Archive for: c100

CHICAGOLAND, DEATH ROW STORIES, and MORGAN SPURLOCK: INSIDE MAN Captured On Canon Cinema EOS Digital Cameras and Lenses

CHICAGOLAND, DEATH ROW STORIES, and MORGAN SPURLOCK: INSIDE MAN Captured On Canon Cinema EOS Digital Cameras and Lenses

MELVILLE, N.Y., May 14, 2014 – Canon U.S.A. Inc., a leader in digital imaging solutions, is proud to announce that three shows that premiered in spring 2014 chose Canon Cinema EOS Digital cameras and lenses to capture their compelling stories. The three series, airing on CNN/U.S., include CHICAGOLAND, from Executive Producers (EP) Robert Redford and Laura Michalchyshyn and the award-winning Brick City Television, LLC (BCTV) filmmaking team Marc Levin and Mark Benjamin, DEATH ROW STORIES, from Academy Award-winning Executive Producers Alex Gibney and Robert Redford, and MORGAN SPURLOCK: INSIDE MAN, from Oscar-nominated filmmaker Morgan Spurlock. These television series were developed in 2013 to produce unscripted, informative, and entertaining non-fiction programming for the cable television news channel. Each turned to Canon when making their eight, one-hour long episodes.

“Canon is honored to be the camera of choice for these three television series,” said Yuichi Ishizuka, president and COO, Canon U.S.A. “Our Cinema EOS Digital cameras have been designed for use in productions just like these and to be chosen for three docu-series on one network is quite humbling.”

CHICAGOLAND

When cinematographer Daniel B. Levin was preparing for CHICAGOLAND - a series that tells the story of its namesake city as it confronts an education system in turmoil and public safety crisis – he turned to the Canon EOS C300 Digital Cinema camera in order to fulfill his need for a rugged, ergonomic, compact camera, that would produce a cinematic image to meet the high standards of the production team. “We wanted to weave beauty, texture, and the city in with doc-verite, real, gritty, run-and-gun filmmaking,” said Levin. “The remarkable thing about the C300 camera is you can build it as big as you want, or strip it down as small as you want.”

The flexibility of the Canon EOS C300 Digital Cinema camera system made it possible for Levin to follow Chicago’s policymakers, community leaders, and residents through the various elements and public locations like Mayor Rahm Emanuel’s office at City Hall as his team works to improve the metropolis’ social policy, education, and public safety.

To keep his rig light and his focus sharp, Levin paired the Canon EOS C300 Digital Cinema camera with a set of Canon EF L-series lenses, including the EF 24-105mm f/4L IS USM, EF 50mm f/1.2L USM, and the EF 70-200mm f/2.8L IS II USM. “If you have these lenses – which could all fit in a backpack – you’re basically good to do anything,” concluded Levin.

Airing on eight successive Thursday evenings, CHICAGOLAND began March 6, 2014 at 10:00pm ET/PT.

DEATH ROW STORIES

Academy Award-winning directors Alex Gibney and Robert Redford teamed up to create DEATH ROW STORIES, a series that unravels a different capital murder case per episode, calling into question the myriad of beliefs about the death penalty and the American justice system. Directed by Gibney, narrated by Academy Award-winning actress Susan Sarandon, and executive produced by Sundance Productions’ Robert Redford and Laura Michalchyshyn, and Jigsaw Productions’ Alex Gibney, Dave Snyder, Stacey Offman, and Brad Hebert, DEATH ROW STORIESrelies on powerful interviews and chilling recreations to explore the issues surrounding capital punishment.

Cinematographer Antonio Rossi chose the Canon EOS C500 4K Digital Cinema camera and the EOS 5D Mark III Digital SLR camera to capture the look he wanted for the series. “We are dealing with extremely dramatic, life and death subject matter, and I try to express that drama in my camera work. So we try to make our interviews noir-ish and saturated, while conveying the gravity of the events portrayed. The EOS C500 camera beautifully allowed me to achieve the look I desired,” said Rossi.

To balance a high-quality picture with a simple workflow, Rossi chose to record a 1920 x 1080 HD image from the EOS C500 camera to a Sound Devices PIX 240i portable video recorder. He relied on an EOS 5D Mark III as his second camera and mounted Canon Cinema lenses and EF lenses interchangeably between the two. Using a Canon Cinema CN-E30-105mm T2.8 L S lens for all interview segments, his lens package also included an EF 100mm f/2.8 Macro USM, Cinema Primes CN-E24mm T1.5 L F, CN-E50mm T1.3 L F, and CN-E85mm T1.3 F L, as well as L-series EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L II USM, EF 24-105mm f/4L IS USM, and EF 70-200mm f/2.8L IS II USM lenses.

Rossi sums up his experience using Canon on DEATH ROW STORIES by noting, “The EOS C500 and the EOS 5D [Mark III] cameras work really well together as a system. And, you have the ability to use a range of lenses and shoot in a lot of different kinds of situations.”

The first episode of DEATH ROW STORIES debuted on Sunday, March 9, 2014 at 9:00pm ET/PT. A summer season will air beginning Sunday, July 13, 2014.

MORGAN SPURLOCK: INSIDE MAN

CNN’s popular original series MORGAN SPURLOCK: INSIDE MAN and its charismatic producer, director, and host will return to the airwaves this spring for a second season. The show, which clocked in as the network’s third most-watched program in 2013, explores topical subjects as Spurlock immerses himself in the issue at hand to provide a personal perspective. “Celebrity,” “The Future,” and “Income Disparity” are just a few of the themes MORGAN SPURLOCK: INSIDE MANwill tackle during its sophomore season. And while the topics of the show are varied, the producers’ emphasis on image quality is unchanging.

“We want the show to feel cinematic, large in scope, but at the same time, want it to feel real,” said Jeremy Chilnick, Executive Producer of the series and Head of Production at Spurlock’s Warrior Poets production company. “The authenticity of what you hope your audience feels is as important as making sure that it looks beautiful.”

In order to deliver the aesthetic and realism required for the show, cinematographer David Vlasits relied on the Canon EOS C300 Digital Cinema camera, as well as two Canon EOS 5D Mark III Digital SLR cameras, for both seasons one and two. While the EOS 5D Mark III Digital SLR served as his go-to camera for interior car shots, Vlasits chose the Canon EOS C300 Digital Cinema camera for day-to-day production because of its low-light capabilities, small profile, dual CF card slots, and long battery life.

The camera’s ergonomics were also a major benefit to Vlasits. “From an operating standpoint, I want a form factor that’s comfortable and balanced on my shoulder that can just as easily be put placed on a tripod when needed,” Vlasits said.

Season two of MORGAN SPURLOCK: INSIDE MAN premiered on Sunday, April 13, 2014 at 10:00pm ET/PT.

Daniel B. Levin, Antonio Rossi, David Vlasits, and Jeremy Chilnick discussed the lengths they go to capture their compelling stories and why they rely on Canon Cinema EOS systems at the “Canon Spotlight: CNN Original Series” panel at the 2014 Sundance Film Festival. These testimonials, along with additional behind-the-scenes videos can be found at the Canon Professional’s Vimeo page at https://vimeo.com/canonpro.

For more information about Canon Cinema EOS cameras and lenses, please visit the Canon U.S.A. website at http://cinemaeos.usa.canon.com/

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Canon Cinema EOS C100 in Stock at B&H Photo

From B&H Photo
B&H Photo has stock of the new Canon Cinema EOS C100 camcorder for $6499. You can also rent the C100 from LensRentals.com in the USA.

C100 at B&H Photo $6499 | Rent the C100 at LensRentals.com starting at $350

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More Analysis of the C100

More Analysis of the C100

What’s the world saying?
There is lots of opinion out there already about the new Canon EOS C100 entry level professional video camera. It looks like the camera will be in the $8000 range, though pricing hasn’t been officially announced yet.

The biggest difference I see on the surface, is the camera cannot take PL mount lenses. It looks like they’re only releasing an EF mount camera. Most initial opinions on the camera are quite positive, visit the sites below for some opinions. I’ll post more during the day as they start rolling in.

Planet5D – C100 Impressions
“I think most of us will take that with a grain of salt. The “beginning filmmakers” part – many of us cannot afford an $8000 camera. Which is why the HDSLR line has made such an impact on filmmakers in the first place – it’s low-cost! While I agree this is the lowest price of the EOS line, many will quibble with the idea that this is priced for the beginning filmmaker.” Visit Planet5D

EOSHD – C100 Impressions
“Canon today launched the much speculated Canon C100, the budget version of the C300. Initially set for a price under the Sony FS700 (around $8000), the camera is double the price of a used FS100 but features built-in ND filters and the same sensor as the C300. The design and handling looks fantastic, it is even smaller than the C300 (by some 15%) but the major compromise is the codec which is now AVCHD at 24Mbit 4-2-0.” Visit EOSHD

Vincent Laforet – C100 Impressions
“Many may be taken aback with the idea of spending $7,999 on this camera at first. But if you stop to think about what you won’t NEED to buy – it can actually start to look like the C100 might just be a wiser investment long term. This camera comes ready to shoot. The ergonomics are great so you don’t HAVE to have a cage. You don’t need to buy an external audio recorder and synching software – this has XLR inputs (and stereo headphone jack as well as levels) with the handle.”  Visit VincentLaforet

No Film School – C100 Impressions
“While it would have upset quite a few people, this camera should really have been the C300. Canon has a more costly camera at every price point than Sony, and for the same money you can get a camera that does 240fps at 1080 — instead of 60i at 1080. I think Canon is gambling on users buying or using this camera strictly for the white name etched into the front. There won’t be any PL mount lenses on this camera, as Canon is only introducing an EF mount version.” Visit NoFilmSchool

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Canon Announces EOS C100 Professional Video Camera

Canon Announces EOS C100 Professional Video Camera

London, UK, 29 August 2012 – Canon today adds to the Cinema EOS System with the launch of the new EOS C100 – a compact, versatile interchangeable-lens professional video camera designed for independent videographers. Based on the core performance of the acclaimed EOS C300, the new model combines impressive hardware specifications with a range of new automatic features – making it ideal for professionals who shoot without a crew, or EOS videographers entering the Cinema EOS System for the first time.

With Canon’s Super 35mm 8.3MP Bayer-filtered CMOS sensor at its core, the EOS C100 combines exceptional image quality with a design approximately 15% smaller than the advanced EOS C300. The camera’s powerful imaging system enables the same processing as three-chip RGB systems, delivering exceptional colour, wide dynamic

range and proven low light performance, while extensive NLE support makes it suitable for a wide range of users and production purposes. With Canon’s EF mount users have immediate access to over 60 class-leading EF lenses, as well as the freedom to experiment with the company’s expanding EF Cinema Lens line-up.

First-class camera system
Designed to offer leading quality and portability, the EOS C100 features a specification designed around the needs of single operators. Its advanced imaging system utilises the widely-used AVCHD codec, with the CMOS sensor recording 1920×1080 (Full HD) resolution video to SD cards1 at 24Mbps with 4:2:0 colour sampling – delivering sharp, vivid, professional-quality video. Uncompressed video can also be output directly to external recorders via an integrated HDMI terminal, complete with embedded timecode data.

Equipped to provide exceptional performance, the EOS C100 allows users to capture high quality images for a range of creative outputs. Support for 24/25/30p and 50/60i frame rates offers flexibility, and an ISO range of 320-20,000 provides extensive exposure control and low noise in all lighting conditions. A new Wide Dynamic Range gamma setting makes it possible to shoot in demanding, high contrast situations – achieving a dynamic range of up to 800% without the need for extensive colour grading in post-production. Additionally, Canon Log Gamma enables the capture of high quality video rich in exposure latitude and dynamic range, and ensures footage has a consistent look and feel when used alongside other Cinema EOS cameras in multicamera shoots.

Easy operation for single users
As well as full manual control, the EOS C100 integrates a range of new automatic features to support independent operators such as documentary makers or news shooters. A new One Shot AF button enables users to instantly check focus, with the central image area automatically checked prior to recording. Push Auto Iris evaluates exposure and makes any required adjustments before shooting, while new Auto White Balance uses the power of Canon’s DIGIC DV III image processor to detect and balance colour information – allowing operators to focus on the story in front of them.

A new graphical user interface enables videographers to conveniently adjust standard camera settings using the LCD screen. Operators can fine-tune Gamma settings, with the camera displaying both ‘before’ and ‘after’ curves on-screen, while White Balance settings can be altered using the camera’s joystick lever, with a colour/plane graphic displaying the amount of compensation being applied in real time. Additionally, support for continuous, automatic focus and iris adjustment will be added by a firmware update in 2013, providing fast, smooth performance when used with specified models in Canon’s range of EF Stepper Motor (STM) lenses.

The EOS C100 also offers highly flexible storage, recording to two SD card slots. Users can record to both cards simultaneously with Double Slot Recording or use Relay Recording to automatically switch across memory cards when the one in use becomes full. In-camera down-conversion also allows operators to convert HD footage stored on one card to SD resolution on the other – ideal for operators who want to reduce the size or resolution of footage before transferring or web hosting.

Professional design, professional audio
The EOS C100 features the same modular concept made popular by the EOS C300. Engineered to provide mobility and durability, it features a robust build and lightweight construction ideal for use in a number of situations. Its magnesium alloy frame provides strength and rigidity while keeping weight to a minimum, allowing users to enjoy both versatility and comfort – even during all-day use.

A large, high quality 8.8cm (3.5”) Vari-angle LCD is situated on the rear of the camera body, which can be manoeuvred to offer easy access to a range of function buttons situated behind the display. An adjustable handgrip also offers DSLR-like ergonomics during handheld shooting, and can be removed altogether for shooting in tight spaces or as part of a multi-camera rig. The camera’s button layout also has been designed taking user feedback into account, with all recording buttons now featuring red markings for added convenience during shooting. Up to 15 assignable buttons also provide high levels of customisation, allowing each user to optimise camera operation to suit their own requirements.

The EOS C100 also offers professionally-optimised audio and connectivity, supporting the capture of Dolby Digital AC3 or 16-bit Linear PCM audio at 48 kHz – the high quality signal required for professional broadcast content. A stereo microphone is built into the camera’s detachable handle, alongside audio control dials and two XLR terminals which enable users to connect to external microphones and other sources. The camera also features a new lockable HDMI terminal that ensures cables remain securely attached to the input during shooting2.

EF lenses and EF Cinema Lenses – power to create
As part of the EOS system, the EOS C100 is compatible with over 60 EF lenses and Canon’s EF Cinema Lens line-up, and complements a new duo of compact lightweight cine zoom lenses, the CN-E15.5-47mm T2.8 L S and CN-E30-105mm T2.8 L S. Both new lenses offer outstanding mobility and quality, providing performance and value that makes them excellent options for independent professionals and production houses alike.

In addition, Canon’s hugely-popular EF lens series for DSLRs offers virtually unlimited creative freedom, with options to meet any budgetary requirement. The EF-S range comprises a selection of compact, lightweight zoom lenses that merge high image quality with affordable pricing, while the full-frame EF lens line-up offers outstanding quality and flexibility – utilising luxury, class-leading optics in a range of focal length options ranging from 8mm to 800mm. Since the launch of the EOS System in 1987 over 70 million EF lenses have been manufactured, a measure of the system’s unparalleled quality, popularity, and ability to meet the needs of all kinds of photography and video users.

Canon EOS C100 – key features:

  • 8.3MP Super 35mm CMOS sensor; Full HD
  • High sensitivity, low noise
  • 24Mbps AVCHD to SD cards
  • Automatic shooting functions
  • Interchangeable EF lenses
  • Canon Log Gamma
  • Compact, modular, lightweight
  • Professional audio
  • Seamless workflow integration
  • CPS video support

Canon EOS C100 & C500 Coming? [CR1]

Canon EOS C100 & C500 Coming? [CR1]

Cinema EOS Grows
I received some info that 2 new cameras would be talked about at NAB next week in Las Vegas. The names C100 and C500 were mentioned.

One of the cameras being true 4K.

EOSRAW
Another rumour to appear on other sites and in my inbox is the development of EOSRAW. Apparently it’s recordable to CF cards and is capable of 12bit at 4K.

Read more at EOSHD

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