator and set the lens to the hyperfocal distance. Thing is, I always seem to do better by just looking at the scene, picking the area that I want to have peak sharpness and focusing on that. That, combined with a reasonably small aperture (in this case f11) usually gets me what I want.