GetItDigital (99.4% approval) is selling the Canon EOS 5D Mark III w/24-105 f/4L IS kit for $3299 (Reg $3799 after $200 MIR). GetItDigital is also including a 3 year USA warranty.
Canon EOS 5D Mark III w/24-105 f/4L IS $3299 (Reg $3799 after $200 MIR)
Dustin Abbott, a friend of Canon Rumors has completed his review of the Zeiss 135mm f/2 APO Sonnar T* in the ZE mount for Canon. The review is pretty glowing for the Zeiss, as one would expect. Dustin directly compared it to the classic Canon EF 135 f/2L and came away with the conclusion that the Zeiss is optically better, though for twice the price it should be. However, the missing AF in the Zeiss is a big deal when comparing the two.
Says Dustin: “Will it be replacing my 135L? Probably not. Until I shot with the Zeiss I thought the performance of the 135L was fantastic, and I will still enjoying shooting with it. I knew that the Zeiss would be better before I did the review, although I was surprised by just how noticeably better it was in head to head comparison. But for many of the applications that I use the 135L in, I need the AF. But I’m also not a full time professional photographer, and frankly, there are a few higher priorities for that kind of money in my kit at the moment. I’ll keep using my trusty Canon, but I will cherish the images that I took with the Zeiss. And one day, there WILL be a Zeiss lens in my kit. They are just too good.”
Read the full review | Zeiss 135mm f/2 APO Sonnar T* at B&H Photo
Amazon.com is listing the Canon EOS 7D as “discontinued”. You can still get the camera from other retailers through Amazon, but it looks like Amazon is done stocking and shipping it themselves.
Canon EOS 7D at Amazon (Discontinued)
Canon Follows Up on Their Strong Showing at February’s Big Game in New Jersey With Widespread Use by Imaging Professionals at the Soccer Tournament in Brazil
MELVILLE, N.Y., July 24, 2014 – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce that Canon broadcast lenses were the most widely used broadcast lenses covering the matches of the recent Soccer Tournament in Brazil. Furthermore, the professional photographers tasked with capturing the riveting goals, ravenous fans, colorful scenery and nail-biting moments of the soccer matches utilized Canon DSLR cameras and lenses more than any other brand.
This outstanding show of support for Canon equipment in Brazil follows Canon broadcast lenses being used extensively to broadcast The Big Game in New Jersey on February 2, 2014, as well as being the number one camera and lens choice for imaging professionals shooting from the sidelines of the game between Denver and Seattle. In support of professionals on the ground, the Canon Professional Services (CPS) team was on location at each of these sporting events, among countless others, to provide support to photographers, broadcasters and all imaging professionals.
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B&H Photo has limited stock of the Sigma 50 f/1.4 Art for Canon mount. These probably won’t last long.
Sigma 50mm f/1.4 DG Art at B&H Photo
The first confirmation directly from Canon about a high megapixel camera has appeared in an interview with DC Watch. The interview was about the two latest ultra wide zoom lenses, the EF-S 10-18 f/4.5-5.6 IS STM and the EF 16-35 f/4L IS and what went into designing them.
Google Translated from interview: “I to higher pixel unnecessarily is the opposite, but there is also a feeling if there is a high-performance lens that matches the number of pixels (pixel pitch), to want to take a look at the descriptive power of the true. By super-wide-angle zoom image quality is good came out to the periphery, and we look forward to the advent of high-resolution model of the EOS.”
We were told previously that there would be 3 EOS cameras in 2014, and so far we have seen just one, the Rebel T5. There was also the white Rebel SL1 (i dont count this as a new camera). The next one will be the follow-up to the EOS 7D and the third one is still a mystery. It could be something as simple as a new Rebel, or perhaps something far more interesting.
Read the entire interview
Canon EF 16-35 f/4L IS: Amazon | B&H Photo | Canon EF-S 10-18 f/4.5-5.6 IS STM: Amazon | B&H Photo
Bryan over at The Digital Picture has posted his review of the Sigma 12-24mm f/4.5-5.6 DG II HSM. This is the widest rectilinear lens available for full frame Canon DSLRs. If you’re looking for a lens that will give a truly unique look, this will definitely fit the bill.
Says The Digital Picture:
“This lens is not without some shortcomings, but what it offers is available in no other lens. The Sigma 12-24mm f/4.5-5.6 DG II HSM Lens is the widest angle rectilinear lens available in a Canon, Nikon, Sony or Sigma DSLR mount. This unique capability will allow you to capture images that would otherwise not be possible and the quality of Sigma 12-24 II images can be also-impressive.”
Read the full review | Sigma 12-24 f/4.5-5.6 DG II at Amazon
This patent may show where the next PowerShot D series camera is heading. Below is a patent for a 45x zoom lens that is for a waterproof/dustproof application.
- Patent Publication No. 2014-109664 (Google Translated)
- Publication date 2014.6.12
- Filing date 2012.11.30
- Related 2014-109665,2014-109666
- Example 1
- Zoom ratio 44.41
- Focal length f = 4.62-13.02-205.00mm
- Fno. 3.91-6.14-9.00
- Half angle ω = 36.14-16.58-1.08 °
- 99.33-103.38-113.64mm overall length of the lens
- BF 12.11-10.81-4.28mm
The EOS 5D Mark IV received a mention recently as possibly being announced in early 2015. One of the features mentioned as a possibility is 4K video capture. Although, I’m pretty sure every future Canon DSLR is going to be rumored to shoot 4K video.
If the EOS 5D Mark IV is coming in early 2015 as this rumor suggests, then I cannot see 4K being a part of the feature set. I don’t think we’ll see 4K video recording in a “prosumer” level DSLR from Canon until the technology moves down the Cinema EOS line.
I asked someone in the know recently if Canon had market research on who buys the EOS 5D Mark III and for what purpose. I was told that the videographer focused purchaser of the EOS 5D Mark III was less than 10% of the total sales. The camera is, and has always been, for the still photographer.
If Canon wants to grow in cinema and 4K capture, and they do, then they have a whole new line of cameras that is one generation into its existence to add these and other features to at various price points.
My 2 cents anyway…. :)
Source: [CW] via [P5D]
Is Sigma getting ready to enter the world of professional cinema lenses? It seems like a logical next step for the manufacturer, as they have become quite aggressive in the higher end DSLR space. While Sigma didn’t flat out say they were entering the market, they also didn’t deny it.
Sigma’s CEO Kazuto Yamaki left the following hint recently in an interview with Resource Magazine:
“How could one of the greatest innovators of lens technology in the world not be producing lenses for high-end digital video and motion picture cameras? With such high standards, cinematographers seem like a natural market for Sigma. When I asked Kazuto about this, he simply smiled and said the two words that make every tech writer crave more: “No comment.” It looks like Sigma may still has a few more tricks up their sleeve…”
Source: [RM] via [SR]