MELVILLE, N.Y., February 7, 2017 – On February 5th, top sports photographers from across the country gathered in Houston to cover the Big Game between the teams from New England and Atlanta. With an estimated 75 percent* of the photographers in the Houston stadium using Canon EOS DSLR cameras and EF lenses, Canon’s iconic white lenses filled the sidelines from the opening kickoff to the final whistle. In addition to the EOS DSLR cameras and EF lenses on the sidelines, Canon’s line of HD broadcast lenses were also used extensively to help deliver the game to more than 110 million television viewers.
You can now preorder the recently announced lenses from Tamron.
*Note: MPEX is offering bonus items if you preorder either of the new Tamron lenses. You do not need to add them to your cart, they will be shipped to you automatically. The MPEX bonus offer runs until February 12, 2017.
Compact, high-performance lens boasts the largest focal length range in its class
10-24mm F/3.5-4.5 Di II VC HLD (Model B023)
February 6, 2017, Commack, NY – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of 10-24mm F/3.5-4.5 Di II VC HLD (Model B023), a new ultra-wideangle zoom lens for APS-C DSLR cameras. The lens is expected to be available in the U.S. this Spring at $499.
Model B023 is a wideangle zoom lens that covers an exceptionally large range—the largest focal length range in its class1 (35mm equivalent is 16mm to 37mm). The lens is ideal for street photography, landscapes, group photos and casual everyday scenes. In 2008, Tamron launched the SP AF 10-24mm F/3.5-4.5 Di II LD Aspherical [IF] (Model B001) that provided an unprecedented focal length range in its class. Building on that lens’s popularity, the successor Model B023 has improved optical performance and new features. It embodies Tamron’s most advanced technologies, including the VC (Vibration Compensation) system, Moisture-Resistant Construction and Fluorine Coating, and the first implementation of Tamron’s new HLD (High/Low torque modulated Drive). Additionally, the Model B023 has a refreshing new design derived from the design of the new product lineup in the SP series.
All-new optical design delivers a dramatically faster autofocus speed and image stabilization performance of 5 stops
SP 70-200mm F/2.8 Di VC USD G2 (Model A025)
February 6, 2017, Commack, NY – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of SP 70-200mm F/2.8 Di VC USD G2 (Model A025), a new telephoto zoom lens product for full-frame and APS-C DSLR cameras. Model A025 was developed by substantially enhancing the features of its predecessor.
These include a thorough review of the optical, mechanical and electronic designs to increase autofocus speed and precision, reinforce VC (Vibration Compensation) functions and to shorten the MOD. New features include eBAND Coating, Moisture-Proof and Dust-Resistant Construction, Fluorine Coating and compatibility with teleconverters. The lens design features a metal-based barrel for improved handling and ease-of-use. The result of this dramatic evolution is Model A025, a high-speed telephoto lens that widens the scope of expression for photography in a broad range of genres, such as portraits, landscapes, sports and photojournalism. The lens is expected to be available in the U.S. in March at $1299.
February 6th, 2017, Seoul, South Korea – A global optics brand Samyang Optics (http://www.samyanglensglobal.com) announces a new XEEN 20mm T1.9 lens for professional video-cine. This lens brings the range of XEEN cinema lenses to eight and complements the existing lenses: 14mm, 16mm, 24mm, 35mm, 50mm, 85mm and 135mm. The new XEEN 20mm offers outstanding image quality from resolving power for 4K+ production for filming video and cinema.
XEEN is a specialized brand of professional video-cine lenses launched by Samyang Optics in 2015. The XEEN series are designed for the ultra-high definition video environment and feature outstanding optical performance for 4K and above. The lenses also feature X-Coating Technology and 11 aperture blades that help create beautiful and round bokeh to introduce emotional and natural expression.
The 24mm x 36mm negative size allows XEEN lenses to not only work with full frame cameras, but also Super 35, APS-C, APS-H and APS-P cameras. XEEN lenses are available in five different mounts – PL, EF, F, E, and MFT and two different focus scales – metric and imperial units. All focus and iris gear rings are identically positioned among eight lenses to speed up the lens changes.