Archive for: cine
ZEISS is launching the Compact Zoom CZ.2 15-30/T2.9 at this year’s NAB Show in Las Vegas from April 7-10, 2014. The third member of the Compact Zoom family broadens the cine zoom line-up in the wide-angle range. From August 2014, the lens will be available for € 17,900 or US$ 23,900 (excl. VAT)*. The new zoom lens fills the wide-angle gap and complements the already available CZ.2 28-80/T2.9 and CZ.2 70-200/T2.9 lenses. It does not only offer extreme angles of view but also fulfills all the requirements for motion picture zooms: It stands out for its optical brilliance, as well as its distortion-free images.
The ZEISS Compact Zoom CZ.2 family of lenses sets new standards only experienced with fixed focal lengths from ZEISS. Equipped with this set of three zoom lenses, cinematographers can master an enormous range of shooting situations without having to resort to frequent time-consuming lens switches. For sophisticated filmmakers, the ZEISS cine zooms open up new creative possibilities. When working with a zoom lens, you can move a lot more quickly because you don’t have to change lenses and can make different shots from the same perspective.
The ZEISS Compact Zoom lenses are the only cine-style zooms in the world with full-frame coverage. All three zooms were calculated for the full-frame format of 36×24 mm. As a result, they are also compatible with image sensors larger than Super 35 (ex: image diagonal 31.5 mm) and therefore already ready to accommodate future developments in the field of growing sensor sizes. When the lenses are used on Super 35 cameras, users benefit from the positive “sweet-spot effect”: the image circle used by the sensor comes from the inner circle of the lens. As a result, the lens only uses that part of the illumination that has the highest quality in terms of sharpness, light and contrast. In line with the reliable and strict quality requirements that ZEISS lenses are subject to, all three representatives of the Compact Zoom family enable 4K capture.
The cine zooms from ZEISS are masters of flexibility whenever the goal is to achieve high-quality results with little lens changes. The optical balancing between ZEISS cine zooms on the one hand and ZEISS high-end cine lenses on the other fulfills filmmakers’ highest demands, whether they are making big-screen, TV, documentary, music video productions or feature films. All three zooms have a consistent aperture of T2.9, also making them suitable for situations with less available light. And thanks to the established ZEISS color matching, the lenses can be used in combination with the existing lens families ARRI/ZEISS Master Prime, ARRI/ZEISS Ultra Prime and ZEISS Compact Prime, with no additional color grading needed.
Over many years, ZEISS has been continuing to develop the bokeh – that special look of an out-of-focus area in an image. After all, bokeh is one of the most important characteristics of a lens. With special optical design and circular f-stop forms, ZEISS zooms here achieve a particularly harmonious result and depict out-of-focus highlights as circular without any bothersome artifacts. In addition, the Carl Zeiss T* coating – based on several layers in the nano field – ensures a visible reduction of stray light and reflections. The result: brilliant images with a three-dimensional effect.
A special protection against dust and spray water for rough use on the set underscores the high professional standard of these cine lenses.
The cine zooms from ZEISS deliver the well-known quality and performance for which ZEISS lenses have been known for decades. For cinematographers on smaller budgets in particular, it is critical to make safe investments in their equipment. On this point, the Compact Zoom CZ.2 lenses stand out strongly: due to the interchangeable mount system (IMS), with currently five different mounts (PL, EF, F, MFT und E), the lenses can be fitted without problems onto different camera mounts. As a result, the zooms can always be used on the latest camera models, and always in an optimal system mix.
All three lenses – the new Compact Zoom CZ.2 15-30/T2.9, the CZ.2 28-80/T2.9 and the CZ.2 70-200/T2.9 – will also be available as a complete set (without transport case) for € 44,999 € or US$ 59,900 (excl. VAT)*.
The new Rokinon 8mm f/3.8 Fisheye Cine lens for Canon is now in stock at B&H.
- Designed for DSLR Video Shooting
- Ideal with APS-C Sensors
- De-clicked Aperture
- 180º Angle of View
- Built-In Petal Type Lens Hood
- Toothed Aperture and Focus Rings
- For Canon DSLR Cameras
Rokinon 8mm f/3.8 Fisheye Cine Lens for Canon @ B&H $349
Canon Casts EF Cinema Lenses In Starring Role For New Cinema EOS System
New Lens Series Debuts with Seven Models and more in the wings
HOLLYWOOD, California, November 3, 2011/TOKYO, November 4, 2011 – Canon Inc. and Canon U.S.A., Inc. today announced the introduction of seven new 4K EF Cinema Lenses, an all-new series of video cinematography lenses that, in addition to the company’s current lineup of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras, form the core of Canon’s new Cinema EOS System. The launch of the Cinema EOS System marks Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital cinema camera and digital SLR camera product categories.
Canon’s new EF Cinema Lens lineup includes four top-end zoom lenses covering a zoom range from 14.5 mm to 300 mm-two models each for EF and PL lens mounts-and three single-focal-length lenses for EF mounts. All seven new lenses are capable of delivering exceptional 4K optical performance and offer compatibility with the Super 35 mm-equivalent image format. The three single-focal-length EF lenses can be used with cameras equipped with 35 mm full-frame sensors.
The seven new lenses represent the starting cast of Canon’s new EF Cinema Lens series, a star-studded lineup that will continue to grow in the future with the introduction of new A-list zoom and fixed-focal-length lenses.
Wide-Angle and Telephoto Cinema Zoom Lenses for EF and PL Mounts
- CN-E14.5-60mm T2.6 L S / CN-E14.5-60mm T2.6 L SP *
- CN-E30-300mm T2.95-3.7 L S / CN-E30-300mm T2.95-3.7 L SP *
The four new Canon zoom cinema lenses comprise the CN-E14.5-60mm T2.6 L S (for EF mounts) and CN-E14.5-60mm T2.6 L SP (for PL mounts) wide-angle cinema zoom lenses, and the CN-E30-300mm T2.95-3.7 L S (for EF mounts) and CN-E30-300mm T2.95-3.7 L SP (for PL mounts) telephoto cinema zoom lenses. Each lens supports 4K (4096 x 2160 pixels) resolution, which delivers a pixel count four times that of Full HD (1920 x 1080 pixels), and offers compatibility with industry-standard Super 35 mm-equivalent cameras as well as APS-C cameras.i
Cine 14.5-60 for EF & PL
Cine 30-300 for EF & PL
Employing anomalous dispersion glass, effective in eliminating chromatic aberration, and large-diameter aspherical lenses, the zoom lenses achieve high-resolution imaging from the center of the frame to the outer edges. Each lens is equipped with a newly designed 11-blade aperture diaphragm for soft, attractive blur characteristics, making them ideally suited for cinematographic applications.
The focal length range of 14.5-300 mm covered by the new zoom lenses represents the most frequently used focal lengths in theatrical motion picture production, a range that often requires a combination of three or more separate zoom lenses. Canon’s new wide-angle and telephoto cinema zoom lenses, however, offer a wider angle and powerful zooming to provide complete coverage across this range with just two lenses. The new wide-angle cinema zoom lenses will offer the industry’s widest angle of view among 35 mm digital cinema lenses with a wide-angle-end focal length of 14.5 mm.ii
Zoom, focus and iris markings are all engraved on angled surfaces for improved readability from behind the camera. With a focus rotation angle of approximately 300 degrees and a zoom rotation angle of approximately 160 degrees, the lenses facilitate precise focusing performance while making possible smooth and subtle zoom operation.
The new top-end cinema zoom lens lineup can be used with standard manual and electronic movie industry accessories, as well as matte boxes. Featuring a unified front lens diameter and uniform gear positions, the lenses do away with the need to adjust or reposition accessory gear when switching between other lenses in the series.
Pricing and availability
Both the Canon CN-E14.5-60mm T2.6 L S (EF mount) lens and the Canon CN-E14.5-60mm T2.6 L SP (PL mount) lens are scheduled for late January 2012 availability for an estimated list price of $45,000 each. The Canon CN-E30-300mm T2.95-3.7 L S (EF mount) and Canon CN-E30-300mm T2.95-3.7 L SP (PL mount) lens are scheduled for late March 2012 availability for an estimated list price of $47,000 each.
Single-Focal-Length Cinema Lenses for EF Mounts
- CN-E24mm T1.5 L F
- CN-E50mm T1.3 L F
- CN-E85mm T1.3 L F
Like their wide-angle and telephoto cinema zoom lens co-stars, Canon’s new CN-E24mm T1.5 L F, CN-E50mm T1.3 L F and CN-E85mm T1.3 L F cinema lenses deliver 4K optical performance. The three lenses, designed for use with EF mounts, are compatible with not only industry-standard Super 35 mm-equivalent cameras, but also 35 mm full-frame, APS-H and APS-C sensor sizes. The trio incorporates anomalous dispersion glass and large-diameter aspherical lenses for high resolution imaging throughout the frame, and features a newly designed 11-blade aperture diaphragm for gentle, attractive blurring.
Cine 24 for EF
Cine 50 for EF
Cine 85 for EF
With focus and iris markings that are easily visible from behind the camera, Canon’s three new fixed-focal-length lenses support convenient film-style operation and, offering a focus rotation angle of approximately 300 degrees, facilitate precise focusing performance.
The CN-E24mm T1.5 L F, CN-E50mm T1.3 L F and CN-E85mm T1.3 L F support standard manual and electronic industry accessories and matte boxes, and have a unified front lens diameter and uniform gear positions, eliminating the need for adjustments when switching lenses.
Pricing and availability
The Canon CN-E24mm T1.5 L F (EF mount) and CN-E50mm T1.3 L F (EF mount) lenses are scheduled to be available in late July 2012. The CN-E85mm T1.3 L F (EF mount) lens is scheduled to be available in late August. The Canon CN-E24mm T1.5 L F (EF mount) lens will have an estimated list price of $6,800. The Canon CN-E50mm T1.3 L F (EF mount) lens will have an estimated list price of $6,800. The Canon CN-E85mm T1.3 L F (EF mount) lens will have an estimated list price of $6,800.
Cost-Effective 20x Portable 2/3-Inch HD Zoom Lens With Built-In 2x Extender Introduced by Canon U.S.A.
Newest Member of Canon’s HDgc Series of Cost-Effective Portable HD Zoom Lenses Provides Superb Optical Performance and Operational Features, and a Redesigned Advanced Drive Unit
LAKE SUCCESS, N.Y., April 7, 2011 – Utilizing the latest optical technologies to deliver high performance at an attractive price point, Canon U.S.A., Inc., a leader in digital imaging, has introduced the newest member in its cost-effective HDgc Series of portable HD zoom lenses. The new KJ20x8.2B portable HD lens is specifically designed to support low-cost image acquisition systems for a wide range of applications and users, from broadcast ENG to professional freelance HD shooters. Leading the list of advanced features of the new lens is its built-in 2x extender, an important imaging feature previously seen on higher-end HD lenses. As a result, the KJ20x8.2B offers ENG shooters and other camera operators greatly improved subject-framing flexibility. The new KJ20x8.2B is also Canon’s widest (8.2 mm) lens in the affordable 20x zoom class, and it covers a generous range of focal lengths, particularly when combined with its built-in 2x extender expanding its 8.2mm-164mm focal length to 16.4mm-328mm. The new KJ20x8.2B portable HD zoom lens will be on display at the 2011 NAB Show along with many other Canon HD lenses and advanced imaging products in booth # C-4325 in the Central Hall of the Las Vegas Convention Center, April 11-14.
““Given its remarkable affordability, great flexibility, and innovative operational features, the new KJ20x8.2B is set to become the next generation’s standard 2/3-inch portable HD zoom lens,” noted Larry Thorpe, national marketing executive, Broadcast and Communications division, Canon U.S.A. “Canon first introduced its HDgc series of HD portable lenses five years ago to provide high optical performance at competitive prices for the then-emerging generation of lower-cost portable HD video cameras designed for ENG and other types of programming. The HDgc product line has since grown into a broad range of portable HD lenses engineered to meet a wide range of production applications for lower-cost HD cameras and camcorders having either 2/3-inch, 1/2-inch, or 1/3-inch imagers. Now at NAB 2011, the introduction of the KJ20x8.2B marks a price-performance breakthrough for the many production applications seeking cost-effective HD acquisition systems based upon a new generation of low-cost 2/3-inch camcorders.”
The outstanding optical performance of Canon’s new KJ20x8.2B portable HD lens is the result of Canon’s world-leading design tools, including cutting-edge optical-simulation and 3D-design technologies, novel optical glass materials and coatings, and extraordinary dispersion glass (which Canon also uses for its flagship HDxs series lenses). Collectively these technologies and materials have facilitated an unusually high degree of optimization of the cost-performance ratio of the new KJ20x8.2B. The lens has minimized axial and lateral chromatic aberrations, coma aberrations, and geometric distortion. The new optical materials and multilayer optical coatings used for the KJ20x8.2B effectively attenuate optical artifacts such as ghosting, flare, and veiling glare that might be stimulated by strong light sources (for example, sun in daytime and car headlights at nighttime). The KJ20x8.2B exhibits a high MTF (modulation transfer function) at picture center that is also well controlled out to picture extremities. This high MTF is well sustained even with operational adjustments of focal length and object distance. The KJ20x8.2B’s optical performance is well-balanced for both near and distant subjects, and its rendering of distant subjects at wide angles – frequently required for landscape and cityscape shots – surpasses previously available lenses in this price range.
The new lens features an enhanced macro function that effectively reduces the minimum object distance (from the front of the lens) to only 10mm.
In addition to its optical sophistication, the new KJ20x8.2B portable HD zoom lens also features Canon’s latest improvements in Advanced Drive Unit technology. This technology is famous for the convenience and control it affords to camera operators using Canon portable HD lenses. On the new KJ20x8.2B, Advanced Drive Unit technology includes Shuttle Shot, a Canon-exclusive technology that enhances production capabilities. At the touch of a button, Shuttle Shot allows the operator to rapidly zoom back and forth between any two positions. Shuttle Shot can be used to zoom to the telephoto position to check focus and almost instantly return to the original position, or users can “shuttle” between any two zoom-positions at any time. Users can set specific Shuttle Shot zoom positions using a simple “Memo” push switch; the switch enables more reliable Shuttle Shot set-up in the field, where more consistent functioning of the controls is required. The KJ20x8.2B’s zoom can travel end-to-end in as little as 1.0 second, an improvement over the speed of previous models; although faster, new noise suppression on the servomotor inside the Advanced Drive Unit ensures very quiet operation.
The new Advanced Drive Unit also features an ergonomically re-designed, tilted shape for user comfort, convenience, and balance. The operator’s tactile connection with the lens is enhanced by a ribbed surface on the bottom of the Drive Unit to ensure a firmer grip and better overall operational control. A new grip support allows users to securely grasp the drive Unit without inadvertently pressing on the VTR or Shuttle Shot buttons.
Various companies have recently introduced portable HD cameras with lens-aberration correction functions. The KJ20x8.2B portable HD zoom lens is fitted with a camera-communication interface to support these separate aberration correction functions.*
* Check with the specific camera manufacturer to determine whether their camera is compatible with KJ20x8.2B lens-aberration-correction functions.
LAKE SUCCESS, N.Y., April 7, 2011 – Canon U.S.A., Inc., a leader in digital imaging, today introduced two advanced-design PL-mount lenses that address the emerging 4K production standards. Designated as the Canon FK14.5-60 wide-angle cine zoom and the Canon FK30-300 telephoto cine zoom, these precision-matched lenses incorporate breakthrough Canon optical designs that simultaneously optimize and enhance multiple imaging attributes while minimizing optical aberrations and distortions. Both lenses are also more compact and lightweight than contemporary PL-mount lenses and both feature a totally new Canon optical design that virtually eliminates focus breathing. As digital cinematography continues to accelerate for theatrical motion pictures, TV movies, episodic dramas, commercials, and other forms of digital high-resolution production, professionals will require the very best in performance and image quality. By already performing in accordance with emerging 4K production image format standards, both of the new Canon PL-mount cine zoom lenses inherently ensure the very highest performance in contemporary 2K and HD digital motion imaging.
“Both the Canon FK14.5-60 wide-angle cine zoom lens and the FK30-300 telephoto cine zoom lens are engineered to meet the most demanding overall imaging requirements of the latest large-format single-sensor digital cinematography cameras, and the creative requirements of the most discerning cinematographers, producers, and directors. Canon’s new wide-angle FK14.5-60 and telephoto FK30-300 PL-mount lenses will be on display at the 2011 NAB Show along with many other Canon HD lenses and advanced imaging products in booth # C-4325 in the Central Hall of the Las Vegas Convention Center, April 11-14.
“The 2K and HD digital production formats are firmly established in the global marketplace today, while 4K resolution is poised to further propel the imaging quality of digital cine production. Anticipating this exciting evolution in digital acquisition guided Canon’s developments of a new optical platform in recent years to meet the current and future imaging needs of high-resolution camera sensors,” explained Larry Thorpe, national marketing executive, Broadcast and Communications division, Canon U.S.A. “Canon has extrapolated a new optical platform – first seen during NAB 2009 on a working prototype 8K lens – to bring to market these two new PL-mount lenses. Advanced glass materials, exotic new optical coatings, and new computer-design techniques were all employed to achieve significant overall optical performance in these two lenses.”
Digital Cinematography for Feature Films
Canon’s new FK14.5-60 wide-angle cine zoom lens and FK30-300 telephoto cine zoom lens are both engraved with large, highly visible focus scales for convenient film-style operation. Both also have a common 136 mm front diameter for use with industry-standard optical accessories. The location, diameter, and rotation angle of the lens gears are also identical, which further facilitates convenience in exchanging lenses on-set.
The wide-angle FK14.5-60 maintains its T2.6 maximum aperture over the entire focal range, and with the virtual absence of focus breathing offers new freedom in exploring novel picture creation. The lens preserves a high MTF (modulation transfer function) at wide-open apertures, exhibits well-controlled light distribution across the image plane, and greatly curtails ghosting and veiling glare artifacts from strong light sources. These attributes combine to help ensure superb contrast under a wide range of scene-lighting conditions, help maximize the image-creation capabilities of the current top-of-the-line single-sensor digital cinematography cameras. The telephoto FK30-300 complements the wide-angle FK14.5-60 in larger studios while also servicing many outdoor shots with exceptionally vivid imagery.
TV Movies, Episodic Series, and Commercial Production
The focal ranges offered by the wide-angle FK14.5-60 and the telephoto FK30-300 cine zoom lenses are designed to flexibly address most of the needs of contemporary HDTV episodic program production. The short depth of field, high sensitivity, superb contrast ratio, and excellent picture sharpness of both lenses are designed to provide producers of TV movies, episodic (drama) series, commercials, and music videos with the creative imaging flexibility needed to fulfill a myriad of potential story-telling objectives. Both lenses are equipped with precision back-focus adjustments to expedite lens-camera set-up, which is especially useful in multi-camera TV production environments. The mechanism is concealed beneath a cover plate. In addition, both lenses provide superb control over geometric distortion to prevent visible anomalies when shooting at extreme wide angles on large studio sets that contain extended straight edges.
New video lenses?
I’d like to say up front I am completely ignorant to cine lenses and the whole world of video.
I received a message yesterday that Canon is planning a set of PL primes to compete with Zeiss.
How realistic that is is unknown to me, but it may be worth discussing.