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Canon Updates DPP & Picture Style Editor, Adds PowerShot G1 X Mark III Support & More

Canon Updates DPP & Picture Style Editor, Adds PowerShot G1 X Mark III Support & More

By Canon Rumors | October 19, 2017 | Canon Accessories

Canon has released new versions of Digital Photo Professional and Picture Style Editor.

Changes for Digital Photo Professional 4.7.20:

  • Supports PowerShot G1 X Mark III, PowerShot G12, PowerShot G11, PowerShot G10, PowerShot G9, PowerShot S95, PowerShot S90, PowerShot SX50 HS, PowerShot SX1 IS.
  • Supports EF85mm f/1.4L IS USM, EF-S35mm f/2.8 Macro IS STM.
  • Supports Chromatic aberration correction, Peripheral illumination correction, Distortion correction, and Digital Lens Optimizer for images captures with a combination of EOS 6D Mark II and TS-E50mm f/2.8L Macro, TS-E90mm f/2.8L Macro, TS-E135mm f/4L Macro, TS-E17mm f/4L, or TS-E24mm f/3.5L II.
  • Enhances operability of the Filter/Sort function.
  • Supports customization on the Preview Properties Display.

Changes for Picture Style Editor 1.19.10:

  • Supports PowerShot G1 X Mark III

You can download the new versions at Canon USA.

Adobe Camera RAW 10 and DNG Converter 10 Now Available

Adobe Camera RAW 10 and DNG Converter 10 Now Available

By Canon Rumors | October 19, 2017 | Third Party Software

Camera Raw 10 is now available as a final release available in the Adobe Create Cloud desktop app.

Range Mask
Range Mask works within the structure of the existing local adjustment tools to give you more precision with your local adjustments. One way to think of it is that Range Mask is a modifier that can be applied to a local adjustment, allowing you to create more precise selections with less hassle.  Range Mask is designed to be easy to use, and the resulting mask can be further refined by nudging the sliders.

Range Mask has two different modes to address two different types of color/tone-based masks: Color Range Mask and Luminance Range Mask.

Usage Instructions:

  1. Open an image into the Camera Raw plugin
  2. Select one of the local adjustment tools (Local Adjustment Brush, Graduated Filter, Radial Filter) and make an initial mask of your intended selection area.
  3. From the Range Mask option, select either Color or Luminance.
    • Color: Use the Eyedropper to select the colors you’d like to include in your selection.  You can select up to 5 different colors using the Shift + click method with the eyedropper.  Alternatively, you can sample a range of colors, even completely different colors, by dragging out an area with the eyedropper. Once selected, you can further refine your selection using the Amount slider.
    • Luminance: Use the Range and Smoothness sliders to adjust your mask and fine tune.
  4. Use the local adjustment sliders to make the desired edits to your images.

Read more…

Adobe Unveils the Next Generation of Creative Cloud at MAX 2017

By Canon Rumors | October 18, 2017 | Third Party Software

All-New Adobe XD, Adobe Dimension, Adobe Lightroom CC Photo Service and Dozens of New Feature Updates Announced Today

LAS VEGAS–(BUSINESS WIRE)–Today at Adobe MAX, the Creativity Conference, Adobe (NASDAQ:ADBE) unveiled the next generation of Creative Cloud, including four brand new applications, Adobe XD CC for experience design, Adobe Dimension CC for 2D to 3D compositing, Character Animator CC for 2D animation, and an all-new cloud-based photography service, Adobe Photoshop Lightroom CC. In addition, Adobe announced feature updates to its flagship applications including Photoshop CC, InDesign CC, Illustrator CC and Premiere Pro CC, and ongoing expansion of its Adobe Stock service.

All of these updates include capabilities powered by Adobe Sensei, Adobe’s artificial intelligence and machine learning platform, and are the latest in a series of innovations from Adobe that serve modern creative professionals and enthusiasts wherever and however they work. From the rapidly expanding system of mobile-first applications or the recent addition of branded, premium features to Adobe Spark, Adobe is building out a range of fast, flexible solutions for creative projects of all types.

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Adobe Announces Cloud-Based Lightroom CC

By Canon Rumors | October 18, 2017 | Third Party Software

Integrated Cloud-Based Service Enables Easy Editing, Organizing, Storing and Sharing of Photography From Anywhere

LAS VEGAS–(BUSINESS WIRE)–Adobe (Nasdaq:ADBE) today announced the all-new Adobe Photoshop Lightroom CC cloud-based photography service. Launched over a decade ago, Lightroom became the industry’s leading desktop application for editing and organizing photography. Now in an increasingly mobile-centric world, and with major improvements in smartphone cameras, Lightroom is transforming digital photography again. Built for professionals and enthusiasts, the new Lightroom CC fulfills the demands of today’s photographers for a more accessible, cloud-based photography service for editing, organizing, storing and sharing their photos from wherever they are.

Featuring a streamlined user interface, Lightroom CC enables powerful editing in full resolution across mobile, desktop and the web. With Lightroom CC, photographers can make edits on one device and automatically synchronize their changes everywhere. Lightroom CC makes organizing photography collections easier with features like searchable keywords that are automatically applied without the hassle of tagging. And Lightroom CC makes it simple to share photos on social media.

“As the leader in digital photography, today Adobe is unveiling Lightroom CC, our next generation photography service,” said Bryan Lamkin, executive vice president and general manager, Digital Media at Adobe. “Lightroom CC answers photographers’ demand for a deeply integrated, intelligent, cloud-based photography solution.”

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Review: Tamron 24-70mm f/2.8 VC G2 by TDP

Review: Tamron 24-70mm f/2.8 VC G2 by TDP

By Canon Rumors | October 18, 2017 | Canon Reviews

The-Digital-Picture has completed their exhaustive review of the brand new Tamron 24-70mm f/2.8 VC G2 lens. A direct competitor to the Sigma 24-70mm f/2.8 DG OS Art lens.

From TDP:

Putting the Tamron 24-70mm f/2.8 VC G2 Lens to the test … the wide-open aperture center-of-the-frame results at f/2.8 are very sharp at 24mm and 35mm. By 50mm, a slight degradation is seen and at 70mm, center-of-the-frame results are somewhat soft at f/2.8. In the wider half of the range, stopping down to f/4 makes little difference in center-of-the-frame sharpness and really, none is needed. In the longer half of the range, especially at 70mm, stopping down to f/4 brings a very significant improvement in image sharpness. This lens is very sharp in the center and mid-portions of the image circle at f/4 with little improvement seen at f/5.6 aside from the mid-frame areas showing slight further improvement at 70mm. Read the full review

We have lots of options at this focal range from Canon, Sigma and Tamron and it may be hard to choose which way to go. One thing is for sure, Sigma and Tamron have proven that the market wants a stabilized 24-70 f/2.8 lens and it might be time Canon answered the call as well.

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