Follow-up form Stephen Oachs
Mr. Oachs has posted a followup post to yesterday’s images of the new 200-400 and an unidentified camera. He’s also posted a RAW for those that believe the image was altered in any way.
Read it here
22mp perfect for 3×3 oversampling?
Below is a direct quote about the reported 22mp resolution
I have no insider information, but just wanted to point that 22 MP has some “magical” properties for HD video, as it corresponds exactly to a 3×3 oversampling of the final video resolution. (22 MP, minus crop for 16:9 ratio, divided by 9, equal 1080×1920)
The next “magical” resolution (4×4 oversamping) is at 39 MP.
CPS Event in Yokohama?
I’m told there is a CPS event in Yokohama, Japan at CP+. Those usually lead to some kind of announcement.
Anything before CES?
There could be a few products announced before CES.
I’m told there will be a PowerShot announcement, however nothing specific has been mentioned.
We’ve been told the 24-70 II and 35 f/1.4 II will finally be announced. The 24-70 II announcement has existed pretty much as long as this site has. I really want it announced so I can stop reading emails about it. I offer no opinion on the likelihood of such an announcement.
Possible evidence of a EF 24-70 f/2.8L II can be seen here, here & here.
The EF 200-400 f/4L IS 1.4x could also be officially announced. However, that may not happen until the new 500 & 600 start to ship.
The only camera that is possible would be a Rebel, though I’ve received zero information one being announced in early January.
Nikon is rumoured to be announcing the D4 & new 85 f/1.8 on January 6, 2012.
Will Canon let Nikon have all the thunder at CES/PMA?
Are we getting a goodie before Christmas?
Received an email today saying Canon may announce a new lens on or around December 6, 2011.
This could just be in retaliation of the suspected Nikon announcements on November 30, 2011. No mention of what lens, which lowers the possibility in my eyes.
I can only think of one time a lens was announced and I had heard absolutely nothing about it, and that was the 55-250 II.
APS-C Before Full Frame?
Received word today, that the next planned DSLR announcement from Canon will be in February 2012. It’s a loose date and could happen at the end of January as well. The floods in Thailand are messing with parts availability.
It will most likely be a camera using the current 18mp sensor, with some modifications. Expect DIGIC V as well.
I’m told from the same person we’ll see a lens announcement before the next DSLR. No word on what.
Again, the same person is saying the next “G” series camera will be a departure from what we have now.
Two Red Dot Cameras?
People are commenting on the red dot on the C300 image below, but it also appears on the EOS DSLR camera in the image. No idea what’s up with that for the moment.
ISO Performance #3
A Sam Nicholson film is showing, and the noise from the previous film isn’t showing in this one.
ISO Performance #2
The 2nd short film they’re showing is noticeably noisier.
Breathtaking ISO Performance
Filmmakers and the audience are commenting about how clean, sharp and beautiful the example short films are. The lowlight performance may be revolutionary.
Canon EOS C300
It looks like 3 new compact primes and 2 zoom lenses. Can be mounted on the new Cinema EOS camera as well as Canon EOS DSLRs.
14:44 I’m told (@GoForJared) the new camera is called the EOS C 300, and not the previously reported EOS 300C.
Live from Hollywood
A few places on the web will be doing some live blogging of the event in Hollywood.
Mitch @ Planet5D is there.
Engadget will also be there.
I will be continually updating a post here as new information and imagery comes about.
As expected, Canon makes the Pixma Pro-1 official.
Canon Australia today announced the launch of its new flagship PIXMA Pro series model, the PIXMA PRO-1, the world’s first A3+ printer to feature 12 separate inks. Featuring an EOS-inspired design, the stylish model produces the highest possible print quality in colour and monochrome, perfect for professional and serious amateur photographers, and exceptional levels of productivity make it ideal for studio use and commercial exhibitions.
“The PIXMA PRO-1 is the ultimate A3+ printer for anyone who demands the very best print quality and the longevity that LUCIA pigment inks deliver, or anyone with commercial requirements such as high output productivity, large ink capacity and easy workflow integration,” said Beryl Thomas, Brand Manager – PIXMA, Canon Australia. “Users in professional settings will appreciate the drastic improvements in output performance achieved by the new tubular ink supply, as well as workflow benefits from Ethernet connectivity, automatic ICC profile detection and compatibility with the Adobe Photoshop suite.”
Groundbreaking 12-ink system for superb results
The unique 12-ink system significantly expands colour gamut in most areas and features new Chroma Optimizer for increased black density and uniform glossiness. Five monochrome inks produce professional quality black-and-white prints with excellent detail in shadow and highlight areas, as well as smooth tonal gradation and suppressed graininess. Next-generation LUCIA pigment inks are used for outstanding image permanence, enabling photo-album archival life of more than 200 years.
Exceptional quality colour and monochrome prints
The PIXMA PRO-1 supports 1200 pixel-per-inch (ppi) input resolution (double compared with previous generations of PIXMA Pros) to reflect the increasing number of pixels available on professional cameras and produce smoother prints with high resolutions of up to 4800 x 2400 dots per inch (dpi). The new Optimum Image Generating (OIG) system analyses the photo colour and precisely calculates the optimum ink combination and volume of ink droplets, which are then accurately placed on the paper by Canon’s FINE print head with 12,288 nozzles.
“The Pixma Pro-1 is the ultimate A3+ printer for anyone who demands the very best print quality and longevity…”
The OIG system enhances colour reproduction, natural tonal gradations and uniform glossiness in each print mode and media type, to produce print quality so realistic it almost jumps off the page. Smooth tonal gradations in colour and monochrome prints are achieved through 16-bits-per-channel printing capability. The new PIXMA PRO-1 also features three colour modes, including the new Photo Colour print mode which reproduces fresh blues and greens to match people’s memory of colours. Linear Tone mode reproduces colours with a linear tone curve, while the ICC Profiles mode means users can utilise paper-specific colour profiles or create their own for added convenience.
Productivity on a commercial scale
The PIXMA PRO-1 can produce a gallery-quality A3+ print in approximately 2 minutes 55 seconds, down from 7 minutes 55 seconds for the PIXMA Pro9500 MkII. A 2.5x larger ink tank capacity compared with the nearest PIXMA model ensures longer running periods can be maintained between ink changes. Front-opening panels enable easy access to the tanks either side of the main printer body and, for efficiency, the rear tray takes up to 20 sheets of photo paper, while the manual feed slot accepts photo paper up to 356mm (14”) wide and heavier fine art papers.
For saleable prints, real-time droplet volume control stabilises colour and ink density, ensuring consistency of colour output from print to print. Reliability in a commercial environment is assured through the use of features commonly found on large format professional printers, including a mist fan with an air circulation system and a tubular ink supply system separate to the print head for faster print speed. An Ethernet connection ensures the PIXMA PRO-1 can be shared easily over a network enabling multiple device connection for enhanced efficiency.
Simplify workflow and professional colour control
The PIXMA PRO-1 comes with Easy-PhotoPrint Pro plug-in software which simplifies printer settings and allows batch printing. Support has now also been expanded to the full Adobe Photoshop® family, including Lightroom®III. The printer can also automatically select the correct ICC profile for each Canon paper, and an expanded range of ICC profiles is available for Fine Art papers from well known manufacturers.
Canon’s Colour Management Tool Pro softwareIV supports x-rite colour management tools, including Colour Munki Photo and Colour Munki Design, and enables users to create custom ICC profiles to ensure the optimum output quality. The PIXMA PRO-1 also includes the Ambient Light Correction feature so that users can select the type of lighting under which a print will be displayed. The print colours are then automatically adjusted to ensure the very best colour reproduction under different viewing conditions.
The PIXMA PRO-1 will be available nationally in Australia from early November 2011 (RRP: $1499).
The Pixma Pro-1 Key Features
- Groundbreaking 12-ink system with exceptional colour gamut
- Chroma Optimizer for uniform glossiness and crisp, sharp blacks
- New LUCIA pigment inks ensure outstanding photo permanence
- New tubular ink supply system for high-speed (A3+ photo in just 2 min 55 secI) and high-capacity ink tanks, ensuring long periods between replacements
- Wide range of media support including 356mm (14”) wide and thick media
- Easy-PhotoPrint Pro plug-in for efficient printing workflow; Ethernet connectivity for sharing
LAKE SUCCESS, N.Y., October 18, 2011 – Canon U.S.A., Inc., a leader in digital imaging, is proud to introduce a completely revolutionized EOS-1D series camera, the Canon EOS-1D X Digital SLR camera.* As the new leader in Canon’s arsenal of professional DSLRs, the EOS-1D X will be a high-speed multimedia juggernaut replacing both the EOS-1Ds Mark III and EOS-1D Mark IV models in Canon’s lineup. Enhancing the revolutionary image quality of the EOS-1Ds and speed capabilities of the EOS-1D series, the EOS-1D X DSLR features an 18-megapixel full-frame Canon CMOS sensor, Dual DIGIC 5+ Imaging Processors, 14-bit A/D data conversion and capable of shooting an incredible 12 frames-per-second (fps). Canon’s EOS DSLR cameras and accessories have a long-standing legacy of providing high-quality results to professionals in a wide range of markets, including sports, nature, cinematography, wedding and commercial studios. The addition of this new model will help take this tradition to a whole new level.
The EOS-1D X announcement comes on the heels of Canon’s recent manufacturing milestone with the production of the Company’s 50-millionth EOS-series SLR camera in September of 2011. Furthermore, Canon will achieve yet another milestone at the end of this month producing the 70-millionth EF lens.
“The EOS-1D X represents the re-invention of the EOS-1Ds and EOS-1D series, combining new proprietary Canon technologies with the culmination of customer feedback and requests from the field. We are proud to introduce this camera to the worldwide community of professional photographers and cinematographers with the features and capabilities they need to capture the great moments that display their talent,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.
Canon EOS-1D X Front
The Camera With Three Brains
The EOS-1D X features three DIGIC processors, including Dual DIGIC 5+ image processors capable of delivering approximately 17 times more processing speed than DIGIC 4, and a dedicated DIGIC 4 for metering and AF control. In conjunction with the newly developed high-performance 18-megapixel full-frame Canon CMOS image sensor, the Dual DIGIC 5+ processors provide high-speed continuous shooting, lower noise, and a significant increase in data processing speed than previous EOS-1D models. This new level of data processing speed allows the EOS-1D X to perform many functions including chromatic aberration correction for various Canon EF lenses in-camera instead of through post-production software. The DIGIC 4 processor utilizes a new 100,000-pixel RGB Metering Sensor for enhanced exposure accuracy with color and face detection, and works together with the camera’s new EOS iTR (Intelligent Tracking and Recognition) AF.
The EOS-1D X employs a completely new imaging sensor, producing the lowest noise of any EOS digital camera to date for stunning portraiture and studio work. The new 18-megapixel full-frame CMOS sensor utilizes large pixels – 1.25 microns larger than those in the EOS-1D Mark IV sensor and .55 microns larger than those in the EOS 5D Mark II sensor – together with gapless microlenses to achieve enhanced light gathering efficiency, higher sensitivity and less noise at the pixel level. The new sensor has improved on the already very high signal-to-noise ratio of sensor output of earlier EOS models for outstanding image quality, even in extremely low light. When combined with the Dual DIGIC 5+ imaging processors the results are stunning. The images produced with the EOS-1D X camera’s new sensor are so clean that files can easily be up-sized if necessary for even the most demanding high-resolution commercial applications. The EOS-1D X will also feature new Ultrasonic Wave Motion Cleaning (UWMC), Canon’s second generation self-cleaning sensor unit, which utilizes carrier wave technology to remove smaller dust particles from the sensor and it includes a new fluorine coating on the infrared absorption glass to help repel dust.
The low-light capability of the EOS-1D X is evident in its incredible ISO range and ability to photograph in extremely low-light conditions. Adjustable from ISO 100 to 51,200 within its standard range, the new model offers a low ISO 50 setting for studio and landscape photography and two high settings of 102,400 at H1 and 204,800 at H2, ideal for law enforcement, government or forensic field applications.
Canon EOS-1D X Top
New 61-Point High Density Reticular AF
The EOS-1D X includes a brand new 61-Point High Density Reticular AF, the most sophisticated DSLR AF system Canon has ever released. The 21 focusing points in the central area are standard precision cross-type and effective with maximum apertures as small as f/5.6, depending on the lens in use. The center five points are also high-precision diagonal cross-type points for maximum apertures as small as f/2.8. All 61 points are sensitive to horizontal contrast with maximum apertures as small as f/5.6 and 20 of the outer focusing points function as cross-type points with maximum apertures as small as f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low light sensitivity, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)
All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models). A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.
Similar to the AF point selection options offered in the EOS 7D Digital SLR camera, the EOS-1D X offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection. (See image below AF point selection options.)
EOS iTR AF: Intelligent Tracking and Recognition Enhances AF Performance
The Canon EOS-1D X features incredible new EOS iTR (Intelligent Tracking and Recognition) AF options ideal for wedding and event photography as well as sports and photojournalism. The default AF mode for the EOS-1D X uses phase detection AF information, while a new second option uses Face Detection technology to track recognized faces in addition to color information, ideal when shooting events such as tennis or dancing where facial recognition of the original subject will help keep that person in focus throughout the scene.
For the first time in a Canon DSLR camera, a DIGIC processor is used exclusively with the metering sensor for fast, accurate exposure control. The Canon DIGIC 4 processor takes advantage of the EOS-1D X’s 100,000-pixel RGB Metering Sensor and utilizes 252 zones for general metering or 35 zones for low-light metering to help ensure accurate evaluative ambient or flash exposure. The new subject recognition capabilities enhance nearly all of the camera’s automatic functions, helping to adjust exposure, autofocus, Auto Lighting Optimizer and Automatic Picture Style to the scene being captured for enhanced image quality.
Multiple Exposure Modes
The EOS-1D X is the first EOS Digital SLR to feature Multiple Exposure capability. The camera can combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera’s LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS-1D X’s Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image.
Canon EOS-1D X Side
Super High Speed Mode
The Canon EOS-1D X camera breaks new ground in the world of digital SLRs, offering a Super High Speed Mode which increases shooting speeds up to 14 fps at full 18-megapixel resolution in JPEG mode[i]. The new camera is also capable of shooting RAW, JPEG, or RAW+JPEG at speeds up to 12 fps in One Shot AF or AI Servo AF for enhanced performance in sports photography and other applications requiring high-speed digital capture. This new level of performance is made possible by the combination of the EOS-1D X’s 16-channel readout CMOS sensor, Dual DIGIC 5+ image processors, and a completely new reflex mirror mechanism that has been engineered by Canon to combine high-performance with exceptional precision and reliability.
Enhanced EOS HD Video – New Compressions, Longer Recording
Centered around an all-new full-frame CMOS sensor with larger pixels than those found on the EOS 5D Mark II image sensor, the EOS-1D X utilizes new HD video formats to simplify and speed up post-production work. The two new compression formats offered on the EOS-1D X include intraframe (ALL-i ) compression for an editing-friendly format and interframe (IPB) compression for superior data compression, giving professionals the options they need for their ideal workflow. Answering the requests of cinematographers and filmmakers, the EOS-1D X includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing multiple cameras or separate sound recording to be synced together in post production.
Canon’s all new full-frame CMOS sensor ensures that video footage captured on the EOS-1D X will exhibit less moiré than any previous Canon model, resulting in a significant improvement in HD video quality. A desired feature for many documentary filmmakers using Canon DSLRs was to enable recording beyond the four gigabyte (GB) file capacity and the EOS-1D X is the answer. The new camera features automatic splitting of movie files when a single file exceeds 4GB. The new file splitting function allows for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files; no frames are dropped and the multiple files can be seamlessly connected in post production, providing filmmakers the recording time they want in the same convenient DSLR form factor. The camera records Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.
The Canon EOS-1D X also includes manual audio level control, adjustable both before and during movie recording, an automatic setting, or it can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input.
Canon EOS-1D X Back
Enhanced Ergonomics & Optimized Design
Photographers familiar with Canon’s EOS 1D-series of cameras will notice the control configuration of the EOS-1D X takes a different approach to button placement. The re-designed exterior and ergonomic button configuration feels comfortable in your right hand, allowing seamless navigation through menu options.
The Live View Button has been conveniently placed near the user’s thumb for one-touch switching between Live View and Viewfinder shooting. The Quick Control Button and menu navigation controls will allow users to change camera settings using only their right hand, for fast, simple one-handed control using their thumb on the scroll wheel. The new multi-controller is positioned by the right hand thumb when the camera is held for vertical shooting and enables the same level of control to camera operators when shooting vertically as they have when shooting horizontally. On the front of the camera are four user assignable function buttons, two for vertical shooting and two for horizontal shooting, allowing customizable button control when shooting in either position. The camera also features a level of weather resistance equivalent to earlier professional models such as the EOS-1D Mark IV.
Canon has answered the request of many professional EOS photographers and incorporated Dual Card Slots into the new EOS-1D X DSLR camera. The dual CF card slots will allow photographers to carry only one memory card format and still achieve instant image back-ups and enhanced storage capacity.
This camera also features a new shutter design with even greater durability and precision. Rated to 400,000 cycles, the new carbon fiber shutter blades are more lightweight and durable, allowing the EOS-1D X to achieve over 100,000 cycles more than the shutter of the EOS-1D Mark IV. A new shutter motion and new motor help further reduce vibration in the camera. The EOS-1D X also features an electronic first curtain, new to the EOS-1D series DSLRs, for minimal in-camera vibration during image capture.
Canon EOS-1D X Dual CF Slots
For professional photographers who prefer a wired workflow and transfer system, Canon has included a built-in LAN connection in the EOS-1D X DSLR. The built-in LAN connection features a gigabit Ethernet Jack capable of 1000BASE-T transmission speeds, offering photographers a stable wired connection for ultra-fast data transmission. If the network were to go down, the camera will attempt to resend images until the files are sent. The EOS-1D X also features a direct image transfer function whereby images can be selected for transfer, and only sent once a LAN or USB connection is established.
Designed exclusively for the EOS-1D X, the new Canon WFT-E6A Wireless File Transmitter* features wireless LAN support for 802.11n network transfer rates providing users with increased communication speed when compared to previous models. With this new dust and weather resistant model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras. In addition, Bluetooth-compatible equipment can be easily linked to the device as well.
The EOS-1D X also offers an optional Canon GP-E1 GPS Receiver*, which can be easily integrated into the camera’s body. Powered by the camera, this GPS receiver provides the same weatherproof resistance as the EOS-1D X, even at the connector. With an electronic compass on-board, the GP-E1 will log movement – latitude, longitude, elevation, and the Universal Time Code – and allow viewing of camera movement on a PC after shooting. The receiver will also record camera direction when shooting, even when shooting vertically.
Canon EOS-1D X With Accessory Attached
Pricing and Availability
The Canon EOS-1D X Digital SLR camera is scheduled for March 2012 availability and will be sold in a body-only configuration at an estimated retail price of $6,800.00. The compact, lightweight WFT-E6A Wireless File Transmitter is scheduled to be available in March 2012 and have an estimated retail price of $600. Availability for the GP-E1 GPS receiver is expected in April 2012 with an estimated retail price of $300.
**Super High Speed Continuous shooting at 14 fps requires mirror lock and JPEG mode at ISO speeds less than 32000.
Canon EOS-1D X Build